Author | J. R. R. Tolkien |
---|---|
Language | English |
Series | The Lord of the Rings |
Genre | Fantasy |
Set in | Middle-earth |
Publisher | George Allen & Unwin [1] |
Publication date | 20 October 1955 |
Publication place | United Kingdom |
Pages | 416 (first edition) |
OCLC | 933993 |
823.914 | |
LC Class | PR6039.O32 L6 1954, v.3 |
Preceded by | The Two Towers |
The Return of the King is the third and final volume of J. R. R. Tolkien's The Lord of the Rings , following The Fellowship of the Ring and The Two Towers . It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron.
The volume was praised by literary figures including W. H. Auden, Anthony Price, and Michael Straight, but attacked by Edwin Muir, who had praised The Fellowship of the Ring.
The chapter "The Scouring of the Shire", and a chapter-length narrative in the appendices, "The Tale of Aragorn and Arwen", have attracted discussion by scholars and critics. "The Scouring of the Shire" has been called the most important chapter in the whole novel, providing in its internal quest to restore the Shire a counterbalance to the main quest to destroy the Ring. Commentators have read into it a variety of contemporary political allusions including a satire of socialism and a strand of environmentalism. Tolkien described "The Tale of Aragorn and Arwen" as essential to the plot of the novel. It covers events both before and after the main narrative, and differs from it in not being from the hobbits' point of view. Scholars have discussed the tale's themes including love and death, Tolkien's balance between open Christianity and treating the characters as pagan; and the fact that having the tale as an appendix deprives the main story of much of its love-interest.
Tolkien conceived of The Lord of the Rings as a single work comprising six "books" plus extensive appendices. In 1953, he proposed titles for the six books to his publisher, Rayner Unwin; Book Five was to be The War of the Ring, while Book Six was to be The End of the Third Age. [2] These titles were eventually used in the (2000) Millennium edition. Unwin however split the work into three volumes, publishing the fifth and sixth books with the appendices into the final volume with the title The Return of the King. Tolkien felt the chosen title revealed too much of the story, and indicated that he preferred The War of the Ring as a title for the volume. [3]
The Return of the King was in the end published as the third and final volume of The Lord of the Rings, on 20 October 1955 in the UK. [4]
Some editions of the volume contain a synopsis for readers who have not read the earlier volumes. The body of the volume consists of books five and six. Book six has variously been titled The Return of the King (clashing with the title of the third volume) and The End of the Third Age, though in many editions the Books are untitled. The volume ends with a set of appendices and an index, varying in different editions.
Sauron sends a great army against Gondor. Gandalf arrives at Minas Tirith to warn Denethor of the attack, while Théoden musters the Rohirrim to ride to Gondor's aid. Minas Tirith is besieged; the Lord of the Nazgûl uses a spell-wound battering ram to destroy the city's gates. Denethor, deceived by Sauron, falls into despair. He burns himself alive on a pyre; Pippin and Gandalf rescue his son Faramir from the same fate.
Aragorn, accompanied by Legolas, Gimli, and the Rangers of the North, takes the Paths of the Dead to recruit the Dead Men of Dunharrow, oathbreakers who are bound by an ancient curse which denies them rest until they fulfil their oath to fight for the King of Gondor. Aragorn unleashes the Army of the Dead on the Corsairs of Umbar invading southern Gondor. With that threat eliminated, Aragorn uses the Corsairs' ships to transport the men of southern Gondor up the Anduin, reaching Minas Tirith just in time to turn the tide of battle. Théoden's niece Éowyn, who joined the army in disguise, kills the Lord of the Nazgûl with help from Merry; both are wounded. Together, Gondor and Rohan defeat Sauron's army in the Battle of the Pelennor Fields, though at great cost; Théoden is among the dead.
Aragorn enters Minas Tirith and heals Faramir, Éowyn, and Merry. He leads an army of men from Gondor and Rohan, marching through Ithilien to the Black Gate to distract Sauron from his true danger. At the Battle of the Morannon, his army is vastly outnumbered.
Meanwhile, Sam rescues Frodo from the tower of Cirith Ungol. They set out across Mordor. When they reach the edge of the Cracks of Doom, Frodo cannot resist the Ring any longer. He claims it for himself and puts it on.Gollum suddenly reappears. He struggles with Frodo and bites off Frodo's finger with the Ring still on it. Celebrating wildly, Gollum loses his footing and falls into the Fire, taking the Ring with him. When the Ring is destroyed, Sauron loses his power forever. All he created collapses, the Nazgûl perish, and his armies are thrown into such disarray that Aragorn's forces emerge victorious.
Aragorn is crowned King of Arnor and Gondor, and weds Arwen, daughter of Elrond. Théoden is buried and Éomer is crowned King of Rohan. His sister Éowyn is engaged to marry Faramir, now Steward of Gondor and Prince of Ithilien. Galadriel, Celeborn, and Gandalf meet and say farewell to Treebeard, and to Aragorn.
The four hobbits make their way back to the Shire, only to find that it has been taken over by men directed by "Sharkey" (whom they later discover to be Saruman). The hobbits, led by Merry, raise a rebellion and scour the Shire of Sharkey's evil. Gríma Wormtongue turns on Saruman and kills him in front of Bag End, Frodo's home. He is killed in turn by hobbit archers. Merry and Pippin are celebrated as heroes. Sam marries Rosie Cotton and uses his gifts from Galadriel to help heal the Shire. But Frodo is still wounded in body and spirit, having borne the Ring for so long. A few years later, in the company of Bilbo and Gandalf, Frodo sails from the Grey Havens west over the Sea to the Undying Lands to find peace.
The appendices outline more details of the history, cultures, genealogies, and languages that Tolkien imagined for the peoples of Middle-earth. They provide background details for the narrative, with much detail for Tolkien fans who want to know more about the stories.
Provides extensive background to the larger world of Middle-earth, with brief overviews of the events of the first two Ages of the world, and then more detailed histories of the nations of Men in Gondor and Rohan, as well as a history of the royal Dwarvish line of Durin during the Third Age.
The embedded "Tale of Aragorn and Arwen" tells how it happened that an immortal elf came to marry a man, as told in the main story, which Arwen's ancestor Lúthien had done in the First Age, giving up her immortality.
Provides a timeline of events throughout the series, and ancient events affecting the narrative, and in lesser detail, it gives the stories' context in the fictional chronology of the larger mythology.
It tells that Sam gives his daughter Elanor the fictional Red Book of Westmarch – which contains the autobiographical stories of Bilbo's adventures at the opening of the war, and Frodo's role in the full-on War of the Ring, and serves as Tolkien's source for The Hobbit and The Lord of the Rings (with Tolkien representing himself as a translator, rather than an epic novelist). It says that there was "a tradition" that after handing over the book, Sam crossed west over the sea himself, the last of the ring-bearers; and that some years later, after the deaths of Aragorn and Arwen, Legolas and Gimli also sailed together "over Sea".
Gives hobbit genealogies – not only for Bilbo and Frodo's Baggins family, but also their relations the Tooks and Brandybucks, which connect them to Pippin and Merry.
Describes some of the calendars used by the characters in the story, and explains that the Roman month names in the text are "translations" of the names in the hobbits' calendar. (Tolkien was a linguist, and provided Germanic-sounding names for the hobbit calendar by extrapolating names of German and Old English months forward to what he thought they might have become if all were still used in modern English, as Yule and Easter are.)
Describes dwarves' runes and the elvish runes used by the other peoples of Middle-earth; the names of the runes and letters incidentally give some information about dwarvish and elvish languages.
Presented as two sections. In addition to outlines of the various languages in current use during the narrative, and mentioned or seen in the story, it discusses hobbits' names at length. It sorts out names which Tolkien pretended to have translated into English, and names which he said he had left in their original form (since they had no meaning in hobbits' everyday language).
In a review for The New York Times , the poet W. H. Auden praised The Return of the King and found The Lord of the Rings a "masterpiece of the genre". [5] The science fiction author and critic Anthony Boucher, in a review for The Magazine of Fantasy & Science Fiction , praised the volume as "a masterly narration of tremendous and terrible climactic events", but wrote that Tolkien's prose "seems sometimes to be protracted for its own sake". [6] The author Anthony Price, reviewing the novel for The Oxford Mail , called it "more than immense; it is complete", praising Tolkien's Middle-earth as "an absolutely real and unendingly exciting world". He admired the characterization of Tom Bombadil, the Ents, and Gollum. In his view, the One Ring was destroyed "with terrifying logic", though he did not demand that the text end there, noting that the hobbits' return to the Shire put the larger events in perspective. [7] [8]
The novelist and publisher Michael Straight, reviewing the whole of The Lord of the Rings in The New Republic, wrote that the devastated landscapes in the work recalled Tolkien's First World War experiences, just as the snowstorm in the Misty Mountains recalled his climbing trip in Switzerland, and the Shire reflected England. He concluded by calling the novel a work of genius. [9] [8]
The Scottish poet and critic Edwin Muir, who had praised The Fellowship of the Ring in 1954, [10] attacked the completed book in 1955 in The Sunday Observer as "a boy's adventure story". [11] He compared it to the works of Rider Haggard, and stated that "except for a few old wizards", all the characters "are boys masquerading as adult[s]". [11] [8]
Critics have considered the volume's penultimate chapter, "The Scouring of the Shire", the most important chapter in the whole of The Lord of the Rings. [13] [12] [14] Although Tolkien denied that the chapter was an allegory for Britain in the aftermath of World War II, commentators have argued that it can be applied to that period, [15] with clear contemporary political references that include a satire of socialism, [16] [17] [18] [19] echoes of Nazism, allusions to the shortages in postwar Britain, and a strand of environmentalism. [20] [21] According to Tolkien, the idea of such a chapter was planned from the outset as part of the overall formal structure of The Lord of the Rings, though its details were not worked out until much later. The chapter was intended to counterbalance the larger plot, concerning the physical journey to destroy the One Ring, with a moral quest upon the return home, to purify the Shire and to take personal responsibility. Tolkien considered other identities for the wicked Sharkey before settling on Saruman late in his composition process. [13] [12] The chapter has been called one of the most famous anticlimaxes in literature. [22]
Tolkien called "The Tale of Aragorn and Arwen", in the appendices at the end of the volume, "really essential to the story". [23] In contrast to the non-narrative appendices it extends the main story of the book to cover events both before and after it, one reason it would not fit in the main text. [T 1] [24] Tolkien gave another reason for its exclusion, namely that the main text is told from the hobbits' point of view. [T 2] The tale to some extent mirrors the "Tale of Beren and Lúthien", also a story of the love between a Man and an Elf, set in an earlier age of Middle-earth. This creates a feeling of historical depth, in what scholars note is an approach similar to that of Dante in his Inferno . [24] Aspects of the tale discussed by scholars include the nature of love and death; [25] [26] the balance Tolkien strikes between open Christianity and his treatment of his characters as pagan; and the resulting paradox that although Tolkien was a Roman Catholic and considered the book fundamentally Catholic, Middle-earth societies lack religions of their own. [27] It has been noted also that the tale's relegation to an appendix deprives the main story of much of its love-interest, shifting the book's emphasis towards action. [28]
The Lord of the Rings is an epic high fantasy novel by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age. The third volume of The Lord of the Rings, The Return of the King, is largely concerned with the events in Gondor during the War of the Ring and with the restoration of the realm afterward. The history of the kingdom is outlined in the appendices of the book.
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs.
The Two Towers is the second volume of J. R. R. Tolkien's high fantasy novel The Lord of the Rings. It is preceded by The Fellowship of the Ring and followed by The Return of the King. The volume's title is ambiguous, as five towers are named in the narrative, and Tolkien himself gave conflicting identifications of the two towers. The narrative is interlaced, allowing Tolkien to build in suspense and surprise. The volume was largely welcomed by critics, who found it exciting and compelling, combining epic narrative with heroic romance.
The Battle of the Pelennor Fields, in J. R. R. Tolkien's novel The Lord of the Rings, was the defence of the city of Minas Tirith by the forces of Gondor and the cavalry of its ally Rohan, against the forces of the Dark Lord Sauron from Mordor and its allies the Haradrim and the Easterlings. It was the largest battle in the War of the Ring. It took place at the end of the Third Age in the Pelennor Fields, the townlands and fields between Minas Tirith and the River Anduin.
"The Scouring of the Shire" is the penultimate chapter of J. R. R. Tolkien's fantasy The Lord of the Rings. The Fellowship hobbits, Frodo, Sam, Merry, and Pippin, return home to the Shire to find that it is under the brutal control of ruffians and their leader "Sharkey", revealed to be the Wizard Saruman. The ruffians have despoiled the Shire, cutting down trees and destroying old houses, as well as replacing the old mill with a larger one full of machinery which pollutes the air and the water. The hobbits rouse the Shire to rebellion, lead their fellow hobbits to victory in the Battle of Bywater, and end Saruman's rule.
In J. R. R. Tolkien's epic fantasy novel The Lord of the Rings, the Battle of the Morannon or the Battle of the Black Gate is the final confrontation in the War of the Ring. Gondor and its allies send a small army ostensibly to challenge Sauron at the entrance to his land of Mordor; he supposes that they have with them the One Ring and mean to use it to defeat him. In fact, the Ring is being carried by the hobbits Frodo Baggins and Sam Gamgee into Mordor to destroy it in Mount Doom, and the army is moving to distract Sauron from them. Before the battle, a nameless leader, the "Mouth of Sauron", taunts the leaders of the army with the personal effects of Frodo and Sam. Battle is joined, but just as it seems the army of Gondor will be overwhelmed, the Ring is destroyed, and the forces of Sauron lose heart. Mount Doom erupts, and Sauron's tower, Barad-dûr, collapses, along with the Black Gate. The army of Gondor returns home victorious, the War of the Ring won.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and redemptive suffering. There is also a strong thread throughout the work of language, its sound, and its relationship to peoples and places, along with moralisation from descriptions of landscape. Out of these, Tolkien stated that the central theme is death and immortality.
"The Council of Elrond" is the second chapter of Book 2 of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955. It is the longest chapter in that book at some 15,000 words, and critical for explaining the power and threat of the One Ring, for introducing the final members of the Company of the Ring, and for defining the planned quest to destroy it. Contrary to the maxim "Show, don't tell", the chapter consists mainly of people talking; the action is, as in an earlier chapter "The Shadow of the Past", narrated, largely by the Wizard Gandalf, in flashback. The chapter parallels the far simpler Beorn chapter in The Hobbit, which similarly presents a culture-clash of modern with ancient. The Tolkien scholar Tom Shippey calls the chapter "a largely unappreciated tour de force". The Episcopal priest Fleming Rutledge writes that the chapter brings the hidden narrative of Christianity in The Lord of the Rings close to the surface.
Saruman, also called Saruman the White, later Saruman of Many Colours, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is the leader of the Istari, wizards sent to Middle-earth in human form by the godlike Valar to challenge Sauron, the main antagonist of the novel. He comes to desire Sauron's power for himself, so he betrays the Istari and tries to take over Middle-earth by force from his base at Isengard. His schemes feature prominently in the second volume, The Two Towers; he appears briefly at the end of the third volume, The Return of the King. His earlier history is summarised in the posthumously published The Silmarillion and Unfinished Tales.
Meriadoc Brandybuck, usually called Merry, is a Hobbit, a fictional character from J. R. R. Tolkien's Middle-earth legendarium, featured throughout his most famous work, The Lord of the Rings. Merry is described as one of the closest friends of Frodo Baggins, the main protagonist. Merry and his friend and cousin, Pippin, are members of the Company of the Ring. They become separated from the rest of the group and spend much of The Two Towers making their own decisions. By the time of The Return of the King, Merry has enlisted in the army of Rohan as an esquire to King Théoden, in whose service he fights during the War of the Ring. After the war, he returns home, where he and Pippin lead the Scouring of the Shire, ridding it of Saruman's influence.
Peregrin Took, commonly known simply as Pippin, is a fictional character from J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is closely tied with his friend and cousin, Merry Brandybuck, and the two are together during most of the story. Pippin and Merry are introduced as a pair of young hobbits of the Shire who become ensnared in their friend Frodo Baggins's quest to destroy the One Ring. Pippin joins the Company of the Ring. He and Merry become separated from the rest of the group at the breaking of the Fellowship and spend much of The Two Towers with their own storyline. Impetuous and curious, Pippin enlists as a soldier in the army of Gondor and fights in the Battle of the Morannon. With the other hobbits, he returns home, helps to lead the Scouring of the Shire, and becomes Thain, or hereditary leader of the land.
Aragorn is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn is a confidant of the wizard Gandalf and plays a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn falls in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbids them to marry unless Aragorn becomes King of both Arnor and Gondor.
Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing, were half-elven, having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya, the Ring of Air, and master of Rivendell, where he has lived for thousands of years through the Second and Third Ages of Middle-earth. He was the Elf-king Gil-galad's herald at the end of the Second Age, saw Gil-galad and king Elendil fight the dark lord Sauron for the One Ring, and Elendil's son Isildur take it rather than destroy it.
"The Tale of Aragorn and Arwen" is a story within the Appendices of J. R. R. Tolkien's The Lord of the Rings. It narrates the love of the mortal Man Aragorn and the immortal Elf-maiden Arwen, telling the story of their first meeting, their eventual betrothal and marriage, and the circumstances of their deaths. Tolkien called the tale "really essential to the story". In contrast to the non-narrative appendices it extends the main story of the book to cover events both before and after it, one reason it would not fit in the main text. Tolkien gave another reason for its exclusion, namely that the main text is told from the hobbits' point of view.
Character pairing in The Lord of the Rings is a literary device used by J. R. R. Tolkien, a Roman Catholic, to express some of the moral complexity of his major characters in his heroic romance, The Lord of the Rings. Commentators have noted that the format of a fantasy does not lend itself to subtlety of characterisation, but that pairing allows inner tensions to be expressed as linked opposites, including, in a psychoanalytic interpretation, those of Jungian archetypes.
J. R. R. Tolkien's presentation of heroism in The Lord of the Rings is based on medieval tradition, but modifies it, as there is no single hero but a combination of heroes with contrasting attributes. Aragorn is the man born to be a hero, of a line of kings; he emerges from the wilds and is uniformly bold and restrained. Frodo is an unheroic, home-loving Hobbit who has heroism thrust upon him when he learns that the ring he has inherited from his cousin Bilbo is the One Ring that would enable the Dark Lord Sauron to dominate the whole of Middle-earth. His servant Sam sets out to take care of his beloved master, and rises through the privations of the quest to destroy the Ring to become heroic.
J. R. R. Tolkien repeatedly dealt with the theme of death and immortality in Middle-earth. He stated directly that the "real theme" of The Lord of the Rings was "Death and Immortality." In Middle-earth, Men are mortal, while Elves are immortal. One of his stories, The Tale of Aragorn and Arwen, explores the willing choice of death through the love of an immortal Elf for a mortal Man. He several times revisited the Old Norse theme of the mountain tomb, containing treasure along with the dead and visited by fighting. He brought multiple leading evil characters in The Lord of the Rings to a fiery end, including Gollum, the Nazgûl, the Dark Lord Sauron, and the evil Wizard Saruman, while in The Hobbit, the dragon Smaug is killed. Their destruction contrasts with the heroic deaths of two leaders of the free peoples, Théoden of Rohan and Boromir of Gondor, reflecting the early medieval ideal of Northern courage. Despite these pagan themes, the work contains hints of Christianity, such as of the resurrection of Christ, as when the Lord of the Nazgûl, thinking himself victorious, calls himself Death, only to be answered by the crowing of a cockerel. There are, too, hints that the Elvish land of Lothlórien represents an Earthly Paradise. Scholars have commented that Tolkien clearly moved during his career from being oriented towards pagan themes to a more Christian theology.