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Robin Hood and Guy of Gisborne is Child Ballad 118, part of the Percy collection. It introduces and disposes of Guy of Gisborne who remains next to the Sheriff of Nottingham the chief villain of the Robin Hood legend. This ballad survives in a single seventeenth century copy but has always been recognized as much older in content, possibly older than Robin Hood and the Monk. A play with a similar plot survives in a copy dated to 1475.
The Oxford Companion to English Literature describes it as the best known of the Robin Hood ballads. [1] But it is also the most often cited, along with Robin Hood and the Monk, for excessive brutality. Guy comes to Barnesdale to capture Robin Hood, but Robin kills and beheads him. Meanwhile, Little John has been captured by the Sheriff, but Robin rescues him by impersonating Guy of Gisborne.
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have stolen from the rich to give to the poor.
Little John is a companion of Robin Hood who serves as his chief lieutenant and second-in-command of the Merry Men. He is one of only a handful of consistently named characters who relate to Robin Hood and one of the two oldest Merry Men, alongside Much the Miller's Son. His name is an ironic reference to his giant frame, as he is usually portrayed in legend as a huge warrior – a 7-foot-tall (2.1-metre) master of the quarterstaff. In folklore, he fought Robin Hood on a tree bridge across a river on their first meeting.
Sir Guy of Gisbourne is a character from the Robin Hood legends of English folklore. He first appears in "Robin Hood and Guy of Gisborne", where he is an assassin who attempts to kill Robin Hood but is killed by him. In later depictions, he has become a romantic rival to Robin Hood for Maid Marian's love.
The Bishop of Hereford is a character in the Robin Hood legend. He is typically portrayed as a wealthy and greedy clergyman who is robbed by Robin and his Merry Men.
Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.
Richard at the Lee is a major character in the early medieval ballads of Robin Hood, especially the lengthy ballad A Gest of Robyn Hode, and has reappeared in Robin Hood tales throughout the centuries.
"Robin Hood and the Curtal Friar" is Child Ballad number 123, about Robin Hood.
"Robin Hood's Progress to Nottingham" is Child ballad 139, an original story that is part of the Robin Hood canon. This song has survived as, among other forms, a late 17th-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads.
Robin Hood and the Potter is a 15th century ballad of Robin Hood. While usually classed with other Robin Hood ballads, it does not appear to have originally been intended to be sung, but rather recited by a minstrel, and thus is closer to a poem. It is one of the very oldest pieces of the surviving Robin Hood legend, with perhaps only Robin Hood and the Monk older than it. It inspired a short play intended for use in May Day games, attested to around 1560. It was later published by Francis James Child as Child ballad #121 in his influential collection of popular ballads in the 1880s.
Robin Hood and the Butcher is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of traditional English ballads. It may have been derived from the similar Robin Hood and the Potter.
Robin Hood and the Valiant Knight is an 18th century ballad of the death of Robin Hood. The song, written in Modern English, was included in the popular "garlands" (collections) of Robin Hood stories and songs published in the 18th and early 19th centuries, generally at the end as a suitable close to the garland. It was later published by Francis James Child as Child ballad #153 in his influential collection of popular ballads.
A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 16th century, many scholars believe that based on the style of writing, the work likely dates to the 15th century, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of Richard I of England and John, King of England.
The Noble Fisherman, also known as Robin Hood's Preferment and Robin Hood's Fishing, is a 17th-century ballad of Robin Hood. Unusually, it depicts Robin Hood as a hero of the sea, rather than his usual portrayal as someone who operated in the greenwood forest. It seems to have been quite popular for the first two centuries of its existence, although it eventually lost prominence and was less used in adaptations of Robin Hood from the 19th and 20th centuries. It was later published by Francis James Child in the 1880s as Child Ballad #148 in his influential collection of popular ballads.
Robin Hood and the Monk is a Middle English ballad and one of the oldest surviving ballads of Robin Hood. The earliest surviving document with the work is from around 1450, and it may have been composed even earlier in the 15th century. It is also one of the longest ballads at around 2,700 words. It is considered one of the best of the original ballads of Robin Hood.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations. History The Merry Men are Robin Hood's group who work to rob from the rich and give to the poor. They have antagonized the tyrannical rule of Prince John while King Richard is fighting in the Crusades. This also puts them into conflict with Prince John's minions, Guy of Gisbourne and the Sheriff of Nottingham.
The Sheriff of Nottingham is the main antagonist in the legend of Robin Hood. He is generally depicted as an unjust tyrant who mistreats the local people of Nottinghamshire, subjecting them to unaffordable taxes. Robin Hood fights against him, stealing from the rich, and the Sheriff, in order to give to the poor; it is this characteristic for which Robin Hood is best known. The Sheriff is considered the archenemy of Robin Hood, as he is the most recurring enemy of the well-known outlaw.
Friar Tuck is one of the Merry Men, the band of heroic outlaws in the folklore of Robin Hood.
Robin Hood is a comic opera by Reginald De Koven (music), Harry B. Smith (lyrics) and Clement Scott. The story is based on the Robin Hood legend, during the reign of King Richard I. The opera was composed in Chicago, Illinois during the winter of 1888-1889.
Robyn Hod and the Shryff off Notyngham is the manuscript fragment of a late medieval play about Robin Hood, the earliest known Robin Hood playscript and the only surviving medieval script of a Robin Hood play. The manuscript dates from c1475, that is it is approximately as old as the earliest copies of the ballads. In addition to being incomplete the script has no scene or stage directions, and does not identify speakers, so it offers uncertainties of interpretation. However it has been interpreted as telling essentially the same story as Robin Hood and Guy of Gisborne. If correct this would confirm the medieval origin of the Gisbourne story. The play is also important for containing the earliest reference to Friar Tuck,"ffrere Tuke", as a member of Robin Hood's band.