Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age. The third volume of The Lord of the Rings, The Return of the King, is largely concerned with the events in Gondor during the War of the Ring and with the restoration of the realm afterward. The history of the kingdom is outlined in the appendices of the book.
Glorfindel is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. He is a member of the Noldor, one of the three groups of High Elves. The character and his name, which means "blond" or "golden-haired", were among the first created for what would become part of his Middle-earth legendarium in 1916–17, beginning with the initial draft of The Fall of Gondolin. His name indicates his hair as a mark of his distinction, as the Noldor were generally dark-haired. A character of the same name appears in the first book of The Lord of the Rings, The Fellowship of the Ring, which takes place in Middle-earth's Third Age. Within the story, he is depicted as a powerful Elf-lord who could withstand the Nazgûl, wraith-like servants of Sauron, and holds his own against some of them single-handedly. Glorfindel and a version of the story of the Fall of Gondolin appear in The Silmarillion, posthumously published in 1977.
Brian Froud is an English fantasy illustrator and conceptual designer. He is most widely known for his 1978 book Faeries with Alan Lee, and as the conceptual designer of the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986). According to Wired, Froud is "one of the most pre-emiminent visualizers of the world of faerie and folktale".
Rosemary Sutcliff was an English novelist best known for children's books, especially historical fiction and retellings of myths and legends. Although she was primarily a children's author, some of her novels were specifically written for adults. In a 1986 interview she said, "I would claim that my books are for children of all ages, from nine to ninety."
Brian David Sibley is an English writer. He is author of over 100 hours of radio drama and has written and presented hundreds of radio documentaries, features and weekly programmes. Among his adaptations is the 1981 version of The Lord of the Rings for radio. A columnist and author, he is widely known as the author of many film "making of" books, including those for the Harry Potter series, and The Lord of the Rings and The Hobbit trilogies.
Among the motion pictures of Middle-earth in various formats, The Lord of the Rings is a trilogy of epic fantasy adventure films directed by Peter Jackson, based on the novel The Lord of the Rings by English author J. R. R. Tolkien. The films are titled identically to the three volumes of the novel: The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). Produced and distributed by New Line Cinema with the co-production of WingNut Films, the films feature an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis, and Sean Bean.
John Howe is a Canadian book illustrator and concept designer, best-known for his artwork of J. R. R. Tolkien's Middle-earth.
Tolkien fandom is an international, informal community of fans of the works of J. R. R. Tolkien, especially of the Middle-earth legendarium which includes The Hobbit, The Lord of the Rings, and The Silmarillion. The concept of Tolkien fandom as a specific type of fan subculture sprang up in the United States in the 1960s, in the context of the hippie movement, to the dismay of the author, who talked of "my deplorable cultus".
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The works of J. R. R. Tolkien have served as the inspiration to painters, musicians, film-makers and writers, to such an extent that he is sometimes seen as the "father" of the entire genre of high fantasy.
Do not laugh! But once upon a time I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic to the level of romantic fairy-story... The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.
Ted Nasmith is a Canadian artist, illustrator and architectural renderer. He is best known as an illustrator of J. R. R. Tolkien's works The Hobbit, The Lord of the Rings and The Silmarillion. Tolkien praised and commented on his early work, something that encouraged him in his career.
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore between 2000 and 2004 to support Peter Jackson's film trilogy based on J. R. R. Tolkien's fantasy novel of the same name. It is notable in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used.
Barbara Remington was an American artist and illustrator. Born in Minnesota, she was probably best known for her cover-art for Ballantine Books' first paperback editions of J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings and for her Tolkien-related poster A Map of Middle-earth.
Greg and Tim Hildebrandt, known as the Brothers Hildebrandt, were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children's books, posters, novels, calendars, advertisements, and trading cards.
Sauron is the title character and the primary antagonist, through the forging of the One Ring, of J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.
Freya Blackwood is an Australian illustrator and special effects artist. She worked on special effects for The Lord of the Rings film trilogy from 2001 to 2003 and won the Kate Greenaway Medal for British children's book illustration in 2010.
Tolkien's artwork was a key element of his creativity from the time when he began to write fiction. A professional philologist, J. R. R. Tolkien prepared a wide variety of materials to support his fiction, including illustrations for his Middle-earth fantasy books, facsimile artefacts, more or less "picturesque" maps, calligraphy, and sketches and paintings from life. Some of his artworks combined several of these elements.
Faeries is a book written and illustrated by English artists Brian Froud and Alan Lee. An illustrated compendium of faerie mythology, legends and folklore, the book explores the history, customs and habitat of faeries in the manner of a field guide, complete with hand annotations.
The architecture in Middle-earth, J. R. R. Tolkien's fictional world, is as varied as the Hobbit-holes of the Shire, the tree-houses of Lothlórien, the wooden halls of Rohan, and the stone dwellings and fortifications of Minas Tirith, capital of Gondor. Tolkien uses the architecture in each place, including its interior design, to provide clues to each people's character. The Hobbit Bilbo Baggins's cosy home, Bag End, described in his 1937 children's book The Hobbit, establishes the character of Hobbits as averse to travelling outside the Shire. In his fantasy novel The Lord of the Rings, Lothlórien demonstrates the close integration of the Elves with their natural environment. The King of Rohan's hall, Meduseld, indicates the Rohirrim's affinity with Anglo-Saxon culture, while Gondor's tall and beautiful stone architecture was described by Tolkien as "Byzantine". In contrast, the Dark Lord Sauron and the fallen Wizard Saruman's realms are damaged lands around tall dark towers.
Since the publication of J. R. R. Tolkien's The Hobbit in 1937, artists including Tolkien himself have sought to capture aspects of Middle-earth fantasy novels in paintings and drawings. He was followed in his lifetime by artists whose work he liked, such as Pauline Baynes, Mary Fairburn, Queen Margrethe II of Denmark, and Ted Nasmith, and by some whose work he rejected, such as Horus Engels for the German edition of The Hobbit. Tolkien had strong views on illustration of fantasy, especially in the case of his own works. His recorded opinions range from his rejection of the use of images in his 1936 essay On Fairy-Stories, to agreeing the case for decorative images for certain purposes, and his actual creation of images to accompany the text in The Hobbit and The Lord of the Rings. Commentators including Ruth Lacon and Pieter Collier have described his views on illustration as contradictory, and his requirements as being as fastidious as his editing of his novels.
