Tom Shippey | |
---|---|
Born | Thomas Alan Shippey 9 September 1943 |
Nationality | British |
Alma mater | Queens' College, Cambridge (B.A., M.A., Ph.D.) |
Occupation(s) | Academic, writer |
Known for | Tolkien scholarship |
Website | https://tomshippey.com/ |
Thomas Alan Shippey (born 9 September 1943) [1] is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts [2] on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book The Road to Middle-Earth has been called "the single best thing written on Tolkien". [3]
Shippey's education and academic career have in several ways retraced those of Tolkien: he attended King Edward's School, Birmingham, became a professional philologist, occupied Tolkien's professorial chair at the University of Leeds, and taught Old English at the University of Oxford to the syllabus that Tolkien had devised.
He has received three Mythopoeic Awards [4] [5] [6] and a World Fantasy Award. [7] He participated in the creation of Peter Jackson's The Lord of the Rings film trilogy, assisting the dialect coaches. He featured as an expert medievalist in all three of the documentary DVDs that accompany the special extended edition of the trilogy, and later also that of The Hobbit film trilogy.
Thomas Alan Shippey was born in 1943 to the engineer Ernest Shippey and his wife Christina Emily Kjelgaard in Calcutta, British India, where he spent the first years of his life. [1] [8] [9] He studied at King Edward's School in Birmingham from 1954 to 1960. [10]
Like J. R. R. Tolkien, Shippey became fond of Old English, Old Norse, German and Latin, and of playing rugby. [8] [2] He gained a B.A. from Queens' College, Cambridge, in 1964, his M.A. in 1968, and a PhD in 1970. [11] [12] [9]
Shippey became a junior lecturer at the University of Birmingham, and then a Fellow of St John's College, Oxford, where he taught Old and Middle English. [10] In 1979, he was elected to the Chair of English Language and Medieval English Literature at Leeds University, a post once held by Tolkien. [13] In 1996, after 14 years at Leeds, Shippey was appointed to the Walter J. Ong Chair of Humanities at Saint Louis University's College of Arts and Sciences, where he taught, researched, and wrote books. [12] He has been a visiting professor at Harvard University, the University of Texas, and Signum University. [14]
He has published over 160 books and articles, [15] and has edited or co-edited scholarly collections such as the 1998 Beowulf: The Critical Heritage [16] and in 2005 The Shadow-walkers: Jacob Grimm's Mythology of the Monstrous. [17] Among several influential articles on the Old English poem Beowulf are an analysis of its principles of conversation, [18] a much-cited discussion of the "obdurate puzzle" of the "Modthrytho Episode" (Beowulf 1931b–1962), which seems to describe a cruel irrational queen who then becomes a model wife, [19] and an analysis of "Names in Anglo-Saxon and Beowulf", with special reference to those elsewhere unrecorded. He has also written on Arthurian legend, including its reworkings in medieval and modern literature. [20] [21] His medieval studies have extended as far as to write a book on the lives and deaths of the great Vikings "as warriors, invaders and plunderers", exploring their "heroic mentality", with special reference to the pervasive Norse Bad Sense of Humour.. [22] The Swedish author Lars Lönnroth commented that nothing like Shippey's "eminently readable book" had been attempted since Thomas Bartholin's 1677 history of Danish antiquity, even if Shippey's use of legendary sources meant that the materials used could not be relied upon as history, only as indications of a shared mindset. [22] See further "Vikings: Legend, History, Mindset", online at academia.edu
Since his retirement and his return to England, he has continued his research [23] His retirement in 2008 was marked by a festschrift , Constructing Nations, Reconstructing Myth, edited by Andrew Wawn, Graham Johnson and John Walter, with contributions from former students and former colleagues. His Tolkien scholar colleagues including Janet Brennan Croft, John D. Rateliff, Verlyn Flieger, David Bratman, Marjorie Burns, and Richard C. West marked his 70th birthday with a further festschrift, Tolkien in the New Century, [2] while another volume of essays by former colleagues and students, Literary Speech Acts of the Medieval North: essays inspired by the works of T.A. Shippey, came out in 2020, edited by Eric Bryan and Alexander Ames. [24]
A fan and follower of science fiction from teenage years, in the early 1980s Shippey worked with Brian Aldiss with the concept of world-building in his Helliconia trilogy. [25]
Under the pseudonym of "John Holm", he was the co-author, with Harry Harrison, of The Hammer and the Cross trilogy of alternate history novels, consisting of The Hammer and the Cross (1993), One King's Way (1995), and King and Emperor (1996). [1] For Harrison's 1984 West of Eden , Shippey helped with the constructed language, Yilanè. [26]
Shippey has edited both The Oxford Book of Science Fiction Stories , and The Oxford Book of Fantasy Stories. [27] For ten years he reviewed science fiction for The Wall Street Journal , [27] and still contributes literary reviews to the London Review of Books . [12] In 2009, he wrote a scholarly 21-page introduction to Flights of Eagles, a collection of James Blish's works. [28] He has given many invited lectures on Tolkien and other topics. [12] In 2008 he brought out a collection of articles on SF and fantasy, Hard Reading: Learning from Science Fiction, freely available from academia.edu.
Shippey's interest in Tolkien began when he was 14 years old and was lent a copy of The Hobbit . [11] Shippey comments on his interest in Tolkien that
Purely by accident, I followed in Tolkien's footsteps in several respects: as a schoolboy (we both went to King Edward's School, Birmingham), as rugby player (we both played for Old Edwardians), as a teacher at Oxford (I taught Old English for seven years at St. John's College, just overlapping with Tolkien's last years of retirement), and as Professor of English Language at Leeds (where I inherited Tolkien's chair and syllabus)." [12]
On 11 November 1969, he delivered a lecture on "Tolkien as philologist" at a Tolkien day organised by the Adult Education Department at the University of Birmingham. Joy Hill, Tolkien's private secretary, was in the audience and afterward, she asked him for the script, for Tolkien to read. On 13 April 1970, Shippey received a letter from Tolkien in response; he records that it took him 30 years to decode the "specialised politeness-language of Old Western Man" in which Tolkien replied to Shippey's interpretations of his work, even though, Shippey writes, he speaks the same language himself. Tolkien wrote, hinting that Shippey was "nearly" (italics supplied by Shippey) always correct but that Tolkien had not had the time to tell him about his design as it "may be found in a large finished work, and the actual events or experiences as seen or felt by the waking mind in the course of actual composition [i.e. Tolkien's then-unpublished legendarium]"; [10] Shippey used the phrase "Course of actual composition" as the title of the final chapter of The Road to Middle-earth. [30]
Shippey and Tolkien met later in 1972 when Shippey was invited for dinner by Norman Davis, who had succeeded Tolkien as the Merton Professor of English Language. When he became a Fellow of St. John's College that same year, Shippey taught Old and Middle English using Tolkien's syllabus. [10]
Shippey's first printed essay on Tolkien, "Creation from Philology in The Lord of the Rings", expanded on his 1970 lecture. In 1979, he was elected into a former position of Tolkien's, the Chair of English Language and Medieval English Literature at Leeds University. He noted that his office at Leeds, like Tolkien's, was just off Woodhouse Lane, a name that in his view Tolkien would certainly have interpreted as a trace of the woodwoses, the wild men of the woods "lurking in the hills above the Aire". [29]
His first Tolkien book, The Road to Middle-earth , was published in 1982. In this he attempted to set Tolkien in the tradition of comparative philology, a discipline founded by Jacob Grimm, which he regarded as the major source of Tolkien's inspiration. In 2000, however, he published Tolkien: Author of the Century, in which he attempted also to set Tolkien in the context of his own time: "writing fantasy, but voicing in that fantasy the most pressing and most immediately relevant issues of the whole monstrous twentieth century – questions of industrialised warfare, the origin of evil, the nature of humanity". This would include writers affected by war like Kurt Vonnegut, William Golding, and George Orwell. [10] An enlarged third edition of Road to Middle-earth was published in 2005; in its preface Shippey states that he had assumed (wrongly) that the 1982 book would be his last word on the subject, and in the text he sets out his view, stated at more length in Author of the Century, that "the Lord of the Rings in particular is a war-book, also a post-war book", comparing Tolkien's writing to that of other twentieth-century authors. [10] [31] Road rigorously refutes what was then the long-running literary hostility to Tolkien, and explains to instinctive lovers of Lord of the Rings why they are right to like it. [32] It has been described as "the single best thing written on Tolkien", and "the seminal monograph". [3] [33] The book has received over 900 scholarly citations. [34] Both Road and Author have been often reprinted and translated. In 2000, Michael Drout and H. Wynne looked back at Shippey's books as landmarks in Tolkien research; they comment that "The real brilliance of Road was in method: Shippey would relentlessly gather small philological facts and combine them into unassailable logical propositions; part of the pleasure of reading Road lies in watching all these pieces fall into place and Shippey's larger arguments materialize out of the welter of interesting detail." [35]
As an acknowledged expert on Tolkien, Shippey served for a while on the editorial board of Tolkien Studies: An Annual Scholarly Review. [27] Gergely Nagy, reviewing Shippey's festschrift , wrote that Shippey "has been (and still is) an enabler for all of us in Tolkien Studies: author of the seminal The Road to Middle-earth (first published in 1983) and countless insightful articles, he is the veritable pope of the field." [36]
Shippey married Susan Veale in 1966; after that marriage ended, he married Catherine Elizabeth Barton in 1993. He has three children. [9] He retired in 2008, and now lives in Dorset. [12] [37]
Shippey has appeared in several television documentaries, in which he spoke about Tolkien and his Middle-earth writings:
He participated in Peter Jackson's The Lord of the Rings film trilogy, for which he assisted the dialect coaches. [11] He was featured on all three of the documentary DVDs that accompany the special extended edition of The Lord of the Rings film trilogy, and later also that of The Hobbit film trilogy. [12] He summarized his experiences with the film project as follows:
"The funny thing about interviews is you never know which bits they're going to pick. It always feels as if they sit you down, shine bright lights in your eyes, and ask you questions until you say something really silly, and that's the bit they choose. At least they didn't waterboard me. But it was good fun, and I'd cheerfully do it again." [43]
Apart from his published books, Shippey has written a large number of scholarly articles. [44]
John Ronald Reuel Tolkien was an English writer and philologist. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.
Christopher John Reuel Tolkien was an English and naturalised French academic editor. The son of the author and academic J. R. R. Tolkien, Christopher edited 24 volumes of his father's posthumously published work, including The Silmarillion and the 12-volume series The History of Middle-Earth, a task that took 45 years. He also drew the original maps for his father's fantasy novel The Lord of the Rings.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
The Tolkien Reader is an anthology of works by J. R. R. Tolkien. It includes a variety of short stories, poems, a play and some non-fiction. It compiles material previously published as three separate shorter books, together with one additional piece and introductory material. It was published in 1966 by Ballantine Books in the USA.
Verlyn Flieger is an author, editor, and Professor Emerita in the Department of English at the University of Maryland at College Park, where she taught courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien. She is well known as a Tolkien scholar, especially for her books Splintered Light, A Question of Time, and Interrupted Music. She has won the Mythopoeic Scholarship Award four times for her work on Tolkien's Middle-earth writings.
Michael D. C. Drout is an American Professor of English and Director of the Center for the Study of the Medieval at Wheaton College. He is an author and editor specializing in Anglo-Saxon and medieval literature, science fiction and fantasy, especially the works of J. R. R. Tolkien and Ursula K. Le Guin.
J. R. R. Tolkien: Author of the Century is a 2001 book of literary criticism written by Tom Shippey. It is about the work of the philologist and fantasy author J. R. R. Tolkien. In it, Shippey argues for the relevance of Tolkien today and attempts to firmly establish Tolkien's literary merits, based on analysis of The Hobbit, The Lord of the Rings, The Silmarillion, and Tolkien's shorter works.
J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience. He was inspired primarily by his profession, philology; his work centred on the study of Old English literature, especially Beowulf, and he acknowledged its importance to his writings.
J. R. R. Tolkien's bestselling fantasy novel The Lord of the Rings had an initial mixed literary reception. Despite some enthusiastic early reviews from supporters such as W. H. Auden, Iris Murdoch, and C. S. Lewis, literary hostility to Tolkien quickly became acute and continued until the start of the 21st century. From 1982, Tolkien scholars such as Tom Shippey and Verlyn Flieger began to roll back the hostility, defending Tolkien, rebutting the critics' attacks and analysing what they saw as good qualities in Tolkien's writing.
Théoden is a fictional character in J. R. R. Tolkien's fantasy novel, The Lord of the Rings. The King of Rohan and Lord of the Mark or of the Riddermark, names used by the Rohirrim for their land, he appears as a supporting character in The Two Towers and The Return of the King. When first introduced, Théoden is weak with age and sorrow and the machinations of his top advisor, Gríma Wormtongue, and he does nothing as his kingdom is crumbling. Once roused by the wizard Gandalf, however, he becomes an instrumental ally in the war against Saruman and Sauron, leading the Rohirrim into the Battle of the Pelennor Fields.
The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology is a scholarly study of the Middle-earth works of J. R. R. Tolkien written by Tom Shippey and first published in 1982. The book discusses Tolkien's philology, and then examines in turn the origins of The Hobbit, The Lord of the Rings, The Silmarillion, and his minor works. An appendix discusses Tolkien's many sources. Two further editions extended and updated the work, including a discussion of Peter Jackson's film version of The Lord of the Rings.
Richard Carroll West was an American librarian and one of the first Tolkien scholars. He is best known for his 1975 essay on the interlace structure of The Lord of the Rings, for which he won the 1976 Mythopoeic Scholarship Award for Inkling Studies.
J. R. R. Tolkien's narrative interlacing in The Lord of the Rings, also called by the French term entrelacement, is an unusual and complex narrative structure, known from tapestry romances in medieval literature, that enables him to achieve a variety of literary effects. These include maintaining suspense, keeping the reader uncertain of what will happen and even of what is happening to other characters at the same time in the story; creating surprise and an ongoing feeling of bewilderment and disorientation. More subtly, the leapfrogging of the timeline in The Lord of the Rings by the different story threads allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realises on reflection that certain events happened at the same time, and that these connections imply a contest of good and evil powers.
J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.
J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval concepts.
The Keys of Middle-earth: Discovering Medieval Literature Through the Fiction of J.R.R. Tolkien is a 2005 book by Stuart Lee and Elizabeth Solopova. It is meant to provide an understanding of J. R. R. Tolkien's Middle-earth fantasy writings in the context of medieval literature, including Old and Middle English and Old Norse, but excluding other relevant languages such as Finnish.
Master of Middle-earth: The Fiction of J. R. R. Tolkien, alternatively subtitled The Achievement of J.R.R. Tolkien, is a 1972 book of literary criticism of J. R. R. Tolkien's Middle-earth fantasy writings, written by Paul H. Kocher, and one of the few to be published in Tolkien's lifetime. It focuses especially on The Lord of the Rings and The Hobbit, and also covers some of his minor works such as "Leaf by Niggle" and "Smith of Wootton Major".
Philology, the study of comparative and historical linguistics, especially of the medieval period, had a major influence on J. R. R. Tolkien's fantasy world of Middle-earth. He was a professional philologist, and made use of his knowledge of medieval literature and language to create families of Elvish languages and many details of the invented world.
J. R. R. Tolkien decided to increase the reader's feeling that the story in his 1954–55 book The Lord of the Rings was real, by framing the main text with an elaborate editorial apparatus that extends and comments upon it. This material, mainly in the book's appendices, effectively includes a fictional editorial figure much like himself who is interested in philology, and who says he is translating a manuscript which has somehow come into his hands, having somehow survived the thousands of years since the Third Age. He called the book a heroic romance, giving it a medieval feeling, and describing its time-frame as the remote past. Among the steps he took to make its setting, Middle-earth, believable were to develop its geography, history, peoples, genealogies, and unseen background in great detail, complete with editorial commentary in each case.