Author | J. R. R. Tolkien |
---|---|
Language | English |
Series | The Lord of the Rings |
Genre | Fantasy |
Set in | Middle-earth |
Publisher | George Allen & Unwin [1] |
Publication date | 11 November 1954 |
Publication place | United Kingdom |
Pages | 352 (first edition) |
OCLC | 936070 |
823.914 | |
LC Class | PR6039.O32 L6 1954, v.2 |
Preceded by | The Fellowship of the Ring |
Followed by | The Return of the King |
The Two Towers is the second volume of J. R. R. Tolkien's high fantasy novel The Lord of the Rings . It is preceded by The Fellowship of the Ring and followed by The Return of the King . The volume's title is ambiguous, as five towers are named in the narrative, and Tolkien himself gave conflicting identifications of the two towers. The narrative is interlaced, allowing Tolkien to build in suspense and surprise. The volume was largely welcomed by critics, who found it exciting and compelling, combining epic narrative with heroic romance.
The Lord of the Rings is composed of six "books", aside from an introduction, a prologue and six appendices. However, the novel was originally published as three separate volumes, due to post-World War II paper shortages and size and price considerations. [2] The Two Towers covers Books Three and Four.
Some editions of the volume contain a Synopsis for readers who have not read the earlier volume. The body of the volume consists of Book Three: The Treason of Isengard, and Book Four: The Ring Goes East.
A party of large Orcs, Uruk-hai, sent by Saruman, and other Orcs sent by Sauron and led by Grishnákh, attack the Fellowship. Boromir tries to protect Merry and Pippin from the Orcs, but they kill him and capture the two hobbits. Aragorn, Gimli and Legolas decide to pursue the Orcs taking Merry and Pippin to Saruman. In the kingdom of Rohan, the Orcs are killed by Riders of Rohan, led by Éomer. Merry and Pippin escape into Fangorn Forest, where they are befriended by Treebeard, the oldest of the tree-like Ents. Aragorn, Gimli and Legolas track the hobbits to Fangorn. There they unexpectedly meet Gandalf, resurrected from the dead.
Gandalf explains that he killed the Balrog. He was also killed in the fight, but was sent back to Middle-earth to complete his mission. He is clothed in white and is now Gandalf the White, for he has taken Saruman's place as the chief of the wizards. Gandalf assures his friends that Merry and Pippin are safe. Together they ride to Edoras, capital of Rohan. Gandalf frees Théoden, King of Rohan, from the influence of Saruman's spy Gríma Wormtongue. Théoden musters his fighting strength and rides with his men to the ancient fortress of Helm's Deep, while Gandalf departs to seek help from Treebeard.
Meanwhile, the Ents, roused by Merry and Pippin from their peaceful ways, attack and destroy Isengard, Saruman's stronghold, and flood it, trapping the wizard in the tower of Orthanc. Gandalf convinces Treebeard to send an army of Huorns to Théoden's aid. He brings an army of Rohirrim to Helm's Deep, and they defeat the Orcs, who flee into the forest of Huorns, never to be seen again. Gandalf, Théoden, Aragorn, Legolas, and Gimli ride to Isengard, and are surprised to find Merry and Pippin relaxing amidst the ruins. Gandalf offers Saruman a chance to turn away from evil. When Saruman refuses to listen, Gandalf strips him of his rank and most of his powers. After Saruman leaves, Wormtongue throws down a hard round object to try to kill Gandalf. It misses and Pippin picks it up; Gandalf swiftly takes it, but Pippin steals it in the night. It is revealed to be a palantír , a seeing-stone that Saruman used to speak with Sauron, and that Sauron used to ensnare him. Pippin begins to be entranced by its power. While Gandalf sleeps, Pippin examines the palantír, inadvertently causing Sauron to see him; as Pippin is a hobbit, Sauron believes Pippin has the One Ring. Gandalf is awoken by the commotion and is able to save the incapacitated Pippin. Gandalf immediately rides for Minas Tirith, the chief city of Gondor, taking Pippin with him.
Frodo and Sam, heading for Mordor to destroy the One Ring, struggle through the barren hills and cliffs of the Emyn Muil. They become aware they are being watched and tracked; on a moonlit night they capture Gollum, who has followed them from Moria. Frodo makes Gollum swear to serve him, as Ringbearer, and asks him to guide them to Mordor. Gollum leads them across the Dead Marshes. Sam overhears Gollum debating with his alter ego, Sméagol, whether to break his promise and steal the Ring.
They find that the Black Gate of Mordor is too well guarded to pass through, so instead they travel south through the land of Ithilien to a secret pass that Gollum knows. On the way, they are captured by rangers led by Faramir, Boromir's younger brother, and brought to the secret fastness of Henneth Annûn. Unlike his brother, Faramir resists the temptation to seize the Ring and, disobeying standing orders to arrest strangers found in Ithilien, releases them.
Gollum – who is torn between his loyalty to Frodo and his desire for the Ring – guides the hobbits to the pass of Cirith Ungol, but leads them into the lair of the great spider Shelob in the tunnels there. Frodo holds up the gift given to him in Lothlórien: the Phial of Galadriel, which holds the light of Eärendil's star. The light drives Shelob away, and Frodo and Sam are able to get through the pass safely. However, after they leave the pass, Shelob appears and attacks Frodo; before he can help his master, Sam is attacked by Gollum. After fighting off Gollum, Sam picks up Frodo's sword, Sting; and the Phial. He seriously wounds and drives off Shelob, but after the fight, he finds Frodo unresponsive. Believing him to be dead, Sam takes the Ring to continue the quest alone. Before Sam gets far, however, Orcs find Frodo; Sam overhears them and learns that Frodo is still alive, but is separated from him.
In letters to Rayner Unwin, Tolkien considered leaving the title ambiguous or naming the two as Orthanc and Barad-dûr, Minas Tirith and Barad-dûr, or Orthanc and the Tower of Cirith Ungol. [3] [4] However, a month later, he wrote a note that is included at the end of The Fellowship of the Ring, and later drew a cover illustration, both of which identified the pair as Minas Morgul and Orthanc. [5] [6] In the illustration, Minas Morgul is a white tower, with a thin waning moon above it, in reference to its original name, Minas Ithil, the Tower of the Rising Moon; Orthanc is shown as a black tower, three-horned, with Saruman's sign of the White Hand beside it. Between the two towers a Nazgûl flies. [6]
The narrative in the volume is interlaced, unlike the largely linear narrative in The Fellowship of the Ring , as the Fellowship is broken, and the different groups pursue their own quests. The main quest is not forwarded at all in book 3; conversely, the other quests are not progressed in book 4 as Frodo and Sam continue their dangerous journey towards Mordor. The timeline is more complex than this would suggest, as many smaller-scale interlacings occur as the characters travel through Middle-earth and the story. [7] [8]
Interlacing allowed Tolkien to weave an elaborately intricate story, presented through the eyes of the Hobbit protagonists, "underscoring [their] frequent bewilderment and disorientation". Most directly, this is achieved by letting the reader know no more than what one character sees as he struggles forwards, not knowing what lies ahead, where his friends are, or whether the quest has already failed. [9] [8] The bewilderment of the reader is minimized by the use of synchronizing 'narrative landmarks', such as the brooch dropped by Pippin and discovered by Aragorn. [10] Equally, interlacing enables Tolkien to create suspense and "cliffhanger" section endings, as when the Ents and Huorns appear suddenly and decisively in a eucatastrophe on the battlefield of Helm's Deep. [8]
The Tolkien scholar Richard C. West writes that every reader must notice to some degree "the apparently meandering manner of the plot", where things happen apparently casually, as in real life. West illustrates this by examining Merry and Pippin's meeting with the Ents. This causes the Ents to overthrow their enemy Saruman, who was also the enemy of the kingdom of Rohan. This frees up Rohan to go to the aid of Gondor in their war with Sauron. The two Hobbits would never have met the Ents unless Saruman's Orcs had captured them. The Hobbits would not have escaped the Orcs unless Éomer's band of Riders of Rohan, disobeying orders from the King, had hunted the Orc intruders down. West states that each group and character has their own motivation, but their stories interact. It feels natural, and may appear "loose", but "everything is interconnected." [11]
The interlacing allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realizes on reflection that certain events happened at the same time. [8] Interlace, West notes, can "show purpose or pattern behind change". [12] This can appear, Shippey writes, as luck, where in daily life it is uncertain whether this is "something completely humdrum and practical or something mysterious and supernatural". [13]
Donald Barr in The New York Times gave a positive review, calling it "an extraordinary work – pure excitement, unencumbered narrative, moral warmth, barefaced rejoicing in beauty, but excitement most of all". [14]
Anthony Boucher, reviewing the volume in The Magazine of Fantasy & Science Fiction , wrote that The Two Towers "makes inordinate demands upon the patience of its readers" with passages which "could be lopped away without affecting form or content". Nevertheless, he lavished praise on the volume, saying "no writer save E. R. Eddison has ever so satisfactorily and compellingly created his own mythology and made it come vividly alive ... described in some of the most sheerly beautiful prose that this harsh decade has seen in print." [15]
The Times Literary Supplement called it a "prose epic in praise of courage" and stated that Tolkien's Westernesse "comes to rank in the reader's imagination with Asgard and Camelot". [16] [17]
Mahmud Manzalaoui, in the Egyptian Gazette , wrote that the book "has not pleased readers of the staple modern psychological novel", but that it signified a new trend in fiction. [18] [17]
In The Observer , the Scottish poet Edwin Muir, who had praised The Fellowship of the Ring, called Tolkien's invention of the Ents and his account of the Battle of Helm's Deep magnificent. He wrote that contrary to some people's assumption, one could not equate the Ring to the atomic bomb; rather, it directly represented evil. [19] [17]
John Jordan, reviewing the book for the Irish Press, wrote admiring its narrative "weaving of epic, heroic romance, parable, and fairy tale, and the more adventurous kind of detective story, into a pattern at once strange and curiously familiar to our experience". He compared the wizard Gandalf's death and reappearance to Christ's resurrection, writing that this could be done "without irreverence" because of Tolkien's seriousness about good and evil. [20] [17]
The Lord of the Rings is an epic high fantasy novel by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
Gandalf is a protagonist in J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings. He is a wizard, one of the Istari order, and the leader of the Company of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (Dvergatal) in the Völuspá.
The Return of the King is the third and final volume of J. R. R. Tolkien's The Lord of the Rings, following The Fellowship of the Ring and The Two Towers. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron.
The Lord of the Rings: The Two Towers is a 2002 epic high fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, Stephen Sinclair, and Jackson, based on 1954's The Two Towers, the second volume of the novel The Lord of the Rings by J. R. R. Tolkien. The sequel to 2001's The Lord of the Rings: The Fellowship of the Ring, the film is the second instalment in The Lord of the Rings trilogy. It features an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, and Andy Serkis.
The Lord of the Rings: The Return of the King is a 2003 epic high fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, and Jackson. It is based on 1955's The Return of the King, the third volume of the novel The Lord of the Rings by J. R. R. Tolkien. The sequel to 2002's The Lord of the Rings: The Two Towers, the film is the third and final instalment in The Lord of the Rings trilogy. It features an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Karl Urban, John Noble, Andy Serkis, Ian Holm, and Sean Bean. Continuing the plot of the previous film, Frodo, Sam and Gollum make their final way toward Mount Doom to destroy the One Ring, unaware of Gollum's true intentions, while Merry, Pippin, Gandalf, Aragorn, Legolas, Gimli and their allies join forces against Sauron and his legions from Mordor.
In J. R. R. Tolkien's fantasy writings, Isengard is a large fortress in Nan Curunír, the Wizard's Vale, in the western part of Middle-earth. In the fantasy world, the name of the fortress is described as a translation of Angrenost, a word in Tolkien's elvish language, Sindarin, a compound of two Old English words: īsen and ġeard, meaning "enclosure of iron".
Among the motion pictures of Middle-earth in various formats, The Lord of the Rings is a trilogy of epic fantasy adventure films directed by Peter Jackson, based on the novel The Lord of the Rings by English author J. R. R. Tolkien. The films are titled identically to the three volumes of the novel: The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). Produced and distributed by New Line Cinema with the co-production of WingNut Films, the films feature an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis, and Sean Bean.
The Return of the King is a 1980 American-Japanese animated musical fantasy television film created by Rankin/Bass and Topcraft. It is an adaptation of part of J. R. R. Tolkien's 1955 high fantasy novel The Lord of the Rings. It takes its name from The Return of the King, the third and final volume of the novel, and is a sequel to the 1977 film The Hobbit.
In J. R. R. Tolkien's epic fantasy novel The Lord of the Rings, the Battle of the Morannon or the Battle of the Black Gate is the final confrontation in the War of the Ring. Gondor and its allies send a small army ostensibly to challenge Sauron at the entrance to his land of Mordor; he supposes that they have with them the One Ring and mean to use it to defeat him. In fact, the Ring is being carried by the hobbits Frodo Baggins and Sam Gamgee into Mordor to destroy it in Mount Doom, and the army is moving to distract Sauron from them. Before the battle, a nameless leader, the "Mouth of Sauron", taunts the leaders of the army with the personal effects of Frodo and Sam. Battle is joined, but just as it seems the army of Gondor will be overwhelmed, the Ring is destroyed, and the forces of Sauron lose heart. Mount Doom erupts, and Sauron's tower, Barad-dûr, collapses, along with the Black Gate. The army of Gondor returns home victorious, the War of the Ring won.
Saruman, also called Saruman the White, later Saruman of Many Colours, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is the leader of the Istari, wizards sent to Middle-earth in human form by the godlike Valar to challenge Sauron, the main antagonist of the novel. He comes to desire Sauron's power for himself, so he betrays the Istari and tries to take over Middle-earth by force from his base at Isengard. His schemes feature prominently in the second volume, The Two Towers; he appears briefly at the end of the third volume, The Return of the King. His earlier history is summarised in the posthumously published The Silmarillion and Unfinished Tales.
Meriadoc Brandybuck, usually called Merry, is a Hobbit, a fictional character from J. R. R. Tolkien's Middle-earth legendarium, featured throughout his most famous work, The Lord of the Rings. Merry is described as one of the closest friends of Frodo Baggins, the main protagonist. Merry and his friend and cousin, Pippin, are members of the Company of the Ring. They become separated from the rest of the group and spend much of The Two Towers making their own decisions. By the time of The Return of the King, Merry has enlisted in the army of Rohan as an esquire to King Théoden, in whose service he fights during the War of the Ring. After the war, he returns home, where he and Pippin lead the Scouring of the Shire, ridding it of Saruman's influence.
Peregrin Took, commonly known simply as Pippin, is a fictional character from J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is closely tied with his friend and cousin, Merry Brandybuck, and the two are together during most of the story. Pippin and Merry are introduced as a pair of young hobbits of the Shire who become ensnared in their friend Frodo Baggins's quest to destroy the One Ring. Pippin joins the Company of the Ring. He and Merry become separated from the rest of the group at the breaking of the Fellowship and spend much of The Two Towers with their own storyline. Impetuous and curious, Pippin enlists as a soldier in the army of Gondor and fights in the Battle of the Morannon. With the other hobbits, he returns home, helps to lead the Scouring of the Shire, and becomes Thain, or hereditary leader of the land.
The Lord of the Rings: Aragorn's Quest is an action-adventure video game released in 2010 by WB Games on various Nintendo and Sony platforms, with Headstrong Games developing a Wii version and TT Fusion developing the game on other platforms.
Aragorn is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn is a confidant of the wizard Gandalf and plays a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn falls in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbids them to marry unless Aragorn becomes King of both Arnor and Gondor.
Frodo Baggins is a fictional character in J. R. R. Tolkien's writings and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.
Hobitit is a nine-part Finnish live action fantasy television miniseries directed by Timo Torikka, originally broadcast in 1993 on Yle TV1.
Character pairing in The Lord of the Rings is a literary device used by J. R. R. Tolkien, a Roman Catholic, to express some of the moral complexity of his major characters in his heroic romance, The Lord of the Rings. Commentators have noted that the format of a fantasy does not lend itself to subtlety of characterisation, but that pairing allows inner tensions to be expressed as linked opposites, including, in a psychoanalytic interpretation, those of Jungian archetypes.
J. R. R. Tolkien's narrative interlacing in The Lord of the Rings, also called by the French term entrelacement, is an unusual and complex narrative structure, known from tapestry romances in medieval literature, that enables him to achieve a variety of literary effects. These include maintaining suspense, keeping the reader uncertain of what will happen and even of what is happening to other characters at the same time in the story; creating surprise and an ongoing feeling of bewilderment and disorientation. More subtly, the leapfrogging of the timeline in The Lord of the Rings by the different story threads allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realises on reflection that certain events happened at the same time, and that these connections imply a contest of good and evil powers.
Scholars have seen multiple resemblances between the medieval Christian conception of hell and evil places in J. R. R. Tolkien's fictional world of Middle-earth. These include the industrial hells of Saruman's Isengard with its underground furnaces and labouring Orcs; the dark tunnels of Moria; Sauron's evil land of Mordor; and Morgoth's subterranean fortress of Angband. The gates to some of these realms, like the guarded West Door of Moria, and the Black Gate to Mordor, too, carry echoes of the gates of hell.