"All My Trials" is a folk song which became popular during the social protest movements of the late 1950s and 1960s. Alternative titles it has been recorded under include "Bahamian Lullaby" and "All My Sorrows." The origins of the song are unclear, as it appears to not have been documented in any musicological or historical records until after the first commercial recording was released on Bob Gibson's 1956 debut album Offbeat Folksongs.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as The English and Scottish Popular Ballads. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s.
"Star of the County Down" is an Irish ballad set near Banbridge in County Down, Northern Ireland. The words are by Cathal MacGarvey (1866–1927) from Ramelton, County Donegal. MacGarvey's song was first collected in Herbert Hughes Irish Country Songs. The tune is traditional, and may be known as "Dives and Lazarus" or "Kingsfold".
The Mollusk is the sixth studio album by American rock band Ween, released by Elektra Records on June 24, 1997. It is a multi-genre concept album with a dark nautical theme, with most songs incorporating elements from psychedelia and/or sea shanties, while also featuring a heavy progressive rock influence. Dean Ween described the album as "the only record that I ever felt really confident about" and "my favorite record we've ever done". Gene Ween has echoed this sentiment, saying: "The Mollusk is probably my favorite, at the end of the day".
"The Wife of Usher's Well" is a traditional ballad, catalogued as Child Ballad 79 and number 196 in the Roud Folk Song Index. An incomplete version appeared in Sir Walter Scott's "Minstrelsy of the Scottish Border" (1802). It is composed of three fragments. They were notated from an old woman in West Lothian. The Scottish tune is quite different from the English tune, and America produced yet another tune. William Motherwell also printed a version in "Minstrelsy Ancient and Modern" (1827). Cecil Sharp collected songs from Britain but had to go the Appalachian Mountains to locate this ballad. He found 8 versions and 9 fragments. In the first half of the twentieth century many more versions were collected in America.
Joan Baez/5 is the fifth solo album and third studio album by American folk singer Joan Baez, released in October 1964. It peaked at number 12 on the Billboard 200 chart. The single "There But for Fortune" reached number 50 on the Billboard Hot 100 in the U.S. and became a top-ten single in the UK.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial country music and folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
The Joan Baez Lovesong Album is a 1976 compilation of Joan Baez songs. Vanguard Records put it together as part of its Baez reissue series, after Baez left the label for A&M Records. The album is a collection of love songs, including traditional and contemporary work, as well as an arrangement of E. E. Cummings' "All in Green My Love Went Riding" by Peter Schickele. The cover painting is by the painter and musician Eric Von Schmidt.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. It was titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"The Death of Queen Jane" is an English ballad that describes the events surrounding the death of a Queen Jane. It is catalogued by Francis James Child as Child #170. Some of the versions given are Scottish, in which the queen's name is Jeanie or Jeany.
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"The Great Silkie of Sule Skerry" or "The Grey Selkie of Sule Skerry" is a traditional folk song from Orkney and Shetland. A woman has her child taken away by its father, the great selkie of Sule Skerry which can transform from a seal into a human. The woman is fated to marry a gunner who will harpoon the selkie and their son.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"The False Knight Upon the Road" is a British ballad, collected and published as Child ballad 3, Roud 20. It features a riddling exchange between a schoolboy and a "false knight", the devil in disguise. As to its provenance, it is presumed to not be much older than its first publication in 1824.
Sweet William's Ghost is an English ballad and folk song which exists in many lyrical variations and musical arrangements. Early known printings of the song include Allan Ramsay's The Tea-Table Miscellany in 1740 and Thomas Percy's Reliques of Ancient English Poetry in 1765. Percy believed that the last two stanzas of the version he published were later additions, but that the details of the story they recounted were original.
"The Trees They Grow So High" is a Scottish folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
"Henry Martin" is a traditional Scottish folk song about Henry Martin, a seafarer who turns to piracy to support his two older brothers. Writing in 1975, the musician and folklorist A. L. Lloyd described Henry Martin as "one of the most-sung ballads of our time."
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
Kathleen Larisch and Carol McComb are American singers and instrumentalists, who performed together in the 1960s as Kathy and Carol. As a duo, they released an acclaimed 1965 folk song album on Elektra Records, before pursuing separate careers. They have reunited to perform together on several occasions in recent years.
