Dinadan | |
---|---|
Matter of Britain character | |
First appearance | Prose Tristan |
In-universe information | |
Title | Sir |
Occupation | Knight of the Round Table |
Family | Bruenor, Daniel |
Nationality | Cornish |
Dinadan [lower-alpha 1] is a Cornish knight of the Round Table in the Arthurian legend's chivalric romance tradition of the Prose Tristan and its adaptations, including a part of Le Morte d'Arthur . Best known for his humor and pragmatism, he is a close friend of the protagonist Tristan. Dinadan is the subject of several often comedic episodes until his murder by Mordred and Agravain.
Dinadan is a knight from Cornwall and the son of Bruenor senior, also known as the Good Knight Without Fear. His brothers include fellow Round Table knights Breunor le Noir and Daniel. Unlike many other knights in Arthurian romance, the pragmatic Dinadan tends to avoid fights and views courtly love as a futile pursuit, though he displays bravery in battle when necessary.
Like Palamedes and Lamorak, Dinadan was introduced in the 13th-century Prose Tristan, a variation of the Tristan and Iseult legend. He also featured in subsequent retellings, such as the Post-Vulgate Cycle and Thomas Malory's well-known work Le Morte d'Arthur (in "The Book of Sir Tristan"). Additionally, he appeared in lesser-known romances like Escanor, where his deep skepticism towards women serves as a comedic theme, [1] and certain versions of Les Prophéties de Merlin.
Malory's portrayal of Dinadan emphasizes his cynical humor and inclination towards mocking chivalry. [1] During his visit to the court of Cornwall in search of his friend, the young hero Tristan (Tristram), Dinadan shares supper with Queen Iseult (La Beale Isoud), revealing his deliberate choice to have no lady-love or paramour to inspire his noble deeds. Dinadan is often depicted as the most witty among Arthur's knights, both the source and target of numerous practical jokes. In Le Morte d'Arthur, he stands out for his ability to recognize his fellow knights beyond their shields, unlike many others. In one memorable instance, he helps Tristan identify King Arthur. Notably, Dinadan composes a derisive ballad about King Mark and arranges for a troubadour to perform it at Mark's court. In another escapade, he is caught off guard and defeated in a joust by Lancelot, who cleverly wears a dress over his armor and later dresses his unconscious opponent in it.
According to Joyce Coleman, "Margaret Schlauch praises the 'courtly realism' depicted in Sir Thomas Malory's Le Morte d'Arthur, especially highlighting 'the comically realistic Sir Dinadan', whose humorous remarks about his fear of jousting leave his audience laughing so hard they can barely stay seated. 'Sir Dinadan, the realist' [Elizabeth Edwards], described as the 'rational moralist' governed by a 'pragmatic creed' [Donald Hoffman], remains a central figure in Malorian analysis." [2] Conversely, other scholars such as Eugène Vinaver and Harold Livermore view the humor of Malory's Dinadan as inferior to that found in his French source material, where Dinadan's jokes are seen as more offensive and subversive, even addressing taboo subjects like religion. [3]
In Le Morte d'Arthur, following the Prose Tristan narrative, Dinadan tragically meets his end after returning from Cornwall, hoping to persuade King Arthur to reverse his ruling that had reinstated Mark on the throne. However, still wounded from his encounter with the evil knight Brehu the Merciless, Dinadan is ambushed and murdered by two other Knights of the Round Table, the treacherous half-brothers Mordred and Agravain, who resent him for his association with their enemy Lamorak from the rival clan of King Pellinore. Lancelot's half-brother Hector de Maris discovers Dinadan mortally wounded and brings him to Camelot, where he dies in Lancelot's arms.
In La Tavola Ritonda , a late medieval Italian rewrite of the Prose Tristan, Dinadan (Dinadano) himself attempts to murder the captured Mark (Marco) in revenge for the death of his dear friend Tristan (Tristano). In this version, Brehu the Merciless (Breus sanz Pietà) is actually his cousin. Unlike other portrayals, this version of Dinadan is depicted as a violent misogynist who harbors deep animosity towards women, including Tristan's beloved Iseult (Isotta), whom he openly insults as a "whore". [4] [5] The only time Dinadan falls in love with a woman is during his brief affair with the evil Losanna of the Ancient Tower (Losanna della Torre Antica). This affair causes him to turn against Tristan, who fights to save Losanna's rival Tessina (whom Dinadan also disparagingly calls a "whore"). Dinadan's typically hostile attitude towards women earns him friendly mockery from Tristan, including a comical episode where Tristan, after Dinadan refuses to marry a daughter of Espinogres (here portrayed as a king, but in Malory's version a knight who is a companion of Tristan and Dinadan), enters Dinadan's room at night pretending to be the daughter, madly in love with him.
Dinadan has appeared in modern adaptations such as the stage version and film adaptation of the musical Camelot . In the original 1960 Broadway production, he was portrayed by John Cullum, while Anthony Rogers played the role in the 1967 film version. Additionally, Dinadan is the main character in Gerald Morris' 2003 novel The Ballad of Sir Dinadan, [6] and is featured in the chapter "Sir Dinadan the Humorist" in Mark Twain's 1890 work A Connecticut Yankee in King Arthur's Court . [7] In Lev Grossman's 2024 The Bright Sword: A Novel of King Arthur, [8] Dinadan is portrayed as a transgender man who uses his knight's armor to hide his breasts and female genitals.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, also written as Launcelot and other variants, is a character in some versions of Arthurian legend where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is an orphaned son of King Ban of the lost kingdom of Benoic, raised in a fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife, Queen Guinevere, despite suffering from frequent and sometimes prolonged fits of madness. But when his adulterous affair with Guinevere is discovered, it causes a civil war that, once exploited by Mordred, brings an end to Arthur's kingdom.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
Tristan, also known as Tristram, Tristyn or Tristain and similar names, is the hero of the legend of Tristan and Iseult. In the legend, he is tasked with escorting the Irish princess Iseult to wed Tristan's uncle, King Mark of Cornwall. Tristan and Iseult accidentally drink a love potion during the journey and fall in love, beginning an adulterous relationship that eventually leads to Tristan's banishment and death. The character's first recorded appearance is in retellings of British mythology from the 12th century by Thomas of Britain and Gottfried von Strassburg, and later in the Prose Tristan. He is featured in Arthurian legends, including the seminal text Le Morte d'Arthur, as a skilled knight and a friend of Lancelot. He is also a Knight of the Round Table.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
Morgause is a popular variant of the figure of the Queen of Orkney, an Arthurian legend character also known by various other names and appearing in different forms of her archetype. She is notably the mother of Gawain and often also of Mordred, both key players in the story of her brother King Arthur and his downfall. Her other children may include Agravain, Gareth and Gaheris.
Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur, where one of its eight books is named after and largely dedicated to him, and in which he is also known by his nickname Beaumains.
Mark of Cornwall was a sixth-century King of Kernow (Cornwall), possibly identical with King Conomor. He is best known for his appearance in Arthurian legend as the uncle of Tristan and the husband of Iseult who engages with Tristan in a secret liaison, giving Mark the epithet "Cuckold King".
Gaheris is a Knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. His figure may have been originally derived from that of a brother of Gawain in the early Welsh tradition, and then later split into a separate character of another brother, today best known as Gareth. German poetry also described him as Gawain's cousin instead of brother.
Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris starting in the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at Lancelot's hand.
Dagonet is a Knight of the Round Table in Arthurian legend. His depictions and characterisations variously portray a foolish and cowardly knight, a violently deranged madman, to the now-iconic image of King Arthur's beloved court jester.
Lamorak is a Knight of the Round Table in Arthurian legend. Introduced in the Prose Tristan, Lamorak reappears in later works including the Post-Vulgate Cycle and Thomas Malory's compilation Le Morte d'Arthur. Malory refers to him as Arthur's third best knight, only inferior to Lancelot and Tristan, and the Prose Tristan names his as one of the top five, but Lamorak was not exceptionally popular in the romance tradition, confined to the cyclical material and subordinate to more prominent characters.
Palamedes is a Knight of the Round Table in the Arthurian legend. He is a Middle Eastern pagan who converts to Christianity later in his life, and his unrequited love for Iseult brings him into frequent conflict with Tristan. Palamedes' father King Esclabor and brothers Safir and Segwarides also join the Round Table. The romance Palamedes was named after him.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
The Prose Tristan is an adaptation of the Tristan and Iseult story into a long prose romance, and the first to tie the subject entirely into the arc of the Arthurian legend. It was also the first major Arthurian prose cycle commenced after the widely popular Lancelot-Grail, which influenced especially the later portions of the Prose Tristan.
Brunor, Breunor, Branor or Brunoro are various forms of a name given to several different characters in the works of the Tristan tradition of Arthurian legend. They include Knight of the Round Table known as Brunor/Breunor le Noir, as well as his father and others, among them another former knight of Uther's old Round Table and the father of Galehaut.
Joyous Gard is a castle featured in the Matter of Britain literature of the legend of King Arthur. It was introduced in the 13th-century French Prose Lancelot as the home and formidable fortress of the hero Lancelot after his conquest of it from the forces of evil. Le Morte d'Arthur identified it with Bamburgh Castle.
The Boy's King Arthur was an abridged version of Sir Thomas Malory's Le Morte d'Arthur edited by Sidney Lanier and published in 1880. It was intended as a children's edition, alongside Lanier's other "Boy's" works. The original title, including its subtitle, was The Boy's King Arthur being Sir Thomas Malory's History of King Arther and his Knights of the Round Table. It was republished in 1950 under the title King Arthur and his Knights of the Round Table.