Economy of Middle-earth

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The economy of Middle-earth is J. R. R. Tolkien's treatment of economics in his fantasy world of Middle-earth. Scholars such as Steven Kelly have commented on the clash of economic patterns embodied in Tolkien's writings, giving as instances the broadly 19th century agrarian but capitalistic economy of the Shire, set against the older world of feudal Gondor. Others have remarked on the culture of gifting and exchange, which reflects that of early Germanic cultures as described in works like Beowulf . A different clash of cultures is addressed by Patrick Curry, who contrasts the pre-modern world of the free peoples of Middle-earth with the industrialising and in his view "soulless" economies of the wizard Saruman and the dark lord Sauron, based on machinery, fire, and labour.

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Less seriously, economists and financial journalists such as John Carney have explored the possible economic effects of Smaug the dragon's capture of the Dwarves' treasure of gold. Some have suggested this reduction of the money supply would cause a severe economic shock and deflation; others that the real shock was on the supply side, as Smaug had eaten so many productive Dwarves that the trade of the town of Dale would have been seriously reduced.

Within Middle-earth

Gifting and exchange

Gifts and exchange in Beowulf

Tolkien indicated that gifting and exchange are important in parts of Middle-earth. In the Shire, the Hobbits have "mathoms" (Old English: māþum, treasure, gift), objects passed from hand to hand as valued or sometimes unvalued gifts. Many were stored in the museum or Mathom-house at Michel Delving. [T 1]

The scholar Jennifer Culver states that Tolkien based his account of gifting and exchange on the Germanic gifting tradition, as described in medieval works such as Beowulf , familiar to Tolkien. There, a lord could "broaden his reach" by giving gifts, while the visible exchange of gifts defined the relative status of the people involved. Culver explores the significance of Sauron's gift of magical rings to the nine Ringwraiths – in exchange for their lives – and the nature of the One Ring itself as an item of exchange. [2] [3]

Money and treasure

In The Lord of the Rings, Barliman Butterbur makes a payment of 30 silver pennies. Early medieval silver penny of Offa of Mercia shown. Penny of Offa.jpg
In The Lord of the Rings , Barliman Butterbur makes a payment of 30 silver pennies. Early medieval silver penny of Offa of Mercia shown.

Tolkien mentions money and items of value in his Middle-earth writings. The Hobbits used money: in The Hobbit , Bilbo Baggins, leaving the Shire in a hurry, is recorded as forgetting to take any money with him. [T 3] In The Lord of the Rings , Barliman Butterbur pays 30 silver pennies compensation for the loss of horses and ponies stolen from The Prancing Pony inn at Bree; one pony cost some four silver pennies. [T 2] Further, Bilbo gives away "a few pennies" before the birthday party, while at the Council of Elrond, Gandalf uses the phrase "worth a gold piece" of significant news. [4] There is however no indication where such coins might have been minted. [4] The people of Gondor used silver coins as currency. The main coinage was the Castar; a quarter of a Castar was a Tharni. [T 4]

The Dwarves of Moria valued precious materials such as gold and jewels, but most especially the rare metal mithril, which they used to mine:

For here alone in the world was found Moria-silver, or true-silver as some have called it: mithril is the Elvish name. The Dwarves have a name, which they do not tell. Its worth was ten times that of gold, and now it is beyond price; for little is left above ground, and even the Orcs dare not delve here for it. [T 5]

The Wizard Gandalf startles the Dwarf Gimli with a mention of a mail shirt made of mithril: [T 5]

"Bilbo had a corslet of mithril-rings that Thorin gave him. I wonder what has become of it? Gathering dust still in Michel Delving Mathom-house, I suppose."
"What?" cried Gimli, startled out of his silence. "A corslet of Moria-silver? That was a kingly gift!"
"Yes", said Gandalf. "I never told him, but its worth was greater than the value of the whole Shire and everything in it." [T 5]

The scholars of international relations Abigail Ruane and Patrick James view Gimli as an exemplar of "neoliberal institutionalists" within the economy of Middle-earth, since his "people avidly pursue gold and treasure". [5] In their view, he and his Dwarves also illustrate the interdependence of nations through their networks of trade and allies; the varied "relationships among Dwarves, Elves, and Men provide a foundation upon which to build and [to] ally against Sauron and illustrate how complex interdependence can reduce perceptions of insecurity and create opportunities for cooperation rather than conflict." [5]

Clashing economic patterns

Film set of Hobbiton in the Shire, often described as a pastoral idyll. 2022-06-10 Hobbiton - The Shire location 5.jpg
Film set of Hobbiton in the Shire, often described as a pastoral idyll.

Steven Kelly argues that while Tolkien's world is generally viewed as a medieval fantasy world, hence implied to be a pre-capitalistic society, it has some elements of capitalistic society. Citing the philologist and Tolkien scholar Tom Shippey, Kelly states that this is a result of the clash of two major themes in Tolkien's world-building: "the old Northern European world of fairy-tale" to which most of Middle-earth belongs, and "a relatively modern world represented in the Shire", partly modelled on 19th century England. [8] [9] While the former, such as the land of Gondor, [10] has been described as feudal or pre-feudal, with concepts like fiefs. The Shire, on the other hand, has an economy that is both deceptively simple, a self-sufficient agrarian society resistant to capitalism, described even as communist, but with trade and other economic patterns resembling those found in modern capitalist systems. In particular, Kelly argues that the handling of hobbit's pipe-weed can be seen as a case of modern commodity fetishism. [8] Jay Atkins writes in Mallorn that the Shire functions as a distributist economy, as defined by G. K. Chesterton and Hilaire Belloc in the early 20th century: it is respectful of nature, and families own the small-scale means of production. Atkins comments that "The Scouring of the Shire" alludes to socialism, as under Sharkey's unjust rulership, sharing is advocated: only it is all one way, as Sharkey takes away Hobbit property without returning anything. [11]

Isengard is industrial: "...hammers thudded. At night plumes of vapour steamed from the vents, lit from beneath with red light". Steam hammer at work, England. Dante's inferno - Kirkstall forge (cropped).jpg
Isengard is industrial: "...hammers thudded. At night plumes of vapour steamed from the vents, lit from beneath with red light". Steam hammer at work, England.

The wizard Saruman's Isengard, on the other hand, is industrial: it produces weapons and machinery made of iron, smelted and forged using trees as fuel; an unusually large and powerful breed of Orcs, able as Treebeard says to fight in daylight, produced rapidly, apparently by some kind of cloning; and a gunpowder-like explosive. [12] [13] [14] [T 6] [T 7] Lianne McLarty describes Isengard as a war economy with a military–industrial system to produce the materiel of war. [15]

Resistance to soulless economic progress

The Tolkien scholar Patrick Curry links the search for economic progress in Middle-earth to industrialisation and a dark sort of magic, that of the wizardry of Sauron and Saruman with wheels and fires and labouring workers, writing that "the Enemy is thus 'Lord of magic and machines'". [16] He contrasts this with the Elvish magic of "enchantment", stating that "in contemporary terms, the domination of financial and technological magic over enchantment ... is something we see confirmed everywhere in Middle-earth today ... [along with the sentiment that] Progress is not only good for us but unavoidable". [16] In Curry's view, Tolkien's Middle-earth writings "invite the reader into a compelling and remarkably complete pre-modern world, saturated with ... values [for] relationships ... with each other, and nature, and ... the spirit", retaining "personal integrity and responsibility and [not] decanted into a soulless calculus of financial profit-and-loss." In short, he writes, "Wisdom in Middle-earth is not a matter of economic, scientific or technological expertise, but of practical and ethical wisdom." [17]

Economic interpretations

The financial journalist John Carney takes a humorous look at the economic effect of Smaug the dragon and his hoard of treasure captured from the Dwarves. He notes that Francis Woolley, professor of economics at Carleton University, suggested that Smaug's withdrawal of so much gold from circulation represented a severe tightening of monetary policy, which would cause "deflation and depressed economic activity". [18] [19] Against this view, the 150 years between Smaug's capture of the Lonely Mountain and the events in The Hobbit would have allowed the economy to adjust to the shock. [18] On the other hand, the economist Nick Rowe argues on New Keynesian terms that prices might stay high as businesses could hold out awaiting Smaug's downfall. [18] Yet another viewpoint is set out by Eric Crampton, who suggests that the economic shock was on the supply side, as Smaug consumed "thousands of very skilled Dwarven craftsmen", depriving Dale of much of its trade in farm commodities which it had exchanged for Dwarf-produced industrial products. [18] Carney himself suggests that the wizard Gandalf could have used his powers to replace the gold "out of thin air", but just as the Federal Reserve refused to refund the wealth lost to Bernard Madoff's fraudulent Ponzi scheme, Gandalf did not do this. [18] In 2012, Smaug's wealth was estimated at $61 billion, placing him in the Forbes Fictional 15. [20]

Diane Coyle writes in the Financial Times that the sharing economy of the Shire could be improved with a "mathom.com" noticeboard site. Coyle suggests that a sharing site could enable mathoms to circulate more efficiently. [21]

Derivative works

[Sharya-Rana to Haladdin:] "We have lost the most important battle in the history of Arda – the magic of the White Council and the Elves overcame the magic of the Nazgúl – and now the green shoots of reason and progress, bereft of our protection, will be weeded out throughout Middle Earth. The forces of magic will reconfigure this world to their liking, and henceforth it will have no room for technological civilizations like that of Mordor."

The Last Ringbearer , ch. 16 [22]

Kirill Eskov's 1999 fantasy The Last Ringbearer parodies The Lord of the Rings, and is an informal sequel to it. It has been interpreted as a critique of, among other things, Tolkien's anti-modern environmental vision. [23] [24] It portrays Mordor as a society based on rational knowledge, in contrast to the war-mongering, anti-industrialisation faction of Gandalf and the Elves. [25]

Related Research Articles

<span class="mw-page-title-main">Gandalf</span> Fictional character created by J. R. R. Tolkien

Gandalf is a protagonist in J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings. He is a wizard, one of the Istari order, and the leader of the Fellowship of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (Dvergatal) in the Völuspá.

Thorin Oakenshield is a fictional character in J. R. R. Tolkien's 1937 novel The Hobbit. Thorin is the leader of the Company of Dwarves who aim to reclaim the Lonely Mountain from Smaug the dragon. He is the son of Thráin II, grandson of Thrór, and becomes King of Durin's Folk during their exile from Erebor. Thorin's background is further elaborated in Appendix A of Tolkien's 1955 novel The Return of the King, and in Unfinished Tales.

<span class="mw-page-title-main">Lonely Mountain</span> Fictional mountain home of dwarves and dragon in J. R. R. Tolkiens The Hobbit

In J. R. R. Tolkien's legendarium, the Lonely Mountain is a mountain northeast of Mirkwood. It is the location of the Dwarves' Kingdom under the Mountain and the town of Dale lies in a vale on its southern slopes. In The Lord of the Rings, the mountain is called by the Sindarin name Erebor. The Lonely Mountain is the destination of the protagonists, including the titular Hobbit Bilbo Baggins in The Hobbit, and is the scene of the novel's climax.

<span class="mw-page-title-main">Bilbo Baggins</span> Protagonist in J. R. R. Tolkiens The Hobbit

Bilbo Baggins is the title character and protagonist of J. R. R. Tolkien's 1937 novel The Hobbit, a supporting character in The Lord of the Rings, and the fictional narrator of many of Tolkien's Middle-earth writings. The Hobbit is selected by the wizard Gandalf to help Thorin and his party of Dwarves to reclaim their ancestral home and treasure, which has been seized by the dragon Smaug. Bilbo sets out in The Hobbit timid and comfort-loving, and through his adventures grows to become a useful and resourceful member of the quest.

Mithril is a fictional metal found in J. R. R. Tolkien's Middle-earth writings. It is described as resembling silver, but being stronger and lighter than steel. It was used to make armour, such as the helmets of the citadel guard of Minas Tirith, and ithildin alloy, used to decorate gateways with writing visible only by starlight or moonlight. Always extremely valuable, by the end of the Third Age it was beyond price, and only a few artefacts made of it remained in use.

<i>Unfinished Tales</i> 1980 collection of unfinished writings by J. R. R. Tolkien

Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J. R. R. Tolkien that were never completed during his lifetime, but were edited by his son Christopher Tolkien and published in 1980. Many of the tales within are retold in The Silmarillion, albeit in modified forms; the work also contains a summary of the events of The Lord of the Rings told from a less personal perspective.

The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.

The fictional races and peoples that appear in J. R. R. Tolkien's fantasy world of Middle-earth include the seven listed in Appendix F of The Lord of the Rings: Elves, Men, Dwarves, Hobbits, Ents, Orcs and Trolls, as well as spirits such as the Valar and Maiar. Other beings of Middle-earth are of unclear nature such as Tom Bombadil and his wife Goldberry.

Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and redemptive suffering. There is also a strong thread throughout the work of language, its sound, and its relationship to peoples and places, along with moralisation from descriptions of landscape. Out of these, Tolkien stated that the central theme is death and immortality.

Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil.

<span class="mw-page-title-main">Saruman</span> Fictional character created by J. R. R. Tolkien

Saruman, also called Saruman the White, later Saruman of Many Colours, is a fictional character of J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is leader of the Istari, wizards sent to Middle-earth in human form by the godlike Valar to challenge Sauron, the main antagonist of the novel, but eventually he desires Sauron's power for himself and tries to take over Middle-earth by force from his base at Isengard. His schemes feature prominently in the second volume, The Two Towers; he appears briefly at the end of the third volume, The Return of the King. His earlier history is summarised in the posthumously published The Silmarillion and Unfinished Tales.

Gimli is a fictional character in J. R. R. Tolkien's Middle-earth, appearing in The Lord of the Rings. A dwarf warrior, he is the son of Glóin, a member of Thorin's company in Tolkien's earlier book The Hobbit. He represents the race of Dwarves as a member of the Fellowship of the Ring. As such, he is one of the primary characters in the story. In the course of the adventure, Gimli aids the Ring-bearer Frodo Baggins, participates in the War of the Ring, and becomes close friends with Legolas, overcoming an ancient enmity of Dwarves and Elves.

Peregrin Took, commonly known simply as Pippin, is a fictional character from J. R. R. Tolkien's fantasy novel The Lord of the Rings. He is closely tied with his friend and cousin, Merry Brandybuck, and the two are together during most of the story. Pippin and Merry are introduced as a pair of young hobbits of the Shire who become ensnared in their friend Frodo Baggins's quest to destroy the One Ring. Pippin joins the Fellowship of the Ring. He and Merry become separated from the rest of the group at the breaking of the Fellowship and spend much of The Two Towers with their own story line. Impetuous and curious, Pippin enlists as a soldier in the army of Gondor and fights in the Battle of the Morannon. With the other hobbits, he returns home, helps to lead the Scouring of the Shire, and becomes Thain or hereditary leader of the land.

Aragorn is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn was a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn was a confidant of the wizard Gandalf, and played a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn fell in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbade them to marry unless Aragorn became King of both Arnor and Gondor.

Frodo Baggins is a fictional character in J. R. R. Tolkien's writings, and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.

Legolas is a fictional character in J. R. R. Tolkien's The Lord of the Rings. He is a Sindar Elf of the Woodland Realm and son of its king, Thranduil, becoming one of the nine members of the Fellowship who set out to destroy the One Ring. Though Dwarves and Elves are traditionally rivals, he and the Dwarf Gimli form a close friendship during their travels together.

<span class="mw-page-title-main">Wizards in Middle-earth</span> Group of Wizards (Istari) in J. R. R. Tolkiens legendarium

The Wizards or Istari in J. R. R. Tolkien's fiction were powerful angelic beings, Maiar, who took the form of Men to intervene in the affairs of Middle-earth in the Third Age, after catastrophically violent direct interventions by the Valar, and indeed by the one god Eru Ilúvatar, in the earlier ages.

The architecture in Middle-earth, J. R. R. Tolkien's fictional world, is as varied as the Hobbit-holes of the Shire, the tree-houses of Lothlórien, the wooden halls of Rohan, and the stone dwellings and fortifications of Minas Tirith, capital of Gondor. Tolkien uses the architecture in each place, including its interior design, to provide clues to each people's character. The Hobbit Bilbo Baggins's cosy home, Bag End, described in his 1937 children's book The Hobbit, establishes the character of Hobbits as averse to travelling outside the Shire. In his fantasy novel The Lord of the Rings, Lothlórien demonstrates the close integration of the Elves with their natural environment. The King of Rohan's hall, Meduseld, indicates the Rohirrim's affinity with Anglo-Saxon culture, while Gondor's tall and beautiful stone architecture was described by Tolkien as "Byzantine". In contrast, the Dark Lord Sauron and the fallen Wizard Saruman's realms are damaged lands around tall dark towers.

References

Primary

  1. Tolkien 1954a Prologue: I. "Concerning Hobbits"
  2. 1 2 Tolkien 1954a Book 1, ch. 11 "A Knife in the Dark"
  3. Tolkien 1937 2 "Roast Mutton"
  4. Tolkien 1996 II. "The Appendix on Languages"
  5. 1 2 3 Tolkien 1954a Book 2, ch. 4 "A Journey in the Dark"
  6. 1 2 Tolkien 1954, book 3, ch. 8 "The Road to Isengard"
  7. Tolkien 1954, book 3, ch. 4 "Treebeard"

Secondary

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  3. Fee, Christopher (1996). ""Beag & Beaghroden": Women, treasure and the language of social structure in "Beowulf"". Neuphilologische Mitteilungen. 97 (3). Modern Language Society: 285–294. ISSN   0028-3754. JSTOR   43346397.
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  12. Kocher 1974, pp. 102–103.
  13. Davis 2008, pp. 55–71.
  14. Morton 2014, pp. 291–304.
  15. McLarty, Lianne (1 January 2006). "Masculinity, Whiteness, and Social Class in The Lord of the Rings". In Mathijs, Ernest; Pomerance, Murray (eds.). From Hobbits to Hollywood. pp. 173–188. doi:10.1163/9789401201513_015. ISBN   978-90-420-1682-8. S2CID   243893860.
  16. 1 2 Curry 1998, p. 74.
  17. Curry 1998, pp. 144–145.
  18. 1 2 3 4 5 Carney, John (3 January 2013). "The Economics of Smaug". CNBC . Retrieved 27 June 2023.
  19. Woolley, Frances (30 December 2012). "The Macroeconomics of Middle Earth". Worthwhile Canadian Initiative. Retrieved 27 June 2023.
  20. "Smaug". Forbes . 2012. Archived from the original on 29 July 2017. Retrieved 8 July 2012.
  21. Coyle, Diane (27 December 2015). "The hobbit approach to the sharing economy". Financial Times . Retrieved 27 June 2023.
  22. Eskov, Kirill. "The Last Ringbearer, Chapter 16". Kirill Eskov. Retrieved 6 March 2024.
  23. Clinton, Greg (2016). "A Life of Fairy-Stories". Reading and Interpreting the Works of JRR Tolkien. Enslow Publishing. pp. 30–31. ISBN   978-0-7660-8362-2.
  24. Stuart, Robert (2022). Tolkien, Race, and Racism in Middle-earth. Palgrave Macmillan. p. 150. ISBN   978-3-030-97475-6.
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Sources