Author | Humphrey Carpenter (editor), with Christopher Tolkien |
---|---|
Language | English |
Subject | |
Genre | Letters |
Publisher | George Allen & Unwin, Houghton Mifflin |
Publication date | 1981 2023 (expanded edition) |
Publication place | United Kingdom |
ISBN | 0-04-826005-3 |
OCLC | 8628512 |
828/.91209 B 19 | |
LC Class | PR6039.O32 Z48 1981b |
Preceded by | Unfinished Tales |
Followed by | Mr. Bliss |
The Letters of J. R. R. Tolkien is a selection of the philologist and fantasy author J. R. R. Tolkien's letters. It was published in 1981, edited by Tolkien's biographer Humphrey Carpenter, who was assisted by Christopher Tolkien. The selection, from a large mass of materials, contains 354 letters. These were written between October 1914, when Tolkien was an undergraduate at Oxford, and 29 August 1973, four days before his death. The letters are of interest both for what they show of Tolkien's life and for his interpretations of his Middle-earth writings.
The book has a 3-page introduction by its editor, Humphrey Carpenter. He notes that an "enormous quantity of material [had] to be omitted, and that only passages of particular interest could be included." [1] Among the omissions is "the very large body of letters" written between 1913 and 1918 to Edith Bratt, the woman who became his wife. Carpenter notes that few letters from the period between 1918 and 1937 survive, and those "unfortunately" say nothing about the writing of The Silmarillion or of The Hobbit . [2]
The body of the 1981 edition consists of extracts from 354 of J. R. R. Tolkien's many letters. The first, dated October 1914, is to Bratt, when Tolkien was an undergraduate at Oxford. The last, dated 29 August 1973, is to Priscilla Tolkien, his youngest child, four days before his death.
The letters are accompanied by detailed notes, and by an index compiled by the Tolkien scholars Christina Scull and Wayne G. Hammond.
The letters can be roughly divided into four categories:
Letters 29 and 30 show that a German translation of The Hobbit was being negotiated in 1938. The German firm enquired whether Tolkien was of Arisch (Aryan) origin. Tolkien was infuriated by the racist implications of this, and wrote two drafts of possible replies for his publisher to choose. [3]
Having fought in the First World War, Tolkien wrote many letters during the Second World War to his son Christopher, including his reaction to the atomic bombing of Hiroshima, in which he calls the bombmakers of the Manhattan Project "lunatic" and "Babel builders". [4]
I have what some might call an Atlantis complex. Possibly inherited, though my parents died too young for me to know such things about them, and too young to transfer such things by words. Inherited from me (I suppose) by one only of my children, though I did not know that about my son until recently, and he did not know it about me. I mean the terrible recurrent dream (beginning with memory) of the Great Wave, towering up, and coming in ineluctably over the trees and green fields. (I bequeathed it to Faramir.) I don't think I have had it since I wrote the "Downfall of Númenor" as the last of the legends of the First and Second Age.
Letters, #163 to W. H. Auden, 7 June 1955
In 1951, Tolkien hoped that Collins would publish both The Lord of the Rings and a selection from his legendarium, including material that his son Christopher later edited to form The Silmarillion . To help persuade them that the two were "interdependent and indivisible", [5] Tolkien sent a long letter (#131) to Milton Waldman of Collins, outlining the foundations and ambitions of his writings, and giving a potted history of the whole story from the creation, through the First, Second and Third Ages, and finishing with a reference to The Hobbit and a lengthy outline of The Lord of the Rings. [lower-alpha 1] The Tolkien scholar Colin Duriez describes the 10,000-word letter as "one of the best keys to the extraordinary legendarium". [8]
Other letters discuss subjects as widely varied as the location of Middle-earth ("the actual Old World of this planet", p.220, #165), the shape of hobbits' ears ("only slightly pointed", #27) and the source of the "Downfall of Númenor" in Tolkien's recurring dream of Atlantis (#163). [9]
The book was published in 1981 by Allen & Unwin in London. [10] They reprinted it in 1990, 1995, and (having been taken over by HarperCollins) 2006. [11] Houghton Mifflin published a paperback edition in Boston in 2000. [12] A "Revised and Expanded Edition", adding materials that had previously been removed to cut down on length, was published in 2023. It contains 154 new letters and additional text that had been cut from 45 of the previously published letters. To preserve the original numbering scheme, new entries have been designated with an alphabetical indicator (e.g. '15a' for the first newly included letter written between numbers 15 and 16). [13]
Hannu Hiilos, reviewing the book, echoes the editor's remark that the letters had been chosen from "a very large volume of material". He comments that Carpenter and Christopher Tolkien had attempted both to prioritise Tolkien's accounts of his Middle-earth writings, and to give a picture of the breadth of Tolkien's other interests and scholarship. In addition, he writes, Tolkien's views, coloured by his position on religion, morals, and politics, come across clearly in his wartime letters to Christopher. [14]
The Tolkien scholar Douglas A. Anderson states that Carpenter "quietly withdrew from Tolkien scholarship" soon after publishing the Letters. Anderson states that he assisted Carpenter on Letters, "particularly with the headnotes and the annotations". [15] The scholar of religion and of Tolkien's Middle-earth writings, Peter Kreeft, comments that the letters are important, since all Tolkien scholars have to start by noting their interpretations of Tolkien's writings, unless they "dare to assume" they know better than Tolkien did what he may have meant. [16]
The Tolkien Collector's Guide notes that the 2023 edition is essentially the text that Carpenter prepared for Allen & Unwin in 1979, only to find that the publishers felt it was too long. The result was that Carpenter and Christopher Tolkien cut it down by some 50,000 words, now restored. 154 letters appear in the 2023 edition for the first time, barring scholarly mentions and excerpts in The J. R. R. Tolkien Companion and Guide ; another 45 letters have been revised, usually extended. [17] The same website provides a guide to all the letters, including all those in the 2023 edition, as well as letters to or about Tolkien (which are not in any edition of the published book). [18]
Joseph Loconte in The Wall Street Journal writes that the new edition offers "some revealing gems", but that "enthusiasts may be disappointed by what remains under lock and key." [19]
John Ronald Reuel Tolkien was an English writer and philologist. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.
Christopher John Reuel Tolkien was an English and naturalised French academic editor. The son of the author and academic J. R. R. Tolkien, Christopher edited 24 volumes of his father's posthumously published work, including The Silmarillion and the 12-volume series The History of Middle-Earth, a task that took 45 years. He also drew the original maps for his father's fantasy novel The Lord of the Rings.
Radagast the Brown is a fictional character in J. R. R. Tolkien's legendarium. A wizard and associate of Gandalf, he appears briefly in The Hobbit, The Lord of the Rings, The Silmarillion, and Unfinished Tales.
The Return of the King is the third and final volume of J. R. R. Tolkien's The Lord of the Rings, following The Fellowship of the Ring and The Two Towers. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron.
The Lost Road and Other Writings – Language and Legend before 'The Lord of the Rings' is the fifth volume, published in 1987, of The History of Middle-earth, a series of compilations of drafts and essays written by J. R. R. Tolkien in around 1936–1937. It was edited and published posthumously by his son Christopher.
In J. R. R. Tolkien's Middle-earth, the Eagles or Great Eagles, are immense birds that are sapient and can speak. The Great Eagles resemble actual eagles, but are much larger. Thorondor is said to have been the greatest of all birds, with a wingspan of 30 fathoms. Elsewhere, the Eagles have varied in nature and size both within Tolkien's writings and in later adaptations.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The term Middle-earth canon, also called Tolkien's canon, is used for the published writings of J. R. R. Tolkien regarding Middle-earth as a whole. The term is also used in Tolkien fandom to promote, discuss and debate the idea of a consistent fictional canon within a given subset of Tolkien's writings.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a mythology for England. The earliest story, "The Voyage of Earendel, the Evening Star", is from 1914; he revised and rewrote the legendarium stories for most of his adult life.
Númenor, also called Elenna-nórë or Westernesse, is a fictional place in J. R. R. Tolkien's writings. It was the kingdom occupying a large island to the west of Middle-earth, the main setting of Tolkien's writings, and was the greatest civilization of Men. However, after centuries of prosperity many of the inhabitants ceased to worship the One God, Eru Ilúvatar, and rebelled against the Valar, resulting in the destruction of the island and the death of most of its people. Tolkien intended Númenor to allude to the legendary Atlantis.
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene, in Tolkien's imagined mythological past. Tolkien's most widely read works, The Hobbit and The Lord of the Rings, are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world.
"Fastitocalon" is a medieval-style poem by J. R. R. Tolkien about a gigantic sea turtle. The setting is explicitly Middle-earth. The poem is included in The Adventures of Tom Bombadil.
"A Map of Middle-earth" is the name of two colour posters by different artists, Barbara Remington and Pauline Baynes. They depict the north-western region of the fictional continent of Middle-earth. They were published in 1965 and 1970 by the American and British publishers of J. R. R. Tolkien's book The Lord of the Rings. The poster map by Pauline Baynes has been described as "iconic".
The Fall of Arthur is an unfinished poem by J. R. R. Tolkien that is concerned with the legend of King Arthur. A posthumous first edition of the poem was published by HarperCollins in May 2013.
Trees play multiple roles in J. R. R. Tolkien's fantasy world of Middle-earth, some such as Old Man Willow indeed serving as characters in the plot. Both for Tolkien personally, and in his Middle-earth writings, caring about trees really mattered. Indeed, the Tolkien scholar Matthew Dickerson wrote "It would be difficult to overestimate the importance of trees in the writings of J. R. R. Tolkien."
Tolkien's artwork was a key element of his creativity from the time when he began to write fiction. A professional philologist, J. R. R. Tolkien prepared a wide variety of materials to support his fiction, including illustrations for his Middle-earth fantasy books, facsimile artefacts, more or less "picturesque" maps, calligraphy, and sketches and paintings from life. Some of his artworks combined several of these elements.
J. R. R. Tolkien's Middle-earth fantasy writings have been said to embody outmoded attitudes to race. However, scholars have noted that he was influenced by Victorian attitudes to race and to a literary tradition of monsters, and that he was anti-racist both in peacetime and during the two World Wars.
Tolkien's Art: 'A Mythology for England' is a 1979 book of Tolkien scholarship by Jane Chance, writing then as Jane Chance Nitzsche. The book looks in turn at Tolkien's essays "On Fairy-Stories" and "Beowulf: The Monsters and the Critics"; The Hobbit; the fairy-stories "Leaf by Niggle" and "Smith of Wootton Major"; the minor works "Lay of Autrou and Itroun", "The Homecoming of Beorhtnoth", "Imram", and Farmer Giles of Ham; The Lord of the Rings; and very briefly in the concluding section, The Silmarillion. In 2001, a second edition extended all the chapters but still treated The Silmarillion, that Tolkien worked on throughout his life, as a sort of coda.
In Tolkien's legendarium, ancestry provides a guide to character. The apparently genteel Hobbits of the Baggins family turn out to be worthy protagonists of The Hobbit and The Lord of the Rings. Bilbo Baggins is seen from his family tree to be both a Baggins and an adventurous Took. Similarly, Frodo Baggins has some relatively outlandish Brandybuck blood. Among the Elves of Middle-earth, as described in The Silmarillion, the highest are the peaceful Vanyar, whose ancestors conformed most closely to the divine will, migrating to Aman and seeing the light of the Two Trees of Valinor; the lowest are the mutable Teleri; and in between are the conflicted Noldor. Scholars have analysed the impact of ancestry on Elves such as the creative but headstrong Fëanor, who makes the Silmarils. Among Men, Aragorn, hero of The Lord of the Rings, is shown by his descent from Kings, Elves, and an immortal Maia to be of royal blood, destined to be the true King who will restore his people. Scholars have commented that in this way, Tolkien was presenting a view of character from Norse mythology, and an Anglo-Saxon view of kingship, though others have called his implied views racist.