This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.[1]
The poet John Dryden's categories of translation have influenced how scholars discuss variation between translations and adaptations.[2] In the Preface to Ovid's Epistles (1680) Dryden proposed three different types of translation:
metaphrase [...] or turning an author word for word, and line by line, from one language into another; paraphrase [...] or translation with latitude, where the author is kept in view by the translator so as never to be lost, but his words are not so strictly followed as his sense, and that, too, is admitted to be amplified but not altered; and imitation [...] where the translator – if he has not lost that name – assumes the liberty not only to vary from the words and sense, but to forsake them both as he sees occasion; and taking only some general hints from the original, to run division on the ground-work, as he pleases.[2]
The works listed below may fall into more than one of Dryden's categories, but works that are essentially direct translations are listed here. Versions of other kinds that take more "latitude" are listed at List of adaptations of Beowulf.
There are hundreds of translations or near-translations of Beowulf, and more are added each year, so a complete list may well be unattainable. Listed here are the major versions discussed by scholars, along with the first versions in different languages.
A literal approach, somewhat archaic; smoother and more uniform than Kemble.[11] "One of the most enduringly popular of all translations of the poem".[5][12]
1910
The tale of Beowulf sometime King of the folk of the Weder Geats
"Genuinely foreignizing ... medievalizes" in a distinctive style, with "breaking rhythms and irregular syntax ... an insistently archaizing diction and a striking literalism to produce a defamiliarizing effect".[13]
1910
Beowulf
Gummere, Francis B.
New York
The Collier Press
Verse
The Harvard Classics, Charles W. Eliot, (Ed.)
1910
Beowulf
Sedgefield, Walter John
Manchester
University of Manchester
Prose
Not exactly a translation. Annotated text and long glossary
1913
The Story of Beowulf
Kirtlan, Ernest John Brigham
London
C. H. Kelly
Prose
Decorated and designed by Frederick Lawrence.
1914
Beowulf. A Metrical Translation into Modern English
Based on Klaeber's text; "of special significance in its own right but also as the beginning of translation of Beowulf into a genuinely modern poetic idiom, leading the way for many later followers down to and beyond Seamus Heaney".[15]
imitates original's poetic form as closely as possible, with alliterative half-lines; seven prose sections interrupt the translation, instead of using footnotes[22]
Arner, Timothy D.; Eva Dawson; Emily Johnson; Jeanette Miller; Logan Shearer; Aniela Wendt; Kate Whitman
Grinnell, Iowa
Grinnell College Press
Verse
Illustrated translation and teaching edition.[24][25]
2013
Beowulf
Purvis, Meghan
London
Penned in the Margins
Verse
A collection of connected poems, or read as one long poem. "The Collar" won The Times Stephen Spender Prize for poetry in translation, 2011[26] and the collection was Poetry Book Society recommended translation, Summer 2013.[27]
Translated 1920–1926, edited by Christopher Tolkien, published posthumously with "Sellic Spell", a version reconstructed as an Anglo-Saxon folktale, i.e. without the heroic elements
De Danorum rebus gestis secul. III & IV. Poema danicum dialecto anglo-saxonica. Ex bibliotheca Cottoniana Musaei britannici edidit versione lat. et indicibus auxit Grim. Johnson Thorkelin.
First and only translation in Romanian. Using alliteration and triple meters, as they are considered closer to the heroic tradition in the target literature.
1982
Beovulf: Staroengleski junački spev i odlomci iz junačkih pesama
Kovačević, Ivanka
Belgrade
Narodna knjiga
Serbian
Prose
With translations of "The Fight at Finnsburg", "Widsith", "Exodus", "The Battle of Brunanburh", "The Battle of Maldon"
1986
Beowulf: Részletek
Képes, Júlia; Weöres Sándor; András T. László
Budapest
Európa Könyvkiadó
Hungarian
Verse, alliterative
Excerpts (10 pages).
1990
Beowulf: anglosaksi eepos
Sepp, Rein
Tallinn
Eesti Raamat
Estonian
Verse
imitates original's poetic form as closely as possible, with half-lines
Beowulf is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature. The date of composition is a matter of contention among scholars; the only certain dating is for the manuscript, which was produced between 975 and 1025 AD. Scholars call the anonymous author the "Beowulf poet". The story is set in pagan Scandinavia in the 5th and 6th centuries. Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall Heorot has been under attack by the monster Grendel for twelve years. After Beowulf slays him, Grendel's mother takes revenge and is in turn defeated. Victorious, Beowulf goes home to Geatland and becomes king of the Geats. Fifty years later, Beowulf defeats a dragon, but is mortally wounded in the battle. After his death, his attendants cremate his body and erect a barrow on a headland in his memory.
Quintus Horatius Flaccus, commonly known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintilian regarded his Odes as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."
Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work Cædmon's Hymn is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the Ecclesiastical History of the English People. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature.
John Dryden was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate.
Aratus was a Greek didactic poet. His major extant work is his hexameter poem Phenomena, the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus. It describes the constellations and other celestial phenomena. The second half is called the Diosemeia, and is chiefly about weather lore. Although Aratus was somewhat ignorant of Greek astronomy, his poem was very popular in the Greek and Roman world, as is proven by the large number of commentaries and Latin translations, some of which survive.
Thomas Rymer was an English poet, literary critic, antiquary and historiographer.
Thomas Creech was an English translator of classical works, and headmaster of Sherborne School. Creech translated Lucretius into verse in 1682, for which he received a Fellowship at Oxford. He also produced English versions of Manilius, Horace, Theocritus, and other classics.
Burton Nathan Raffel was an American writer, translator, poet and professor. He is best known for his vigorous translation of Beowulf, still widely used in universities, colleges and high schools. Other important translations include Miguel de Cervantes' Don Quixote, Poems and Prose from the Old English, The Voice of the Night: Complete Poetry and Prose of Chairil Anwar, The Essential Horace, Rabelais' Gargantua and Pantagruel and Dante's The Divine Comedy.
Eloisa to Abelard is a verse epistle by Alexander Pope that was published in 1717 and based on a well-known medieval story. Itself an imitation of a Latin poetic genre, its immediate fame resulted in a large number of English imitations throughout the rest of the century and other poems more loosely based on its themes thereafter. Translations of varying levels of faithfulness appeared across Europe, starting in the 1750s and reaching a peak towards the end of the 18th century and the start of the 19th. These were in the vanguard of the shift away from Classicism and towards the primacy given emotion over reason that heralded Romanticism. Artistic depictions of the poem's themes were often reproduced as prints illustrating the poem; there were also paintings in France of the women readers of the amorous correspondence between the lovers.
The Heroides, or Epistulae Heroidum, is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines of Greek and Roman mythology in address to their heroic lovers who have in some way mistreated, neglected, or abandoned them. A further set of six poems, widely known as the Double Heroides and numbered 16 to 21 in modern scholarly editions, follows these individual letters and presents three separate exchanges of paired epistles: one each from a heroic lover to his absent beloved and from the heroine in return.
Fables, Ancient and Modern is a collection of translations of classical and medieval poetry by John Dryden interspersed with some of his own works. Published in March 1700, it was his last and one of his greatest works. Dryden died two months later.
Michael Joseph Alexander was a British translator, poet, academic and broadcaster. He held the Berry Chair of English Literature at the University of St Andrews until his retirement in 2003. He is best known for his translations of Beowulf and other Anglo-Saxon poems into modern English verse.
"On Translating Beowulf" is an essay by J. R. R. Tolkien which discusses the difficulties faced by anyone attempting to translate the Old English heroic-elegiac poem Beowulf into modern English. It was first published in 1940 as a preface contributed by Tolkien to a translation of Old English poetry; it was first published as an essay under its current name in the 1983 collection The Monsters and the Critics, and Other Essays.
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links. Dates are dates of publication of performance, not of composition.
Angelo Sabino or in Latin Angelus Sabinus was an Italian Renaissance humanist, poet laureate, classical philologist, Ovidian impersonator, and putative rogue.
Sir Carr Scrope, 1st Baronet, versifier and man of fashion in the Restoration court of Charles II of England.
Charles Hopkins (1664?–1700?) was an Anglo-Irish poet and dramatist.
The difficulty of translating Beowulf from its compact, metrical, alliterative form in a single surviving but damaged Old English manuscript into any modern language is considerable, matched by the large number of attempts to make the poem approachable, and the scholarly attention given to the problem.
↑ Nelson, Marie (2009). "Prefacing and Praising: Two Functions of "Hearing" Formulas in the "Beowulf" Story". Neuphilologische Mitteilungen. 110 (4): 487–495. JSTOR43344436.
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