The Nature of Middle-earth

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The Nature of Middle-earth
The Nature of Middle-earth.jpg
Editor Carl F. Hostetter
Author J. R. R. Tolkien
CountryUnited Kingdom
LanguageEnglish
Genre High fantasy
Publisher HarperCollins, Mariner Books
Publication date
2021
Media typePrint (hardback and paperback)
Pages464
ISBN 978-0358454601
Followed by The Fall of Númenor  

The Nature of Middle-earth is a 2021 book of previously unpublished materials on Tolkien's legendarium, compiled and edited by the scholar Carl F. Hostetter. Some essays were previously published in the Elvish linguistics journal Vinyar Tengwar , where Hostetter is a long-time editor. [1]

Contents

Book

Publication history

The book was published by HarperCollins and Mariner Books in 2021. It contains a selection of essays and fragments of stories by J. R. R. Tolkien, edited by the scholar Carl F. Hostetter, on questions related to the functioning of his fantasy world, Middle-earth. [2]

The book's editor, Carl F. Hostetter, said in an interview before the book appeared that he "started work on what would become The Nature of Middle-earth nearly 25 years ago, when I received a bundle of photocopies that Christopher Tolkien referred to as 'late philological essays'." [3]

Contents

The book is in three parts, with appendices. It provides many of the elements that Tolkien described in a letter: "while many [readers] demand maps, others wish for geological indications rather than places; many want Elvish grammars, phonologies, and specimens; some want metrics and prosodies... Musicians want tunes, and musical notation; archaeologists want ceramics and metallurgy. Botanists want a more accurate description of the mallorn , of elanor, niphredil, alfirin, mallos, and symbelmynë; and historians want more details about the social and political structure of Gondor; general enquirers want information on the Wainriders, the Harad, Dwarvish origins, the Dead Men, the Beornings, and the missing two wizards (out of five)". [4] [5]

Part One consists of 23 chapters on "Time and Ageing", including the Valian Year and questions of time-scales and whether elvish time is different. Kane comments that the texts are "confusing" and sometimes "painfully detailed", illustrating Tolkien's remark that he found the "vast game ... only too fatally attractive". [5]

Part Two contains 17 chapters on "Body, Mind, and Spirit", including issues of beauty, goodness, gender, and sex; which beings may have beards; fate and free will; whether elves reincarnate; what the Valar know and what visible forms they and the Maiar may take; and death. The material varies from "the most mundane to the most profound", examples of the latter being the way that the Valar could communicate thought, or that the Elves could create "mind-pictures" in the minds of Men, creating in Tolkien's words "Fantasy with a realism and immediacy beyond the compass of any human mechanism". [5]

Part Three consists of 22 chapters on "The World, its Lands, and its Inhabitants", including such topics as darkness and light, how Lembas waybread is made, the eating of mushrooms, and Galadriel and Celeborn. The appendices cover metaphysical and theological themes, and a glossary of terms in Quenya. In "The Primal Impulse" and "The Powers of the Valar", Tolkien discusses the nature of creation in the world, and how every creative ability ultimately comes from Eru. [5]

Reception

Shaun Gunner of The Tolkien Society called the book "an unofficial 13th volume of The History of Middle-earth series". [6]

Douglas C. Kane, in the Journal of Tolkien Research , wrote, with reference to Tolkien's phrases in On Fairy-Stories [7] on how to make a "Secondary World", that the book certainly "helps to demonstrate just how much 'labour and thought', 'special skill', and 'a kind of elvish craft' ... Tolkien applied to the creation of his Secondary World, as well as the pitfalls that resulted." [5] All the same, in Kane's view, some of the material is "unnecessarily redundant, confusing, and contradictory." [5] Kane states that Hostetter "appears to overstep his role as editor" by presenting the materials according to his personal point of view. In particular, having quoted Tolkien's remark that The Lord of the Rings was fundamentally religious and Catholic (twice, at the start of Part 2 and in the first appendix), Hostetter argues that the description applies to the whole of the legendarium. Kane calls this contrary to Christopher Tolkien's editorial practice, and "a blatant statement of intent". [5] He quotes Verlyn Flieger's remark that Tolkien's work reflects the two sides of his nature; the work can be seen both "as Catholic [and] not Christian". [5]

The historian Bradley J. Birzer wrote in the National Review that this "new volume confirms that Tolkien was the 20th century's greatest mythmaker, and that his mythology will—if there is justice in the world—rank someday with that of Homer, Virgil, and Dante. Just as Homer gave us profound insights into the Greek world, Virgil into the Roman world, and Dante into the medieval world, Tolkien gave us great insights into the modern world. Everything Tolkien wrote matters." [8]

Related Research Articles

The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his love of language, Tolkien was especially fascinated with the development and evolution of language through time. Tolkien created two almost fully developed languages and a dozen more in various beginning stages as he studied and reproduced the way that language adapts and morphs. A philologist by profession, he spent much time on his constructed languages. In the collection of letters he had written, posthumously published by his son, Christopher Tolkien, he stated that he began stories set within this secondary world, the realm of Middle-earth, not with the characters or narrative as one would assume, but with a created set of languages. The stories and characters serve as conduits to make those languages come to life. Inventing language was always a crucial piece to Tolkien's mythology and world building. As Tolkien stated:

The invention of languages is the foundation. The 'stories' were made rather to provide a world for the languages than the reverse. To me a name comes first and the story follows.

The English philologist and author J. R. R. Tolkien created several constructed languages, mostly related to his fictional world of Middle-earth. Inventing languages, something that he called glossopoeia, was a lifelong occupation for Tolkien, starting in his teens.

Eärendil the Mariner and his wife Elwing are characters in J. R. R. Tolkien's Middle-earth legendarium. They are depicted in The Silmarillion as Half-elven, the children of Men and Elves. He is a great seafarer who, on his brow, carried the morning star, a jewel called a Silmaril, across the sky. The jewel had been saved by Elwing from the destruction of the Havens of Sirion. The morning star and the Silmarils are elements of the symbolism of light, for divine creativity, continually splintered as history progresses. Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist A, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren, and is descended from Melian the Maia. Through their progeny, Eärendil and Elwing became the ancestors of the Númenorean, and later Dúnedain, royal bloodline.

Finwë and Míriel are fictional characters from J. R. R. Tolkien's legendarium. Finwë is the first King of the Noldor Elves; he leads his people on the journey from Middle-earth to Valinor in the blessed realm of Aman. His first wife is Míriel, who, uniquely among immortal Elves, dies while giving birth to their only child Fëanor, creator of the Silmarils; her spirit later serves the godlike Vala queen Vairë. Finwë is the first person to be murdered in Valinor: he is killed by the Dark Lord Morgoth, who is intent on stealing the Silmarils. The event sets off the Flight of the Noldor from Valinor back to Beleriand in Middle-earth, and its disastrous consequences.

Ælfwine the mariner is a fictional character found in various early versions of J. R. R. Tolkien's Legendarium. Tolkien envisaged Ælfwine as an Anglo-Saxon who visited and befriended the Elves and acted as the source of later mythology. Thus, in the frame story, Ælfwine is the stated author of the various translations in Old English that appear in the twelve-volume The History of Middle-earth edited by Christopher Tolkien.

The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.

The Elvish Linguistic Fellowship is a "Special Interest Group" of the Mythopoeic Society devoted to the study of J. R. R. Tolkien's constructed languages, headed by the computer scientist Carl F. Hostetter. It was founded by Jorge Quiñónez in 1988.

Carl Franklin Hostetter is a Tolkien scholar and NASA computer scientist. He has edited and annotated many of J. R. R. Tolkien's linguistic writings, publishing them in Vinyar Tengwar and Parma Eldalamberon.

The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.

<span class="mw-page-title-main">Tolkien's legendarium</span> J. R. R. Tolkiens mythological writings

Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a unique English mythology. The earliest story drafts are from 1916; he revised and rewrote these for most of his adult life.

<i>Tolkiens Legendarium: Essays on The History of Middle-earth</i>

Tolkien's Legendarium: Essays on The History of Middle-earth is a collection of scholarly essays edited by Verlyn Flieger and Carl F. Hostetter on the 12 volumes of The History of Middle-earth, relating to J. R. R. Tolkien's fiction and compiled and edited by his son, Christopher. It was published by Greenwood Press in 2000. That series comprises a substantial part of "Tolkien's legendarium", the body of Tolkien's mythopoeic writing that forms the background to his The Lord of the Rings and which Christopher Tolkien summarized in his compilation of The Silmarillion.

Verlyn Flieger is an author, editor, and Professor Emerita in the Department of English at the University of Maryland at College Park, where she taught courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien. She is well known as a Tolkien scholar, especially for her books Splintered Light and A Question of Time. She has won the Mythopoeic Scholarship Award four times for her work on Tolkien's Middle-earth writings.

The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System.

Númenor, also called Elenna-nórë or Westernesse, is a fictional place in J. R. R. Tolkien's writings. It was the kingdom occupying a large island to the west of Middle-earth, the main setting of Tolkien's writings, and was the greatest civilization of Men. However, after centuries of prosperity many of the inhabitants ceased to worship the One God, Eru Ilúvatar, and rebelled against the Valar, resulting in the destruction of the island and the death of most of its people. Tolkien intended Númenor to allude to the legendary Atlantis. Commentators have noted that the destruction of Númenor echoes the Biblical stories of the fall of man and the destruction of Sodom and Gomorrah, and John Milton's Paradise Lost.

Morgoth Bauglir is a character, one of the godlike Valar, from Tolkien's legendarium. He is the primary antagonist of The Silmarillion, The Children of Húrin, Beren and Lúthien, and The Fall of Gondolin.

The Silmarils are three fictional brilliant jewels in J. R. R. Tolkien's legendarium, made by the Elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in Tolkien's book The Silmarillion, which tells of the creation of Eä and the beginning of Elves, Dwarves and Men.

The Valar are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods" subordinate to the one God. The Ainulindalë describes how some of the Ainur choose to enter the World (Arda) to complete its material development after its form is determined by the Music of the Ainur. The mightiest of these are called the Valar, or "the Powers of the World", and the others are known as the Maiar.

<i>The Silmarillion</i> Collection of J. R. R. Tolkiens mythopoeic works

The Silmarillion is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.

Arden Ray Smith is a member of the Elvish Linguistic Fellowship and holds a Ph.D. in Germanic Linguistics from the University of California, Berkeley. He has published numerous articles relating to the languages constructed by J. R. R. Tolkien. He was a columnist and editor of Vinyar Tengwar, for which he wrote the popular column "Transitions in Translations", in which odd elements in translations of Tolkien's work were described and commented upon.

<span class="mw-page-title-main">Tolkien's moral dilemma</span> Ethical issue with Orcs in Middle-earth fiction

J. R. R. Tolkien, a devout Roman Catholic, created what he came to feel was a dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak, so they were sentient and sapient, and portrayed them talking about right and wrong. This meant, he believed, that they were open to morality, like Men. In Tolkien's Christian framework, that in turn meant they must have souls, so killing them would be wrong without very good reason. Orcs serve as the principal forces of the enemy in The Lord of the Rings, where they are slaughtered in large numbers in the battles of Helm's Deep and the Pelennor Fields in particular.

References

  1. Kriticos, Christian (3 September 2021). "Book review: "The Nature of Middle-earth" enhances Tolkien's world". winteriscoming.net. Retrieved 9 September 2021.
  2. Flood, Alison (29 November 2020). "Unseen JRR Tolkien essays on Middle-earth coming in 2021". The Guardian . Retrieved 8 September 2021.
  3. Casagrande, Cristina (16 July 2021). "From Linguistics to Metaphysics: interview with Carl F. Hostetter, editor of the new book by J.R.R. Tolkien". tolkienista.com.
  4. Carpenter 2023 , Letter 248
  5. 1 2 3 4 5 6 7 8 Kane, Douglas C. (2021). "The Nature of Middle-earth (2021) by J.R.R. Tolkien, edited by Carl F. Hostetter". Journal of Tolkien Research . 13 (1). article 5.
  6. Gunner, Shaun (20 November 2020). "New Tolkien book: The Nature of Middle-earth". The Tolkien Society . Retrieved 8 September 2021.
  7. Tolkien 1964, "On Fairy-Stories".
  8. Birzer, Bradley J. (26 September 2021). "Return to Middle-earth". National Review . Retrieved 1 October 2021.

Sources