Sir Lionel is the younger son of King Bors of Gaunnes (or Gaul) and Evaine and brother of Bors the Younger in Arthurian legend since the Lancelot-Grail cycle. He is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris (not to be confused with the older Sir Ector, who was King Arthur's foster-father). He later became the subject of one of the famous Child Ballads (#18).
When their father dies in battle against King Claudas, Lionel and Bors are rescued by the Lady of the Lake and raised in her otherworldly kingdom alongside her foster-son Lancelot. Like Bors and Lancelot, Lionel becomes a Knight of the Round Table upon reaching the age and then proving himself in heroic deeds.
One day, while travelling with Lancelot as a young man, Lionel is captured by the rogue knight Turquine, who whips him with briars and throws him in the dungeon. The scenario repeats itself later while he is on the Quest for the Holy Grail, where he proves very unworthy of the blessed object by trying to kill his brother for not rescuing him. Bors had seen Lionel getting beaten and led away, but had to make a decision to save either him or a young girl being dragged in the opposite direction. He saves the girl, and fears Lionel dead. But Lionel escapes, and attacks Bors the next time they meet. Bors proves himself worthy of the Grail when he refuses to fight back, and Lionel kills a hermit and Sir Calogrenant, a fellow Knight of the Round Table, when they try to protect Bors from his wrath. Before Lionel can strike his brother, however, God intervenes and immobilises him.
Lionel and the rest of his family follow Lancelot into exile when the affair with Queen Guinevere is exposed. Lionel participates in the battles against King Arthur and becomes King of Gaunnes. After the Battle of Camlann (Salisbury), Lancelot's family returns to Britain to defeat the remainder of Mordred's forces. Lionel is slain by Mordred's young son Melehan; Bors avenges his death.
The 14th-century King of England, Edward III, strongly identified with Sir Lionel since his youth. King Edward role-played as Lionel at the Round Table tournaments that he organized, and even named his second son, Lionel of Antwerp, Duke of Clarence, after the Arthurian romance character. [1]
Sir Lionel is the subject of the late-medieval folk ballad "Sir Lionel", recorded as Child Ballad 18 and Roud No. 29, in which he slays a giant wild boar. [2] This song has much in common with a medieval tale about a knight who slays a terrifyingly fiendish boar in Sidon, in the fourteenth century romance of Sir Eglamour of Artois . [3] The terrible swine is a frequent foe in romantic tales, for instance the beast Twrch Trwyth in Culhwch and Olwen . [4]
The song has been recorded several times in the twentieth century, exclusively in the United States. The influential Appalachian folk singer Jean Ritchie recorded a version passed down through her family entitled "Old Bangum" on the album Ballads from her Appalachian Family Tradition (1961), with an Appalachian dulcimer accompaniment. [5] [6] John and Alan Lomax recorded two versions in the 1930s in Harlan, Kentucky [7] and Austin, Texas. [8] Several Ozark versions were also collected, and can be heard online courtesy of the University of Arkansas and Missouri State University. [9] [10] [11]
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. Notably, many records of the legend recount the story of her abduction.
Lancelot du Lac, also written as Launcelot and other variants, is a character in some versions of Arthurian legend, where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is the orphaned son of King Ban of the lost Kingdom of Benwick, raised in the fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife Queen Guinevere. But when his adulterous affair with Guinevere is discovered, it causes a civil war that is exploited by Mordred to end Arthur's kingdom.
Mordred or Modred is a figure who is variously portrayed in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. His figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son.
Sir Galahad, sometimes referred to as Galeas or Galath, among other versions of his name, is a knight of King Arthur's Round Table and one of the three achievers of the Holy Grail in Arthurian legend. He is the illegitimate son of Sir Lancelot du Lac and Lady Elaine of Corbenic and is renowned for his gallantry and purity as the most perfect of all knights. Emerging quite late in the medieval Arthurian tradition, Sir Galahad first appears in the Lancelot–Grail cycle, and his story is taken up in later works, such as the Post-Vulgate Cycle, and Sir Thomas Malory's Le Morte d'Arthur.
The Knights of the Round Table are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Lancelot du Lac is a 1974 French fantasy drama film written and directed by Robert Bresson. It retells the story of Lancelot and Guinevere's love as Camelot and the Round Table fall apart. It is based on Arthurian legend and medieval romances, especially the Lancelot-Grail cycle, and the works of Chrétien de Troyes.
Camelot is a 1960 musical by Alan Jay Lerner and Frederick Loewe (music). It is based on the King Arthur legend as adapted from T. H. White's 1958 novel The Once and Future King.
Sir Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur in which he is also known by his nickname Beaumains.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona.
Bors is the name of two knights in Arthurian legend, an elder and a younger. The two first appear in the 13th-century Lancelot-Grail romance prose cycle. Bors the Elder is the King of Gaunnes (Gannes/Gaunes/Ganis) during the early period of King Arthur's reign, and is the brother of King Ban of Benoic and the father of Bors the Younger and Lionel. His son Bors the Younger later becomes one of the best Knights of the Round Table and participates in the achievement of the Holy Grail.
The Ill-Made Knight is a fantasy novel by British writer T. H. White, the third book in the series The Once and Future King. It was first published in 1940, but is usually found today only in collected editions of all four books of the novel.
Maleagant is a villain from Arthurian legend. In a number of versions of a popular episode, Maleagant abducts King Arthur’s wife, Queen Guinevere, necessitating her rescue by Arthur and his knights. The earliest surviving version of this episode names the abductor Melwas; as Maleagant, he debuts as Lancelot's archenemy in Chrétien de Troyes' French romance Lancelot, the Knight of the Cart. However, all surviving versions seem to be later adaptations of a stock narrative of significantly earlier provenance.
Sir Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris since the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at the hands of Lancelot.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
King Claudas is a fictional king who is an opponent to King Arthur, Lancelot, and Bors in Arthurian literature. His kingdom is situated in the Berry and is named "Terre Deserte", or "Land Laid Waste", so called because of the destruction Uther Pendragon had wrought there.
Sir Ywain, also known as Yvain, Owain, Uwain(e), Ewaine, Iwain, Iwein, Ivain, Ivan, etc., is a Knight of the Round Table in Arthurian legend, wherein he is often the son of King Urien of Gorre and the sorceress Morgan le Fay. The historical Owain mab Urien, on whom the literary character is based, was the king of Rheged in Great Britain during the late 6th century.
Nimrod Workman was an American singer, coal miner and trade unionist. His musical repertoire included traditional English and Scottish ballads passed down through his family, Appalachian folk songs and original compositions.
Sir Sagramore is a Knight of the Round Table in the Arthurian legend. He appears in standalone and cyclical chivalric romances and other works, including some where he is the titular protagonist. Sagramore's characterisation varies from story to story, but generally he is characterised as a virtuous but hot-tempered knight who fights fiercely and ragefully. He gains a number of nicknames, including "the Hothead" and "the Desirous".
"The Bramble Briar", "The Merchant's Daughter" or "In Bruton Town" is a traditional English folk murder ballad that tells the story of how two brothers murder a servant who is courting their sister. There are many versions of the song going by a number of different titles.
King Arthur and His Knights of the Round Table is a retelling of the Arthurian legends, principally Thomas Malory's Le Morte d'Arthur, by Roger Lancelyn Green. It was intended for a child audience. It was first published by Puffin Books in 1953 and has since been reprinted many times. In 2008, it was reissued in the Puffin Classics series with an introduction by David Almond, and the original illustrations by Lotte Reiniger.
