Editor | Carl F. Hostetter |
---|---|
Author | J. R. R. Tolkien |
Language | English |
Genre | High fantasy |
Publisher | HarperCollins, Mariner Books |
Publication date | 2021 |
Publication place | United Kingdom |
Media type | Print (hardback and paperback) |
Pages | 464 |
ISBN | 978-0358454601 |
Followed by | The Fall of Númenor |
The Nature of Middle-earth is a 2021 book of previously unpublished materials on Tolkien's legendarium, compiled and edited by the scholar Carl F. Hostetter. Some essays were previously published in the Elvish linguistics journal Vinyar Tengwar , where Hostetter is a long-time editor. [1]
The book was published by HarperCollins and Mariner Books in 2021. It contains a selection of essays and fragments of stories by J. R. R. Tolkien, edited by the scholar Carl F. Hostetter, on questions related to the functioning of his fantasy world, Middle-earth. [2]
The book's editor, Carl F. Hostetter, said in an interview before the book appeared that he "started work on what would become The Nature of Middle-earth nearly 25 years ago, when I received a bundle of photocopies that Christopher Tolkien referred to as 'late philological essays'." [3]
The book is in three parts, with appendices. It provides many of the elements that Tolkien described in a letter: "while many [readers] demand maps, others wish for geological indications rather than places; many want Elvish grammars, phonologies, and specimens; some want metrics and prosodies... Musicians want tunes, and musical notation; archaeologists want ceramics and metallurgy. Botanists want a more accurate description of the mallorn , of elanor, niphredil, alfirin, mallos, and symbelmynë; and historians want more details about the social and political structure of Gondor; general enquirers want information on the Wainriders, the Harad, Dwarvish origins, the Dead Men, the Beornings, and the missing two wizards (out of five)". [4] [5]
Part One consists of 23 chapters on "Time and Ageing", including the Valian Year and questions of time-scales and whether elvish time is different. Kane comments that the texts are "confusing" and sometimes "painfully detailed", illustrating Tolkien's remark that he found the "vast game ... only too fatally attractive". [5]
Part Two contains 17 chapters on "Body, Mind, and Spirit", including issues of beauty, goodness, gender, and sex; which beings may have beards; fate and free will; whether elves reincarnate; what the Valar know and what visible forms they and the Maiar may take; and death. The material varies from "the most mundane to the most profound", examples of the latter being the way that the Valar could communicate thought, or that the Elves could create "mind-pictures" in the minds of Men, creating in Tolkien's words "Fantasy with a realism and immediacy beyond the compass of any human mechanism". [5]
Part Three consists of 22 chapters on "The World, its Lands, and its Inhabitants", including such topics as darkness and light, how Lembas waybread is made, the eating of mushrooms, and Galadriel and Celeborn. The appendices cover metaphysical and theological themes, and a glossary of terms in Quenya. In "The Primal Impulse" and "The Powers of the Valar", Tolkien discusses the nature of creation in the world, and how every creative ability ultimately comes from Eru. [5]
Shaun Gunner of The Tolkien Society called the book "an unofficial 13th volume of The History of Middle-earth series". [6]
Douglas C. Kane, in the Journal of Tolkien Research , wrote, with reference to Tolkien's phrases in On Fairy-Stories [7] on how to make a "Secondary World", that the book certainly "helps to demonstrate just how much 'labour and thought', 'special skill', and 'a kind of elvish craft' ... Tolkien applied to the creation of his Secondary World, as well as the pitfalls that resulted." [5] All the same, in Kane's view, some of the material is "unnecessarily redundant, confusing, and contradictory." [5] Kane states that Hostetter "appears to overstep his role as editor" by presenting the materials according to his personal point of view. In particular, having quoted Tolkien's remark that The Lord of the Rings was fundamentally religious and Catholic (twice, at the start of Part 2 and in the first appendix), Hostetter argues that the description applies to the whole of the legendarium. Kane calls this contrary to Christopher Tolkien's editorial practice, and "a blatant statement of intent". [5] He quotes Verlyn Flieger's remark that Tolkien's work reflects the two sides of his nature; the work can be seen both "as Catholic [and] not Christian". [5]
The historian Bradley J. Birzer wrote in the National Review that this "new volume confirms that Tolkien was the 20th century's greatest mythmaker, and that his mythology will—if there is justice in the world—rank someday with that of Homer, Virgil, and Dante. Just as Homer gave us profound insights into the Greek world, Virgil into the Roman world, and Dante into the medieval world, Tolkien gave us great insights into the modern world. Everything Tolkien wrote matters." [8]
Helios De Rosario Martínez notes in Tengwestië that the volume is rich in detail about the languages of Middle-earth, some of it already published in the linguistic journals Parma Eldalamberon and Vinyar Tengwar , some of it new. [9]
The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his love of language, Tolkien was especially fascinated with the development and evolution of language through time. Tolkien created two almost fully developed languages and a dozen more in various beginning stages as he studied and reproduced the way that language adapts and morphs. A philologist by profession, he spent much time on his constructed languages. In the collection of letters he had written, posthumously published by his son, Christopher Tolkien, he stated that he began stories set within this secondary world, the realm of Middle-earth, not with the characters or narrative as one would assume, but with a created set of languages. The stories and characters serve as conduits to make those languages come to life. Inventing language was always a crucial piece to Tolkien's mythology and world building. As Tolkien stated:
The invention of languages is the foundation. The 'stories' were made rather to provide a world for the languages than the reverse. To me a name comes first and the story follows.
The English philologist and author J. R. R. Tolkien created several constructed languages, mostly related to his fictional world of Middle-earth. Inventing languages, something that he called glossopoeia, was a lifelong occupation for Tolkien, starting in his teens.
Eärendil the Mariner and his wife Elwing are characters in J. R. R. Tolkien's Middle-earth legendarium. They are depicted in The Silmarillion as Half-elven, the children of Men and Elves. He is a great seafarer who, on his brow, carried the Morning Star, a jewel called a Silmaril, across the sky. The jewel had been saved by Elwing from the destruction of the Havens of Sirion. The Morning Star and the Silmarils are elements of the symbolism of light, for divine creativity, continually splintered as history progresses. Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist I, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren, and is descended from Melian the Maia, while Earendil is the son of Tuor and Idril. Through their progeny, Eärendil and Elwing became the ancestors of the Númenorean, and later Dúnedain, royal bloodline.
The Black Speech is one of the fictional languages constructed by J. R. R. Tolkien for his legendarium, where it was spoken in the evil realm of Mordor. In the fiction, Tolkien describes the language as created by Sauron as a constructed language to be the sole language of all the servants of Mordor.
The Lhammas, Noldorin for "account of tongues", is a work of fictional sociolinguistics, written by J. R. R. Tolkien in 1937, and published in the 1987 The Lost Road and Other Writings, volume five of The History of Middle-earth series.
Ælfwine the mariner is a fictional character found in various early versions of J. R. R. Tolkien's Legendarium. Tolkien envisaged Ælfwine as an Anglo-Saxon who visited and befriended the Elves and acted as the source of later mythology. Thus, in the frame story, Ælfwine is the stated author of the various translations in Old English that appear in the twelve-volume The History of Middle-earth edited by Christopher Tolkien.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The Elvish Linguistic Fellowship is a "Special Interest Group" of the Mythopoeic Society devoted to the study of J. R. R. Tolkien's constructed languages, headed by the computer scientist Carl F. Hostetter. It was founded by Jorge Quiñónez in 1988.
Carl Franklin Hostetter is a Tolkien scholar and NASA computer scientist. He has edited and annotated many of J. R. R. Tolkien's linguistic writings, publishing them in Vinyar Tengwar and Parma Eldalamberon.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
Tolkien's Legendarium: Essays on The History of Middle-earth is a collection of scholarly essays edited by Verlyn Flieger and Carl F. Hostetter on the 12 volumes of The History of Middle-earth, relating to J. R. R. Tolkien's fiction and compiled and edited by his son, Christopher. It was published by Greenwood Press in 2000. That series comprises a substantial part of "Tolkien's legendarium", the body of Tolkien's mythopoeic writing that forms the background to his The Lord of the Rings and which Christopher Tolkien summarized in his construction of The Silmarillion.
This is a list of all the published works of the English writer and philologist J. R. R. Tolkien. Tolkien's works were published before and after his death.
Quenya is a constructed language, one of those devised by J. R. R. Tolkien for the Elves in his Middle-earth fiction.
Sindarin is one of the constructed languages devised by J. R. R. Tolkien for use in his fantasy stories set in Arda, primarily in Middle-earth. Sindarin is one of the many languages spoken by the Elves.
The Silmarils are three fictional brilliant jewels in J. R. R. Tolkien's legendarium, made by the Elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in Tolkien's book The Silmarillion, which tells of the creation of Eä and the beginning of Elves, Dwarves and Men.
The Silmarillion is a book consisting of a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited, partly written, and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.
Khuzdul is a fictional language created by J. R. R. Tolkien, one of the languages of Middle-earth, specifically the secret and private language of the Dwarves. He based its structure and phonology on Semitic languages, primarily Hebrew, with triconsonantal roots of words. Very little is known of the grammar.
Arden Ray Smith is a member of the Elvish Linguistic Fellowship and holds a Ph.D. in Germanic Linguistics from the University of California, Berkeley. He has published numerous articles relating to the languages constructed by J. R. R. Tolkien. He was a columnist and editor of Vinyar Tengwar, for which he wrote the popular column "Transitions in Translations", in which odd elements in translations of J. R. R. Tolkien's work were described and commented upon.
Tom Loback was an artist, known for his illustrations of characters from J. R. R. Tolkien's 1977 book The Silmarillion, his miniature figurines, and his public artworks in New York. He contributed also as a Tolkien scholar interested in Tolkien's constructed languages.
The Etymologies is J. R. R. Tolkien's etymological dictionary of his constructed Elvish languages, written during the 1930s. As a philologist, he was professionally interested in the structure of languages, the relationships between languages, and in particular the processes by which languages evolve. He applied this skill to the construction of the languages of Middle-earth, especially the Elvish languages. The Etymologies reflects this knowledge and enthusiasm: he constantly changed the etymological relationships of his "bases", the roots of his Elvish words. The list of words covers several of his minor languages as well as the two major ones, greatly extending the vocabularies known before it was published in The Lost Road and Other Writings in 1987.