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Glenlogie (Roud 101, Child 238, also called Bonnie Jeannie o Bethelnie ) is an English-language folk song, either from Scotland or from the Anglo-Scottish borders.
Jeannie, fifteen, sixteen or seventeen depending on which variant is counting, but clearly the “flower o’ them all”, sees Glenlogie (aka John Gordon) at a banquet (inevitable since he has been prancing around town showing off all weekend) and falls in love. He politely declines the offer and rides away to some battlefield. Various attempts to persuade her that he's unsuitable for her, either by offering another match or by pointing out the disparity of their stations, are unavailing. She takes to her bed in distress. Her father's literate chaplain writes a pointed letter to Glenlogie scolding him for causing the young woman's (apparently severe to the point of medical danger) distress. After a bit of posturing for his mates (“Huh. Women!”) Glenlogie has a conscience attack and rides back to see Jeannie at Banchory. He pretends he's there to provide medical expertise but she's not having it, explaining that he is a dolt and the pain is in her heart. He agrees to marry her and does.
Sir Thomas de Ercildoun, better remembered as Thomas the Rhymer, also known as Thomas Learmont or True Thomas, was a Scottish laird and reputed prophet from Earlston in the Borders. Thomas' gift of prophecy is linked to his poetic ability.
TamLin is a character in a legendary ballad originating from the Scottish Borders. It is also associated with a reel of the same name, also known as the Glasgow Reel. The story revolves around the rescue of Tam Lin by his true love from the Queen of the Fairies. The motif of winning a person by holding him through all forms of transformation is found throughout Europe in folktales.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
Richard Peter Gaughan is a Scottish musician, singer and songwriter, particularly of folk and social protest songs. He is regarded as one of Scotland's leading singer-songwriters.
Jeannie Robertson was a Scottish folk singer.
Marilyn Jeanne Seely is an American singer, songwriter, record producer, actress and author. Primarily identified with country music, Seely found success with the Grammy Award-winning song "Don't Touch Me" (1966). Her soul-inspired vocal delivery gave her the nickname of "Miss Country Soul". Seely has been a member of and performer on the Grand Ole Opry, having appeared more times on the program than any other performer.
"Captain Wedderburn's Courtship" is an old Scottish ballad dating from 1785 or earlier. It is Child Ballad #46, Roud 36. It is known by a number of titles, including "Lord Roslin's Daughter" and "The Laird of Rosslyn's Daughter".
The Bonnie Lass o' Fyvie is a Scottish folk song about a thwarted romance between a soldier and a woman. Like many folk songs, the authorship is unattributed, there is no strict version of the lyrics, and it is often referred to by its opening line "There once was a troop o' Irish dragoons". The song is also known by a variety of other names, the most common of them being "Peggy-O", "Fennario", and "The Maid of Fife".
"The Black Bull of Norroway" is a fairy tale from Scotland. A version titled "The Black Bull of Norroway" in the 1870 edition of Popular Rhymes of Scotland was reprinted in an Anglicised version by Joseph Jacobs in his 1894 book More English Fairy Tales.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
Lord Lovel is an English-language folk ballad that exists in several variants. This ballad is originally from England, originating in the Late Middle Ages, with the oldest known versions being found in the regions of Gloucestershire, Somerset, Worcestershire, Warwickshire, and Wiltshire.
"The Maid and the Palmer" is an English language medieval murder ballad with supernatural/religious overtones. Because of its dark lyrics, the song was often avoided by folk singers. Considered by scholars to be a "debased" version of a work more completely known in European sources as the Ballad of the Magdalene, the ballad was believed lost in the oral tradition in the British Isles from the time of Sir Walter Scott, who noted a fragment of it having heard it sung in the early years of the nineteenth century, until it was discovered in the repertoire of a living Irish singer, John Reilly, from whom it was collected in the 1960s, although subsequently other versions have surfaced from Ireland from the 1950s to the 1970s; an additional full text, collected and notated in around 1818, was also recently published in Emily Lyle's 1994 Scottish Ballads under the title "The Maid of Coldingham", having remained in manuscript form in the intervening time. Based on a tape of Reilly's performance provided by the collector Tom Munnelly, the singer Christy Moore popularised the song under its alternate title "The Well Below the Valley" with the Irish folk band Planxty and later solo performances/recordings, this song providing the title of that group's second album released in 1973; the song has subsequently been recorded by a number of more recent "folk revival" acts.
"The Twa Brothers" is a traditional ballad existing in many variants.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
Let's Be Happy is a Technicolor 1957 British musical film starring Tony Martin, Vera-Ellen and Robert Flemyng and directed by Henry Levin. It was written by Dorothy Cooper and Diana Morgan in CinemaScope. This film was an updated remake of Jeannie (1941), starring Barbara Mullen, which itself was based on the stage play Jeannie by Aimée Stuart.
Lord Saltoun and Auchanachie, also known as Annachie Gordon, is a Scottish ballad.
"Broom of the Cowdenknowes", also known as "Bonny May", is a traditional Scottish love ballad,. It has been traced to the seventeenth century, but its exact origin is unknown.
Jeannie is a 1941 British romantic comedy film directed by Harold French and starring Barbara Mullen, Michael Redgrave, and Albert Lieven.