The Lord of the Rings is an epic high-fantasy novel by English author and scholar J. R. R. Tolkien. Set in Middle-earth, intended to be Earth at some time in the distant past, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
Samwise Gamgee is a fictional character in J. R. R. Tolkien's Middle-earth. A hobbit, Samwise is the chief supporting character of The Lord of the Rings, serving as the sidekick of the protagonist Frodo Baggins. Sam is a member of the Fellowship of the Ring, the group of nine charged with destroying the One Ring to prevent the Dark Lord Sauron from taking over the world.
Shelob is a fictional demon in the form of a giant spider from J. R. R. Tolkien's The Lord of the Rings. Her lair lies in Cirith Ungol leading into Mordor. The creature Gollum deliberately leads the Hobbit protagonist Frodo there in hopes of recovering the One Ring by letting Shelob attack Frodo. The plan is foiled when Samwise Gamgee temporarily blinds Shelob with the Phial of Galadriel, and then severely wounds her with Frodo's Elvish sword, Sting.
Tom Bombadil is a character in J. R. R. Tolkien's legendarium. He first appeared in print in a 1934 poem called The Adventures of Tom Bombadil, which also included the The Lord of the Rings characters Goldberry, Old Man Willow and the Barrow-wight, from whom Tom rescues the hobbits. They were not then explicitly part of the older legends that became The Silmarillion, and are not mentioned in The Hobbit.
Barad-dûr, also called the Dark Tower, is a fictional place in J. R. R. Tolkien's Middle-earth writings and is described in The Lord of the Rings, The Silmarillion, and other works. It is an enormous fortress of the Dark Lord Sauron and capital of his barren land of Mordor. Located in northwest Mordor, near Mount Doom, the Eye of Sauron keeps watch over Middle-earth from its highest tower. The Lieutenant of Barad-dûr is the Mouth of Sauron, described by Tolkien as "no Ringwraith but a living man", who serves as an ambassador and herald for Mordor and Sauron.
The History of The Lord of the Rings is a four-volume work by Christopher Tolkien published between 1988 and 1992 that documents the process of J. R. R. Tolkien's writing of The Lord of the Rings. The History is also numbered as volumes six to nine of The History of Middle-earth ("HoME").
The Adventures of Tom Bombadil is a 1962 collection of poetry by J. R. R. Tolkien. The book contains 16 poems, two of which feature Tom Bombadil, a character encountered by Frodo Baggins in The Lord of the Rings. The rest of the poems are an assortment of bestiary verse and fairy tale rhyme. Three of the poems appear in The Lord of the Rings as well. The book is part of Tolkien's Middle-earth legendarium.
The Atlas of Middle-earth by Karen Wynn Fonstad is an atlas of J. R. R. Tolkien's fictional realm of Middle-earth. It was published in 1981, following Tolkien's major works The Hobbit, The Lord of the Rings, and The Silmarillion.
The Red Book of Westmarch is a fictional manuscript written by hobbits, related to the author J. R. R. Tolkien's frame stories. It is an instance of the found manuscript conceit, a literary device to explain the source of his fantasy writings. The book is supposedly a collection of writings in which the events of The Hobbit and The Lord of the Rings were recounted by their characters, and from which Tolkien supposedly derived these and other works. In the fiction, the name of the book comes from its red leather binding and casing, and from its having been housed in the Westmarch, a region of Middle-earth next to the Shire. In reality, Tolkien modelled its name on the Red Book of Hergest.
In Tolkien's mythology, the Three Rings are magical artefacts forged by the Elves of Eregion. After the One Ring, they are the most powerful of the twenty Rings of Power.
"The Scouring of the Shire" is the penultimate chapter of J. R. R. Tolkien's fantasy The Lord of the Rings. The Fellowship hobbits, Frodo, Sam, Merry, and Pippin, return home to the Shire to find that it is under the brutal control of ruffians and their leader "Sharkey", revealed to be the Wizard Saruman. The ruffians have despoiled the Shire, cutting down trees and destroying old houses, as well as replacing the old mill with a larger one full of machinery which pollutes the air and the water. The hobbits rouse the Shire to rebellion, lead their fellow-hobbits to victory in the Battle of Bywater, and end Saruman's rule.
"The Man in the Moon Stayed Up Too Late" is J. R. R. Tolkien's imagined original song behind the nursery rhyme "Hey Diddle Diddle ", invented by back formation. It was first published in Yorkshire Poetry magazine in 1923, and was reused in extended form in the 1954–55 The Lord of the Rings as a song sung by Frodo Baggins in the Prancing Pony inn. The extended version was republished in the 1962 collection The Adventures of Tom Bombadil.
The Watcher in the Water is a fictional creature in J. R. R. Tolkien's Middle-earth; it appears in The Fellowship of the Ring, the first volume of The Lord of the Rings. Lurking in a lake beneath the western walls of the dwarf-realm Moria, it is said to have appeared after the damming of the river Sirannon, and its presence was first recorded by Balin's dwarf company 30 or so years before the beginning of The Fellowship of the Ring.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and redemptive suffering. There is also a strong thread throughout the work of language, its sound, and its relationship to peoples and places, along with moralisation from descriptions of landscape. Out of these, Tolkien stated that the central theme is death and immortality.
J. R. R. Tolkien's maps, depicting his fictional Middle-earth and other places in his legendarium, helped him with plot development, guides the reader through his often complex stories, and contributes to the impression of depth in his writings.
Tolkien's Middle-earth family trees contribute to the impression of depth and realism in the stories set in his fantasy world by showing that each character is rooted in history with a rich network of relationships. J. R. R. Tolkien included multiple family trees in both The Lord of the Rings and The Silmarillion; they are variously for Elves, Dwarves, Hobbits, and Men.
Christianity is a central theme in J. R. R. Tolkien's fictional works about Middle-earth, but always a hidden one. This allows the book to be read at different levels, and its meaning to be applied by the reader, rather than forcing a single meaning on the reader.
Character pairing in The Lord of the Rings is a literary device used by J. R. R. Tolkien, a Roman Catholic, to express some of the moral complexity of his major characters in his heroic romance, The Lord of the Rings. Commentators have noted that the format of a fantasy does not lend itself to subtlety of characterisation, but that pairing allows inner tensions to be expressed as linked opposites, including, in a psychoanalytic interpretation, those of Jungian archetypes.
Tolkien's frame stories are the narrative devices that J. R. R. Tolkien chose to use throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.
