Editor | Michael D. C. Drout |
---|---|
Language | English |
Subject | J. R. R. Tolkien |
Publisher | Routledge |
Publication date | 2006 |
Publication place | United States |
Media type | Hardcover |
Pages | 720 |
ISBN | 978-0415969420 |
OCLC | 71004244 |
828/.91209 22 | |
LC Class | PR6039.O32 Z664 2007 |
The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment, edited by Michael D. C. Drout, was published by Routledge in 2006. A team of 127 Tolkien scholars on 720 pages cover topics of Tolkien's fiction, his academic works, his intellectual and spiritual influences, and his biography. Co-editors were Douglas A. Anderson, Verlyn Flieger (both Drout's co-editors also of Tolkien Studies ), Marjorie Burns and Tom Shippey. [1] [2]
Michael D. C. Drout's aim for this project, as stated in the book's introduction, was to make it appealing to a wide group of readers. [1] The volume has over 125 contributors from a wide variety of countries. [1] Entries discuss their concepts' connections with various of J. R. R. Tolkien's works, as well as related literary criticism and theory. [1]
Themes covered by the essays, as listed in full in the volume's "Thematic list of entries", include adaptations for cinema, stage, and television; art and illustrations; characters; critical history; influence; languages real and invented; biography; literary sources; literature; monsters, peoples, objects, and places of Middle-earth; reception; scholarship by Tolkien; stylistic elements; Tolkien's themes; theological and philosophical concepts; contemporary history and culture; and Tolkien's literary works.
Kelley Wickham-Crowley, reviewing the work, noted that the quality of the entries was very uneven, and that while some entries were written by experts and were highly interesting and informative, others were much less so; in his words, "the quality of entries can run the gamut from masterful to pedestrian". He wrote that "For characters in particular, entries that rehearse attributes and deeds suffer in comparison to more sophisticated analysis where we learn something or are graced with a perceptive insight or new direction of enquiry". Further, Wickham-Crowley suggested that a number of entries should have been merged. For example, some entries, like those on "Hobbits" and "Shire", repeat most of their corresponding content with few changes and should have likely ended up combined. Similarly, topics like "Environmentalism and Eco-Criticism" and "Environmentalist Readings of Tolkien" or "Comedy" and "Humor" may also not have warranted separate sections. Inclusion of some topics was rather surprising and arbitrary to Wickham-Crowley, for example the entries on "Thomas Aquinas" or "Law" (the latter focusing on theology instead of civil, or in-universe examples). In the end, Wickham-Crowley concluded, the level of contributors, and their contributions, varied significantly. [1]
Wickham-Crowley attributed the failings of the work to insufficient copyediting, noting that it was "badly served" by Taylor & Francis's acquisition of Routledge, which, during the ensuing restructuring of its acquisitions, discontinued the Routledge encyclopedia division while this work was in production. This effectively led to the Tolkien Encyclopedia's publication being unfinished, a view endorsed by its chief editor, Michael D. C. Drout. The final volume is missing not only about a hundred planned illustrations—there are none in the printed work—but several entries were not properly proofed, and many errors were not corrected. [1] Wickham-Crowley noted that while some entries were excellent, the work sports a "multitude of errors in word omission, grammar, spelling, spacing, word division, and bibliographic format [and other] embarrassing mistakes." In the end, Wickham-Crowley concluded that the project was ambitious, but execution was marred by the work's flaws. [1]
Likewise, Jennifer Goodfellow in her review noted that the entries vary significantly, with some offering only a short summary of a topic, while others are much more in-depth. She noted that the organization of entries is not optimal, but concluded that the work was "an excellent resource for serious scholars of English literature as well as those with a general interest in Tolkien". [3]
Tracy Carr in her short review of the work noted that it was intended more for scholars than Tolkien fans, as it aimed to engage more with real-world theories than describe the world Tolkien created. She concluded that the volume was "a suitable starting place" for "budding scholars" of Tolkien. [2]
Christopher John Reuel Tolkien was an English and naturalised French academic editor. The son of the author and academic J. R. R. Tolkien, he edited 24 volumes of his father's posthumously published work, including The Silmarillion and the 12-volume series The History of Middle-Earth, a task that took 45 years. He also drew the original maps for his father's The Lord of the Rings.
The Atlas of Middle-earth by Karen Wynn Fonstad is an atlas of J. R. R. Tolkien's fictional realm of Middle-earth. It was published in 1981, following Tolkien's major works The Hobbit, The Lord of the Rings, and The Silmarillion. It provides many maps at different levels of detail, from whole lands to cities and individual buildings, and of major events like the Battle of the Pelennor Fields. The maps are grouped by period, namely the First, Second, and Third Ages of Middle-earth, with chapters on The Hobbit and The Lord of the Rings. A final chapter looks at geographic themes such as climate, vegetation, population, and languages around Middle-earth.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
Mythlore is a biannual peer-reviewed academic journal founded by Glen GoodKnight and published by the Mythopoeic Society. Although it publishes articles that explore the genres of myth and fantasy in general, special attention is given to the three most prominent members of the Inklings: J. R. R. Tolkien, C. S. Lewis, and Charles Williams. The current editor-in-chief is the Tolkien scholar Janet Brennan Croft. The Tolkien Society describes Mythlore as a "refereed scholarly journal".
Michael D. C. Drout is an American Professor of English and Director of the Center for the Study of the Medieval at Wheaton College. He is an author and editor specializing in Anglo-Saxon and medieval literature, science fiction and fantasy, especially the works of J. R. R. Tolkien and Ursula K. Le Guin.
Tolkien Studies: An Annual Scholarly Review is an academic journal founded in 2004 publishing papers on the works of J. R. R. Tolkien. The journal's founding editors are Douglas A. Anderson, Michael D. C. Drout, and Verlyn Flieger, and the current editors are Michael D. C. Drout, Verlyn Flieger, and David Bratman. It states that it is the first scholarly journal published by an academic press in the area of Tolkien research.
The J. R. R. Tolkien Companion and Guide is a 2006 reference book by the husband and wife team of Christina Scull and Wayne G. Hammond. It provides a detailed chronology of Tolkien's life in volume 1, and a reader's guide in volume 2. The second edition in 2017 revised and extended the work, the reader's guide being divided into two volumes.
J. R. R. Tolkien's bestselling fantasy novel The Lord of the Rings had an initial mixed literary reception. Despite some enthusiastic early reviews from supporters such as W. H. Auden, Iris Murdoch, and C. S. Lewis, literary hostility to Tolkien quickly became acute and continued until the start of the 21st century. From 1982, Tolkien scholars such as Tom Shippey and Verlyn Flieger began to roll back the hostility, defending Tolkien, rebutting the critics' attacks and analysing what they saw as good qualities in Tolkien's writing.
The Ainur (singular: Ainu) are the immortal spirits existing before the Creation in J. R. R. Tolkien's fictional universe. These were the first beings made of the thought of Eru Ilúvatar. They were able to sing such beautiful music that the world was created from it.
The Maiar are a fictional class of beings from J. R. R. Tolkien's high fantasy legendarium. Supernatural and angelic, they are "lesser Ainur" who entered the cosmos of Eä in the beginning of time. The name Maiar is in the Quenya tongue from the Elvish root maya- "excellent, admirable".
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene, in Tolkien's imagined mythological past. Tolkien's most widely read works, The Hobbit and The Lord of the Rings, are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world.
Arden Ray Smith is a member of the Elvish Linguistic Fellowship and holds a Ph.D. in Germanic Linguistics from the University of California, Berkeley. He has published numerous articles relating to the languages constructed by J. R. R. Tolkien. He was a columnist and editor of Vinyar Tengwar, for which he wrote the popular column "Transitions in Translations", in which odd elements in translations of Tolkien's work were described and commented upon.
Tolkien: A Cultural Phenomenon is a 2003 book of literary criticism by Brian Rosebury about the English author and philologist J. R. R. Tolkien and his writings on his fictional world of Middle-earth, especially The Lord of the Rings. A shorter version of the book, Tolkien: A Critical Assessment, appeared in 1992. Rosebury examines how Tolkien imagined Middle-earth, how he achieved the aesthetic effect he was seeking, his place among twentieth century writers, and how his work has been retold and imitated by other authors and in other media, most notably for film by Peter Jackson.
Jared Charles Lobdell was an American author and one of the first Tolkien scholars. He is best known for some thirty academic books on American history and the Inklings including J. R. R. Tolkien, C. S. Lewis, and Charles Williams.
John Garth is a British journalist and author, known especially for writings about J. R. R. Tolkien including his biography Tolkien and the Great War and a book on the places that inspired Middle-earth, The Worlds of J. R. R. Tolkien. He won a 2004 Mythopoeic Award for Scholarship for his work on Tolkien. The biography influenced much Tolkien scholarship in the subsequent decades.
Richard Carroll West was an American librarian and one of the first Tolkien scholars. He is best known for his 1975 essay on the interlace structure of The Lord of the Rings, for which he won the 1976 Mythopoeic Scholarship Award for Inkling Studies.
Jason Fisher is a Tolkien scholar and winner of a Mythopoeic Scholarship Award in 2014 for his book Tolkien and the Study of His Sources: Critical Essays. He served as the editor of the Mythopoeic Society's monthly Mythprint from 2010 to 2013. He is the author of many book chapters, academic articles, and encyclopedia entries on J. R. R. Tolkien.
Marjorie Burns is a scholar of English literature, best known for her studies of J. R. R. Tolkien.
Tolkien's Art: 'A Mythology for England' is a 1979 book of Tolkien scholarship by Jane Chance, writing then as Jane Chance Nitzsche. The book looks in turn at Tolkien's essays "On Fairy-Stories" and "Beowulf: The Monsters and the Critics"; The Hobbit; the fairy-stories "Leaf by Niggle" and "Smith of Wootton Major"; the minor works "Lay of Autrou and Itroun", "The Homecoming of Beorhtnoth", "Imram", and Farmer Giles of Ham; The Lord of the Rings; and very briefly in the concluding section, The Silmarillion. In 2001, a second edition extended all the chapters but still treated The Silmarillion, that Tolkien worked on throughout his life, as a sort of coda.