Anna Vaninskaya is a Professor of Literary and Cultural History at the University of Edinburgh. She is known as a Tolkien scholar and has published on William Morris and other Victorian era and 20th century writers. She has contributed to the Wiley-Blackwell A Companion to J. R. R. Tolkien.
She has won the 2011 Choice Outstanding Academic Title award [1] and the 2021 Mythopoeic Society's award for Mythopoeic Scholarship. [2]
Anna Vaninskaya grew up in Russia and America before moving to Britain. [3] She studied English literature at the University of Denver, where she gained her bachelor's and master's degrees. She won a Marshall Scholarship to the University of Oxford, where she earned her PhD. [1]
She began her academic career as a postdoctoral fellow at the Cambridge Victorian Studies Group; she was a junior fellow of King's College, Cambridge. [1]
Vaninskaya then became a lecturer in English Literature at the University of Edinburgh. Later, she was made a fellow of the Edinburgh Futures Institute, and Professor of Literary and Cultural History at the university. [1] She has written more than 40 book chapters and journal articles on modern literature, including on William Morris, E. R. Eddison, Lord Dunsany, G. K. Chesterton, George Orwell and J. R. R. Tolkien. She is one of the editors of the Journal of William Morris Studies , the Bloomsbury Academic Perspectives on Fantasy series, and the Victorian literature section of Oxford Bibliographies Online. She created the Scotland-Russia: Cultural Encounters Since 1900 archive. [1] She studies Anglo-Russian literary relations of the same period. [4]
Ben Moore, reviewing William Morris and the Idea of Community: Romance, History and Propaganda in Modern Language Review, writes that Vaninskaya's study is well-researched, with the figure of Morris tying together her three threads of romance, history, and propaganda. The purpose of the book is to examine how socialists of the period viewed the idea of community life. Moore recommends the book to people interested in the history of socialism, and students of Morris. He finds the breadth of the study "impressive" but would have liked more "speculative analysis" of the puzzles that Vaninskaya's study reveals. [5]
Sarah R. Waters, reviewing Fantasies of Time and Death: Dunsany, Eddison, Tolkien for Mythlore , writes that Vaninskaya deliberately looks at all three authors in their own right, avoiding the usual Inkling influence approach. She states that Vaninskaya shows that the authors all addressed questions of time and death, and uses Shakespeare's Hamlet and his Sonnet 18 to illuminate their approaches. Waters concludes that the book " does what Lewis argued the best literary criticism ought to do, it 'lead[s] in' rather than taking 'you out of the literature'." [6]
Kris Swank, reviewing the book in Journal of Tolkien Research , writes that it is an academic work that places Tolkien and death in the canon of fantasy, alongside Dunsany, Eddison, and others such as Hope Mirrlees and forerunners like William Morris and George MacDonald. Swank finds the study "erudite" and the chapters on the three authors "admirable", but feels that they do not "hang together as a unified monograph". All the same, she writes, scholars will find much to enjoy, especially in the Tolkien chapter. [7]
Michael Hughes, reviewing London Through Russian Eyes, 1896–1914 for the Slavonic and East European Review, writes that the collection offers "a rich set of readings that show how a number of Russian journalists and writers presented life in London to their readers back home". with an "excellent critical apparatus" and a "valuable" introduction. Hughes comments that a little more context on Russian radical thought would have been helpful, but that the attitudes in the book are "vividly outlined" and the sources are "a fascinating collection" which Vaninskaya has "meticulously edited". [8]
Vaninskaya's book William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 won the 2011 Choice Outstanding Academic Title award. [1]
Her book Fantasies of Time and Death: Dunsany, Eddison, Tolkien won the Mythopoeic Society's 2021 award for Mythopoeic Scholarship. [2]
Eric Rücker Eddison, CB, CMG was an English civil servant and author, writing epic fantasy novels under the name E. R. Eddison. His best-known works include The Worm Ouroboros (1922) and the Zimiamvian Trilogy (1935–1958).
Thomas Alan Shippey is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book The Road to Middle-Earth has been called "the single best thing written on Tolkien".
A half-elf is a mythological or fictional being, the offspring of an immortal elf and a mortal man. They are often depicted as very beautiful and endowed with magical powers; they may be presented as torn between the two worlds that they inhabit. Half-elves became known in modern times mainly through J. R. R. Tolkien's Middle-earth writings but have origins in Norse mythology. A half-elf appeared in Lord Dunsany's 1924 book The King of Elfland's Daughter.
J. R. R. Tolkien: Artist and Illustrator is a collection of paintings and drawings by J. R. R. Tolkien for his stories, published posthumously in 1995. The book was edited by Wayne G. Hammond and Christina Scull. It won the 1996 Mythopoeic Scholarship Award for Inklings Studies. The nature and importance of Tolkien's artwork is discussed.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
Mythopoeia, or mythopoesis, is a narrative genre in modern literature and film where an artificial or fictionalized mythology is created by the writer of prose, poetry, or other literary forms. The concept, which long preexisted him, was widely popularised by J. R. R. Tolkien in the 1930s. The authors in this genre integrate traditional mythological themes and archetypes into fiction. Mythopoeia is also the act of creating a mythology.
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Works in which the marvels were not necessarily believed, or only half-believed, such as the European romances of chivalry and the tales of the Arabian Nights, slowly evolved into works with such traits. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
The Ballantine Adult Fantasy series was an imprint of American publisher Ballantine Books. Launched in 1969, the series reissued a number of works of fantasy literature which were out of print or dispersed in back issues of pulp magazines, in cheap paperback form—including works by authors such as James Branch Cabell, Lord Dunsany, Ernest Bramah, Hope Mirrlees, and William Morris. The series lasted until 1974.
Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy is a work of collective biography on the formative authors of the heroic fantasy genre by L. Sprague de Camp (1907–2000), first published in 1976 by Arkham House in an edition of 5,431 copies. Nine chapters (2–10) are revisions from a series of ten articles, also titled "Literary Swordsmen and Sorcerers," that initially appeared in the magazine Fantastic and the fanzine Amra between 1971 and 1976. A French edition was issued in May 2010 under the title Les pionniers de la fantasy, and an ebook edition was issued in June 2014 by Gateway/Orion.
Douglas Allen Anderson is an American writer and editor on the subjects of fantasy and medieval literature, specializing in textual analysis of the works of J. R. R. Tolkien. His 1988 edition of Tolkien's children's book The Hobbit, The Annotated Hobbit, won him a Mythopoeic Award for scholarship.
Verlyn Flieger is an author, editor, and Professor Emerita in the Department of English at the University of Maryland at College Park, where she taught courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien. She is well known as a Tolkien scholar, especially for her books Splintered Light, A Question of Time, and Interrupted Music. She has won the Mythopoeic Scholarship Award four times for her work on Tolkien's Middle-earth writings.
Tolkien: A Look Behind The Lord of the Rings, alternatively subtitled A joyous exploration of Tolkien's classic trilogy and of the glorious tradition from which it grew is a 1969 non-scholarly study of the works of J. R. R. Tolkien by the science fiction author Lin Carter. The original version of the book was among the earliest full-length critical works devoted to Tolkien's fantasies, and the first to attempt to set his writings in the context of the history of fantasy.
Imaginary Worlds: the Art of Fantasy is a study of the modern literary fantasy genre written by Lin Carter. It was first published in paperback by Ballantine Books in June, 1973 as the fifty-eighth volume of its Ballantine Adult Fantasy series; it was the only nonfiction entry in the series. The book was among the earliest full-length critical works devoted to fantasy writers and the history of fantasy. It was the third of three such studies by Carter, being preceded by Tolkien: A Look Behind "The Lord of the Rings" (1969) and Lovecraft: A Look Behind the "Cthulhu Mythos" (1972). These works, together with his editorial guidance of the Ballantine Adult Fantasy series, established Carter as an authority on the genre.
A Tale of the House of the Wolfings and All the Kindreds of the Mark is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It was first published in hardcover by Reeves and Turner in 1889.
Tolkien and the Great War: The Threshold of Middle-earth is a 2003 biography by John Garth of the philologist and fantasy author J. R. R. Tolkien's early life, focusing on his formative military experiences during the First World War.
J. R. R. Tolkien, the author of the bestselling fantasy The Lord of the Rings, was largely rejected by the literary establishment during his lifetime, but has since been accepted into the literary canon, if not as a modernist then certainly as a modern writer responding to his times. He fought in the First World War, and saw the rural England that he loved built over and industrialised. His Middle-earth fantasy writings, consisting largely of a legendarium which was not published until after his death, embodied his realism about the century's traumatic events, and his Christian hope.
Master of Middle-earth: The Fiction of J. R. R. Tolkien, alternatively subtitled The Achievement of J.R.R. Tolkien, is a 1972 book of literary criticism of J. R. R. Tolkien's Middle-earth fantasy writings, written by Paul H. Kocher, and one of the few to be published in Tolkien's lifetime. It focuses especially on The Lord of the Rings and The Hobbit, and also covers some of his minor works such as "Leaf by Niggle" and "Smith of Wootton Major".
J. R. R. Tolkien derived the characters, stories, places, and languages of Middle-earth from many sources, including numerous modern works of fiction. These include adventure stories from Tolkien's childhood, such as books by John Buchan and H. Rider Haggard, especially the 1887 She: A History of Adventure. Tolkien stated that he used the fight with werewolves in Samuel Rutherford Crockett's 1899 historical fantasy The Black Douglas for his battle with wargs.
Holly Ordway is a professor of English at Houston Christian University. She is known also as a Tolkien scholar. She won a 2022 Mythopoeic Award for her book Tolkien's Modern Reading: Middle-earth Beyond the Middle Ages.