Get Up and Bar the Door is a medieval Scots ballad about a battle of wills between a husband and wife. It is Child ballad 275 (Roud 115). According to Child, it was first published by David Herd. [1]
Get Up and Bar the Door is a medieval Scots ballad about a battle of wills between a husband and wife. It is Child ballad 275 (Roud 115). According to Child, it was first published by David Herd. [1]
The story begins with the wife busy in her cooking of the pudding and house hold chores as well. As the wind picks up, the husband tells her to close and bar the door. They make an agreement that the next person who speaks must bar the door or close the door, but the door remains open. At midnight two thieves enter the house and eat the puddings that the wife has just made. The husband and wife watch them, but still neither speaks out of stubborn pride. Amazed, one of the thieves proposes to molest the wife and kiss her. Finally, the husband shouts "Will ye kiss my wife before my een, and scald me with pudding-broth?" The wife, having won the argument, gives three skips on the floor and says to her husband: "Goodman, you've spoken the foremost word, Get up and bar the door."
In some versions, the husband is named as Johnie Blunt of Crawford Moor. [2] Child notes that the song was used by Prince Hoare to provide one of the principal scenes in his musical entertainment, No Song, No Supper, performed at Drury Lane in 1790.
Among many things, this folk ballad talks about the sense of lasting competition in a relationship. The man and the woman are too stubborn to do something that will benefit both. The ballad observes a possible consequence of being stubborn when carried to ludicrous lengths, since by being stubborn they lost their Martinmas puddings and left their persons and household open to crime.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"Mary Hamilton", or "The Fower Maries", is a common name for a well-known sixteenth-century ballad from Scotland based on an apparently fictional incident about a lady-in-waiting to a Queen of Scotland. It is Child Ballad 173 and Roud 79.
"The Elfin Knight" is a traditional Scottish folk ballad of which there are many versions, all dealing with supernatural occurrences, and the commission to perform impossible tasks. The ballad has been collected in different parts of England, Scotland, Ireland, the US, and Canada. As is the case with most traditional folk songs, there have been countless completely different versions recorded of the same ballad. The first broadside version was printed before 1674, and the roots of the song may be considerably older.
"The Raggle Taggle Gypsy", is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies. Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" and "Seven Yellow Gypsies".
Bothy ballads are songs sung by farm labourers in the northeast region of Scotland.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
The Famous Flower of Serving-Men or The Lady turned Serving-Man is a traditional English language folk song and murder ballad. Child considered it as closely related to the ballad "The Lament of the Border Widow" or "The Border Widow's Lament".
"Unusually, it is possible to give a precise date and authorship to this ballad. It was written by the prolific balladeer, Laurence Price, and published in July 1656, under the title of The famous Flower of Serving-Men. Or, The Lady turn'd Serving-Man. It lasted in the mouths of ordinary people for three hundred years: what a tribute to the work of any writer, leave alone the obscure Laurence Price. Oral tradition, however, has made changes. The original has twenty-eight verses and a fairy-tale ending: “And then for fear of further strife, / he took Sweet William to be his Wife: / The like before was never seen, / A Serving-man to be a Queen”. - Roy Palmer, A Book of British Ballads
"The Great Silkie of Sule Skerry" or "The Grey Selkie of Sule Skerry" is a traditional folk song from Shetland and Orkney. A woman has her child taken away by its father, the great selkie of Sule Skerry which can transform from a seal into a human. The woman is fated to marry a gunner who will harpoon the selkie and their son.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"Gil Brenton" is Child ballad 5, Roud 22, existing in several variants.
"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old, has been documented and recorded numerous times across the English speaking world into the twentieth century.
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The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
Lord Saltoun and Auchanachie, is a Scottish folk song.