John Ronald Reuel Tolkien was an English writer and philologist. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.
Hobbits are a fictional race of people in the novels of J. R. R. Tolkien. About half average human height, Tolkien presented hobbits as a variety of humanity, or close relatives thereof. Occasionally known as halflings in Tolkien's writings, they live barefooted, and dwell in homely underground houses which have windows, as they are typically built into the sides of hills. Their feet have naturally tough leathery soles and are covered on top with curly hair.
Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J. R. R. Tolkien that were never completed during his lifetime, but were edited by his son Christopher Tolkien and published in 1980. Many of the tales within are retold in The Silmarillion, albeit in modified forms; the work also contains a summary of the events of The Lord of the Rings told from a less personal perspective.
Edith Mary Tolkien was an Englishwoman known as the wife of the novelist J. R. R. Tolkien. She was the inspiration for his fictional Middle-earth characters Lúthien Tinúviel and Arwen Undómiel.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and the constructed languages that he invented, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
The word hobbit was used by J. R. R. Tolkien as the name of a race of small humanoids in his fantasy fiction, the first published being The Hobbit in 1937. The Oxford English Dictionary, which added an entry for the word in the 1970s, credits Tolkien with coining it. Since then, however, it has been noted that there is prior evidence of the word, in a 19th-century list of legendary creatures. In 1971, Tolkien stated that he remembered making up the word himself, admitting that there was nothing but his "nude parole" to support the claim that he was uninfluenced by such similar words as hobgoblin. His choice may have been affected on his own admission by the title of Sinclair Lewis's 1922 novel Babbitt. The Tolkien scholar Tom Shippey has pointed out several parallels, including comparisons in The Hobbit, with the word "rabbit".
Edmund S. C. Weiner is the former co-editor of the Second Edition of the Oxford English Dictionary (1985–1989) and Deputy Chief Editor of the Oxford English Dictionary (1993–present). He originally joined the OED staff in 1977, becoming the dictionary's chief philologist.
Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a unique English mythology. The earliest story drafts are from 1916; he revised and rewrote these for most of his adult life.
J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience. He was inspired primarily by his profession, philology; his work centred on the study of Old English literature, especially Beowulf, and he acknowledged its importance to his writings.
Peter Gilliver is a lexicographer and associate editor of the Oxford English Dictionary.
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, The Hobbit and The Lord of the Rings, are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world.
The Letters of J. R. R. Tolkien is a selection of J. R. R. Tolkien's letters published in 1981, edited by Tolkien's biographer Humphrey Carpenter assisted by Christopher Tolkien. The selection from a large mass of materials contains 354 letters, dating between October 1914, when Tolkien was an undergraduate at Oxford, and 29 August 1973, four days before his death. The letters are of interest both for what they show of Tolkien's life and for his interpretations of his Middle-earth writings.
The Road to Middle-earth: How J. R. R. Tolkien Created a New Mythology is a scholarly study of the Middle-earth works of J. R. R. Tolkien written by Tom Shippey and first published in 1982. The book discusses Tolkien's philology, and then examines in turn the origins of The Hobbit, The Lord of the Rings, The Silmarillion, and his minor works. An appendix discusses Tolkien's many sources. Two further editions extended and updated the work, including a discussion of Peter Jackson's film version of The Lord of the Rings.
Tolkien's monsters are the evil beings, such as Orcs, Trolls, and giant spiders, who oppose and sometimes fight the protagonists in J. R. R. Tolkien's Middle-earth legendarium. Tolkien was an expert on Old English, especially Beowulf, and several of his monsters share aspects of the Beowulf monsters; his Trolls have been likened to Grendel, the Orcs' name harks back to the poem's orcneas, and the dragon Smaug has multiple attributes of the Beowulf dragon. The European medieval tradition of monsters makes them either humanoid but distorted, or like wild beasts, but very large and malevolent; Tolkien follows both traditions, with monsters like Orcs of the first kind and Wargs of the second. Some scholars add Tolkien's immensely powerful Dark Lords Morgoth and Sauron to the list, as monstrous enemies in spirit as well as in body. Scholars have noted that the monsters' evil nature reflects Tolkien's Roman Catholicism, a religion which has a clear conception of good and evil.
J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.
Tolkien's frame stories are the narrative devices that J. R. R. Tolkien chose to use throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.
J. R. R. Tolkien took part in the First World War, known then as the Great War, and began his fantasy Middle-earth writings at that time. The Fall of Gondolin was the first prose work that he created, and it contains detailed descriptions of battle and streetfighting. He continued the dark tone in much of his legendarium, as seen in The Silmarillion. The Lord of the Rings, too, has been described as a war book.
Tolkien's Art: 'A Mythology for England' is a 1979 book of Tolkien scholarship by Jane Chance, writing then as Jane Chance Nitzsche. The book looks in turn at Tolkien's essays "On Fairy-Stories" and "Beowulf: The Monsters and the Critics"; The Hobbit; the fairy-stories "Leaf by Niggle" and "Smith of Wootton Major"; the minor works "Lay of Autrou and Itroun", "The Homecoming of Beorhtnoth", "Imram", and Farmer Giles of Ham; The Lord of the Rings; and very briefly in the concluding section, The Silmarillion. In 2001, a second edition extended all the chapters but still treated The Silmarillion, that Tolkien worked on throughout his life, as a sort of coda.
Tolkien's sentience dilemma is that he created Middle-earth peoples who were both clearly sentient and open to morality, like Men, who in Tolkien's Christian framework must therefore have souls, or non-sentient and without any moral sense, like ordinary animals. Such peoples, especially Orcs, are portrayed as able to speak, but may be slaughtered without compunction since they apparently do not have souls. Both Tolkien and other scholars have been aware of the contradiction implied by this position: if they were essentially "beasts", then they should not have had a moral sense; if they were corrupted Elves, then treating them as "other" to be slaughtered was straightforward racism. Tolkien made repeated attempts to resolve the dilemma.
