Interrupted Music

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Interrupted Music:
The Making of Tolkien's mythology
Interrupted Music.jpg
Author Verlyn Flieger
Subject Tolkien's legendarium
GenreLiterary criticism
Publisher Kent State University Press
Publication date
2005
Media typePrint
Preceded by A Question of Time  

Interrupted Music is a 2005 book of literary analysis by Verlyn Flieger of J. R. R. Tolkien's legendarium, the mass of documents summarized in The Silmarillion . Despite its title, it is not about Tolkien's use of music; it explores how and why he set about creating a mythology for England, what models he used as a guide – especially Elias Lönnrot and Arthurian legend, and how he made the mythology resemble a real one. The book has been well received by scholars; they have stated that the chapter on how Tolkien made the legendarium seem like a genuine tradition the most important in the book.

Contents

Context

Tolkien's fiction

The philologist and fantasy author J. R. R. Tolkien spent much of his life constructing his legendarium, a body of writings on his fictional world of Middle-earth. [1] He is best known for his children's book The Hobbit and his fantasy novel The Lord of the Rings , both set in Middle-earth. [2]

Author

Verlyn Flieger is a scholar of English literature. She is known also as a Tolkien scholar, [3] [4] including for her books on Tolkien's legendarium, Splintered Light [5] [6] and A Question of Time . [7] She has won the Mythopoeic Scholarship Award for her work on Tolkien's Middle-earth writings. [8]

Book

Summary

The book's title alludes to the music of creation in the Ainulindalë at the start of The Silmarillion ; the music is interrupted by the evil Melkor, spoiling the world of Arda. The book is not about Tolkien's use of music as such. [9]

The book is in three parts. Part 1 examines Tolkien's "body of connected legend", which he intended as a mythology for England. The four chapters assess Tolkien's motives for attempting this; the models available to him, including people such as Elias Lönnrot who assembled the Finnish epic poem, the Kalevala , and literary traditions such as Arthurian legend; points of view on the mythology; and the way Tolkien assembled a literary tradition. [10] She states that Tolkien presents The Lord of the Rings at four levels: "as the story itself; as one version of that story embodying references to other versions; as a historical artifact—the Red Book ; [and] as a modern edition of that book complete with scholarly and critical apparatus". [11]

Part 2 describes how Tolkien intended to present his legendarium, in particular by framing it with a time-travelling visitor such as Eriol/Ælfwine the mariner. [10]

Part 3 looks at Celtic influences on Tolkien. [10] He had stated that he disliked the Celtic in a letter, but Flieger notes that he also said that his mythology should possess "the fair elusive beauty that some call Celtic". [12] The influences she identifies include the Celtic otherworld, stories of "sunken or engulfed lands" like Tolkien's Númenor, and the immram tradition of wandering sea-voyages. [13]

Publication history

Interrupted Music was first published by Kent State University Press in 2005, in paperback format. [14] The book is not illustrated.

Reception

Whole book

David Bratman, in Mythlore , describes Interrupted music as "a full-length meditation on the framing of the series" of 12 volumes of The History of Middle-earth . [7] Gergely Nagy, in Tolkien Studies , writes that the book proves that Flieger is a "good established Tolkien critic", and in particular that she is "a critic whose work can be built on." [10] Shelley Gurney writes in Utopian Studies that Flieger "deals eloquently and concisely with the fundamental ideas behind ... Tolkien's mythology", and that she considers Flieger "the foremost scholar in research on The Silmarillion". [15]

Cami Agan writes in Mythlore that Flieger's books "establish Tolkien's grounding in [literary] sources ... [and] offer scintillating readings of Tolkien's themes, his processes of revision and recasting, and the resulting complexity of Middle-earth which he dedicated 'to England'". [16] She adds that Interrupted Music uses "Tolkien's conception of creation as Music in order to explore the complex process of composition" of his legendarium. [16]

Elizabeth Renneisen comments that "If Flieger's purpose is to offer a definitive outline of Tolkien's brilliant attempt at an English mythology, she falls short of success", adding however that Flieger certainly succeeds in encouraging readers to speculate about Tolkien's mythology. [9]

Chapter 4: "The Tradition"

Thomas Fornet-Ponse, in VII , writes that the tradition chapter shows how "Tolkien depicts his work like a true mythology with different layering, multiple narrators, overlapping texts and variant versions." [17]

Nagy considers the chapter on the tradition of the legendarium "an admirable synthesis", and "the most important part of the book", and that Tolkien's self-referentiality is "very effectively reflected on". [10]

Gurney states that the tradition chapter is "the most significant", showing how the legendarium "adheres to the established mythic tradition" by illustrating each means of transmission of myths in The Lord of the Rings. She comments that she found the book straightforward to read, but cautions that readers without "a passing knowledge of at least some of Tolkien's sources" might find it "confusing". [15]

Related Research Articles

<i>The History of Middle-earth</i> Book series on Tolkiens legendarium edited by Christopher Tolkien

The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 by George Allen & Unwin in the UK and by Houghton Mifflin in the US, that collect and analyse much of J. R. R. Tolkien's legendarium, compiled and edited by his son Christopher Tolkien. The series shows the development over time of Tolkien's conception of Middle-earth as a fictional place with its own peoples, languages, and history, from his earliest notions of "a mythology for England" through to the development of the stories that make up The Silmarillion and The Lord of the Rings. It is not a "history of Middle-earth" in the sense of being a chronicle of events in Middle-earth written from an in-universe perspective; it is instead an out-of-universe history of Tolkien's creative process. In 2000, the twelve volumes were republished in three limited edition omnibus volumes. Non-deluxe editions of the three volumes were published in 2002.

The Notion Club Papers is an abandoned novel by J. R. R. Tolkien, written in 1945 and published posthumously in Sauron Defeated, the 9th volume of The History of Middle-earth. It is a time travel story, written while The Lord of the Rings was being developed. The Notion Club is a fictionalization of Tolkien's own such club, the Inklings. Tolkien's mechanism for the exploration of time is through lucid dreams. These allow club members to experience events as far back as the destruction of the Atlantis-like island of Númenor, as narrated in The Silmarillion.

Ælfwine the mariner is a fictional character found in various early versions of J. R. R. Tolkien's Legendarium. Tolkien envisaged Ælfwine as an Anglo-Saxon who visited and befriended the Elves and acted as the source of later mythology. Thus, in the frame story, Ælfwine is the stated author of the various translations in Old English that appear in the twelve-volume The History of Middle-earth edited by Christopher Tolkien.

The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.

<span class="mw-page-title-main">Tolkien's legendarium</span> J. R. R. Tolkiens mythological writings

Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a mythology for England. The earliest story, "The Voyage of Earendel, the Evening Star", is from 1914; he revised and rewrote the legendarium stories for most of his adult life.

<i>Tolkiens Legendarium: Essays on The History of Middle-earth</i> 2000 collection of scholarly essays edited by Verlyn Flieger and Carl F. Hostetter

Tolkien's Legendarium: Essays on The History of Middle-earth is a collection of scholarly essays edited by Verlyn Flieger and Carl F. Hostetter on the 12 volumes of The History of Middle-earth, relating to J. R. R. Tolkien's fiction and compiled and edited by his son, Christopher. It was published by Greenwood Press in 2000. That series comprises a substantial part of "Tolkien's legendarium", the body of Tolkien's mythopoeic writing that forms the background to his The Lord of the Rings and which Christopher Tolkien summarized in his construction of The Silmarillion.

Verlyn Flieger is an author, editor, and Professor Emerita in the Department of English at the University of Maryland at College Park, where she taught courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien. She is well known as a Tolkien scholar, especially for her books Splintered Light, A Question of Time, and Interrupted Music. She has won the Mythopoeic Scholarship Award four times for her work on Tolkien's Middle-earth writings.

The Silmarils are three fictional brilliant jewels in J. R. R. Tolkien's legendarium, made by the Elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in Tolkien's book The Silmarillion, which tells of the creation of Eä and the beginning of Elves, Dwarves and Men.

<i>The Silmarillion</i> Collection of J. R. R. Tolkiens mythopoeic works

The Silmarillion is a book consisting of a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited, partly written, and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.

Melian is a fictional character in J.R.R. Tolkien's Middle-earth legendarium. She appears in The Silmarillion, The Children of Húrin, Beren and Lúthien, and in several stories within The History of Middle-earth series. An early version of Melian is found in The Book of Lost Tales II, part of The History of Middle-earth, where her characterization differs significantly. The final version of the character is presented as a Maia, a lesser class of powerful divine beings in Tolkien's legendarium known as the Ainur, who takes the form of an Elf and becomes the loyal queen consort of Elu Thingol.

<span class="mw-page-title-main">Richard C. West</span> American librarian and Tolkien scholar (1944–2020)

Richard Carroll West was an American librarian and one of the first Tolkien scholars. He is best known for his 1975 essay on the interlace structure of The Lord of the Rings, for which he won the 1976 Mythopoeic Scholarship Award for Inkling Studies.

<span class="mw-page-title-main">Music of Middle-earth</span> Music in J. R. R. Tolkiens Middle-earth fiction

The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally inspired by his books.

J. R. R. Tolkien used frame stories throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.

<i>Splintered Light</i> Book of literary criticism of Tolkiens Middle-earth

Splintered Light: Logos and Language in Tolkien's World is an 1983 book of literary criticism by the leading Tolkien scholar Verlyn Flieger, in which she argues that light is a central theme of Tolkien's Middle-earth mythology, in particular in The Silmarillion. It has been admired by other scholars to the extent that it has become a core element of Tolkien scholarship.

<i>Tolkiens Art: A Mythology for England</i> 1979 book by Jane Chance

Tolkien's Art: 'A Mythology for England' is a 1979 book of Tolkien scholarship by Jane Chance, writing then as Jane Chance Nitzsche. The book looks in turn at Tolkien's essays "On Fairy-Stories" and "Beowulf: The Monsters and the Critics"; The Hobbit; the fairy-stories "Leaf by Niggle" and "Smith of Wootton Major"; the minor works "Lay of Autrou and Itroun", "The Homecoming of Beorhtnoth", "Imram", and Farmer Giles of Ham; The Lord of the Rings; and very briefly in the concluding section, The Silmarillion. In 2001, a second edition extended all the chapters but still treated The Silmarillion, that Tolkien worked on throughout his life, as a sort of coda.

<span class="mw-page-title-main">Celtic influences on Tolkien</span> Theme in Tolkiens Middle-earth writings

J. R. R. Tolkien derived the characters, stories, places, and languages of Middle-earth from many sources. Among these are the Celtic legends and languages, which for Tolkien were principally Irish and Welsh. He gave multiple conflicting reasons for his liking for Welsh. Tolkien stated directly that he had made use of Welsh phonology and grammar for his constructed Elvish language Sindarin. Scholars have identified multiple legends, both Irish and Welsh, as likely sources of some of Tolkien's stories and characters; thus for example the Noldorin Elves resemble the Irish Tuatha Dé Danann, while the tale of Beren and Lúthien parallels that of the Welsh Culhwch and Olwen. Tolkien chose Celtic names for the isolated settlement of Bree-land, to distinguish it from the Shire with its English names.

J. R. R. Tolkien decided to increase the reader's feeling that the story in his 1954–55 book The Lord of the Rings was real, by framing the main text with an elaborate editorial apparatus that extends and comments upon it. This material, mainly in the book's appendices, effectively includes a fictional editorial figure much like himself who is interested in philology, and who says he is translating a manuscript which has somehow come into his hands, having somehow survived the thousands of years since the Third Age. He called the book a heroic romance, giving it a medieval feeling, and describing its time-frame as the remote past. Among the steps he took to make its setting, Middle-earth, believable were to develop its geography, history, peoples, genealogies, and unseen background in great detail, complete with editorial commentary in each case.

Tolkien has often been supposed to have spoken of wishing to create "a mythology for England". It seems he never used the actual phrase, but various commentators have found his biographer Humphrey Carpenter's phrase appropriate as a description of much of his approach in creating Middle-earth, and the legendarium that lies behind The Silmarillion.

Elizabeth Whittingham is a former lecturer in English at the State University of New York College, Brockport, New York. She is known for her Tolkien studies research, including her 2008 book The Evolution of Tolkien's Mythology, which examines the development of his legendarium as published in the 12-volume The History of Middle-earth.

<i>A Question of Time</i> (book) Literary analysis

A Question of Time: J.R.R. Tolkien's Road to Faërie is a 1997 book of literary analysis by Verlyn Flieger of J. R. R. Tolkien's explorations of the nature of time in his Middle-earth writings, interpreted in the light of J. W. Dunne's 1927 theory of time, and Dunne's view that dreams gave access to all dimensions of time. Tolkien read Dunne's book carefully and annotated his copy with his views of the theory. A Question of Time examines in particular Tolkien's two unfinished time-travel novels, The Lost Road and The Notion Club Papers, and the time-travel aspects of The Lord of the Rings. These encompass Frodo's dreams and the land of the Elves, Lothlórien.

References

  1. Flieger 1983, p. 107.
  2. Carpenter 1977, pp. 111, 200, 266 and throughout.
  3. "Verlyn Flieger". Mythus. Retrieved 28 June 2020.
  4. "Verlyn Flieger". Signum University . Retrieved 28 June 2020.
  5. Eden, Bradford Lee (2013). "Music". In Lee, Stuart D. (ed.). A Companion to J. R. R. Tolkien . Wiley-Blackwell. pp. 504, 509. ISBN   978-1-119-65602-9.
  6. Dawson, Deidre A. (January 2020). "[Review:] A Wilderness of Dragons: Essays in Honor of Verlyn Flieger". Journal of Tolkien Research . 11 (1). Gale   A647455098.
  7. 1 2 Bratman, David (2008). "Review of The Evolution of Tolkien's Mythology: A Study of the History of Middle-earth, by E. A. Whittingham". Mythlore . 26 (3/4): 201–203. JSTOR   26814594.
  8. "Mythopoeic Awards 2013". Mythopoeic Society. 2019. Retrieved 28 June 2020.
  9. 1 2 Renneisen, Elizabeth (2008). Discordia Concours in Tolkien's Musical Universe (PhD thesis). Middle Tennessee State University. pp. 10–13.
  10. 1 2 3 4 5 Nagy, Gergely (2006). "Interrupted Music. The Making of Tolkien's Mythology (review)". Tolkien Studies . 3 (1): 173–177. doi:10.1353/tks.2006.0025.
  11. Flieger 2005, p. 80.
  12. Flieger 2005, p. 122.
  13. Flieger 2005, p. 126.
  14. Flieger 2001, p. iv.
  15. 1 2 Gurney, Shelley (2007). "Review of Interrupted Music: The Making of Tolkien's Mythology, by V. Flieger". Utopian Studies . 18 (1): 103–105. JSTOR   20719856.
  16. 1 2 Agan, Cami (2008). "Song as Mythic Conduit in The Fellowship of the Ring". Mythlore . 26 (3). Article 5.
  17. Fornet-Ponse, Thomas (2007). "Review of Interrupted Music: The Making of Tolkien's Mythology, by V. Flieger". VII (24): 107–109. JSTOR   45297147.

Sources