Recordings
Ewan MacColl recorded a version on "Chorus From The Gallows" (1960) Topic 12T16 as "Hughie The Graeme" [5] and on several other albums, including "Ballads" Topic 2009 TSCD576D [6]
Dáithí Sproule recorded a version with fiddling master James Kelly and button box master Paddy O'Brien (Offaly) on the Shanachie album Traditional Music of Ireland.
The Scottish folk band Malinky recorded a version of this song, called "Hughie The Graham", on their 2005 album The Unseen Hours.
English folk singer June Tabor recorded a version of this song on An Echo of Hooves in 2003. [7]
The Czech folk group Asonance recorded a version translated to Czech called "Hugo Graem (Hughie the Graeme)" on Vzdálené ostrovy (Remote Islands) in 2003.
Connie Dover recorded the song as "Hugh the Graeme" on her album The Wishing Well.
Ross Kennedy sang it on the "Various Artists" album "Fyre and Sworde" (1998) Fellside. [8]
James Henry Miller, better known by his stage name Ewan MacColl, was an English folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324.
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"The Black Velvet Band" is a traditional folk song collected from singers in Ireland, Australia, England, Canada and the United States describing how a young man is tricked and then sentenced to transportation to Australia, a common punishment in the British Empire during the 19th century. Versions were also published on broadsides.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
Sovay is a traditional English folk song about a young woman who dresses and arms herself as a highwayman in order to test her suitor. In disguise she robs her suitor of nearly all his possessions, but even under threat of death he refuses to give up the gold ring given by Sovay, thus proving his devotion. Sovay subsequently confesses the ruse to her lover and returns his various possessions, admonishing him only that had he indeed given up the ring, she would have killed him. The name 'Sovay' is probably a corruption of 'Sophie' or 'Sylvie' – both of which appear instead in some versions of the song.
"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to having the original version.
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Lord Thomas and Fair Annet", also known as "Lord Thomas and Fair Eleanor", is an English folk ballad.
"The Twa Magicians", "The Two Magicians", "The Lady and the Blacksmith", or "The Coal Black Smith" is a British folk song. It first appears in print in 1828 in two sources, Peter Buchan's Ancient Ballads and Songs of the North of Scotland and John Wilson's Noctes Ambrosianae #40. It was later published as number 44 of Francis James Child's English and Scottish Popular Ballads. During the 20th century, versions of it have been recorded by a number of folk and popular musicians.
"Sheath and Knife" is a folk ballad.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Babylon", also called "The Bonnie Banks o' Fordie" or "The Banks o' Airdrie" is an English-language folk song.
Mr. Motherwell gives a version under the title of Babylon; or, the Bonny Banks o' Fordie; and Mr. Kinloch gives another under the title of The Duke of Perth's Three Daughters. Previous editors have attempted to find a local habitation for this tradition, and have associated it with the family of Drummond, of Perth. As a legend exactly similar is current in Denmark, this appears a bootless quest.
"The Twa Brothers" is a traditional ballad existing in many variants.
"The Bramble Briar", "The Merchant's Daughter" or "In Bruton Town" is a traditional English folk murder ballad that tells the story of how two brothers murder a servant who is courting their sister. There are many versions of the song going by a number of different titles.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
