Robin Hood and Allan-a-Dale is a traditional English ballad, catalogued as Child Ballad No. 138 and as Roud Folk Song Index No. 3298.
The ballad uses the kinds of rhyme, rhythm and metre commonly found in English ballads of the 13th and 14th centuries. It has from six to ten syllables per line, and no strict metrical scheme, but the rhyme scheme is throughout of ABCB quatrains. It was first published in 1765 in Bishop Thomas Percy's three volume compilation of ballads entitled Reliques of Ancient English Poetry .
Robin Hood one day sees a cheerful young man dressed in red, singing and playing in the greenwood: it is Allan-a-Dale. The next day, he sees him again, dejected. He sends two of his Merry Men, Little John and Much the Miller's Son, to apprehend him. Robin asks Allan for money; but he explains that he has but little, and that the cause of his sorrow is that his true love is to be married to an elderly knight. When Allan agrees to serve Robin, the latter springs into action. He turns up at the church as a harper, but refuses to play: firstly, until he has seen the bride and groom; secondly, after he has seen them, because he does not consider the old man and the young girl a suitable match. He blows his horn: and his Merry Men, now including Allan, appear. The bishop refuses to marry Allan and the girl, because it is the law that consent must be asked three times. Robin puts the bishop's cloak on Little John, who mockingly asks the question seven times –and then marries the young couple, Robin giving away the bride in loco parentis . All then - except, presumably, for the old knight and the bishop - repair to the greenwood. [1]
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. He stole from the rich and gave to the poor. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. He is traditionally depicted dressed in Lincoln green.
Little John is a companion of Robin Hood who serves as his chief lieutenant and second-in-command of the Merry Men. He is one of only a handful of consistently named characters who relate to Robin Hood and one of the two oldest Merry Men, alongside Much the Miller's Son. His name is an ironic reference to his giant frame, as he is usually portrayed in legend as a huge warrior – a 7-foot-tall (2.1-metre) master of the quarterstaff. In folklore, he fought Robin Hood on a tree bridge across a river on their first meeting.
Sir Guy of Gisbourne is a character from the Robin Hood legends of English folklore. He first appears in "Robin Hood and Guy of Gisborne", where he is an assassin who attempts to kill Robin Hood but is killed by him. In later depictions, he has become a romantic rival to Robin Hood for Maid Marian's love.
Much, the Miller's Son is one of the Merry Men in the tales of Robin Hood. He appears in some of the oldest ballads, A Gest of Robyn Hode and Robin Hood and the Monk, as one of the company.
The Bishop of Hereford is a character in the Robin Hood legend. He is typically portrayed as a wealthy and greedy clergyman who is robbed by Robin and his Merry Men.
Alan-a-Dale is a figure in the Robin Hood legend. According to the stories, he was a wandering minstrel who became a member of Robin's band of outlaws, the "Merry Men".
Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Pyle compiled the traditional Robin Hood ballads as a series of episodes of a coherent narrative. For his characters' dialog, Pyle adapted the late Middle English of the ballads into a dialect suitable for children.
"Rose the Red and White Lily" is Child ballad number 103.
"Robin Hood and the Curtal Friar" is an English-language folk song about Robin Hood.
Robin Hood Rescuing Three Squires or Robin Hood and the Widow's Three Sons is a traditional ballad about Robin Hood, listed as Child ballad 140 and Roud 70.
Robin Hood's Death, also known as Robin Hoode his Death, is an Early Modern English ballad of Robin Hood. It dates from at the latest the 17th century, and possibly originating earlier, making it one of the oldest existing tales of Robin Hood. It is a longer version of the last six stanzas of A Gest of Robyn Hode, suggesting that one of the authors was familiar with the other work and made an expansion or summary of the other, or else both were drawing from a lost common tale. The surviving version in the Percy Folio is fragmentary, with sections missing. A more complete but later version is from the middle of the 18th century, and is written in modern English. Both versions were later published by Francis James Child as Child ballad #120 in his influential collection of popular ballads.
Robin Hood and the Potter is a 15th century ballad of Robin Hood. While usually classed with other Robin Hood ballads, it does not appear to have originally been intended to be sung, but rather recited by a minstrel, and thus is closer to a poem. It is one of the very oldest pieces of the surviving Robin Hood legend, with perhaps only Robin Hood and the Monk older than it. It inspired a short play intended for use in May Day games, attested to around 1560. It was later published by Francis James Child as Child ballad #121 in his influential collection of popular ballads in the 1880s.
Robin Hood and the Valiant Knight is an 18th century ballad of the death of Robin Hood. The song, written in Modern English, was included in the popular "garlands" (collections) of Robin Hood stories and songs published in the 18th and early 19th centuries, generally at the end as a suitable close to the garland. It was later published by Francis James Child as Child ballad #153 in his influential collection of popular ballads.
The King's Disguise, and Friendship with Robin Hood is an English ballad of Robin Hood. It is a relatively late work in the corpus, found in the Forresters Manuscript from the 1670s. The work seems loosely based on the 7th and 8th fyttes of A Gest of Robyn Hode which recounts the end of Robin Hood's outlawry after an encounter with the king. Unlike Gest, the king is not acting out of the need to suppress Robin; additionally, The King's Disguise and Friendship uses the 17th century updates to the legend that places Robin as contemporaneous with King Richard's reign. In the late 1800s, Francis James Child included it in his influential collection, the Child Ballads, as #151.
A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 16th century, many scholars believe that based on the style of writing, the work likely dates to the 15th century, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of Richard I of England and John, King of England.
The Noble Fisherman, also known as Robin Hood's Preferment and Robin Hood's Fishing, is a 17th-century ballad of Robin Hood. Unusually, it depicts Robin Hood as a hero of the sea, rather than his usual portrayal as someone who operated in the greenwood forest. It seems to have been quite popular for the first two centuries of its existence, although it eventually lost prominence and was less used in adaptations of Robin Hood from the 19th and 20th centuries. It was later published by Francis James Child in the 1880s as Child Ballad #148 in his influential collection of popular ballads.
Robyn and Gandeleyn is an English ballad. The poem is in Sloane Manuscript 2593, a document of lyrics and carols which dates from around 1450. It was first printed by Joseph Ritson in his 1790 collection Ancient Songs. It was later republished in the second half of the 19th century in an anthology of traditional English and Scottish ballads by Francis James Child known as the Child Ballads, where it is Child Ballad 115. Child also divided the continuous text into seventeen stanzas.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations.
Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.