The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his love of language, Tolkien was especially fascinated with the development and evolution of language through time. Tolkien created two almost fully developed languages and a dozen more in various beginning stages as he studied and reproduced the way that language adapts and morphs. A philologist by profession, he spent much time on his constructed languages. In the collection of letters he had written, posthumously published by his son, Christopher Tolkien, he stated that he began stories set within this secondary world, the realm of Middle-earth, not with the characters or narrative as one would assume, but with a created set of languages. The stories and characters serve as conduits to make those languages come to life. Inventing language was always a crucial piece to Tolkien's mythology and world building. As Tolkien stated:
The invention of languages is the foundation. The 'stories' were made rather to provide a world for the languages than the reverse. To me a name comes first and the story follows. [T 1]
Tolkien created scripts for his Elvish languages, of which the best known are Sarati, Tengwar, and Cirth.
J. R. R. Tolkien began to construct his first Elvin tongue c. 1910–1911 while he was at the King Edward's School, Birmingham and which he later named Quenya (c. 1915). At that time, Tolkien was already familiar with Latin, Greek, Italian, Spanish, and three ancient Germanic languages: Gothic, Old Norse, and Old English. He had invented several cryptographic codes such as Animalic, and two or three constructed languages including Naffarin. He then discovered Finnish, which he described many years later as "like discovering a complete wine-cellar filled with bottles of an amazing wine of a kind and flavour never tasted before. It quite intoxicated me." [T 2] He had started his study of the Finnish language to be able to read the Kalevala epic.
The ingredients in Quenya are various, but worked out into a self-consistent character not precisely like any language that I know. Finnish, which I came across when I first begun to construct a 'mythology' was a dominant influence, but that has been much reduced [now in late Quenya]. It survives in some features: such as the absence of any consonant combinations initially, the absence of the voiced stops b, d, g (except in mb, nd, ng, ld, rd, which are favoured) and the fondness for the ending -inen, -ainen, -oinen, also in some points of grammar, such as the inflexional endings -sse (rest at or in), -nna (movement to, towards), and -llo (movement from); the personal possessives are also expressed by suffixes; there is no gender. [T 3]
Tolkien with his Quenya pursued a double aesthetic goal: "classical and inflected". [T 4] This urge, in fact, was the motivation for his creation of a 'mythology'. While the language developed, he needed speakers, history for the speakers and all real dynamics, like war and migration: "It was primarily linguistic in inspiration and was begun in order to provide the necessary background of 'history' for Elvish tongues". [T 5] [1]
The Elvish languages underwent countless revisions in grammar, mostly in conjugation and the pronominal system. The Elven vocabulary was not subject to sudden or extreme change; except during the first conceptual stage c. 1910–c. 1920. Tolkien sometimes changed the "meaning" of an Elvish word, but he almost never disregarded it once invented, and he kept on refining its meaning, and countlessly forged new synonyms. Moreover, Elven etymology was in a constant flux. Tolkien delighted in inventing new etymons for his Elvish vocabulary. [2]
From the outset, Tolkien used comparative philology and the tree model as his major tools in his constructed languages. He usually started with the phonological system of the proto-language and then proceeded in inventing for each daughter language the many mechanisms of sound change needed. [2]
I find the construction and the interrelation of the languages an aesthetic pleasure in itself, quite apart from The Lord of the Rings, of which it was/is in fact independent. [T 6]
Tolkien stated that he intentionally designed Sindarin to be in relation to Quenya as medieval Welsh is to Latin. Nelson Goering analysed this claim, finding it broadly reasonable, if the relationships are allowed to be of different kinds. [3]
Elvish language | Features | Resemblances | European language |
---|---|---|---|
Quenya "snake", a name leuka, Makalaure | High language, "Elven-Latin" 1) "Used for ceremony, and for high matters of lore and song" 2) Spelling system is Latin-like | Cultural parallels of Quenya and Latin: ancient language, now in learned use | Latin "fountain", "state" fontana, civitat |
Sindarin changed more than Quenya from ancient Eldarin lŷg, Maglor | Colloquial language 1) Initial consonant mutations 2) General phonological structure 3) i-mutation (i-umlaut) to form noun plurals | Linguistic parallels of Sindarin and Welsh: Sindarin was designed "to resemble Welsh phonologically" | Welsh borrowed and adapted words from Latin ffynnon, ciwdod |
In the early 30s Tolkien decided that the proto-language of the Elves was Valarin, the tongue of the gods or Valar: "The language of the Elves derived in the beginning from the Valar, but they change it even in the learning, and moreover modified and enriched it constantly at all times by their own invention." [T 7] In his Comparative Tables, Tolkien describes the mechanisms of sound change in the following daughter languages: Qenya, Lindarin (a dialect of Qenya), Telerin, Old Noldorin (or Fëanorian), Noldorin (or Gondolinian), Ilkorin (esp. of Doriath), Danian of Ossiriand, East Danian, Taliska, West Lemberin, North Lemberin, and East Lemberin. [T 8]
In his lifetime J.R.R. Tolkien never ceased to experiment on his constructed languages, and they were subjected to many revisions. They had many grammars with substantial differences between different stages of development. After the publication of The Lord of the Rings (1954–1955), the grammar rules of his major Elvish languages Quenya, Telerin and Sindarin went through very few changes (this is late Elvish 1954–1973). [2]
Two magazines ( Vinyar Tengwar , from its issue 39 in July 1998, and Parma Eldalamberon , from its issue 11 in 1995) are exclusively devoted to the editing and publishing of J.R.R. Tolkien's gigantic mass of previously unpublished linguistic papers, including those omitted by Christopher Tolkien from "The History of Middle-earth". [4] [5]
The Elvish languages are a family of several related languages and dialects. In 1937, Tolkien drafted the Lhammas and The Etymologies , both edited and published in the 1987 The Lost Road and Other Writings . They depict a tree of languages analogous to that of the Indo-European languages that Tolkien knew as a philologist. [2] [6]
This was internally consistent, but for one thing. Central to the story was the history of the Noldor. Their language, Noldorin, evolved very slowly in the changeless atmosphere of Valinor. Tolkien had developed its linguistics in some detail. With their return to Beleriand, the language was evidently sharply distinct from Qenya, implying rapid change. As Tolkien worked on The Lord of the Rings, starting soon after The Hobbit was published in 1937, the matter troubled him. He came up with a radical solution: the Noldor adopted the local language, Sindarin, as spoken by the Sindar or Green-Elves, when they settled in Beleriand. [8] That allowed Noldorin to be, more plausibly, a scarcely-altered dialect of Quenya; and it freed up his linguistically-developed material to be rebadged as Sindarin, which would have had a long time to evolve in Middle-earth. This was to some extent an awkward solution, as Sindarin had quite different origins, and should have developed rather differently. Tolkien reshaped his "Tree of Tongues" accordingly. [9] [10]
The Etymologies is Tolkien's etymological dictionary of the Elvish languages, contemporaneous with the Lhammas. It is a list of roots of the Proto-Elvish language, from which he built his many Elvish languages, especially Quenya, Noldorin and Ilkorin. The Etymologies, never meant to be published, does not form a unified whole, but incorporates layer upon layer of changes. In his introduction to The Etymologies, Christopher Tolkien wrote that his father was "more interested in the processes of change than he was in displaying the structure and use of the languages at any given time." [T 9]
The story of the Elvish languages as conceived by Tolkien from when he began working on The Lord of the Rings is that they all originated from Primitive Quendian or Quenderin, the proto-language of all the Elves who awoke together in the far east of Middle-earth, Cuiviénen, and began "naturally" to make a language. With the sundering of the Elves, all the Elvish languages are presumed to be descendants of this common ancestor, including the two languages that Tolkien developed most fully, Quenya and Sindarin, as shown in the tree diagram. [T 11]
Primitive | |
Quendian |
In detail, Tolkien invented two subfamilies (subgroups) of the Elvish languages. "The language of the Quendelie (Elves) was thus very early sundered into the branches Eldarin and Avarin". These further subdivided as follows: [T 11]
A tradition of philological study of Elvish languages exists within the fiction of Tolkien's frame stories: [T 13]
The older stages of Quenya were, and doubtless still are, known to the loremasters of the Eldar. It appears from these notices that besides certain ancient songs and compilations of lore that were orally preserved, there existed also some books and many ancient inscriptions. [T 13]
Elven philologists are called the Lambengolmor; in Quenya, lambe means "spoken language" or "verbal communication." Known members of the Lambengolmor were Rúmil, who invented the first Elvish script (the Sarati), Fëanor who later enhanced and further developed this script into his Tengwar, which later was spread to Middle-earth by the Exiled Noldor and remained in use ever after, and Pengolodh, who is credited with many works, including the Osanwe-kenta and the Lhammas or "The 'Account of Tongues' which Pengolodh of Gondolin wrote in later days in Tol-eressëa". [T 14]
Tolkien wrote out most samples of Elvish languages with the Latin alphabet, but within the fiction he imagined many writing systems for his Elves. The best-known are the "Tengwar of Fëanor", but the first system he created, c. 1919, is the "Tengwar of Rúmil", also called the sarati. In chronological order, Tolkien's scripts are: [12] [13]
The Cirth is a semi‑artificial script, based on real‑life runic alphabets, one of several scripts invented by J. R. R. Tolkien for the constructed languages he devised and used in his works. Cirth is written with a capital letter when referring to the writing system; the letters themselves can be called cirth.
The Tengwar script is an artificial script, one of several scripts created by J. R. R. Tolkien, the author of The Lord of the Rings.
The English philologist and author J. R. R. Tolkien created several constructed languages, mostly related to his fictional world of Middle-earth. Inventing languages, something that he called glossopoeia, was a lifelong occupation for Tolkien, starting in his teens.
Eärendil the Mariner and his wife Elwing are characters in J. R. R. Tolkien's Middle-earth legendarium. They are depicted in The Silmarillion as Half-elven, the children of Men and Elves. He is a great seafarer who, on his brow, carried the Morning Star, a jewel called a Silmaril, across the sky. The jewel had been saved by Elwing from the destruction of the Havens of Sirion. The Morning Star and the Silmarils are elements of the symbolism of light, for divine creativity, continually splintered as history progresses. Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist 1, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren, and is descended from Melian the Maia, while Earendil is the son of Tuor and Idril. Through their progeny, Eärendil and Elwing became the ancestors of the Númenorean, and later Dúnedain, royal bloodline.
In the works of J. R. R. Tolkien, the Noldor are a kindred of Elves who migrate west to the blessed realm of Valinor from the continent of Middle-earth, splitting from other groups of Elves as they went. They then settle in the coastal region of Eldamar. The Dark Lord Morgoth murders their first leader, Finwë. The majority of the Noldor, led by Finwë's eldest son Fëanor, then return to Beleriand in the northwest of Middle-earth. This makes them the only group to return and then play a major role in Middle-earth's history; much of The Silmarillion is about their actions. They are the second clan of the Elves in both order and size, the other clans being the Vanyar and the Teleri.
Finwë and Míriel are fictional characters from J. R. R. Tolkien's legendarium. Finwë is the first King of the Noldor Elves; he leads his people on the journey from Middle-earth to Valinor in the blessed realm of Aman. His first wife is Míriel, who, uniquely among immortal Elves, dies while giving birth to their only child Fëanor, creator of the Silmarils; her spirit later serves the godlike Vala queen Vairë. Finwë is the first person to be murdered in Valinor: he is killed by the Dark Lord Morgoth, who is intent on stealing the Silmarils. The event sets off the Flight of the Noldor from Valinor back to Beleriand in Middle-earth, and its disastrous consequences.
In J. R. R. Tolkien's legendarium, the Elves or Quendi are a sundered (divided) people. They awoke at Cuiviénen on the continent of Middle-earth, where they were divided into three tribes: Minyar, Tatyar and Nelyar. After some time, they were summoned by Oromë to live with the Valar in Valinor, on Aman. That summoning and the Great Journey that followed split the Elves into two main groups, which were never fully reunited.
The Lhammas, Noldorin for "account of tongues", is a work of fictional sociolinguistics, written by J. R. R. Tolkien in 1937, and published in the 1987 The Lost Road and Other Writings, volume five of The History of Middle-earth series.
Valarin is a fictional language in the fantasy works of J. R. R. Tolkien. One of the languages of Arda in Tolkien's Middle-earth legendarium, Valarin is the language spoken by the Valar. As immortal spiritual beings, the Valar have the ability to communicate through thought, with no need for a spoken language, but it appears that it was adopted as part of their assumption of physical, humanlike forms.
Sarati is an artificial script, one of several scripts created by J. R. R. Tolkien. According to Tolkien's mythology, the Sarati alphabet was invented by the Elf Rúmil of Tirion.
The Elvish Linguistic Fellowship is a "Special Interest Group" of the Mythopoeic Society devoted to the study of J. R. R. Tolkien's constructed languages, headed by the computer scientist Carl F. Hostetter. It was founded by Jorge Quiñónez in 1988.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
This is a list of all the published works of the English writer and philologist J. R. R. Tolkien. Tolkien's works were published before and after his death.
In J. R. R. Tolkien's writings, Elves are the first fictional race to appear in Middle-earth. Unlike Men and Dwarves, Elves are immortal, though they can be killed in battle. If so, their souls go to the Halls of Mandos in Aman. After a long life in Middle-earth, Elves yearn for the Earthly Paradise of Valinor, and can sail there from the Grey Havens. They feature in The Hobbit and The Lord of the Rings. Their history is described in detail in The Silmarillion.
Quenya is a constructed language, one of those devised by J. R. R. Tolkien for the Elves in his Middle-earth fiction.
Sindarin is one of the constructed languages devised by J. R. R. Tolkien for use in his fantasy stories set in Arda, primarily in Middle-earth. Sindarin is one of the many languages spoken by the Elves.
Quenya is a constructed language devised by J. R. R. Tolkien, and used in his fictional universe, Middle-earth. Here is presented a resume of the grammar of late Quenya as established from Tolkien's writings c. 1951–1973. It is almost impossible to extrapolate the morphological rules of the Quenya tongue from published data because Quenya is a fictional and irregular language that was heavily influenced by natural languages, such as Finnish and Latin, not an international auxiliary language with a regular morphology.
Tolkien's scripts are the writing systems invented by the philologist and fantasy author J. R. R. Tolkien. The best-known are Cirth, Sarati, and Tengwar.
Tom Loback was an artist, known for his illustrations of characters from J. R. R. Tolkien's 1977 book The Silmarillion, his miniature figurines, and his public artworks in New York. He contributed also as a Tolkien scholar interested in Tolkien's constructed languages.
The Etymologies is J. R. R. Tolkien's etymological dictionary of his constructed Elvish languages, written during the 1930s. As a philologist, he was professionally interested in the structure of languages, the relationships between languages, and in particular the processes by which languages evolve. He applied this skill to the construction of the languages of Middle-earth, especially the Elvish languages. The Etymologies reflects this knowledge and enthusiasm: he constantly changed the etymological relationships of his "bases", the roots of his Elvish words. The list of words covers several of his minor languages as well as the two major ones, greatly extending the vocabularies known before it was published in The Lost Road and Other Writings in 1987.
Parma Eldalamberon ... The Book of Elven Tongues ... is a journal of linguistic studies of fantasy literature, especially of the Elvish languages and nomenclature in the works of J.R.R. Tolkien.
This section lists the many sources by Tolkien documenting Elvish texts.
A small fraction of Tolkien's accounts of Elvish languages was published in his novels and scholarly works during his lifetime.
Posthumously:
Many of Tolkien's writings on his invented languages have been annotated and published by Carl F. Hostetter in the journals Vinyar Tengwar and Parma Eldalamberon , as follows:
See also Douglas A. Anderson, Carl F. Hostetter: A Checklist, Tolkien Studies 4 (2007).