"The Baffled Knight" or "Blow Away the Morning Dew" (Roud 11 , Child 112) is a traditional ballad existing in numerous variants. The first-known version was published in Thomas Ravenscroft's Deuteromelia (1609) [1] [2] with a matching tune, making this one of the few early ballads for which there is extant original music. The song was included in such notable collections as Pills to Purge Melancholy by Thomas d'Urfey (1719–1720) and Reliques of Ancient English Poetry by Thomas Percy (1765). [2]
Versions were collected in England, Scotland, the US, and Canada. [1] One version was recorded by Cecil Sharp from John Dingle (Coryton, Devon, 12 September 1905). [2]
The "Blow Away the Morning Dew" version was used in the third movement of Ralph Vaughan Williams' English Folk Song Suite (1923). [3] Norfolk fisherman Sam Larner sang this same melody to Ewan MacColl and Peggy Seeger in 1958-60, [4] then was filmed performing the song in 1962. [5]
A knight (or in later versions a farmer's son or a shepherd's son) meets a maid away from house and town, sometimes swimming in a brook. He proposes intimacy. She persuades him that they will be more comfortable upon her richly appointed bed, or that if he brings her to her father's house, she will marry him and bring a rich dowry. When they arrive at her home she goes in first and locks him out; in most variants, once safely inside she taunts him for his gullibility.
The ballad generally includes advice to young men not be put off by maidenly protests when they meet defenceless women;
There is a gude auld proverb,
I’ve often heard it told,
He that would not when he might,
He should not when he would. [6] [7]
In one variant, he finds her again, and she tricks him by claiming her lover is near, so that he falls into the river, and a third time, in which she pulls his boots halfway off, so he is unable to get them on or off quickly enough to catch her.
TamLin is a character in a legendary ballad originating from the Scottish Borders. It is also associated with a reel of the same name, also known as the Glasgow Reel. The story revolves around the rescue of Tam Lin by his true love from the Queen of the Fairies. The motif of winning a person by holding him through all forms of transformation is found throughout Europe in folktales.
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
Sir Lionel is the younger son of King Bors of Gaunnes and Evaine and brother of Bors the Younger in Arthurian legend since the Lancelot-Grail cycle. He is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris. He later became the subject of one of the famous Child Ballads (#18).
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to have the original version.
Harry Fred Cox, was a Norfolk farmworker and one of the most important singers of traditional English music of the twentieth century, on account of his large repertoire and fine singing style.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
The Famous Flower of Serving-Men or The Lady turned Serving-Man is a traditional English language folk song and murder ballad. Child considered it as closely related to the ballad "The Lament of the Border Widow" or "The Border Widow's Lament".
"Unusually, it is possible to give a precise date and authorship to this ballad. It was written by the prolific balladeer, Laurence Price, and published in July 1656, under the title of The famous Flower of Serving-Men. Or, The Lady turn'd Serving-Man. It lasted in the mouths of ordinary people for three hundred years: what a tribute to the work of any writer, leave alone the obscure Laurence Price. Oral tradition, however, has made changes. The original has twenty-eight verses and a fairy-tale ending: “And then for fear of further strife, / he took Sweet William to be his Wife: / The like before was never seen, / A Serving-man to be a Queen”. - Roy Palmer, A Book of British Ballads
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
"Rose the Red and White Lily" is Child ballad number 103.
"The Broomfield Hill", "The Broomfield Wager" "The Merry Broomfield", "The Green Broomfield", "A Wager, a Wager", or "The West Country Wager" (Child 43, Roud 34) is a traditional English folk ballad.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
Samuel James Larner was an English fisherman and traditional singer from Winterton-on-Sea, a fishing village in Norfolk, England. His life was the basis for Ewan MacColl's song The Shoals of Herring, and his songs continue to be recorded by revival singers.
