Editor | Christopher Tolkien |
---|---|
Author | J. R. R. Tolkien |
Language | English |
Series | The History of Middle-earth |
Subject | Tolkien's legendarium |
Genre | |
Publisher | George Allen & Unwin (UK) Houghton Mifflin (US) |
Publication date |
|
Publication place | United Kingdom |
Media type | |
Pages | 297 (Vol. 1, first edition) 400 (Vol. 2, first edition) |
ISBN | 0-395-35439-0 (Vol. 1) 0-395-36614-3 (Vol. 2) |
Followed by | The Lays of Beleriand |
The Book of Lost Tales is a collection of early stories by the English writer J. R. R. Tolkien, published as the first two volumes of Christopher Tolkien's 12-volume series The History of Middle-earth , in which he presents and analyses the manuscripts of those stories, which were the earliest form (begun in 1917) of the complex fictional myths that would eventually form The Silmarillion . Each of the Tales is followed by notes and a detailed commentary by Christopher Tolkien. [1]
For publication the book was split into two volumes: The Book of Lost Tales 1 (1983) and The Book of Lost Tales 2 (1984), but this is simply an editorial division. Each volume contains several "Lost Tales".
The Book of Lost Tales (1917) | Storyteller | The Silmarillion (1977) | |
---|---|---|---|
Book I | |||
1. "The Cottage of Lost Play" | Vairë | (Frame story omitted by Christopher Tolkien, to his later regret [2] ) | |
2. "The Music of the Ainur" | Rúmil | "Ainulindalë" | |
3. "The Coming of the Valar and the Building of Valinor" | Rúmil | "Valaquenta" 1. "Of the Beginning of Days" | |
- | 2. Of Aulë and Yavanna | ||
4. "The Chaining of Melko" 5. "The Coming of the Elves and the Making of Kôr" | Meril-i-Turinqi | 3. "Of the Coming of the Elves and the Captivity of Melkor" 4. "Of Thingol and Melian" 5. "Of Eldamar and the Princes of the Eldalië" | |
6. "The Theft of Melko and the Darkening of Valinor" 7. "The Flight of the Noldoli" | Lindo | 6. "Of Fëanor and the Unchaining of Melkor" 7. "Of the Silmarils and the Unrest of the Noldor" 8. "Of the Darkening of Valinor" 9. "Of the Flight of the Noldor" | |
8. "The Tale of the Sun and Moon" 9. "The Hiding of Valinor" | Lindo Vairë | 11. "Of the Sun and Moon and the Hiding of Valinor" | |
10. "Gilfanon's Tale: The Travail of the Noldoli and the Coming of Mankind" – unwritten; 2 fragments and 2 outlines only | Gilfanon | 10. "Of the Sindar" 12. "Of Men" 13. "Of the Return of the Noldor" 14. "Of Beleriand and its Realms" 15. "Of the Noldor in Beleriand" 16. "Of Maeglin" 17. "Of the Coming of Men into the West" 18. "Of the Ruin of Beleriand and the Fall of Fingolfin" | |
Book II | |||
1. "The Tale of Tinúviel" | Vëannë | 19. "Of Beren and Lúthien" | |
- | 20. "Of the Fifth Battle: Nirnaeth Arnoediad" | ||
2. "Turambar and the Foalókë" | Eltas | 21. "Of Túrin Turambar" | |
3. "The Fall of Gondolin" | Ilfinion | 23. "Of Tuor and the Fall of Gondolin" | |
4. "The Nauglafring" | Ailios | 22. "Of the Ruin of Doriath" | |
5. "The Tale of Eärendel" — unwritten; 3 outlines and 4 poems only | - | 24. "Of the Voyage of Eärendil and the War of Wrath" | |
6a. "The End of the Tales" — unwritten; 1 outline, 4 notes, epilogue only 6b. "The History of Eriol or Ælfwine" — unwritten; 2 outlines (based on 19 notes), 2 poems, 1 fragment only | - | (Frame story; see note to 'The Cottage of Lost Play' in Book I) |
There is an inscription in the Fëanorian characters (Tengwar, an alphabet Tolkien devised for High-Elves) in the first pages of every History of Middle-earth volume, written by Christopher Tolkien and describing the contents of the book. The inscription in Book I reads "This is the first part of the Book of the Lost Tales of Elfinesse which Eriol the Mariner learned from the Elves of Tol Eressëa, the Lonely Isle in the western ocean, and afterwards wrote in the Golden Book of Tavrobel. Herein are told the Tales of Valinor, from the Music of the Ainur to the Exile of the Noldoli and the Hiding of Valinor."
The inscription in Book II reads "This is the second part of the Book of the Lost Tales of Elfinesse which Eriol the Mariner learned from the Elves of Tol Eressëa, the Lonely Isle in the western ocean, and afterwards wrote in the Golden Book of Tavrobel. Herein are told the Tales of Beren and Tinúviel, of Turambar, of the Fall of Gondolin and of the Necklace of the Dwarves."
The science fiction author Colin Greenland reviewed The Book of Lost Tales I for Imagine magazine, and stated that "Those who prefer their fairy-tales sophisticated, in weighty prose with scholarly footnotes and appendices, will plunge joyously into J R R Tolkien's first Book of Lost Tales." [3]
The science fiction critic Dave Langford reviewed The Book of Lost Tales II for White Dwarf #59, stating that he had mixed feelings about it, since while it provided some added depth, he was not sure that every detail was worth "annotating with such ghastly solemnity." [4]
The Tolkien scholar Charles Noad, reviewing Part 1 in Mallorn in 1984, notes the mismatches between the names in the book and those in The Silmarillion, the many alternative names, and the varying attributes of the characters when the name remains unchanged. He likens the book's relationship to The Silmarillion to that of a charcoal sketch and the oil painting that it precedes: much work is evidently needed. Further, Tolkien's prose style is at this point still "immature and unsophisticated". Noad quotes Christopher Tolkien's remark that development was usually "by subtle transformation". He finds "very extraordinary" the revelation that the island that the wanderer Eriol sets foot on is what would become England. He notes, too, what he calls a major problem facing Tolkien: how "to present his mythology in the proper perspective", commenting that it was meant to be "a survival from the remotest antiquity". That, Noad writes, requires an indirect approach, which The Hobbit eventually provided: the legendarium became the distant past to the story in the foreground. He concludes that the book will be mainly of [literary] 'archaeological' interest "and cannot be recommended to the casual reader". [5]
Noad, in his review of Part 2, comments that the reviewer's task faces the problem that the sort of comparisons a review would normally make have already all been made, in "abundant detail", by Christopher Tolkien in his commentary and notes. But it was still striking, he wrote, how Beren is here an Elf, not a Man; and Lúthien rescues him not from Sauron but from Tevildo, Prince of Cats. Noad finds it remarkable how much the story had changed, given that the tale of Lúthien and Beren was so important to Tolkien. Of the volume as a whole, Noad comments that it is less "cosmographic" than Part 1, but has a stronger narrative thread. All the same, he feels it is "more of use to the curious" or the researcher than a stand-alone work; he finds the writing "stilted", failing to achieve its intended effects. Evidently, he concludes, Tolkien did not acquire his finished prose style quickly or easily. Noad praises Christopher Tolkien's editing, setting out the complicated materials "astonishingly well". [6]
The Tolkien scholar Vladimir Brljak, writing in Tolkien Studies in 2010, notes that Tolkien's comment in Beowulf: The Monsters and the Critics , that Beowulf was already antiquarian when written, and is now "an echo of an echo", [7] [8] bringing poignant vistas of sad times long gone by, was also a defence of his own writings, where he followed the Beowulf poet in deliberately seeking to create an impression of depth. He did this in the two Books of Lost Tales by creating "an intricate metafictional structure", embedding his works in a framework of "translations of redactions of ancient works, telling of things even more ancient." Brljak argues that this framework is "both the cornerstone and crowning achievement of Tolkien's mature literary work." [7]
Christopher John Reuel Tolkien was an English and naturalised French academic editor and writer. The son of the author and academic J. R. R. Tolkien, Christopher edited 24 volumes based on his father's posthumously published work, including The Silmarillion and the 12-volume series The History of Middle-Earth, a task that took 45 years. He also drew the original maps for his father's fantasy novel The Lord of the Rings.
Valinor or the Blessed Realm is a fictional location in J. R. R. Tolkien's legendarium, the home of the immortal Valar on the continent of Aman, far to the west of Middle-earth; he used the name Aman mainly to mean Valinor. It includes Eldamar, the land of the Elves, who as immortals are permitted to live in Valinor.
In J. R. R. Tolkien's fictional legendarium, Beleriand was a region in northwestern Middle-earth during the First Age. Events in Beleriand are described chiefly in his work The Silmarillion, which tells the story of the early ages of Middle-earth in a style similar to the epic hero tales of Nordic literature, with a pervasive sense of doom over the character's actions. Beleriand also appears in the works The Book of Lost Tales, The Children of Húrin, and in the epic poems of The Lays of Beleriand.
Elendil is a fictional character in J. R. R. Tolkien's legendarium. He is mentioned in The Lord of the Rings, The Silmarillion and Unfinished Tales. He was the father of Isildur and Anárion, last lord of Andúnië on the island of Númenor, and having escaped its downfall by sailing to Middle-earth, became the first High King of Arnor and Gondor. In the Last Alliance of Men and Elves, Elendil and Gil-galad laid siege to the Dark Lord Sauron's fortress of Barad-dûr, and fought him hand-to-hand for the One Ring. Both Elendil and Gil-galad were killed, and Elendil's son Isildur took the Ring for himself.
Lúthien and Beren are characters in J. R. R. Tolkien's fantasy world Middle-earth. Lúthien is an elf, daughter of the elf-king Thingol and goddess-like Melian. Beren is a mortal man. The complex tale of their love for each other and the quest they are forced to embark upon is a story of triumph against overwhelming odds but ending in tragedy. It appears in The Silmarillion, the epic poem The Lay of Leithian, the Grey Annals section of The War of the Jewels, and in the texts collected in the 2017 book Beren and Lúthien. Their story is told to Frodo by Aragorn in The Lord of the Rings.
Elu Thingol or Elwë Singollo is a fictional character in J.R.R. Tolkien's Middle-earth legendarium. He appears in The Silmarillion, The Lays of Beleriand and The Children of Húrin and in numerous stories in The History of Middle-earth. The King of Doriath, King of the Sindar Elves, High-king and Lord of Beleriand, he is a major character in the First Age of Middle-earth and an essential part of the ancestral backgrounding of the romance between Aragorn and Arwen in The Lord of the Rings. Alone among the Elves, he married an angelic Maia, Melian.
The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 by George Allen & Unwin in the UK and by Houghton Mifflin in the US. They collect and analyse much of J. R. R. Tolkien's legendarium, compiled and edited by his son Christopher Tolkien. The series shows the development over time of Tolkien's conception of Middle-earth as a fictional place with its own peoples, languages, and history, from his earliest notions of "a mythology for England" through to the development of the stories that make up The Silmarillion and The Lord of the Rings. It is not a "history of Middle-earth" in the sense of being a chronicle of events in Middle-earth written from an in-universe perspective; it is instead an out-of-universe history of Tolkien's creative process. In 2000, the twelve volumes were republished in three limited edition omnibus volumes.
The War of the Jewels (1994) is the 11th volume of Christopher Tolkien's series The History of Middle-earth, analysing the unpublished manuscripts of his father J. R. R. Tolkien. It is the second of two volumes—Morgoth's Ring being the first—to explore the later 1951 Silmarillion drafts.
The Peoples of Middle-earth (1996) is the 12th and final volume of The History of Middle-earth, edited by Christopher Tolkien from the unpublished manuscripts of his father J. R. R. Tolkien. Some characters only appear here, as do a few other works that did not fit anywhere else.
The Lost Road and Other Writings – Language and Legend before 'The Lord of the Rings' is the fifth volume, published in 1987, of The History of Middle-earth, a series of compilations of drafts and essays written by J. R. R. Tolkien in around 1936–1937. It was edited and published posthumously by his son Christopher.
The Lays of Beleriand, published in 1985, is the third volume of Christopher Tolkien's 12-volume book series, The History of Middle-earth, in which he analyzes the unpublished manuscripts of his father J. R. R. Tolkien.
The Shaping of Middle-earth – The Quenta, The Ambarkanta and The Annals (1986) is the fourth volume of Christopher Tolkien's 12-volume series The History of Middle-earth in which he analysed the unpublished manuscripts of his father J. R. R. Tolkien.
Ælfwine the mariner is a fictional character found in various early versions of J. R. R. Tolkien's Legendarium. Tolkien envisaged Ælfwine as an Anglo-Saxon who visited and befriended the Elves and acted as the source of later mythology. Thus, in the frame story, Ælfwine is the stated author of the various translations in Old English that appear in the twelve-volume The History of Middle-earth edited by Christopher Tolkien.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
In J. R. R. Tolkien's legendarium, the Two Trees of Valinor are Telperion and Laurelin, the Silver Tree and the Gold Tree, which bring light to Valinor, a paradisiacal realm where angelic beings live. The Two Trees are of enormous stature, and exude dew that is a pure and magical light in liquid form. The craftsman Elf Fëanor makes the unrivalled jewels, the Silmarils, with their light. The Two Trees are destroyed by the evil beings Ungoliant and Melkor, but their last flower and fruit are made into the Moon and the Sun. Melkor, now known as Morgoth, steals the Silmarils, provoking the disastrous War of the Jewels. Descendants of Telperion survive, growing in Númenor and, after its destruction, in Gondor; in both cases the trees are symbolic of those kingdoms. For many years while Gondor has no King, the White Tree of Gondor stands dead in the citadel of Minas Tirith. When Aragorn restores the line of Kings to Gondor, he finds a sapling descended from Telperion and plants it in his citadel.
Beren and Lúthien is a 2017 compilation of multiple versions of the epic fantasy Lúthien and Beren by J. R. R. Tolkien, one of Tolkien's earliest tales of Middle-earth. It is one of what he called the three Great Tales in his legendarium. Edited by Christopher Tolkien, it tells the story of the love and adventures of the mortal Man Beren and the immortal Elf-maiden Lúthien. Tolkien wrote several versions of their tale, the last in The Silmarillion, and it is mentioned in The Lord of the Rings at the Council of Elrond. The action takes place during the First Age of Middle-earth, about 6,500 years before the events of The Hobbit and The Lord of the Rings.
Morgoth Bauglir is a character, one of the godlike Valar and the primary antagonist of Tolkien's legendarium, the mythic epic published in parts as The Silmarillion, The Children of Húrin, Beren and Lúthien, and The Fall of Gondolin.
The Silmarils are three fictional brilliant jewels in J. R. R. Tolkien's legendarium, made by the Elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in Tolkien's book The Silmarillion, which tells of the creation of Eä and the beginning of Elves, Dwarves and Men.
The Silmarillion is a book consisting of a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited, partly written, and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.
J. R. R. Tolkien used frame stories throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.