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The "Ainulindalë" is the creation account in J. R. R. Tolkien's legendarium, published posthumously as the first part of The Silmarillion in 1977. The "Ainulindalë" sets out a central part of the cosmology of Tolkien's legendarium, telling how the Ainur, a class of angelic beings, perform a great music prefiguring the creation of the material universe, Eä, including Middle-Earth. The creator Eru Ilúvatar introduces the theme of the sentient races of Elves and Men, not anticipated by the Ainur, and gives physical being to the prefigured universe. Some of the Ainur decide to enter the physical world to prepare for their arrival, becoming the Valar and Maiar.
Thomas Alan Shippey is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book The Road to Middle-Earth has been called "the single best thing written on Tolkien".
Trolls are fictional characters in J. R. R. Tolkien's Middle-earth, and feature in films and games adapted from his novels. They are portrayed as monstrously large humanoids of great strength and poor intellect. In The Hobbit, like the dwarf Alviss of Norse mythology, they must be below ground before dawn or turn to stone, whereas in The Lord of the Rings they are able to face daylight.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a unique English mythology. The earliest story drafts are from 1916; he revised and rewrote these for most of his adult life.
Verlyn Flieger is an author, editor, and Professor Emerita in the Department of English at the University of Maryland at College Park, where she taught courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien. She is well known as a Tolkien scholar, especially for her books Splintered Light and A Question of Time. She has won the Mythopoeic Scholarship Award four times for her work on Tolkien's Middle-earth writings.
Symphony No. 1 The Lord of the Rings is the first symphony for concert band written by Johan de Meij, and one of several works of classical music based on J. R. R. Tolkien's fantasy The Lord of the Rings. It premiered in 1988 with the Groot Harmonieorkest van de Belgische Gidsen conducted by Norbert Nozy.
The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology is a scholarly study of the Middle-earth works of J. R. R. Tolkien written by Tom Shippey and first published in 1982. The book discusses Tolkien's philology, and then examines in turn the origins of The Hobbit, The Lord of the Rings, The Silmarillion, and his minor works. An appendix discusses Tolkien's many sources. Two further editions extended and updated the work, including a discussion of Peter Jackson's film version of The Lord of the Rings.
The Silmarillion is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.
Janet Brennan Croft is an American librarian and Tolkien scholar, known for her authored and edited books and journals on J. R. R. Tolkien's Middle-earth fantasy.
John Garth is a British journalist and author, known especially for writings about J. R. R. Tolkien including his biography Tolkien and the Great War and a book on the places that inspired Middle-earth, The Worlds of J. R. R. Tolkien. He won a 2004 Mythopoeic Award for Scholarship for his work on Tolkien. The biography influenced much Tolkien scholarship in the subsequent decades.
Tolkien's monsters are the evil beings, such as Orcs, Trolls, and giant spiders, who oppose and sometimes fight the protagonists in J. R. R. Tolkien's Middle-earth legendarium. Tolkien was an expert on Old English, especially Beowulf, and several of his monsters share aspects of the Beowulf monsters; his Trolls have been likened to Grendel, the Orcs' name harks back to the poem's orcneas, and the dragon Smaug has multiple attributes of the Beowulf dragon. The European medieval tradition of monsters makes them either humanoid but distorted, or like wild beasts, but very large and malevolent; Tolkien follows both traditions, with monsters like Orcs of the first kind and Wargs of the second. Some scholars add Tolkien's immensely powerful Dark Lords Morgoth and Sauron to the list, as monstrous enemies in spirit as well as in body. Scholars have noted that the monsters' evil nature reflects Tolkien's Roman Catholicism, a religion which has a clear conception of good and evil.
Jason Fisher is a Tolkien scholar and winner of a Mythopoeic Scholarship Award in 2014 for his book Tolkien and the Study of His Sources: Critical Essays. He served as the editor of the Mythopoeic Society's monthly Mythprint from 2010 to 2013. He is the author of many book chapters, academic articles, and encyclopedia entries on J. R. R. Tolkien.
The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally inspired by his books.
Splintered Light: Logos and Language in Tolkien's World is an 1983 book of literary criticism by the leading Tolkien scholar Verlyn Flieger, in which she argues that light is a central theme of Tolkien's Middle-earth mythology, in particular in The Silmarillion. It has been admired by other scholars to the extent that it has become a core element of Tolkien scholarship.
J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval concepts.
Master of Middle-earth: The Fiction of J. R. R. Tolkien, alternatively subtitled The Achievement of J.R.R. Tolkien, is a 1972 book of literary criticism of J. R. R. Tolkien's Middle-earth fantasy writings, written by Paul H. Kocher, and one of the few to be published in Tolkien's lifetime. It focuses especially on The Lord of the Rings and The Hobbit, and also covers some of his minor works such as "Leaf by Niggle" and "Smith of Wootton Major".
J. R. R. Tolkien derived the characters, stories, places, and languages of Middle-earth from many sources. Among these are the Celtic legends and languages, which for Tolkien were principally Irish and Welsh. He gave multiple conflicting reasons for his liking for Welsh. Tolkien stated directly that he had made use of Welsh phonology and grammar for his constructed Elvish language Sindarin. Scholars have identified multiple legends, both Irish and Welsh, as likely sources of some of Tolkien's stories and characters; thus for example the Noldorin Elves resemble the Irish Tuatha Dé Danann, while the tale of Beren and Lúthien parallels that of the Welsh Culhwch and Olwen. Tolkien chose Celtic names for the isolated settlement of Bree-land, to distinguish it from the Shire with its English names.
References
- ↑ "Bradford Lee Eden". Library Thing. Retrieved 26 November 2022.
- ↑ "Bradford Lee Eden, Ph. D. (Editor)". Journal of Tolkien Research . Retrieved 26 November 2022.
- ↑ "Mythopoeic Awards – Scholarship". Mythopoeic Society . Retrieved 26 November 2022.
- ↑ Moniz, Emily A. (2010). "[Review] Middle-earth Minstrel: Essays on Music in Tolkien by Bradford Lee Eden". Mythlore . 29 (1/2): 183–186. JSTOR 26815552.
- ↑ Emerson, David L. (2018). "[Review] The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden". Mythlore . 37 (1). Article 23.
