Danel Olson

Last updated
Danel Olson
EducationB.A., English and Religion; M.A., English; PhD, English Studies [1]
Alma mater University of Stirling
Occupation College Professor
Years active1993–present [2]
Employer Lone Star College
Known forAnalyses of Monsters, Ghosts, Demons, Zombies, Video Games, Comics, Film, Fantasy, Gothic, and Terrorism in popular culture [3]
TitleProfessor of English and Film [4]

Danel Olson is an American editor and fiction anthologist, [5] video game analyst, [6] historian of comics and genre films/studios, [7] [8] and scholar of Gothic and terrorism literature. [9] [10] [11] His thirteen books have been finalists for the Bram Stoker Award thrice, [12] winning a Shirley Jackson Award [13] and World Fantasy Award twice. [14]

Contents

His film companion books are on William Friedkin, [15] Stanley Kubrick, [16] and Guillermo del Toro, [17] the latter of which was a collaboration with the director, and featured with del Toro's installation at the Los Angeles County Museum of Art, [18] Art Gallery of Ontario, [19] and Minneapolis Institute of Art entitled, "At Home with Monsters" [20] . His conversations with filmmaking inventors, including Garrett Brown and movie crews and actors from North America, South America, and Europe, appear in print journals, and magazines, books. Olson also routinely interviews assorted novelists and comics’ artists for print venues as both retrospectives and glimpses at new releases, including Richard Sala, Neil Gaiman, Nancy Collins, David Mitchell (author), Terry Dowling twice, Patrick McGrath (novelist) twice, and Joyce Carol Oates thrice. [21]

Education

He obtained his BA in Religion and English at St. Olaf College and MA in English at University of North Carolina-Chapel Hill, before earning his PhD in English on scholarship at University of Stirling, Scotland, in 2017. His dissertation was titled 9/11 Gothic: Trauma, Mourning and Spectrality in Novels from Don DeLillo, Jonathan Safran Foer, Lynne Sharon Schwartz, and Jess Walter . [22] Splitting his dissertation, he published it in two parts. The first became 9/11 Gothic: Decrypting Ghosts and Trauma in New York City’s Terrorism Novels (Lexington Books/Rowman and Littlefield, 2021). The second half released as Gothic War on Terror: Killing, Haunting, and PTSD in American Film, Fiction, and Video Games (Palgrave Macmillan/Springer Nature, 2022). The former volume was a 2022 finalist for the Bram Stoker Award for Nonfiction. [23]

Research

Film Studies

Olson compiles books and articles on landmark films (Rosemary’s Baby, The Exorcist (film), The Shining (film), The Devil's Backbone, Batman Begins, The Dark Knight, The Dark Knight Rises, The Batman (film), Pan’s Labyrinth, and Guillermo del Toro's Pinocchio), asking the movies’ cast, crew and film scholars why the films become iconic. [24] Introduced by Academy Award winners including Guillermo del Toro and Pixar’s Lee Unkrich, his film books’ structure and style of investigation-from-the-inside-out led to the volumes being called by The Washington Post “a major contribution to film studies and scholarship.” [8] On his collaborative book with Olson, Guillermo del Toro explained, “Sometimes I’m very pleased to find that people are reading the movies the way I consciously wrote them… Some of the essays are quite brilliant in terms of speaking about the movies in the context of social and historical war… examin[ing] tragic situations through a prism of childhood innocence and fear.” [25] Anna Taborka agrees with del Toro's characterization, and describes Olson's tome on The Exorcist and all its prequels and sequels (at date of printing) to be largely interested in "discovering more about the social, historical, political, [and] economic contexts in which those films were made." [26] Xavier Aldana Reyes’ sees the film studies as operating as dual roles (both general and scholarly): they are “companion” books with lots of interviews for “teachers and those fans who may be interested to find out more about their favourite director and two of his most significant films.” Yet Reyes’ finds that Olson’s more sophisticated reading and “guidance in his questions manages to also steer discussions towards more revealing aspects regarding the perceived psychology and motivations of well-loved characters.” [27] Michael Dirda argues that his film books gained notability by their uncommonly large size and completist ambitions. In “750 amazing pages, editor Danel Olson has assembled stills from the movie and casual photos from the set, … [and] an equal number of interviews with major cast members.” [8] Empire Magazine's Chris Hewitt maintains Olson's "series of interviews ... indispensable" with genre directors and collaborators. [28] Noted by reviewers for their recurring interest in and depiction of trauma, David Cowen contends that irony, surprise, and reveals are the key feature of the film studies: for instance, “as the interviews in Olson’s collection reveal, the makers of The Exorcist did not expect the public to be so affected.” [29] Laurent Vachaud maintains that Olson’s books are notable for their re-creation of the psychological tensions that exist on the set and in shooting locations that reflect how masterpieces come with conflict and pain, established by interviews with crew like The Shining’s cameraperson Ray Andrew, who was fired for refusing to work overtime without pay, and then was filmed by the Director’s daughter Vivian Kubrick as he walked in away shamed post-dismissal. [30] Other critics, including Steven Puchalaski, find the deep-dive approach make an insightful but "exhausting tome (a 50-page essay analyzing The Shining’s music? Good Grief!)". [31] Because of the “extensive” and “meticulous approach to information gathering” and “comprehensive recounting of every facet of the films,” Fangoria has named his film studies in their “Book of the Month” program. [32]

New Gothic Anthologies

Olson’s six anthologies of new stories from 2007 to 2013, Exotic Gothic, contain what critics charactered as the “New Gothic,” featuring over 120 international emerging and established authors charged to create neo-Gothic fiction. Exotic Gothic 3 became a Finalist for the World Fantasy Award, and Exotic Gothic 4 won the World Fantasy Award’s Best Anthology. Notable for featuring many authors whose stories became films that fought formula (from Camille DeAngelis, Adam Nevill, Sheri Holman, Nick Antosca, Stephen Susco, to Joyce Carol Oates), Lois Tilton of Locus magazine argued Olson's series compilation "rejects the romanticizing, the domestication of the traditional tropes: ... What we have here is very dark stuff ... disturbing ... really creepy." [33] Gail Brasie remarked on the wider gender representation of authors listed on the Exotic Gothic series' table of contents, and the equal number of male and female contributors in the final volume, because women “are often underrepresented in [other] anthology collections.” [34] Brasie also claimed that Exotic Gothic series stood out in the first part of the 21st Century because “there is very little of the ‘exotification’ of non-white or non-Western spaces and people; where there is, the characters engaging in this thinking are usually destroyed.” [35]

Later, Olson turned to collecting non-original fiction, [36] and curating the entire short-fiction oeuvre of a single author. As The Washington Post reports, Olson began compiling and editing “sumptuous hardcover editions of supernatural and fantasy classics. Writing Madness, for instance, gathers Patrick McGrath's "New Gothic" short stories, with an introduction by Joyce Carol Oates, artwork by Harry Brockway, and an afterword by scholar Danel Olson.” [37] Writing Madness went on to win the 2018 World Fantasy Award in the Professional Category, but before publication, Olson first asked the author if “he might consider housing all his papers at University of Stirling in Scotland” where the editor was undertaking a PhD. McGrath’s “immediate answer was to say Yes.” [38] Currently, the Patrick McGrath Archive at University of Stirling (established 2015) holds all the author's books of automatic writing, several drafts of his novels, rare photographs, research materials, a complete set of his first editions, and his comments upon screenplay adaptations of his works, consulted in forming Writing Madness. [39]

Neo-Gothic Canon

In attempt to establish a neo-Gothic canon, Olson conceived, compiled, and edited a volume of fifty-three original essays from international contributors of what he and they considered the canonical works. [40] The Washington Post concurred with many of the selections this library reference book 21st Century Gothic offered, arguing that it presents “the major works of this genre published in the past dozen years, including Peter Straub's A Dark Matter, Neil Gaiman's The Graveyard Book , James Lasdun's The Horned Man, Joe Hill's Heart-Shaped Box , Carlos Ruiz Zafón's The Shadow of the Wind , Cormac McCarthy's No Country For Old Men , Susannah Clarke's Jonathan Strange and Mr. Norrell , and Elizabeth Kostova's The Historian . These are fascinating books...” [41] Gail Brasie found that 21st Century Gothic inverts and reinvents theories on the neo-Gothic and the monstrous, setting “the relation behind those texts” of the “neo-gothic” canon, evolving an original idea that this writing is not just a “literary style” or “genre” but a “thematic framing.” [42]

9/11 Fiction Studies

Called by Anthony Magistrale “America’s guru of post-9/11 inspired Gothic art and popular culture,” [43] Olson’s formation and critical treatment of an emerging canon of post-9/11 terrorism literature relies on his original theory of the “Traumagothic.” Studies in the Novel characterizes this theory as one where fictive or cinematic characters express their verbally “unrepresentable” trauma through a disguised but coherent system of occult, supernatural, or morbid symbols. Olson records and categorizes their sighting of missing persons, doppelgangers, grotesque violence, ghosts, and the sublime, or their imagining of sex, madness, disrupted time, and the uncanny during the War on Terror, and translates it to a language. [44] Caitlin Simmons credited his theory as “the first of what will hope fully become many investigations of the link between trauma studies and 9/11 literary culture.” [45] An early critic to diagram Olson’s linkages of terrorism/war to the outlines of Gothic nightmare, Lingling Xu drew attention to this theorist’s tendency to designate that Joyce Carol Oates’ Iraq War novel Carthage “be read as a Gothic novel. Olson demonstrates that the prison that incarcerates [antihero] Brett Kincaid bears a striking resemblance to a Gothic edifice, and Kincaid in conjunction with the Mayfield sisters form a trinity within the framework of a Gothic fairy tale. Concealed transgressions and lingering remorse give rise to a resurgence of the suppressed, while clandestine misdeeds and sins of omission operate in a manner that engenders apparitions … inherent in the realm of Gothic literature.” [46] Johan Anders Höglund compares Olson’s re-interpretation of the symbolic meanings of the American Gothic to a new language “articulating an era of grief, guilt, and conflict, from the ruins of the Twin Towers to the atrocities of Abu Ghraib.” [47]

Selected Publications

Edited Anthologies

Edited Literary and Film Criticism Anthologies

Sole-Authored Critical Studies

Related Research Articles

<span class="mw-page-title-main">Bram Stoker</span> Irish author (1847–1912)

Abraham "Bram" Stoker was an Irish author who is best known for writing the 1897 Gothic horror novel Dracula. During his life, he was better known as the personal assistant of actor Sir Henry Irving and business manager of the West End's Lyceum Theatre, which Irving owned.

<i>Dracula</i> 1897 novel by Bram Stoker

Dracula is a 1897 Gothic horror novel by Irish author Bram Stoker. An epistolary novel and a classic of English literature, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist and opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, investigate and hunt the vampire.

<span class="mw-page-title-main">Horror fiction</span> Literary genre

Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.

<i>Bram Stokers Dracula</i> (1992 film) Film directed by Francis Ford Coppola

Bram Stoker's Dracula is a 1992 American gothic horror film produced and directed by Francis Ford Coppola and written by James V. Hart, based on the 1897 novel Dracula by Bram Stoker. The film stars Gary Oldman, Winona Ryder, Anthony Hopkins, and Keanu Reeves, with Richard E. Grant, Cary Elwes, Billy Campbell, Sadie Frost, and Tom Waits in supporting roles. Set in 19th-century England and Romania, it follows the eponymous vampire (Oldman), who falls in love with Mina Murray (Ryder), the fiancée of his solicitor Jonathan Harker (Reeves). When Dracula begins terrorizing Mina's friends, Professor Abraham Van Helsing (Hopkins), an expert in vampirism, is summoned to bring an end to his reign of terror. Its closing credits theme "Love Song for a Vampire", was written and performed by Annie Lennox.

<span class="mw-page-title-main">Southern Gothic</span> Subgenre of Gothic fiction

Southern Gothic is an artistic subgenre of fiction, music, film, theatre, and television that are heavily influenced by Gothic elements and the American South. Common themes of Southern Gothic include storytelling of deeply flawed, disturbing, or eccentric characters sometimes suffering from physical deformities or insanity; decayed or derelict settings and grotesque situations; and sinister events bred from poverty, alienation, crime, violence, forbidden sexuality, or hoodoo magic.

PS Publishing is an independent book publisher based in Hornsea, UK.

Christopher Robert Fowler was an English writer. While working in the British film industry he authored fifty novels and short story collections, including the Bryant & May mysteries, which record the adventures of two Golden Age detectives in modern-day London. He also wrote a psychological thriller, Little Boy Found, under the pseudonym L.K. Fox. His other works include screenplays, video games, graphic novels, audio and stage plays.

<span class="mw-page-title-main">Guillermo del Toro</span> Mexican filmmaker (born 1964)

Guillermo del Toro Gómez is a Mexican filmmaker, author, and artist. His work has been characterized by a strong connection to fairy tales, gothicism and horror often blending the genres, with an effort to infuse visual or poetic beauty in the grotesque. He has had a lifelong fascination with monsters, which he considers symbols of great power. Known for pioneering dark fantasy in the film industry and for his use of insectile and religious imagery, his themes of Catholicism, and celebrating imperfection, underworld motifs, practical special effects, and dominant amber lighting.

<span class="mw-page-title-main">Patrick McGrath (novelist)</span> British novelist (born 1950)

Patrick McGrath is a British novelist, whose work has been categorised as gothic fiction.

Stephen Dedman is an Australian writer of dark fantasy and science fiction stories and novels.

<span class="mw-page-title-main">Stephen Graham Jones</span> Native American fiction author

Stephen Graham Jones is a Blackfeet Native American author of experimental fiction, horror fiction, crime fiction, and science fiction. His works include the horror novels The Only Good Indians, My Heart Is a Chainsaw, and Night of the Mannequins.

<span class="mw-page-title-main">Lucy Taylor</span> American horror novel writer (born 1950)

Lucy Taylor is an American horror novel writer. Her novel, The Safety of Unknown Cities was awarded the Bram Stoker Award for Best First Novel and the International Horror Guild Award for Best First Novel in 1995, and the Deathrealm Award for Best Novel in 1996. Her collection The Flesh Artist was nominated for the Bram Stoker Award in 1994.

David Wellington is an American writer of horror fiction, best known for his Zombie trilogy. He also writes science fiction as D. Nolan Clark.

"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).

Del Howison is an American horror author, editor and actor.

Rick Hautala was an American speculative fiction and horror writer. He graduated from the University of Maine in 1974, where he received a Master of Art in English Literature. Hautala arrived on the horror scene in 1980 with several of his early novels published by Zebra books. He wrote and published over 90 novels and short stories since the early 1980s. A number of his books have been translated to other languages and sold internationally. Cold Whisper, published in October, 1991 by Zebra Books, Inc. was also published in Finnish as Haamu by Werner Söderström, Helsinki, Finland, in August, 1994. Toward the end of his life, many of his works were published with specialty press and small press publishers like Cemetery Dance Publications and Dark Harvest. His novel The Wildman (2008), was chosen to be Full Moon Press' debut limited edition title.

<span class="mw-page-title-main">David J. Skal</span> American cultural critic (1952–2024)

David John Skal was an American cultural historian, critic, writer, and on-camera commentator known for his research and analysis of horror films, horror history and horror culture.

Tunku Halim bin Tunku Abdullah is a Malaysian novelist, short story, non-fiction writer and lawyer.

Exotic Gothic is an anthology series of original short fiction and novel excerpts in the gothic, horror and fantasy genres. A recipient of a World Fantasy Award and a Shirley Jackson Award, it is conceptualized and edited by Danel Olson, a professor of English at Lone Star College in Texas.

Centipede Press is an American independent book and periodical publisher focusing on horror, weird tales, crime narratives, science fiction, gothic novels, fantasy art, and studies of literature, music and film. Its earliest imprints were Cocytus Press and Millipede Press.

References

  1. ↑ "Danel Olson, Lone Star College System, English, Faculty Member". Academia.edu. Academia.
  2. ↑ "Professor Danel Olson". Faculty Vitae. Lone Star College. Retrieved 5 January 2025.
  3. ↑ Magistrale, Tony, and Michael J. Blouin (2021). About the Contributors. Violence in the Films of Stephen King: Rowman & Littlefield. pp. 216–217. ISBN   978-1793635792.{{cite book}}: CS1 maint: multiple names: authors list (link)
  4. ↑ Foley, Matt, and Rebecca Duncan (2020). Notes on Contributors. Patrick McGrath and His Worlds: Madness and the Transnational Gothic: Routledge/Taylor & Francis. p. 176. ISBN   978-1138311190.{{cite book}}: CS1 maint: multiple names: authors list (link)
  5. ↑ "Summary Bibliography: Danel Olson". International Speculative Fiction Database. Retrieved 5 January 2025.
  6. ↑ Oates, Joyce Carol (2022). On _Gothic War on Terror: Killing, Haunting, and PTSD in American Film, Fiction, Comics, and Video Games_. Palgrave Gothic. Springer Nature. doi:10.1007/978-3-031-17016-4. ISBN   978-3-031-17015-7 . Retrieved 5 January 2025.{{cite book}}: |website= ignored (help)
  7. ↑ Pulliam, June (2014). About the Editors and Contributors. Encyclopedia of the Zombie: The Walking Dead in Popular Culture and Myth: Greenwood. p. 361. ISBN   978-1440803888.
  8. 1 2 3 Dirda, Michael (2 July 2015). "Summer's Hidden Gems (_The Shining_ et al.)". The Washington Post.
  9. ↑ Dirda, Michael (27 April 2011). "BookWorld". The Washington Post.
  10. ↑ Hysell, Shannon Graff (2012). "Review: _21st Century Gothic_ by Danel Olson." (1st ed.). American Reference Books Annual: Libraries Unlimited. ISBN   978-1610691512.
  11. ↑ Datlow, Ellen (2022). Summation 2021: Nonfiction. The Best Horror of the Year, Volume 14: Night Shade Books/Skyhorse Publishing. ISBN   978-1949102673.{{cite book}}: CS1 maint: location (link)
  12. ↑ ""Bram Stoker Awards: Olson, Danel"". Bram Stoker Awards. Horror Writers Association. Retrieved 3 January 2025.
  13. ↑ ""2012 Shirley Jackson Awards Winners"". Shirley Jackson Awards. The Shirley Jackson Awards. Retrieved 26 December 2024.
  14. ↑ "Winners". World Fantasy Convention. Retrieved 5 January 2025.
  15. ↑ Datlow, Ellen (2012). Summation 2011: Nonfiction. The Best Horror of the Year, Volume 4: Night Shade Books/Skyhorse Publishing. p. XLVI. ISBN   978-1597803991.{{cite book}}: CS1 maint: location (link)
  16. ↑ Ní Fhlainn, Sorcha (April 2017). "_The Shining: Studies in the Horror Film_ by Danel Olson". Horror Studies. 8 (1): 165–170.
  17. ↑ Alexander, Dave (July 2016). "Beyond the Walls of Bleak". Rue Morgue (168): 24–29.
  18. ↑ Alexander, Dave (July 2016). "A Door to del Toro: Los Angeles County Museum of Art Curator Britt Salveson Takes Us Deeper Into 'At Home with Monsters'". Rue Morgue (168): 25.
  19. ↑ Snellings, April (July 2016). "Rev. of _Guillermo del Toro's The Devil's Backbone and Pan's Labyrinth: Studies in the Horror Film_". Rue Morgue (168): 28.
  20. ↑ Pehrson, Kate (May 2017). "Writing Madness with Danel Olson: Minnesota Native Is a True Scholar for All Those Stories That Give Us Chills". Southern Minn Scene.
  21. ↑ "Summary Bibliography: Danel Olson". International Speculative Fiction Database. Retrieved 5 January 2025.
  22. ↑ Olson, Danel (October 2016). "STORRE: Stirling Online Research Repository". University of Stirling, Scotland. Retrieved 5 January 2025.
  23. ↑ ""Bram Stoker Awards: Olson, Danel"". Bram Stoker Awards. Horror Writers Association. Retrieved 3 January 2025.
  24. ↑ Subissati, Andrea (July 2015). "Overlook'd No More: Danel Olson Takes Us Back to the Movie That Never Left Our Nightmares". Rue Morgue (157): 34.
  25. ↑ del Toro, Guillermo, and Gerry Gallo (September–October 2016). "_At Home with Monsters_ and _Studies in the Horror Film_". Famous Monsters of Filmland (287): 8.{{cite journal}}: CS1 maint: multiple names: authors list (link)
  26. ↑ Taborska, Anna (2012). "Book Review: Danel Olson's _The Exorcist: Studies in the Horror Film_". Screem Magazine (24): 46–47.
  27. ↑ Reyes, Xaver Aldana (November 2018). "Rev. of _Guillermo del Toro's The Devil's Backbone and Pan's Labyrinth: Studies in the Horror Film_". Gothic Studies (From Manchester University Press). 20 (1–2): 382–383.
  28. ↑ Hewitt, Chris (July 2016). "Guillermo del Toro's _The Devil's Backbone_ and _Pan's Labyrinth_: Studies in the Horror Film". Empire: 143.
  29. ↑ Cowen, David (2011). "_The Exorcist_: Studies in the Horror Film". Cineaction. 86: 52–53.
  30. ↑ Vachaud, Laurent (June 2016). "Notes de Lecture: Stanley Kubrick's _The Shining_: Studies in the Horror Film". Positif: 72-73.
  31. ↑ Puchalaski, Steven (2015). "Shocking Books". Shock Cinema (49): 46.
  32. ↑ Jackson, Camilla (2011). "Book of the Month: Stanley Kubrick's _The Shining_: Studies in the Horror Film". Fangoria (341): 5.
  33. ↑ Tilton, Lois (15 July 2012). "Lois Tilton Reviews Short Fiction". LOCUS: The Magazine of the Science Fiction & Fantasy Field. Retrieved 5 January 2025.
  34. ↑ Brasie, Gail (2014). "Exotic Gothic 4; Exotic Gothic 5, Vols. I & II". Gothic Beauty (45): 11.
  35. ↑ Brasie, Gail (2014). "Exotic Gothic 4; Exotic Gothic 5, Vols. I & II". Gothic Beauty (45): 11.
  36. ↑ Datlow, Ellen (2018). Summation 2017. The Best Horror of the Year, Volume 10: Night Shade Books/Skyhorse Publishing. pp. xxxii–xxxiii. ISBN   978-1510716674.{{cite book}}: CS1 maint: location (link)
  37. ↑ Dirda, Michael (5 July 2017). "Hot off the Presses: Small Publishers That'll Brighten Your Summer Reading". The Washington Post.
  38. ↑ McGrath, Patrick (2017). Writing Madness: The Collected Short Fiction of Patrick McGrath. Centipede Press. ISBN   978-1613471944.
  39. ↑ ""Patrick McGrath, Doctor of the University of Stirling". Culture on Campus. University of Stirling, Scotland. Retrieved 5 January 2025.
  40. ↑ The Gothic Imagination. "Rev. of _21st-Century Gothic Great Gothic Novels Since 2000_". Rowman & Littlefield.
  41. ↑ Dirda, Michael (27 April 2011). "BookWorld". The Washington Post.
  42. ↑ Braise, Gail (2012). "_21st-Century Gothic: Great Gothic Novels Since 2000_". Gothic Beauty (38): 12.
  43. ↑ Magistrale, Anthony (2022). Rev. of _Gothic War on Terror_. Palgrave Gothic. Springer Nature. doi:10.1007/978-3-031-17016-4. ISBN   978-3-031-17015-7 . Retrieved 5 January 2025.{{cite book}}: |website= ignored (help)
  44. ↑ Simmons, Caitlin (Summer 2023). "_9/11 Gothic: Decrypting Ghosts and Trauma in New York City's Terrorism Novels_ by Danel Olson (review)". Studies in the Novel (Johns Hopkins University). 55 (2): 246–248. doi:10.1353/sdn.2023.a899468.
  45. ↑ Simmons, Caitlin (Summer 2023). "_9/11 Gothic: Decrypting Ghosts and Trauma in New York City's Terrorism Novels_ by Danel Olson (review)". Studies in the Novel (Johns Hopkins University). 55 (2): 246–248. doi:10.1353/sdn.2023.a899468.
  46. ↑ Xu, Lingling (December 2023). "Trauma, Recovery and the Phantoms of History in Oates' _Carthage_". Art and Society. 2 (6): 62–68. doi:10.56397/AS.2023.12.08.
  47. ↑ Höglund, Johan Anders (2022). Review of _Gothic War on Terror_. Palgrave Gothic. Springer Nature. doi:10.1007/978-3-031-17016-4. ISBN   978-3-031-17015-7 . Retrieved 5 January 2025.{{cite book}}: |website= ignored (help)


This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.