The concept of the language had appeared for the first time in the book Leviathan Wakes (2011), the first book in The Expanse series, published under the pen nameJames S. A. Corey that has been used by the collaborators Daniel Abraham and Ty Franck. Following that, Belter Creole continued to appear in the subsequent books in the series. The language presented in the books greatly varied from the one later developed by Nick Farmer. It lacked developed vocabulary as well as grammar, phonological, and orthographic systems. It was a mix of words taken from various languages and was mostly presented as a dialect mixed in the English dialogue,[2] "to give the reader a sense of being excluded from this culture".[4]
The vocabulary used in the books was chosen by the authors on the basis of aesthetics and was not originally intended to form a real language. As the language was later developed for The Expanse television series, novel writers had discouraged fans from learning their version of the language in favor of the television one.[5]
Nick Farmer, a linguist and a polyglot, was commissioned to develop the constructed language for the television series, during the production of its first season between 2014 and 2015. Farmer was recommended for the job by Ty Franck, a co-author of the series of books that the TV series was based on, as both had worked together before.[1][6]
Inside the universe of The Expanse, which is set around 200 years in the future,[2] the language is used by Belters, the inhabitants of the asteroid belt and the moons of outer planets of the Solar System. The language had developed during the colonization of the Asteroid Belt, firstly starting as the pidgin spoken by people who came to the colonies from Earth speaking in various languages from all around the world. With next generations, the language had developed into the creole.[1] The language had various dialects and accents, that would vary from one location to another. According to Farmer, the vocabulary and grammar rules, present in the show, and revealed by the author himself, were a dialect used on Ceres.[7]
The pronunciation of the language was developed by Nick Farmer and Eric Armstrong, a dialect coach. During development, they came to the conclusion that the language's pronunciation and tone had become too similar to that of Jamaican English. As a result, Armstrong suggested that Farmer make various modifications to the phonological, morphological, and lexicological characteristics, such that the language's overall sound gave an impression that it derived via an amalgamation of several existent languages and cultures of a near-future, homogeneous working-class population. They accomplished this goal by fusing together various elements of multiple real-world cants, dialects, and accents to form distinct types of Belter drawls or sounds and then encouraged the actors to choose one which fit their character. Additionally, the producers were advised to deliberately create a cast of actors and actresses who spoke in varying accent types so as to illustrate real-world concepts observed in societies and cultures where creole and pidgin languages are spoken.[2][3] For example, in Season 3, actors Dominique Tipper and Cara Gee would introduce to the show the concepts of code switching and English spoken as a second language as paradigms of Belter Creole and culture.[8]
The show's producers had emphasized that they did not want to use subtitles for Lang Belta, but rather wanted the audience to be capable of dialogue comprehension via recognizable phonological similarities to English words/phrases and contextual inference. Due to that, for most of its appearances, the language was presented only as various words mixed in the English dialogue. During the show production, Farmer would always make three versions of the lines for the script, one entirely in the Belter, one with medium Belter influence, and one with light usage of the Belter. Then, actors would learn and shoot all three variants of the scenes, and later the producers would choose which version they wanted to use.[2][3]
The language had appeared for the first time in "Dulcinea", the pilot episode of The Expanse, that premiered in 2015, and regularly appeared in the show throughout its six seasons.[9] Since the production of the pilot, loopingvoice actors were taught belter language by Armstrong.[10]
As the language gained popularity, Nick Farmer had started regularly revealing new words and grammar functions on his Twitter account.[2] He also had given language lessons to the fans during meet-ups.[11]
Phonology
Orthography and pronunciation
According to the creator of the language, Nick Farmer, in the universe of The Expanse there's no standardized orthography of the language; variants are used in different parts of the asteroid belt and the outer planets.[12] Additionally, although all of Farmer's posts, and all the appearances of the language in written form in the TV series, are written in the Latin script, according to Farmer Belter Creole can also be written with other writing systems.[13]
The standard alphabet used by Nick Farmer to write down Belter Creole in the TV series script and his Twitter posts includes 24 letters of the Latin script. The letters are:
Additionally, Farmer's script includes five digraphs, ⟨ch⟩, ⟨ng⟩, ⟨ny⟩, ⟨ow⟩, and ⟨sh⟩, as well as one trigraph, ⟨dzh⟩. Letters ⟨c⟩ and ⟨h⟩ are present only in the digraphs ⟨ch⟩ and ⟨sh⟩, and in trigraph ⟨dzh⟩, while ⟨j⟩ and ⟨q⟩ are present only in the loanwords. As an exception, the letter ⟨c⟩ is sometimes used in place of ⟨k⟩, for example in words such as copeng ("friend") and condenashang ("condemnation"), which usually are spelled, respectively, as kopeng and kondenashang.
Farmer also uses the turned alpha (capital: ⟨Ɒ⟩, lowercase: ⟨ɒ⟩) as an alternative spelling of the digraph ⟨ow⟩, which is used to represent the open back rounded vowel sound. For example, the alternative spelling of the word owkwa ("water") would be ɒkwa.[14]
The acute accent placed above the letters ⟨a⟩, ⟨e⟩, ⟨o⟩ and ⟨u⟩ is used to indicate different than usual stress in the word pronunciation.[17] Example of such are ⟨á⟩ in ámolof (/'æmo.lof/) which means love, ⟨é⟩ in idzhifobék (/id͡ʒi.fo'bek/) which means weak, ⟨ó⟩ in belówt (/be'lɒt/) which means blood, and ⟨ú⟩ in gútegow (/'gut.te.gɒ/) which means ready.
When forming compounds, epenthetic vowels are sometimes added to the words. Such vowels are ⟨a⟩ and, less commonly, ⟨e⟩. Examples of such changes are:
bek + da + bush → bekedabúsh
na + kang + pensa → nakangepensa
tung + ting → túngeting
im + lowda → imalowda
Consonants at the morpheme boundary can be also elided instead. Examples of such changes are:
kowl + mang → kowmang
zakong + mang → zákomang
Stress
In most cases the primary stress falls on the penultimate syllable of a word. For example, in:
showxa (/'ʃɒ.xæ/)
seteshang (/se'te.ʃæŋ/)
gufovedi (/gu.fo've.di/)
If the stress for a particular word is on a different syllable, this is indicated with an addition of the acute accent above the letters ⟨a⟩, ⟨e⟩, ⟨o⟩ and ⟨u⟩. Examples of such words are:
ámolof (/'æ.mo.lof/)
idzhifobék (/id͡ʒi.fo'bek/)
belówt (/be'lɒt/)
When forming compound words, the stress often remains on the head of the compound, which sometimes requires the addition of an accent mark:
zakong (/'za.koŋ/) → zákomang (/'zako.mæŋ/)
gut (/gut/) → gútegow (/'gut.t.egɒ/)
tung (/tuŋ/) → túngeting (/'tuŋ.e.tiŋ/)
Grammar
Nouns and adjectives
Nouns are not inflected for grammatical number. For example, mang can mean both a person and people. The quantity is instead determined by the presence of quantifiers or numerals, or inferred from context. For example wang mang means one person and tu mang means two people. The exceptions are the pronouns, which have both singular and plural forms.[18]
Adjectives are placed after the nouns they modify, for example in setara mali, which means little star.
Nouns can also serve as adjectives, and so follow the nouns they modify. For example, diye beref, which means birthday, is formed from the words diye, meaning day, and beref, meaning birth.
Verbs
Many verbs can be formed from nouns by adding du, meaning do and make, before of the noun. For example, adding du before the noun ámolof, which translates to the noun love, will form du ámolof, which translates to the verb love. Additionally, in a few cases, adding the prefix du- to a verb can change its meaning. For example, adding it to the verb sensa, which means feel, produces du-sensa, which means apologize.
Articles
Belter Creole has two articles: indefinite wa, corresponding to English a and an, and definite da, corresponding to English the.[19][20]
The indefinite article wa is used to mark an indefinite noun phrase. A noun phrase with an indefinite article does not refer to a specific entity. For example, the sentence Tenye wa diye beref gut. means Have a happy birthday.[19]
The definite article da is used to mark a definite noun phrase.[20] A noun phrase with a definite article refers to a particular member of a group. For example, the sentence Kepelésh da seteshang? means Where is the station?. When a noun is marked with da, any attributive nouns or adjectives applied to that noun must also be so marked. For example, da setara da mali means the little star.[21] The definite article is also sometimes used before a person's name, for example da Naomi for the name Naomi.[22]
Pronouns
The language has two sets of three pronouns, each having singular and plural forms. All pronouns in Belter are gender-neutral. Plural pronouns are formed by adding the suffix -lowda to singular pronouns.
The language has three basic tenses which are the past, the present, and the future. Sentences without tense indicators are in the present tense. For example: mi showxa, which means I speak. The past tense is indicated by adding ta after the pronoun. For example: mi ta showxa, which means I spoke. The future tense is indicated by adding gonya after the pronoun. For example: mi gonya showxa, which means I will speak.[23][24][25]
It also has three grammatical aspects, which are the continuous, the habitual, and the perfective.[23] The continuous aspect specifies incomplete action or state in progress at a specific time. It is indicated by adding ando after the pronoun. For example: mi ando showxa, which means I am speaking.[23] The habitual aspect specifies an action as occurring habitually. It is indicated by adding tili after the pronoun. For example: mi tili showxa, which means I regularly speak.[24] The perfective aspect specifies an action viewed as a simple whole. It is indicated by adding finyish after the pronoun. For example, mi finyish showxa, which means I have spoken, and mi ta finyish showxa which means I had spoken.[25]
When indicators of both tense and aspect are present in the sentence, the tense indicator is put before the aspect's one. For example: mi ta ando showxa, which means, I was speaking.[24]
Sentence structure
The sentence structure of Belter Creole is subject–verb–object, which means that the subject comes first, the verb second, and the object third. It also has the zero copula, the phenomenon in which the subject is joined to the predicate without overt marking of this relationship. For example, in the sentence: mi nadzhush, which means I am tired, but in the literal translation would mean I tired.
Forming questions
The questions are formed by adding the word ke at the end of the statement sentence. For example, the sentence "To showxa lang Belta", which means You speak Belter Creole, after transforming it into the "To showxa lang Belta, ke?", will mean "Do you speak Belter Creole?".
When asking a question on which both speakers agree, keyá, meaning isn't it, is used instead. For example, sentence "To showxa lang Belta, keyá?" means "You speak Belter Creole, don't you?".
The questions containing interrogatives do not require the addition of the word ke. These words are:
kemang = who
kepelésh = where
ketim = when
keting = what
kewe = how
kéweting = what kind/type
kéradzhang = why, for what reason
kédawang = which
kelowda = how many/much
An example of such sentence is "Kepelésh shapu to?" which means "Where's your hat?".
Numbers with values in both tens and ones are formed by combining ones number with tens number, and joining them with affix -un-. For example:
18 = et-un-teng ("eight and ten")
81 = wang-un-éteteng ("one and eight tens")
When forming a number with hundreds place, the hundreds number is placed at the beginning of the number, then followed by the one and ten numbers format. For example:
281 = túxanya wang-un-éteteng ("two hundred one and eight tens")
When used attributively, numbers come before the noun they count, for example in the sentence serí buk, which means three books.
Novel language
The concept of the language had appeared for the first time in the 2011 book Leviathan Wakes, published under the pen nameJames S. A. Corey, used by the collaborators Daniel Abraham and Ty Franck. Following that, Belter Creole had appeared in the next books from The Expanse series. The language presented in the books greatly varied from the one later developed by Nick Farmer. It lacked developed vocabulary as well as grammar, phonological and orthographic systems. It was a mix of words taken from various languages and was mostly presented as a dialect mixed in the English dialogue.[2] The vocabulary used in the books was chosen by authors on the basis of aesthetics and wasn't supposed to form a real language. The languages used as a basis of the language vocabulary include: English, Spanish, German, Portuguese, Estonian, Esperanto, French, Korean, Chinese, Hungarian, Japanese, Polish, Dutch, Arabic, Catalan, Italian, Serbo-Croatian, Russian, Turkish. Authors kept the original spellings of borrowed words or made a modified version of them. The language was inconsistent and on many occasions used different words for the same meaning. For example, words laa and la from Arabic لا (laa, meaning no), na from English nah and ne from Serbo-Croatian ne/не, all meant no, while both gato from Japanese ありがとう (arigatō) and aituma from Estonianaitäh meant thank you.
Tu run spin, pow, Schlauch tu way acima and ido. Go spinward to the tube station, which will take you back to the docks.
As the language was later developed for The Expanse television series, novel writers had discouraged fans from learning their version of the language in favor of the television one.[5] Though the novel and television versions of the language are meant to not be related, some words from the novel version appear in the television version, for example both novel sa-sa and television sasa mean to know.
In popular culture
A few songs were written in Belter Creole, which include covers of the "Tighten Up", "Highway Star", and "All by Myself", renamed to "I'm All Alone". The covers were commissioned for The Expanse television series and had their lyrics adjusted to fit the Expanse universe setting and rewritten in the mix of Belter Creole and English. The song respectively were used in the first and third seasons of the show, premiering in 2015 and 2018.[9][26] The full versions of the songs were later placed on The Collector's Edition version of the TV series soundtrack, which was realized on 13 December 2019.[27]
The cover of the "Highway Star", originally by Deep Purple, was performed by Cory Todd. Additionally, as the song was adjusted to the setting of the universe, the references to the car from the original song were replaced with the spaceship.[28] The cover of "All by Myself", originally by Eric Carmen, was renamed to "I'm All Alone", and performed by Ghian Wright. Both songs were used in the episode of the third season, titled "Delta-V", that had premiered in 2018.[26][27]
Additionally, the song "Seteshang Anderson" by The Moldy Filters, and written by Pirate, has lyrics written in Belter Creole. It was released on 13 April 2019. The song's melody was based on "The Chemical Worker's Song (Process Man)" by Great Big Sea. It focuses on the fictionalized difficulties of lives of Belter workers, under the regime of Earth and Mars, as well as the events of protests on the titular Anderson Station, which were featured in the 2011 science fiction short novel The Butcher of Anderson Station by James S. A. Corey, and later, in 2015 episode "Back to the Butcher" of The Expanse series.[29]
In January 2022, Twitter accounts of space agencies NASA and ESA posted in Belter Creole.[30][31][32][33]
Kowl mang fong beref im im ferí unte eka [...]. Imalowda pensa unte sensa we gut unte we mal. Unte im mogut fo manting du wit sif asilik beratna unte sésata.
Article 1 of the Universal Declaration of Human Rights in English:[34]
All human beings are born free and equal [...]. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
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Nick Farmer is an American science fiction writer and linguist based in Oakland, California, United States. He is a polyglot able to speak in 14 languages. He has created 3 constructed languages for science fiction television series: Belter Creole for The Expanse, and Trill and Barzan for Star Trek: Discovery.
1 2 "Sasa ke Belter Creole?". 2017-02-12. Daniel Abraham: "For serious students, I strongly recommend focusing on the Belter creole from Nick Farmer and not putting too much credence on the stuff in the books. Nick is a professional linguist with a deeply rooted understanding of the project. What we're doing in the book is less rigorous and done with a very different set of constraints and goals." BerserkHaggis: I was at your book signing/talk at Powell's Bookstore in Portland a couple years back right after Cibola Burn came out, (you two were amazing) and I asked about the thought process that went into the Belter Creole. Ty replied "We picked shit that sounded cool" and you said "Yup!":-D" Daniel Abraham: "WE could pretend otherwise, but....:)"
↑ Nick Farmer (26 May 2018). "Post". twitter.com. Belter doesn't have a standard orthography. It's reasonable to assume that in different parts of the Belt, it is written in the script most familiar to those speakers. Many Belters are trilingual+. Belter, English, and whatever their grandparents spoke.
↑ Nick Farmer (26 May 2018). "Post". twitter.com. So, you could write Belter in the Roman alphabet, or Cyrillic, Greek, Devanagari, Katakana, Chinese, Hebrew, Arabic, Hangul, Cherokee, whatever you'd like.
1 2 3 Nick Farmer. "Post". twitter.com. The only sound that can't be represented by the Roman alphabet with one character is the vowel "ow." On Twitter I've used the digraph, but sometimes on the show you'll see the symbol "ɒ," borrowed from the international phonetic alphabet.
↑ Nick Farmer (25 January 2016). "Post". twitter.com. every e in Belter is pronounced like é in French
↑ Nick Farmer (28 January 2016). "Post". twitter.com. Stress in #Belter is always on the penultimate syllable unless otherwise marked with an accent
↑ Nick Farmer. "Post". twitter.com. Nope, no pluralizer for nouns. Have to tell from context.
1 2 Nick Farmer (16 May 2017). "Post". tenye wa diye beref gut
1 2 Nick Farmer (10 March 2017). "Post". twitter.com. Dedawang = that. Da = the
↑ Nick Farmer (8 March 2016). "Post". twitter.com. Kowmang da setara da mali fo wamang.
↑ Nick Farmer (21 February 2016). "Post". twitter.com. In Belter, like Greek and Catalan, you need the definite article before a person's name
1 2 3 Nick Farmer (23 February 2017). "Post". twitter.com. ando is the continuous aspect marker (like the gerund). du just makes a noun into a verb
1 2 3 Nick Farmer (14 February 2017). "Post". twitter.com. habitual "tili" + tenye. Mi tenye kapawu = I have a ship. Mi tili tenye kapawu = I own a ship.
1 2 Nick Farmer (14 February 2016). "Post". twitter.com. finyish - perfective marker used to indicate the completion of an action
1 2 Ken Fink (director), Naren Shankar (writer), "Delta-V", The Expanse, May 23, 2018, Syfy
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