The Battle of Camlann (Welsh : Gwaith Camlan or Brwydr Camlan) is the legendary final battle of King Arthur, in which Arthur either died or was mortally wounded while fighting either alongside or against Mordred, who also perished. The original legend of Camlann, inspired by a purportedly historical event said to have taken place in the early 6th-century Britain, is only vaguely described in several medieval Welsh texts dating from around the 10th century. The battle's much more detailed depictions have emerged since the 12th century, generally based on that of a catastrophic conflict described in the pseudo-chronicle Historia Regum Britanniae . The further greatly embellished variants originate from the later French chivalric romance tradition, in which it became known as the Battle of Salisbury, and include the 15th-century telling in Le Morte d'Arthur that remains popular today.
The name may derive from a Brittonic *Cambo-landa ("crooked/twisting-enclosure" or "crooked/twisting open land"), [1] or (less likely) *Cambo-glanna ("crooked/twisting bank (of a river)"), as found in the name of the Roman fort of Camboglanna (Castlesteads) in Cumbria. [2] [3] [4]
The earliest dateable reference to the battle is found in the 10th-century Welsh annals Annales Cambriae . An entry for the year 537 mentions the "strife of Camlann, in which Arthur and Medraut fell, and there was great mortality in Britain and Ireland." [a] This is also the first written mention of Medraut (the later Mordred), but it does not specify whether he and Arthur fought on the same side or who won the battle. [6]
Andrew Breeze (2020) argues that the battle is historical, and it was an aftermath of the famine associated by the documented extreme weather events of 535–536, which caused, in the words of the Annales Cambriae, "great mortality in Britain and Ireland". He interprets Camlann as a cattle raid on central Britain; Breeze cites R.G. Collingwood, to the effect that an identification of Camlann with "Camboglanna on Hadrian's Wall" was "convincing". Discussing further indications suggesting Camlann as Castlesteads, near Carlisle, Breeze concludes: "There is every reason to think that, in 537, when the walls of this stronghold stood high [...], Arthur was killed [there] by men of Rheged, the British kingdom centred on Penrith." [7] Flint Johnson disagrees with Breeze's interpretation of Camlann as a cattle raid, but also agrees that the battle was historical and that the causes would have been political, although the date is still uncertain. Johnson concluded: "The most reasonable reason why Arthur's death was associated with 537 is because as a king he was associated with the fertility of his kingdom and 537 was a period of famine. It would have made perfect sense to a medieval scholar with a British cultural background that the death of a renowned king had caused [that]." [8]
However, most historians regard Arthur and the Battle of Camlann as legendary. [9] [10] Nick Higham argued that, as Camlann is not mentioned in the list of Arthur's battles in the ninth-century Historia Brittonum , the source of the Annales Cambriae entry was probably an Old Welsh elegy or lament about a different Arthur, perhaps one listed in the genealogy of the kings of Dyfed. [11]
Besides the Annales Cambriae, one of the earliest mentions of Camlann is found in the circa 9th/10th-century Englynion y Beddau ("Stanzas of the Graves", Stanza 12) from the Black Book of Carmarthen , as the site of the grave of Osfran's son. [12] [13] The Welsh prose text Culhwch and Olwen , dated to the 11th or 12th century, mentions the battle twice in connection to heroes who fought there. The text includes a triad naming Morfran ail Tegid, Sandde Bryd Angel, and Cynwyl Sant as the three men who survived Camlann: Morfran because of his fearsome ugliness, Sandde because of his angelic beauty, and Cynwyl because he left Arthur last. [12] [14] This triad shows that Camlann was famous as a battle that few survived. [15] Caitlin Green suggests that "Osfran's son" from the Englynion y Beddau is connected to Morfran from Culhwch and Olwen. [16] The text also mentions Gwyn Hywar, overseer of Cornwall and Devon, one of the nine men who plotted the Battle of Camlann, suggesting a now-lost tradition of complex intrigue underpinning Arthur's last battle. [12] [15]
The Welsh Triads offer clues to the alleged cause of the Battle of Camlann. Triad 51 largely reflects (and is derived from [17] ) Geoffrey (see below): Medrawd (Mordred) rebels against Arthur while the latter is campaigning on the continent and usurps the throne, instigating the battle. Triad 53 lists a slap Gwenhwyvach gave to her sister Gwenhwyfar (Guinevere), wife of Arthur, as one of the "Three Harmful Blows of the Island of Britain", causing the Strife of Camlann. [18] Calling Camlann one of Britain's "Three Futile Battles", Triad 84 also mentions this dispute between sisters. [19] Triad 54 describes Medrawd raiding Arthur's court, throwing Gwenhwyfar to the ground and beating her. Other Triads in which Camlann is mentioned include Triad 30 ("Three Faithless War Bands") and Triad 59 ("Three Unfortunate Counsels"). [15]
Camlann is mentioned in Peniarth MS.37, a 14th-century copy of the Gwentian code of the Cyfraith Hywel (Welsh law), which (according to Peter Bartrum) shows that it was a topic familiar to Welsh writers. The law states "when the queen shall will a song in the chamber, let the bard sing a song respecting Camlan, and that not loud, lest the hall be disturbed." The 15th/16th-century poet Tudur Aled says that the battle came about through the treachery of Medrod and happened "about two nuts". [20] In the 13th/14th-century Welsh tale The Dream of Rhonabwy , [21] the immediate cause of the battle is a deliberate provocation by Arthur's rogue peace envoy named Iddawg (Iddawc Cordd Prydain) who intentionally insulted Medrawd. [22]
Geoffrey of Monmouth included the Battle of Camlann in his pseudo-historical chronicle Historia Regum Britanniae , written circa 1136. Geoffrey's version drew on existing Welsh tradition, but embellished the account with invented details. His focus was not on individuals but the 'character of the British nation'. [23] In Books X and IX, Arthur goes to war against the Roman leader Lucius Tiberius, leaving his nephew Modredus (Mordred) in charge of Britain. In Arthur's absence, Modredus secretly marries Arthur's wife Guenhuvara (Guinevere) and takes the throne for himself. Arthur returns and his army faces Modredus' at Camblana (the River Camel in Cornwall). Many are killed, including Modredus; Arthur is mortally wounded and taken to the Isle of Avalon to recover, passing the crown to his kinsman Constantine. [15] [24]
Geoffrey's work was highly influential, and was adapted into various other languages, including Wace's Anglo-Norman Roman de Brut (c. 1155), Layamon's Middle English Brut (early 13th century), and the Welsh Brut y Brenhinedd (mid-13th century). Various later works are based fairly closely on Geoffrey, including the Middle English Alliterative Morte Arthure, written around 1400. [25] The chronicle tradition typically follows Geoffrey in placing Camlann on the Camel in Cornwall: Wace places it at "Camel, over against the entrance to Cornwall," [26] and Layamon specifies the location as Camelford, [27] where John Aubrey reports that as signs of the battle "pieces of armour both for horse and man are many times found in digging of the ground" in his Monumenta Britannica (1663–1693). [28] In Layamon's telling, only Arthur and his two nameless knights are left alive after the battle. Wace wrote: "I neither know who lost, nor who gained that day. No man wists the name of overthrower or of overthrown. All alike are forgotten, the victor with him who died." [29]
Further traditions about Arthur's final battle are developed in the Arthurian chivalric romances. These often follow Geoffrey's blueprint, but alter many of the details. The legend shifts to the 'character of individuals' and the proposed adultery between Guinevere and Lancelot is first mentioned. [23]
In the Vulgate Mort Artu , [30] part of the French Lancelot-Grail (Vulgate) cycle, Arthur goes to France not to fight the Romans, but to pursue his former prime knight Lancelot, who had engaged in an affair with Guinevere and killed Arthur's nephews (Mordred's and Gawain's siblings) Agravain, Gaheris and Gareth. He leaves Mordred in charge of Britain when he departs, only for Mordred to betray him and seize the throne. Arthur brings his veteran army back to Britain, where they meet Mordred's forces outnumbering them two-to-one with his British supporters and foreign allies (Saxon and Irish) at Salisbury Plain in south central England (Camlann is not mentioned). The fighting begins by an accident of fate, when a startled knight draws his sword to kill an adder during the standoff negotiations between Mordred and Arthur. After great numbers die on both sides (including several other kings and most of the Knights of the Round Table remaining after the Grail Quest), Arthur kills Mordred in a duel, but is himself mortally wounded. The dying Arthur tasks his knight (depending on the telling, either Griflet or Bedivere) with returning his sword Excalibur to the Lady of the Lake, and he is then taken to Avalon. The Mort Artu narration laments that the brutal and bloody battle resulted in the deaths of so many that, afterwards, Arthur's "kingdom of Logres was doomed to destruction, and many others [in Britain] with it." [31]
This account of Arthur's last battle was adapted into many subsequent works of the period from 13th to 15th century, including the Old French Post-Vulgate Cycle (in which Arthur refuses to make peace with Mordred), the Middle English Stanzaic Morte Arthur, [32] and Thomas Malory's influential Middle English work Le Mort d'Arthur . [33] These works all locate the battle at Salisbury. [34] In the Italian La Tavola Ritonda , Mordred is actually victorious as he survives Arthur's death in their battle and then becomes the new king, only to be later defeated by Lancelot.
In a popular motif, introduced by Geoffrey in Historia and elaborated in his later Vita Merlini , [35] Arthur was then taken from the battlefield of Camlann to Avalon, an often otherworldly and magical isle, in hope that he could be saved. Geoffrey has Arthur delivered to Morgen (Morgan le Fay) in Avalon by Taliesin guided by Barinthus, replaced by two unnamed women in the Brut. Later authors of the prose cycles featured Morgan herself (usually with two or more other ladies with her) arriving in a fairy boat to take the king away, the scene made iconic through its inclusion in Le Morte d'Arthur.
Some accounts, such as the Stanzaic Morte Arthur and the Alliterative Morte Arthure, as well as the commentary by Gerald of Wales, [36] declare that Arthur died in Avalon (identifying it as Glastonbury Tor) and has been buried there. Geoffrey gives only a hopeful possibility (but not assurance) for Arthur's wounds to be healed eventually, but a successful revival of Arthur by Morgan is stated as a fact in the rewrite of Geoffrey in the Gesta Regum Britanniae ; Wace and Layamon also tell this did happen, claiming that Arthur is about to return. Other versions, like the Vulgate Mort Artu [37] and Malory's Le Morte d'Arthur, [38] do not give a definitive answer to Arthur's ultimate fate.
Camelot is a legendary castle and court associated with King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, since the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world.
Excalibur is the mythical sword of King Arthur that may possess magical powers or be associated with the rightful sovereignty of Britain. Traditionally, the sword in the stone is the proof of Arthur's lineage. The sword given to him by the Lady of the Lake is not the same weapon, even though in some versions of the legend both of them share the name of Excalibur. Several similar swords and other weapons also appear within Arthurian texts, as well as in other legends.
King Arthur, according to legends, was a king of Britain. He is a folk hero and a central figure in the medieval literary tradition known as the Matter of Britain.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
In the Matter of Britain, Igraine is the mother of King Arthur. Igraine is also known in Latin as Igerna, in Welsh as Eigr, in French as Ygraine, in Le Morte d'Arthur as Ygrayne—often modernised as Igraine or Igreine—and in Parzival as Arnive. She becomes the wife of Uther Pendragon, after the death of her first husband, Gorlois.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Bedivere is one of the earliest characters to be featured in the legend of King Arthur, originally described in several Welsh texts as the one-handed great warrior named Bedwyr Bedrydant. Arthurian chivalric romances, inspired by his portrayal in the chronicle Historia Regum Britanniae, portray Bedivere as a Knight of the Round Table of King Arthur who serves as Arthur's marshal and is frequently associated with his brother Lucan and his cousin Griflet as well as with Kay. In the English versions, Bedivere notably assumes Griflet's hitherto traditional role from French romances as the one who eventually returns Excalibur to the Lady of the Lake after Arthur's last battle.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
Morgause is a popular variant of the figure of the Queen of Orkney, an Arthurian legend character also known by various other names and appearing in different forms of her archetype. She is notably the mother of Gawain and often also of Mordred, both key players in the story of her brother King Arthur and his downfall.
Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur, where one of its eight books is named after and largely dedicated to him, and in which he is also known by his nickname Beaumains.
Constantine was a 6th-century king of Dumnonia in sub-Roman Britain, who was remembered in later British tradition as a legendary King of Britain. The only contemporary information about him comes from Gildas, who castigated him for various sins, including the murder of two "royal youths" inside a church. The historical Constantine is also known from the genealogies of the Dumnonian kings, and possibly inspired the tradition of Saint Constantine, a king-turned-monk venerated in southwest Britain and elsewhere.
Gaheris is a Knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. His figure may have been originally derived from that of a brother of Gawain in the early Welsh tradition and then later split into a separate character of another brother, today best known as Gareth. German poetry also described him as Gawain's cousin instead of brother.
Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris starting in the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at Lancelot's hand.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
King Arthur's family grew throughout the centuries with King Arthur's legend. The earliest Welsh Arthurian tradition portrays Arthur as having an extensive family network, including his parents Uther Pendragon and Eigyr (Igraine), wife Gwenhwyfar (Guinevere), nephew Gwalchmei (Gawain), brother, and several sons; his maternal lineage is also detailed, linking him to relatives such as his grandfather. This complex familial structure is simplified in the shared British and greater European tradition of chronicles and medieval romances influenced by Geoffrey of Monmouth's writings, which instead introduce new characters, such as Arthur's half-sisters including Morgan and Morgause, their children including Yvain and Mordred, and others. Arthur's lineage was later claimed by various rulers, especially the House of Tudor and Scottish clans, reflecting the enduring legacy of his familial ties in medieval and early modern genealogies.
Merlin is a partly lost French epic poem written by Robert de Boron in Old French and dating from either the end of the 12th or beginning of the 13th century. The author reworked Geoffrey of Monmouth's material on the legendary Merlin, emphasising Merlin's power to prophesy and linking him to the Holy Grail. The poem tells of his origin and early life as a redeemed Antichrist, his role in the birth of Arthur, and how Arthur became King of Britain. Merlin's story relates to Robert's two other reputed Grail poems, Joseph d'Arimathie and Perceval. Its motifs became popular in medieval and later Arthuriana, notably the introduction of the sword in the stone, the redefinition of the Grail, and turning the previously peripheral Merlin into a key character in the legend of King Arthur.
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