The Hobbit, or There and Back Again is a children's fantasy novel by the English author J. R. R. Tolkien. It was published in 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book is recognized as a classic in children's literature and is one of the best-selling books of all time, with over 100 million copies sold.
Thorin Oakenshield is a fictional character in J. R. R. Tolkien's 1937 novel The Hobbit. Thorin is the leader of the Company of Dwarves who aim to reclaim the Lonely Mountain from Smaug the dragon. He is the son of Thráin II, grandson of Thrór, and becomes King of Durin's Folk during their exile from Erebor. Thorin's background is further elaborated in Appendix A of Tolkien's 1955 novel The Return of the King, and in Unfinished Tales.
Thomas Alan Shippey is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book The Road to Middle-Earth has been called "the single best thing written on Tolkien".
Esgaroth, or Lake-town, is a fictional community of Men upon the Long Lake that appears in the 1937 novel The Hobbit by J. R. R. Tolkien. Constructed entirely of wood and standing upon wooden pillars sunk into the lake-bed, the town is south of the Lonely Mountain and east of Mirkwood. The town's prosperity is apparently built upon trade between the Men who inhabit it, and the Elves and the Dwarves of northern Middle-earth. The chief mode of transport of the people of Esgaroth is stated to be their boats.
The Red Book of Westmarch is a fictional manuscript written by hobbits, related to the author J. R. R. Tolkien's frame stories. It is an instance of the found manuscript conceit, a literary device to explain the source of his legendarium. In the fiction, it is a collection of writings in which the events of The Hobbit and The Lord of the Rings were recounted by their characters, and from which Tolkien supposedly derived these and other works. The name of the book comes from its red leather binding and casing, and from its having been housed in the Westmarch, a region of Middle-earth next to the Shire.
"The Man in the Moon Stayed Up Too Late" is J. R. R. Tolkien's imagined original song behind the nursery rhyme "Hey Diddle Diddle ", invented by back-formation. It was first published in Yorkshire Poetry magazine in 1923, and was reused in extended form in the 1954–55 The Lord of the Rings as a song sung by Frodo Baggins in the Prancing Pony inn. The extended version was republished in the 1962 collection The Adventures of Tom Bombadil.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
Balin is a fictional character in J. R. R. Tolkien's world of Middle-earth. A Dwarf, he is an important supporting character in The Hobbit, and is mentioned in The Fellowship of the Ring. As the Fellowship travel through the underground realm of Moria, they find Balin's tomb and the Dwarves' book of records, which tells how Balin founded a colony there, becoming Lord of Moria, and that the colony was overrun by orcs.
The works of J. R. R. Tolkien have generated a body of research covering many aspects of his fantasy writings. These encompass The Lord of the Rings and The Silmarillion, along with his legendarium that remained unpublished until after his death, and his constructed languages, especially the Elvish languages Quenya and Sindarin. Scholars from different disciplines have examined the linguistic and literary origins of Middle-earth, and have explored many aspects of his writings from Christianity to feminism and race.
Douglas Allen Anderson is an American writer and editor on the subjects of fantasy and medieval literature, specializing in textual analysis of the works of J. R. R. Tolkien. He is a winner of the Mythopoeic Award for scholarship.
The Lord of the Rings: A Reader's Companion (2005) is a nonfiction book by the scholars Wayne G. Hammond and Christina Scull. It is an annotated reference to J. R. R. Tolkien's heroic romance, The Lord of the Rings.
The History of The Hobbit is a two-volume study of J. R. R. Tolkien's 1937 children's fantasy novel The Hobbit. It was first published by HarperCollins in 2007. It contains Tolkien's unpublished drafts of the novel, with commentary by John D. Rateliff. It details Tolkien's various revisions to The Hobbit, including abandoned revisions for the unpublished third edition of the work, intended for 1960, as well as previously unpublished original maps and illustrations drawn by Tolkien.
J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience. He was inspired primarily by his profession, philology; his work centred on the study of Old English literature, especially Beowulf, and he acknowledged its importance to his writings.
The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology is a scholarly study of the Middle-earth works of J. R. R. Tolkien written by Tom Shippey and first published in 1982. The book discusses Tolkien's philology, and then examines in turn the origins of The Hobbit, The Lord of the Rings, The Silmarillion, and his minor works. An appendix discusses Tolkien's many sources. Two further editions extended and updated the work, including a discussion of Peter Jackson's film version of The Lord of the Rings.
The poetry in The Lord of the Rings consists of the poems and songs written by J. R. R. Tolkien, interspersed with the prose of his high fantasy novel of Middle-earth, The Lord of the Rings. The book contains over 60 pieces of verse of many kinds; some poems related to the book were published separately. Seven of Tolkien's songs, all but one from The Lord of the Rings, were made into a song-cycle, The Road Goes Ever On, set to music by Donald Swann. All the poems in The Lord of the Rings were set to music and published on CDs by The Tolkien Ensemble.
J. R. R. Tolkien's maps, depicting his fictional Middle-earth and other places in his legendarium, helped him with plot development, guided the reader through his often complex stories, and contributed to the impression of depth and worldbuilding in his writings.
Tolkien's monsters are the evil beings, such as Orcs, Trolls, and giant spiders, who oppose and sometimes fight the protagonists in J. R. R. Tolkien's Middle-earth legendarium. Tolkien was an expert on Old English, especially Beowulf, and several of his monsters share aspects of the Beowulf monsters; his Trolls have been likened to Grendel, the Orcs' name harks back to the poem's orcneas, and the dragon Smaug has multiple attributes of the Beowulf dragon. The European medieval tradition of monsters makes them either humanoid but distorted, or like wild beasts, but very large and malevolent; Tolkien follows both traditions, with monsters like Orcs of the first kind and Wargs of the second. Some scholars add Tolkien's immensely powerful Dark Lords Morgoth and Sauron to the list, as monstrous enemies in spirit as well as in body. Scholars have noted that the monsters' evil nature reflects Tolkien's Roman Catholicism, a religion which has a clear conception of good and evil.
J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.
J. R. R. Tolkien used frame stories throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.
J. R. R. Tolkien, a devout Roman Catholic, created what he came to feel was a dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak, so they were sentient and sapient, and portrayed them talking about right and wrong. This meant, he believed, that they were open to morality, like Men. In Tolkien's Christian framework, that in turn meant they must have souls, so killing them would be wrong without very good reason. Orcs serve as the principal forces of the enemy in The Lord of the Rings, where they are slaughtered in large numbers in the battles of Helm's Deep and the Pelennor Fields in particular.
