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Wolfram von Eschenbach (German: [ˈvɔlfʁamfɔnˈɛʃn̩bax] ; c. 1160/80 – c. 1220) was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry.
Little is known of Wolfram's life. There are no historical documents which mention him, and his works are the sole source of evidence. In Parzival , he talks of wir Beier ("we Bavarians"); the dialect of his works is East Franconian. On the basis of this and a number of geographical references, the present-day Wolframs-Eschenbach, until 1917 Obereschenbach, near Ansbach in present-day Bavaria, has been officially designated as his birthplace. However, the evidence is circumstantial and not without problems - there are at least four other places named Eschenbach in Bavaria, and Wolframs-Eschenbach was not part of the Duchy of Bavaria ( Altbayern ) in Wolfram's time.[ citation needed ]
The arms shown in the Manesse manuscript come from the imagination of a 14th-century artist, drawing on the figure of the Red Knight in Parzival, and have no heraldic connection with Wolfram. Wolfram's work indicates a number of possible patrons (most reliably Hermann I of Thuringia), which suggests that he served at a number of courts during his life.[ citation needed ] He was presumably not a wealthy man, as he made frequent allusions to his own poverty. [1]
In his Parzival, Wolfram states that he is illiterate; while the claim is treated with scepticism by some scholars, the truth of the assertion, difficult for some moderns to believe, [2] is impossible to ascertain. But it has been credited by many commentators. It is noted in Thomas Mann's The Magic Mountain that "the greatest poet of the Middle Ages, Wolfram von Eschenbach, could neither read nor write," [3] and the Catholic Encyclopedia observes: "Wolfram in his Parzival tells us explicitly that he could neither read nor write. His poems were written down from dictation. His knowledge was extensive and varied rather than accurate. He certainly knew French, but only imperfectly; for his proper names often show a curious misunderstanding of French words and phrases." [4]
Wolfram is best known today for his Parzival, sometimes regarded as the greatest of all German Arthurian romances. Based on Chrétien de Troyes' unfinished Perceval, le Conte du Graal , it is the first extant work in German to have as its subject the Holy Grail (in Wolfram's interpretation a gemstone). In the poem, Wolfram's narrator expresses disdain for Chrétien's (unfinished) version of the tale, and states that his source was a poet from Provence called Kyot.
Wolfram is the author of two other narrative works: the fragmentary Titurel and the unfinished Willehalm . These were both composed after Parzival, and Titurel mentions the death of Hermann I, which dates it firmly after 1217. Titurel consists of two fragments, which tell the story of Schionatulander and Sigune (lovers that were already depicted in Parzival). The first fragment deals with the birth of love between the main characters. The second fragment is quite different. Schionatulander and Sigune are alone in a forest, when their peace is suddenly disturbed by a mysterious dog, whose leash contains a story written in rubies. Sigune is eager to read the story, but the dog runs off. Schionatulander sets off to find him, but, as we already know from Parzival, he dies in the attempt.
Willehalm, an unfinished poem based on the Old French chanson de geste, Aliscans , was a significant work, and has been preserved in 78 manuscripts. It is set against the backdrop of the religious wars between the Christians and the Saracens. The eponymous hero Willehalm kidnaps a Saracen princess, converts her to Christianity and marries her. The Saracen king raises an army to rescue his daughter. The poem has many of the distinguishing features of medieval literature: the victory of the Christians over a much larger Saracen army, the touching death of the young knight Vivian, Willehalm's nephew and the works mirror of chivalric courage and spiritual purity.
Wolfram's nine surviving songs, five of which are dawn-songs, are regarded as masterpieces of Minnesang. Dawn-songs recount the story of a knight who spends the night with his beloved lady, but at dawn has to slip away unnoticed. Mostly it is the lady who wakes the knight up in the morning, but sometimes this mission is made by the watchman. No melodies survived. Two melodies are still connected to him, the Schwarzer Thon, attributed to Wolfram in a 14th-century manuscript, and the fragmentary and unfinished epic Titurel (after 1217) with a complicated four-line stanza form that was often used in later poems. [5]
The 84 surviving manuscripts of Parzival, both complete and fragmentary, indicate the immense popularity of Wolfram's major work in the following two centuries. Willehalm, with 78 manuscripts, comes not far behind. Many of these include a continuation written in the 1240s by Ulrich von Türheim under the title Rennewart. The unfinished Titurel was taken up and expanded around 1272 by a poet named Albrecht, who is generally presumed to be Albrecht von Scharfenberg and who adopts the narrative persona of Wolfram. This work is referred to as the Jüngere Titurel (Younger Titurel).
The modern rediscovery of Wolfram begins with the publication of a translation of Parzival in 1753 by the Swiss scholar Johann Jakob Bodmer. Parzival was the main source Richard Wagner used when writing the libretto to his opera, Parsifal . Wolfram himself appears as a character in another Wagner opera, Tannhäuser .
Karl Joseph Simrock was a German poet and writer. He is primarily known for his translation of Das Nibelungenlied into modern German.
Gottfried von Strassburg is the author of the Middle High German courtly romance Tristan, an adaptation of the 12th-century Tristan and Iseult legend. Gottfried's work is regarded, alongside the Nibelungenlied and Wolfram von Eschenbach's Parzival, as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera Tristan und Isolde (1865).
Parzival is a medieval chivalric romance by the poet and knight Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival and his long quest for the Holy Grail following his initial failure to achieve it.
Lohengrin is a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story, which first appears in Wolfram von Eschenbach's Parzival, is a version of the Knight of the Swan legend known from a variety of medieval sources. Wolfram's story was expanded in two later romances. Richard Wagner's opera Lohengrin of 1848 is based upon the legend.
Kyot the Provençal is claimed by Wolfram von Eschenbach to have been a Provençal poet who supplied him with the source for his Arthurian romance Parzival. Wolfram may have been referring to the northern French poet Guiot de Provins, but this identification has proven unsatisfactory. The consensus of the vast majority of scholars today is that Kyot was an invention by Wolfram, and that Wolfram's true sources were Chrétien de Troyes' Perceval, the Story of the Grail and his own abundant creativity.
Guiot de Provins, also spelled Guyot, was a French poet and trouvère from the town of Provins in the Champagne area. A declining number of scholars identify him with Kyot the Provençal, the alleged writer of the source material used by Wolfram von Eschenbach for his romance Parzival, but most others consider such a source to be a literary device made up by Wolfram. At any rate, Guiot was a popular writer in his day.
Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.
Feirefiz is a character in Wolfram von Eschenbach's Arthurian poem Parzival. He is the half-brother of Parzival, the story's hero. He is the child of their father Gahmuret's first marriage to the Moorish queen Belacane, and equals his brother in knightly ability. Because his father was white and his mother black, Feirefiz's skin consists of black and white patches. His appearance is compared to that of a magpie or a parchment with writing on it, though he is considered very handsome.
Der Pleier is the pen name of a 13th-century German poet whose real name is unknown. Three of his works survive, all Middle High German romances on Arthurian subjects: Garel, Tandareis und Flordibel, and Meleranz. Little else is known of him, but he was an important figure in the revival of Arthurian literature in Germany in the mid-13th century, after decades of declining interest in the subject.
Titurel is a fragmentary Middle High German romance written by Wolfram von Eschenbach after 1217. The fragments which survive indicate that the story would have served as a prequel to Wolfram's earlier work, Parzival, expanding on the stories of characters from that work and on the theme of the Holy Grail. Titurel was continued by a later poet named Albrecht, who tied the story together in a work generally known as Jüngere Titurel.
9909 Eschenbach, provisional designation 4355 T-1, is a Florian asteroid from the inner regions of the asteroid belt, roughly 10 kilometers in diameter.
Iwein is a Middle High German verse romance by the poet Hartmann von Aue, written around 1200. An Arthurian tale freely adapted from Chrétien de Troyes' Old French Yvain, the Knight of the Lion, it tells the story of Iwein (Yvain), a knight of King Arthur's Round Table. It was written after Hartmann's Erec, and is generally taken to be his last work.
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the mittelhochdeutsche Blütezeit. This was the period of the blossoming of Minnesang, MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court.
Albrecht von Scharfenberg was a Middle High German poet, best known as the author of Der jüngere Titurel since his two other known works, Seifrid de Ardemont and Merlin, are lost. Linguistic evidence suggests he may have been from Bavaria and worked in Thuringia or elsewhere in northern Germany.
Moriaen is a 13th-century Arthurian romance in Middle Dutch. A 4,720-line version is preserved in the vast Lancelot Compilation, and a short fragment exists at the Royal Library at Brussels. The work tells the story of Morien, the Moorish son of Aglovale, one of King Arthur's Knights of the Round Table.
Willehalm is an unfinished Middle High German poem from the early 13th century, written by the poet Wolfram von Eschenbach. In terms of genre, the poem is "a unique fusion of the courtly and the heroic, with elements of the saintly legend attaching to it."
Ernst Eduard Martin was a German philologist of Romance and Germanic studies. He was the son of gynecologist Eduard Arnold Martin (1809–1875).
Arthur Thomas Hatto was an English scholar of German studies at the University of London, notable for translations of the Medieval German narrative poems Tristan by Gottfried von Strassburg, Parzival by Wolfram von Eschenbach, and the Nibelungenlied. He was also known for his theory of epic heroic poetry, and related publications. He retired in 1977, and in 1991 the British Academy elected him as a Senior Fellow.
Cyril William Edwards was a British medievalist and translator. Teaching in London and Oxford, he published extensively on the medieval German lyric and Old High German literature, and translated four of the major Middle High German verse narratives.
Elsa von Brabant is a figure from the Middle High German Swan knight legend from the late 13th century. She is a marginal figure in Wolfram von Eschenbach's epic Parzival. She gained new fame as the main female protagonist in Richard Wagner's opera Lohengrin.