 | This article relies largely or entirely on a single source .(May 2015) |
Robin Hood and the Scotchman is Child ballad 130. [1]
| | This article relies largely or entirely on a single source .(May 2015) |
Robin Hood and the Scotchman is Child ballad 130. [1]
Robin Hood goes north and meets with a Scot, who wishes to enter his service. Robin refuses, because the Scot will prove false. A fight ensues. One variant is truncated at this point, but the other ends with the man entering his service.
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
Maid Marian is the heroine of the Robin Hood legend in English folklore, often taken to be his lover. She was the subject of at least two plays before 1600, but neither she nor any other female character is known to have featured in the medieval versions of the legend. Her history and circumstances are obscure, but she always commanded high respect in Robin’s circle for her courage and independence, as well as her beauty and loyalty. For this reason she is celebrated by feminist commentators as one of the earliest strong female characters in English literature.
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.
Robin Hood's Chase is Child ballad 146 and a sequel to Child ballad 145, "Robin Hood and Queen Katherine". This song has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child Ballads, a comprehensive collection of traditional English and Scottish ballads.
"Robin Hood's Progress to Nottingham" is Child ballad 139, an original story that is part of the Robin Hood canon. This song has survived as, among other forms, a late 17th-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Robin Hood and the Tanner is Child ballad 126. It is a late seventeenth-century English broadside ballad and one of several ballads about the medieval folk hero Robin Hood that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads but has now been subsumed and surpassed by the Roud Folk Song Index.
Robin Hood and the Ranger is catalogued as Child ballad 131 and Roud Folk Song Index No. 933.
Robin Hood and the Butcher is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. It may have been derived from the similar Robin Hood and the Potter.
"Robin Hood and the Golden Arrow" is Child ballad 152.
Robin Hood’s Golden Prize is Child ballad 147. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Robin Hood's Delight is Child ballad 136. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
The King’s Disguise, and Friendship with Robin Hood is Child ballad 151. It holds the common tradition of the end of Robin Hood's outlawry, although it is a relatively late ballad, as it puts Robin firmly in King Richard's reign. Also, unlike "A Gest of Robyn Hode", an earlier version, the king is not acting out of the need to suppress Robin.
"A Gest of Robyn Hode" is an old English folk ballad, listed as Child Ballad 117 and number 70 in the Roud Folk Song Index; it is also called A Lyttell Geste of Robyn Hode in one of the two oldest books that contain it. As a folk song, it is not known to have survived long enough in the oral tradition to be collected by folklorists.
Robin Hood and the Bishop is number 143 in Francis James Child's collection of Child ballads, and describes an adventure of Robin Hood. This song has also survived as a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
The Jolly Pinder of Wakefield is Child ballad 124, about Robin Hood. The oldest manuscript of this English broadside ballad, according to the University of Rochester, dates back to 1557, and a fragment of the ballad appears also in the Percy Folio. Copies of the ballad can be found at the National Library of Scotland, the British Library, and Magdalene College. Alternatively, online facsimiles of the ballad are available for public consumption.
King Edward the Fourth and a Tanner of Tamworth is a ballad first found in the Child Ballad collection, number 273. A ballad of this title was licensed in 1564. Versions of this ballad also exist outside the Child collection. Additional copies can be found at the British Library, the University of Glasgow Library, and the Pepys Library at Magdalene College. These ballads dates, by estimation of the English Short Title Catalogue, range from the early seventeenth century to as late as 1775. The ballad is most recognized by its opening line: "In summer time, when leaves grow green." Child describes the appeal of this ballad to be centered on the chance meeting with a King, which is also a recurring theme in tales of Robin Hood.
Robin Hood and the Shepherd is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one (#135) out of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
"Robin Hood and the Beggar" is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is a pair out of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. These two ballads share the same basic plot device in which the English folk hero Robin Hood meets a beggar.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations.
Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
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