Related Research Articles
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
TamLin is a character in a legendary ballad originating from the Scottish Borders. It is also associated with a reel of the same name, also known as the Glasgow Reel. The story revolves around the rescue of Tam Lin by his true love from the Queen of the Fairies. The motif of winning a person by holding him through all forms of transformation is found throughout Europe in folktales.
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as The English and Scottish Popular Ballads. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s.
Lionel is a character in Arthurian legend. He is the younger son of King Bors of Gaunnes and Evaine and brother of Bors the Younger. First recorded in the Lancelot-Grail cycle, he is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris. He is also the subject of a traditional ballad.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
Willie's Lady is Child ballad number 6 and Roud #220. The earliest known copy of the ballad is from a recitation transcribed in 1783.
"Hind Horn" is a traditional English and Scottish folk ballad.
"The Queen of Elfan's Nourice" or "The Queen of Elfland's Nourice" is Child ballad number 40, although fragmentary in form.
"Hind Etin" is a folk ballad existing in several variants.
"The Twa Magicians", "The Two Magicians", "The Lady and the Blacksmith", or "The Coal Black Smith" is a British folk song. It first appears in print in 1828 in two sources, Peter Buchan's Ancient Ballads and Songs of the North of Scotland and John Wilson's Noctes Ambrosianae #40. It was later published as number 44 of Francis James Child's English and Scottish Popular Ballads. During the 20th century, versions of it have been recorded by a number of folk and popular musicians.
"Willie's Lyke-Wake" is Child ballad 25.
"Robin Hood and Queen Katherine" is Child ballad 145. "Robin Hood's Chase", Child ballad 146, takes up after it.
Robin Hood's Chase is Child ballad 146 and a sequel to Child ballad 145, "Robin Hood and Queen Katherine". This song has survived as, among other forms, a late seventeenth-century English broadside ballad. It is one of several ballads about the medieval folk hero that form part of the Child Ballads, a comprehensive collection of traditional English and Scottish ballads.
"Young Andrew" is a folk song catalogued as Child ballad 48.
"King Henry" is Child ballad 32, Roud 3967.
"St. Stephen and Herod" is Child ballad 22 and a Christmas carol. It depicts the martyrdom of Saint Stephen as occurring, with wild anachronism, under Herod the Great, and claims that that was the reason for St. Stephen's Day being the day after Christmas.
"King John and the Bishop" is an English folk-song dating back at least to the 16th century. It is catalogued in Child Ballads as number 45 and Roud Folk Song Index 302.
"Kempy Kay" is Child ballad no. 33.
References
- 1 2 Child, Francis James, ed. (1890). "Judas". English and Scottish Popular Ballads. Vol. I Part 1. Boston: Houghton Mifflin Harcourt. pp. 242–244. Retrieved 19 November 2017– via Internet Archive.
- 1 2 Waltz, Robert B.; Engle, David G. (2012). "Judas". Folklore The Traditional Ballad Index: An Annotated Bibliography of the Folk Songs of the English-Speaking World. California State University, Fresno. Archived from the original on 1 December 2017. Retrieved 19 November 2017.
- ↑ Bertrand Harris Bronson, The Ballad as Song (1969) p. 97: "First, then, for the materials, taking the Child ballads as our convenient base. ... Whereas the earliest text among Child's ballads, the 'Judas', goes back to the mid-thirteenth century, no tune specifically attached in the record by title or ..."
