Farah Mendlesohn | |
---|---|
Born | Manchester, England | 27 July 1968
Occupation | Academic, writer |
Citizenship | United Kingdom |
Subject | Cultural history, science fiction |
Spouse |
Farah Jane Mendlesohn (born 27 July 1968) is a British academic historian, writer on speculative fiction, and active member of science fiction fandom. Mendlesohn is best-known for their 2008 book Rhetorics of Fantasy , which classifies fantasy literature into four modes based on how the fantastic enters the story. Their work as editor includes the Cambridge Companions to science fiction and fantasy, collaborations with Edward James. The science fiction volume won a Hugo Award. Mendlesohn is also known for books on the history of fantasy, including Children's Fantasy Literature: An Introduction , co-written with Michael Levy. It was the first work to trace the genre's 500-year history and won the World Fantasy Award.
Mendlesohn's academic positions have included a professorship at Anglia Ruskin University. They have served as editor and chair of the science fiction journal Foundation , and as the president of the International Association for the Fantastic in the Arts. In 2015, Mendlesohn received the SFRA 's Clareson award for distinguished service to the science fiction field.
Farah Jane Mendlesohn was born on 27 July 1968 in Manchester, England. [1] Mendlesohn received a D. Phil. in history from the University of York in 1997. [2] Mendlesohn's academic positions include a stint as reader in science fiction and fantasy literature in the media department at Middlesex University, and as professor and head of department in the department of English, communication, film and media at Anglia Ruskin University [3] from 2012 to 2017. [4] Mendlesohn joined Staffordshire University in November 2016 as professor and assistant dean in law, policing, forensics & sociology, [5] and is now an associate fellow of the Anglia Ruskin Centre for Science Fiction and Fantasy. [4]
Mendlesohn writes on the history of American religions and British and American science fiction and fantasy. Mendlesohn was the editor of Foundation - The International Review of Science Fiction from 2002 to 2007, and served as its chair from 2004. [1] They then served as president of the International Association for the Fantastic in the Arts from 2008 to 2010. Mendlesohn used to be reviews editor of Quaker Studies. [1]
Mendlesohn's best known work is the 2008 non-fiction book Rhetorics of Fantasy . [1] It proposes a classification of the fantasy genre using the manner in which the fantastic interacts with the real world. The four modes, or "rhetorics", Mendlesohn proposes are: portal-quest fantasy, where the protagonists travel from our world to a fantastical one; immersive fantasy, where only the fantastical world exists; intrusion fantasy, where the barriers between the fantasy and real worlds break down; and liminal fantasy, set in a world where certain elements are seen as irrational by the reader but are unquestioned by the characters. [6] [7]
In 2016 Mendlesohn wrote Children's Fantasy Literature: An Introduction with collaborator Michael Levy. The book traces the development of children's fantasy from the 16th to the 21st centuries, covering events such as the collection of folk tales, the impact of world wars, and the emergence of young adult fiction. [8] [9] It was the first work to blend the history of the fantasy and children's literature fields. [10]
In 2005, Mendlesohn won the Hugo Award for Best Related Work for The Cambridge Companion to Science Fiction, which edited with historian Edward James. James and Mendlesohn also edited The Cambridge Companion to Fantasy Literature, released in 2012, and wrote A Short History of Fantasy in 2009. [11] Mendlesohn's book Rhetorics of Fantasy won the BSFA award for best non-fiction book in 2009; the book was also nominated for Hugo and World Fantasy Awards. [11]
In 2010, Mendlesohn was nominated twice for the Best Related Work Hugo, for The Inter-Galactic Playground: A Critical Study of Children's and Teens' Science Fiction, and for On Joanna Russ. [11] They received the Science Fiction Research Association's Clareson award for distinguished service in 2015. [1]
In 2017, they won the World Fantasy Special Award—Professional for Children's Fantasy Literature: An Introduction. [11] Their critical biography of Robert Heinlein (see below) was nominated for the Best Related Work Hugo in 2020. It won the BSFA Award for non-fiction, [11] making them the only writer besides Paul Kincaid to win this award twice. [1]
Mendlesohn is an active volunteer member of the administration for science fiction conventions. Among other events, they co-chaired ConCussion, the 2006 Eastercon, with Simon Bradshaw; [12] and was director of program for Anticipation, the Montreal World Science Fiction Convention, in 2009; [13] Mendlesohn was on the convention committee of Loncon 3, the 72nd World Science Fiction Convention, but resigned as a protest over the announcement that Jonathan Ross was to be master of ceremonies for the presentation of the Hugo Awards; Mendlesohn remained division head for the convention's exhibits hall. [14]
In 2017, Mendlesohn announced that a critical study of Robert Heinlein was to be published by the crowdfunding publisher Unbound. [15] [16] As of October 2017 [update] the pledges had exceeded the target by 18%. The book was published in 2019, under the title The Pleasant Profession of Robert A. Heinlein.
Children's fantasy is children's literature with fantasy elements: fantasy intended for young readers. It may also mean fantasy read by children, regardless of the intended audience.
Zenna Chlarson Henderson was an American elementary school teacher and science fiction and fantasy author. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. Her work is cited as pre-feminist, often featuring middle-aged women, children, and their relationships, but with stereotyped gender roles. Many of her stories center around human aliens called "The People", who have special powers. Henderson was nominated for a Hugo Award in 1959 for her novelette Captivity. Science fiction authors Lois McMaster Bujold, Orson Scott Card, Connie Willis, Dale Bailey, and Kathy Tyers have cited her as an influence on their work.
The Mythopoeic Awards for literature and literary studies are given annually for outstanding works in the fields of myth, fantasy, and the scholarly study of these areas. Established by the Mythopoeic Society in 1971, the Mythopoeic Fantasy Award is given for "fiction in the spirit of the Inklings", and the Scholarship Award for non-fiction work. The award is a statuette of a seated lion, with a plaque on the base. It has drawn resemblance to, and is often called, the "Aslan".
Patricia Anne McKillip was an American author of fantasy and science fiction. She wrote predominantly standalone fantasy novels and has been called "one of the most accomplished prose stylists in the fantasy genre". Her work won many awards, including the World Fantasy Award for Lifetime Achievement in 2008.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern fantasy genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
Edward Frederick James is a British scholar of medieval history and science fiction. He is Emeritus Professor of Medieval History at University College, Dublin. James received the Hugo Award for his non-fiction book The Cambridge Companion to Science Fiction, and the Pilgrim Award for lifetime contribution to SF and fantasy scholarship.
Mythago Wood is a fantasy novel by British writer Robert Holdstock, published in the United Kingdom in 1984. Mythago Wood is set in Herefordshire, England, in and around a stand of ancient woodland, known as Ryhope Wood. The story involves the internally estranged members of the Huxley family, particularly Stephen Huxley, and his experiences with the enigmatic forest and its magical inhabitants. The conception began as a short story written for the 1979 Milford Writer's Workshop; a novella of the same name appeared in the September 1981 edition of The Magazine of Fantasy & Science Fiction.
Andrew M. Butler is a British academic who teaches film, media and cultural studies at Canterbury Christ Church University. He is a former editor of Vector, the critical journal of the British Science Fiction Association, and was membership secretary of the Science Fiction Foundation. He is a former Arthur C. Clarke Award judge and is now a member of the Serendip Foundation which administers the award.
Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
The IAFA William L. Crawford Fantasy Award is a literary award given to a writer whose first fantasy book was published during the preceding calendar year. It's one of several awards presented by the International Association for the Fantastic in the Arts (IAFA) and is presented at the International Conference of the Fantast in the Arts each March in Orlando.
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures.
Greer Ilene Gilman is an American author of fantasy stories.
A. Merritt's Fantasy Magazine was an American pulp magazine which published five issues from December 1949 to October 1950. It took its name from fantasy writer A. Merritt, who had died in 1943, and it aimed to capitalize on Merritt's popularity. It was published by Popular Publications, alternating months with Fantastic Novels, another title of theirs. It may have been edited by Mary Gnaedinger, who also edited Fantastic Novels and Famous Fantastic Mysteries. It was a companion to Famous Fantastic Mysteries, and like that magazine mostly reprinted science-fiction and fantasy classics from earlier decades.
This is a timeline of science fiction as a literary tradition. While the date of the start of science fiction is debated, this list includes a range of ancient, medieval, and Renaissance-era precursors and proto-science fiction as well, as long as these examples include typical science fiction themes and topoi such as travel to outer space and encounter with alien life-forms.
A time slip is a plot device in fantasy and science fiction in which a person, or group of people, seem to accidentally travel through time by unknown means, or by a means unknown to the character(s).
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Judith Clute is a Canadian painter, graphic designer, print-maker, and illustrator who has created cover art and illustrations for a number of well-known science fiction authors and magazines. Clute has British citizenship and works in London. She is also a tour guide with the Original London Walks.
Children's Fantasy Literature: An Introduction is a reference work by American author Michael Levy and British author Farah Mendlesohn, published in 2016 by Cambridge University Press. It follows the history of fantasy read by children over a period of 500 years. Events covered in the book include the collection of folk tales in the 16th century, the impact of world wars on British fantasy and the American response, and the emergence of modern children's and young adult fantasy.
Michael M. Levy was an American writer, critic and professor of English and philosophy at the University of Wisconsin–Stout. He was known for his scholarly contributions to speculative fiction and children's literature, and for his book reviews in a variety of literary magazines and journals. His work as author includes chapters in the Cambridge Companion and Routledge Companion to science fiction. Levy also wrote Children's Fantasy Literature: An Introduction, the first work on the 500-year history of the genre, in collaboration with Farah Mendlesohn.
The year 1950 was marked, in science fiction, by the following events.