"A Walking Song" is a poem in The Lord of the Rings. It appears in the third chapter, entitled "Three is Company". It is given its title in the work's index to songs and poems. [T 1] There is a companion poem near the end of the novel.
The poem has been set to music by the Danish group The Tolkien Ensemble.
While the poem itself does not appear in The Lord of the Rings film trilogy, parts of it are featured throughout, including in the song "The Edge of Night" sung by Billy Boyd in The Lord of the Rings: The Return of the King which has lyrics from the last verse.
The hobbit Frodo Baggins is travelling to Bucklebury in the Shire, accompanied by his gardener and friend Sam Gamgee and his kinsman Pippin Took. Frodo is ostensibly moving to a newly purchased house, having sold his hobbit-hole to his relatives, the Sackville-Bagginses. However, he and Sam have secretly planned to journey beyond, to Bree where he will meet again with Gandalf, so that they can travel to Rivendell; Frodo has the Ring of the Dark Lord Sauron in his possession, and he believes it will be safe there. They journey into the night, and at this point
They began to hum softly, as hobbits have a way of doing as they walk along, especially when they are drawing near to home at night. With most hobbits it is a supper-song or a bed-song; but these hobbits hummed a walking-song (though not, of course, without any mention of supper and bed). [T 2] [1]
The song begins:Upon the hearth the fire is red,
Beneath the roof there is a bed;
But not yet weary are our feet,
Still round the corner we may meet
A sudden tree or standing stone
That none have seen but we alone. [T 2]
Frodo's uncle Bilbo Baggins, who had adopted him, had made up the words "to a tune that was as old as the hills, and taught it to Frodo as they walked in the lanes of the Water-valley and talked about Adventure". [T 2] After the song ends, the hobbits encounter a Black Rider for the second time. [T 2]
A different walking song, "The Road Goes Ever On", appears in different versions in The Hobbit , in two places in The Fellowship of the Ring – the first two by Bilbo, the third instance spoken by Frodo, alongside "A Walking Song"; [T 3] [T 4] and again in The Return of the King, where again it is voiced by Bilbo. [T 5]
"A Walking Song" is mirrored at the end of the novel, in the chapter "The Grey Havens". Frodo sings part of the song with slightly changed words, as he is leaving for the Undying Lands. [T 6] [2]
The road in A Walking Song has been seen as a metaphor for destiny and experience for both Bilbo and Frodo that begins at their home Bag End. According to Shippey, the name Bag End is a direct translation of French cul-de-sac meaning a dead end or a road with only one outlet. The journeys of Bilbo and Frodo have been interpreted as such a confined road as they both start and end their respective adventures in Bag End. According to Don D. Elgin, A Walking Song is "a song about the roads that go ever on until they return to at last to the familiar things they have always known." [3]
Tom Shippey writes that especially in the second version of the song, the wording subtly changed to be more definite, even final, when Frodo knows he will soon leave Middle-earth, he sings of taking [4]
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
The verse alludes to his coming journey on the Old Straight Road, the Elvish path normally barred to mortals that departs from Arda at a tangent, going directly to Valinor, somewhere far away in the Uttermost West. [4] This version of the song has been likened to Nick Bottom's dream in William Shakespeare's A Midsummer Night's Dream , which speaks of something that "the eye of man hath not heard, the eye of man hath not seen". [3]
Ralph C. Wood writes that from a Christian point of view, the song references the inevitable journey towards death and beyond. [5]
Part of "A Walking Song" is featured in Peter Jackson's 2003 The Lord of the Rings: The Return of the King . Some lines from the poem are part of a larger montage entitled "The Steward of Gondor", written by Howard Shore and arranged by Philippa Boyens. [6] [7] The song is called "The Edge of Night" after a phrase in the lyrics. Its melody was composed by Billy Boyd, who plays Pippin. [6] [7] The lyrics sung in the film are: [8]
Home is behind, the world ahead
And there are many paths to tread
Through shadow, to the edge of night
Until the stars are all alight
Mist and shadow
Cloud and shade
All shall fade
All shall fade
In the film version, Denethor, the Steward of Gondor residing in its capital Minas Tirith, asks Pippin to sing for him while he eats. At the same time, Denethor's son Faramir makes a futile attempt to retake the city of Osgiliath, as requested by his father. [9] Pippin's song is cut down from Tolkien's poem, the lines being a rewrite of part of the last stanza. [10] According to Jackson, the song was devised while shooting the film. Boyd envisioned the song to be one that Pippin had "probably heard his grandfather sing, you know, from when the hobbits were looking for the Shire." The song was recorded in Abbey Road Studios in London. Boyd called it "a huge highlight" of his career. [11] Paul Broucek, executive music producer at New Line Cinema, comments: "Instead of a noisy battle scene, you have the juxtaposition of the beautiful, haunting melody that Billy created and sings, and that Howard supports with very simple underpinnings of orchestra growing out of it." [11] The scenes featuring "The Edge of Night" were largely invented by the film's writers; in the book, although Denethor asks Pippin if he can sing, no song is ever requested. [T 7]
Shore wrote the orchestral section of "The Sacrifice of Faramir", which frames Boyd's song. [8] The melody echoes Shore's Gondor theme/ [lower-alpha 1] [9] Frodo's variation of the song was used for the film soundtrack, at the point when Frodo and company are at the Grey Havens, but with the lyrics translated into Sindarin by David Salo. [6] The phrase "home is behind, the world ahead" is uttered by Gandalf near the beginning of the 2012 film The Hobbit: An Unexpected Journey , as Bilbo and the dwarves leave the Shire for the first time. [12]
Both versions of the poem have been set to music by the Danish group The Tolkien Ensemble, with melodies composed by one of its members, Peter Hall. They appear on the group's album At Dawn in Rivendell (2002). [13] [14] [15] A cover of the "Edge of Night" song as used in the film appears on the eponymous final album of a former Tolkien Ensemble member, Nick Keir. [16] [17]
Gandalf is a protagonist in J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings. He is a wizard, one of the Istari order, and the leader of the Company of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (Dvergatal) in the Völuspá.
Bilbo Baggins is the title character and protagonist of J. R. R. Tolkien's 1937 novel The Hobbit, a supporting character in The Lord of the Rings, and the fictional narrator of many of Tolkien's Middle-earth writings. The Hobbit is selected by the wizard Gandalf to help Thorin and his party of Dwarves reclaim their ancestral home and treasure, which has been seized by the dragon Smaug. Bilbo sets out in The Hobbit timid and comfort-loving and, through his adventures, grows to become a useful and resourceful member of the quest.
Boromir is a fictional character in J. R. R. Tolkien's legendarium. He appears in the first two volumes of The Lord of the Rings, and is mentioned in the last volume, The Return of the King. He was the heir of Denethor II and the elder brother of Faramir. In the course of the story Boromir joined the Fellowship of the Ring.
Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age. The third volume of The Lord of the Rings, The Return of the King, is largely concerned with the events in Gondor during the War of the Ring and with the restoration of the realm afterward. The history of the kingdom is outlined in the appendices of the book.
Rivendell is a valley in J. R. R. Tolkien's fictional world of Middle-earth, representing both a homely place of sanctuary and a magical Elvish otherworld. It is an important location in The Hobbit and The Lord of the Rings, being the place where the quest to destroy the One Ring began.
The Return of the King is the third and final volume of J. R. R. Tolkien's The Lord of the Rings, following The Fellowship of the Ring and The Two Towers. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron.
The Return of the King is a 1980 American-Japanese animated musical fantasy television film created by Rankin/Bass and Topcraft. It is an adaptation of part of J. R. R. Tolkien's 1955 high fantasy novel The Lord of the Rings. It takes its name from The Return of the King, the third and final volume of the novel, and is a sequel to the 1977 film The Hobbit.
"The Man in the Moon Stayed Up Too Late" is J. R. R. Tolkien's imagined original song behind the nursery rhyme "Hey Diddle Diddle ", invented by back-formation. It was first published in Yorkshire Poetry magazine in 1923, and was reused in extended form in the 1954–55 The Lord of the Rings as a song sung by Frodo Baggins in the Prancing Pony inn. The extended version was republished in the 1962 collection The Adventures of Tom Bombadil.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
"The Road Goes Ever On" is a title that encompasses several walking songs that J. R. R. Tolkien wrote for his Middle-earth legendarium. Within the stories, the original song was composed by Bilbo Baggins and recorded in The Hobbit. Different versions of it also appear in The Lord of the Rings, along with some similar walking songs.
"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955. It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it. Contrary to the maxim "Show, don't tell", the chapter consists mainly of people talking; the action is, as in an earlier chapter "The Shadow of the Past", narrated, largely by the Wizard Gandalf, in flashback. The chapter parallels the far simpler Beorn chapter in The Hobbit, which similarly presents a culture-clash of modern with ancient. The Tolkien scholar Tom Shippey calls the chapter "a largely unappreciated tour de force". The Episcopal priest Fleming Rutledge writes that the chapter brings the hidden narrative of Christianity in The Lord of the Rings close to the surface.
Faramir is a fictional character in J. R. R. Tolkien's The Lord of the Rings. He is introduced as the younger brother of Boromir of the Fellowship of the Ring and second son of Denethor, the Steward of Gondor. Faramir enters the narrative in The Two Towers, where, upon meeting Frodo Baggins, he is presented with a temptation to take possession of the One Ring. In The Return of the King, he leads the forces of Gondor in the War of the Ring, coming near to death, succeeds his father as Steward, and wins the love of Éowyn, lady of the royal house of Rohan.
Meriadoc Brandybuck, usually called Merry, is a Hobbit, a fictional character from J. R. R. Tolkien's Middle-earth legendarium, featured throughout his most famous work, The Lord of the Rings. Merry is described as one of the closest friends of Frodo Baggins, the main protagonist. Merry and his friend and cousin, Pippin, are members of the Company of the Ring. They become separated from the rest of the group and spend much of The Two Towers making their own decisions. By the time of The Return of the King, Merry has enlisted in the army of Rohan as an esquire to King Théoden, in whose service he fights during the War of the Ring. After the war, he returns home, where he and Pippin lead the Scouring of the Shire, ridding it of Saruman's influence.
Peregrin Took, commonly known simply as Pippin, is a fictional character from J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is closely tied with his friend and cousin, Merry Brandybuck, and the two are together during most of the story. Pippin and Merry are introduced as a pair of young hobbits of the Shire who become ensnared in their friend Frodo Baggins's quest to destroy the One Ring. Pippin joins the Company of the Ring. He and Merry become separated from the rest of the group at the breaking of the Fellowship and spend much of The Two Towers with their own storyline. Impetuous and curious, Pippin enlists as a soldier in the army of Gondor and fights in the Battle of the Morannon. With the other hobbits, he returns home, helps to lead the Scouring of the Shire, and becomes Thain, or hereditary leader of the land.
Aragorn is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn is a confidant of the wizard Gandalf and plays a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn falls in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbids them to marry unless Aragorn becomes King of both Arnor and Gondor.
Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing, were half-elven, having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya, the Ring of Air, and master of Rivendell, where he has lived for thousands of years through the Second and Third Ages of Middle-earth. He was the Elf-king Gil-galad's herald at the end of the Second Age, saw Gil-galad and king Elendil fight the dark lord Sauron for the One Ring, and Elendil's son Isildur take it rather than destroy it.
Frodo Baggins is a fictional character in J. R. R. Tolkien's writings and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.
Character pairing in The Lord of the Rings is a literary device used by J. R. R. Tolkien, a Roman Catholic, to express some of the moral complexity of his major characters in his heroic romance, The Lord of the Rings. Commentators have noted that the format of a fantasy does not lend itself to subtlety of characterisation, but that pairing allows inner tensions to be expressed as linked opposites, including, in a psychoanalytic interpretation, those of Jungian archetypes.
J. R. R. Tolkien repeatedly uses dreams and visions in his Middle-earth writings to create literary effects, allowing the narrative to transition between everyday reality and awareness of other kinds of existence. He follows the conventions of the dream vision in early medieval literature, and the tradition of English visionary writing of Edmund Spenser and John Milton.