Rivendell is a valley in J. R. R. Tolkien's fictional world of Middle-earth, representing both a homely place of sanctuary and a magical Elvish otherworld. It is an important location in The Hobbit and The Lord of the Rings, being the place where the quest to destroy the One Ring began.
Arwen Undómiel is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. She appears in the novel The Lord of the Rings. Arwen is one of the half-elven who lived during the Third Age; her father was Elrond half-elven, lord of the Elvish sanctuary of Rivendell, while her mother was the Elf Celebrian, daughter of the Elf-queen Galadriel, ruler of Lothlórien. She marries the Man Aragorn, who becomes King of Arnor and Gondor.
Eärendil the Mariner and his wife Elwing are characters in J. R. R. Tolkien's Middle-earth legendarium. They are depicted in The Silmarillion as Half-elven, the children of Men and Elves. He is a great seafarer who, on his brow, carried the Morning Star, a jewel called a Silmaril, across the sky. The jewel had been saved by Elwing from the destruction of the Havens of Sirion. The Morning Star and the Silmarils are elements of the symbolism of light, for divine creativity, continually splintered as history progresses. Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist I, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren, and is descended from Melian the Maia, while Earendil is the son of Tuor and Idril. Through their progeny, Eärendil and Elwing became the ancestors of the Númenorean, and later Dúnedain, royal bloodline.
The Lord of the Rings: The Two Towers is a 2002 epic high fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, Stephen Sinclair, and Jackson, based on 1954's The Two Towers, the second volume of the novel The Lord of the Rings by J. R. R. Tolkien. The sequel to 2001's The Lord of the Rings: The Fellowship of the Ring, the film is the second instalment in The Lord of the Rings trilogy. It features an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, and Andy Serkis.
"The Man in the Moon Stayed Up Too Late" is J. R. R. Tolkien's imagined original song behind the nursery rhyme "Hey Diddle Diddle ", invented by back-formation. It was first published in Yorkshire Poetry magazine in 1923, and was reused in extended form in the 1954–55 The Lord of the Rings as a song sung by Frodo Baggins in the Prancing Pony inn. The extended version was republished in the 1962 collection The Adventures of Tom Bombadil.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
The works of J. R. R. Tolkien have served as the inspiration to painters, musicians, film-makers and writers, to such an extent that he is sometimes seen as the "father" of the entire genre of high fantasy.
Do not laugh! But once upon a time I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic to the level of romantic fairy-story... The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.
"Namárië" is a poem by J. R. R. Tolkien written in one of his constructed languages, Quenya, and published in The Lord of the Rings. It is subtitled "Galadriel's Lament in Lórien", which in Quenya is Altariello nainië Lóriendessë. The poem appears, too, in a book of musical settings by Donald Swann of songs from Middle-earth, The Road Goes Ever On; the Gregorian plainsong-like melody was hummed to Swann by Tolkien. The poem is the longest Quenya text in The Lord of the Rings and also one of the longest continuous texts in Quenya that Tolkien ever wrote. An English translation is provided in the book.
The Tolkien Ensemble is a Danish ensemble which created "the world's first complete musical interpretation of the poems and songs from The Lord of the Rings". They published four CDs from 1997 to 2005, in which all the poems and songs of The Lord of the Rings are set to music. The project was approved by the Tolkien Estate. Queen Margrethe II of Denmark gave permission to use her illustrations on the CD covers.
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore between 2000 and 2004 to support Peter Jackson's film trilogy based on J. R. R. Tolkien's fantasy novel of the same name. It is notable in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used.
An Evening in Rivendell is the first album by the Danish group The Tolkien Ensemble. It features songs composed to the lyrics found in J. R. R. Tolkien's The Lord of the Rings and forms the first part of what was to become a complete musical interpretation of all lyrics in the book.
A Night In Rivendell is the second album by the Danish group the Tolkien Ensemble. It features songs composed to the lyrics found in J. R. R. Tolkien's the Lord of the Rings and forms the second part of what was to become a complete musical interpretation of all lyrics in the book.
At Dawn in Rivendell is the third album by the Danish group the Tolkien Ensemble. It featured a guest appearance by the actor and singer Christopher Lee, who voiced the spoken word tracks and sang the part of the Ent Treebeard.
"A Walking Song" is a poem in The Lord of the Rings. It appears in the third chapter, entitled "Three is Company". It is given its title in the work's index to songs and poems. There is a companion poem near the end of the novel.
Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing, were half-elven, having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya, the Ring of Air, and master of Rivendell, where he has lived for thousands of years through the Second and Third Ages of Middle-earth. He was the Elf-king Gil-galad's herald at the end of the Second Age, saw Gil-galad and king Elendil fight the dark lord Sauron for the One Ring, and Elendil's son Isildur take it rather than destroy it.
The poetry in The Lord of the Rings consists of the poems and songs written by J. R. R. Tolkien, interspersed with the prose of his high fantasy novel of Middle-earth, The Lord of the Rings. The book contains over 60 pieces of verse of many kinds; some poems related to the book were published separately. Seven of Tolkien's songs, all but one from The Lord of the Rings, were made into a song-cycle, The Road Goes Ever On, set to music by Donald Swann. All the poems in The Lord of the Rings were set to music and published on CDs by The Tolkien Ensemble.
The Song of Eärendil is the longest poem in The Lord of the Rings. In the fiction, it is sung and composed by the Hobbit Bilbo Baggins in the Elvish sanctuary of Rivendell. It tells how the mariner Eärendil tries to sail to a place of paradise, and acquires a Silmaril, a prized sun-jewel. Eventually he and his ship are set in the heavens to sail forever as the light of the Morning Star.
The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally inspired by his books.
J. R. R. Tolkien, a devout Roman Catholic, embodied Christianity in his legendarium, including The Lord of the Rings. Light is a prominent motif in Christianity: it is the first thing created by God in the Book of Genesis, it symbolizes God's grace and blessings elsewhere in the Old Testament, and it is closely associated with both Jesus and humanity itself in the Gospel of John in the New Testament.
