Gringolet

Last updated
Gawain on his horse in A Knight of Arthur's Court or the Tale of Sir Gawain and the Green Knight (1910) Sir Gawain seized his lance and bade them farewell.png
Gawain on his horse in A Knight of Arthur's Court or the Tale of Sir Gawain and the Green Knight (1910)

In Arthurian legend, Gringolet is Sir Gawain's powerful war horse.

Contents

Derivation of name

Israel Gollancz in the early 20th century suggested that Gringolet was derived from the giant Wade's magic boat, Guingelot or *Wingolet – one form of magical transport (horse) being substituted for an earlier one (boat). [1] More generally accepted is the suggestion by the prominent Arthurian scholar Roger Sherman Loomis that the French name Gringalet derived from either the Welsh guin-calet ("white and hardy"), or keincaled ("handsome and hardy") [2] – linked to a wider Celtic tradition of heroic white horses with red ears. [3]

Appearances

His earliest appearance is in Chrétien de Troyes' Erec and Enide ; in that poem he is borrowed by Sir Kay to joust against Erec. Even Gringolet cannot prevent Kay from losing to the protagonist. In the Lancelot-Grail Cycle, Gawain wins Gringolet from the Saxon king Clarion; [4] a different story of the acquisition is given in Wolfram von Eschenbach's Parzival , where the horse bears the mark of, and comes from the stable of, the Grail castle – part of the gradual displacement of Gawain by Percival and the story of the grail. [5]

In the Middle English poem Sir Gawain and the Green Knight , Gawain sets out atop Gringolet in search of the Green Chapel. [6] Lines 600–604 of the poem describe Gringolet's ornate appearance in being readied for the journey:

The bridle was embossed and bound with bright gold;
So were the furnishings of the fore-harness and the fine skirts.
The crupper and the caparison accorded with the saddle-bows,
And all was arrayed on red with nails of richest gold,
Which glittered and glanced like gleams of the sun.

Gawain's attachment

Gawain is always shown as attached to Gringolet, caring for his horse, and talking to it as to a beloved pet or companion. [7] When (in The Awntyrs off Arthure ) Gringolet (here called "Grissell") is killed beneath him in combat, Gawain is seized with battle fury, and runs mad, his strength amplified, until nightfall. [8]

See also

Related Research Articles

<span class="mw-page-title-main">Holy Grail</span> Cup, dish, or stone with miraculous powers, important motif in Arthurian literature

The Holy Grail is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miraculous healing powers, sometimes providing eternal youth or sustenance in infinite abundance, often guarded in the custody of the Fisher King and located in the hidden Grail castle. By analogy, any elusive object or goal of great significance may be perceived as a "holy grail" by those seeking such.

<span class="mw-page-title-main">Gawain</span> A knight in Arthurian legends

Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem Sir Gawain and the Green Knight. Other tales featuring Gawain as the central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.

<span class="mw-page-title-main">Lancelot</span> Arthurian legend character

Lancelot du Lac, also written as Launcelot and other variants, is a character in some versions of Arthurian legend, where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is an orphaned son of King Ban of the lost Kingdom of Benoic, raised in the fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife, Queen Guinevere, despite suffering from frequent and sometimes prolonged fits of madness. But when his adulterous affair with Guinevere is discovered, it causes a civil war that, once exploited by Mordred, brings an end to Arthur's kingdom.

<span class="mw-page-title-main">Wolfram von Eschenbach</span> German knight, poet, and composer (died c. 1220)

Wolfram von Eschenbach was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry.

<span class="mw-page-title-main">Chrétien de Troyes</span> 12th century French poet and trouvère

Chrétien de Troyes was a French poet and trouvère known for his writing on Arthurian subjects such as Lancelot, Perceval and the Holy Grail. Chrétien's chivalric romances, including Erec and Enide, Lancelot, Perceval and Yvain, represent some of the best-regarded works of medieval literature. His use of structure, particularly in Yvain, has been seen as a step towards the modern novel.

<span class="mw-page-title-main">Knights of the Round Table</span> King Arthur and order of chivalry in Arthurian romance

The Knights of the Round Table are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.

<span class="mw-page-title-main">Percival</span> One of King Arthurs legendary Knights of the Round Table

Percival, alternatively called Peredur, is a figure in the legend of King Arthur, often appearing as one of the Knights of the Round Table. First mentioned by the French author Chrétien de Troyes in the tale Perceval, the Story of the Grail, he is best known for being the original hero in the quest for the Grail, before being replaced in later literature by Galahad.

Red Knight is a title borne by several characters in Arthurian legend.

<span class="mw-page-title-main">King Lot</span> Legendary Arthurian king

King Lot, also spelled Loth or Lott, is a British monarch in Arthurian legend. He was introduced in Geoffrey of Monmouth's influential chronicle Historia Regum Britanniae that portrayed him as King Arthur's brother-in-law and under-king, who serves as regent of Britain during the time between the reigns of Uther and Arthur. In the wake of Geoffrey, Lot has appeared regularly in the works of chivalric romance, alternating between the roles of Arthur's enemy and ally. He chiefly figures as ruler of the northern realm of Lothian and sometimes Norway; in other texts he rules Great Britain's northernmost Orkney isles. He is generally depicted as the husband of Arthur's sister or half-sister, often known as Anna or Morgause. The names and number of their children vary depending on the source, but the later romance tradition has given him the sons Gawain, Agravain, Gaheris, Gareth, and Mordred. Lot's literary character is likely connected to the hagiographical material concerning Saint Kentigern, which feature Leudonus as king of Leudonia and father of Saint Teneu.

<span class="mw-page-title-main">Fisher King</span> Character in Arthurian legend

The Fisher King is a figure in Arthurian legend, the last in a long line of British kings tasked with guarding the Holy Grail. The Fisher King is both the protector and physical embodiment of his lands, but a wound renders him incapable and his kingdom barren. Unable to walk or ride a horse, he is sometimes depicted as spending his time fishing while he awaits a "chosen one" who can heal him. Versions of the story vary widely, but the Fisher King is typically depicted as being wounded in the groin, legs or thigh, rendering him infertile. The healing of these wounds always depends upon the completion of a hero-knight's task.

<span class="mw-page-title-main">Gaheris</span> Fictional character

Gaheris is a knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. Le Morte d'Arthur depicts Gaheris as little more than a supporting character to Gawain, with an odd exception of his murder of their mother. His role is greater in the French prose cycles, including as an object of murderous sibling rivalry by Agravain in the Vulgate Cycle. Inevitably, however, he is killed alongside Gareth during Lancelot's rescue of Guinevere, the event that will lead to the fall of Arthur.

<i>Parzival</i> 13th-century Arthurian romance by Wolfram von Eschenbach

Parzival is a medieval romance by the knight-poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival and his long quest for the Holy Grail following his initial failure to achieve it.

This is a bibliography of works about King Arthur, his family, his friends or his enemies. This bibliography includes works that are notable or are by notable authors.

The Haughty Maiden of Logres is a character from Arthurian legend, appearing in Chrétien de Troyes' Perceval, the Story of the Grail and works based on it. She is left nameless in Chrétien's unfinished romance, but Wolfram von Eschenbach, who reworked the tale for the German epic Parzival, calls her Orgeluse.

<i>Perceval, the Story of the Grail</i>

Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant.

<i>Lancelot, the Knight of the Cart</i> 12th-century Old French poem by Chrétien de Troyes

Lancelot, the Knight of the Cart, is a 12th-century Old French poem by Chrétien de Troyes, although it is believed that Chrétien did not complete the text himself. It is one of the first stories of the Arthurian legend to feature Lancelot as a prominent character. The narrative tells about the abduction of Queen Guinevere, and is the first text to feature the love affair between Lancelot and Guinevere.

<span class="mw-page-title-main">Corbenic</span> Castle in the Matter of Britain

Corbenic is the name of the Grail castle, the edifice housing the Holy Grail in Arthurian legend. It is a magical domain of the Grail keeper, often known as the Fisher King. The castle's descriptions vary greatly in different sources, and it first appears by that name in the Lancelot-Grail cycle where it is also the birthplace of Galahad.

Bagdemagus (pronounced /ˈbægdɛˌmægəs/), also known as Bademagu(s/z), Bagdemagu, Bagomedés, Baldemagu(s), Bandemagu(s), Bangdemagew, Baudemagu(s), and other variants, is a character in the Arthurian legend, usually depicted as king of the land of Gorre and a Knight of the Round Table. He originally figures in literature the father of the knight Maleagant, who abducts King Arthur's wife Queen Guinevere in several versions of a popular episode. Bagdemagus first appears in French sources, but the character may have developed out of the earlier Welsh traditions of Guinevere's abduction, an evolution suggested by the distinctively otherworldly portrayal of his realm. He is portrayed as a kinsman and ally of Arthur and a wise and virtuous king, despite the actions of his son. In later versions, his connection to Maleagant disappears altogether.

Moriaen is a 13th-century Arthurian romance in Middle Dutch. A 4,720-line version is preserved in the vast Lancelot Compilation, and a short fragment exists at the Royal Library at Brussels. The work tells the story of Morien, the Moorish son of Aglovale, one of King Arthur's Knights of the Round Table.

La Mule sans frein or La Demoiselle à la mule is a short romance dating from the late 12th century or early 13th century. It comprises 1,136 lines in octosyllabic couplets, written in Old French. Its author names himself as Païen de Maisières, but critics disagree as to whether this was his real name or a pseudonym. La Mule is an Arthurian romance relating the adventures, first of Sir Kay, then of Sir Gawain, in attempting to restore to its rightful owner a stolen bridle. It is notable for its early use of the "beheading game" theme, which later reappeared in the Middle English romance Sir Gawain and the Green Knight. It is sometimes seen as a skit or burlesque on earlier romances, especially those of Chrétien de Troyes, but it has also been suggested that it might have been written by Chrétien himself.

References

  1. I. Gollancz, 'Gringolet, Gawain's Horse cla', in Saga Book of the Viking Club 5 (1907) pp. 106–7
  2. Roger Sherman Loomis, Arthurian tradition & Chrétien de Troyes (1949), pp. 158, 159 (books.google). Loomis defers to the suggestion by Tolkien *Gwyngalet 'white-hard'", and cites Heinrich Zimmer for the other etymology.
  3. H. M. Mustard trans, Wolfram von Eschenbach: Parzival (New York 1961) p. 183n
  4. Rupert T. Pickens (transl.), Lancelot-Grail, vol. 2: The story of Merlin (Woodbridge, Suffolk 2010), pp. 365–365.
  5. H. M. Mustard (transl.), Wolfram von Eschenbach: Parzival (New York 1961) pp. xli, 287
  6. J. R. R. Tolkien trans, Sir Gawain and the Green Knight (London 1995) pp. 34–36
  7. E. Kooper ed., Arthurian Literature (1999) p. 125
  8. Matthews, J. (2003). Sir Gawain: Knight of the Goddess. Inner Traditions. p. 117. ISBN   9780892819706.