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"The Twa Brothers" is a traditional ballad (Roud 38 , Child 49) existing in many variants. [1]
"The Twa Brothers" is a traditional ballad (Roud 38 , Child 49) existing in many variants. [1]
Two brothers are wrestling when a blade that one of them is carrying mortally wounds the other; occasionally, one of them stabs the other intentionally.
Attempts to staunch the blood are not successful, and the dying brother tells the living one (usually) how to bury him, and (always) a long list of excuses to give the rest of the family, about his traveling to distant locations, to avoid admitting his death, ending with the injunction to tell his true love the truth.
Some variants end there.
In others, the living brother is taxed with the blood—as in "Edward" and "Lizie Wan"—and attempts to tell false tales do not work. He usually leaves, never to return.
In still others, the true love laments him so long that it disturbs the dead man in his grave, or she wants a kiss from the dead man—as in "The Unquiet Grave" or some variants of "Sweet William's Ghost"—and he asks her to stop and let him rest, or refuses it because it will kill her. In the American variant "The Rolling of the Stones", she "charmed her true love out of his grave." [2]
This ballad, in several variants, contains most of the ballad "Edward", Child 13. [3]
Many traditional recordings of the ballad were made in Scotland in the twentieth century, mostly from members of two particular traveller families. Notable performers include Jeannie Robertson, [4] her daughter Lizzie Higgins [5] and nephew Stanley Robertson, [6] as well as Belle Stewart [7] (on the album O'er his grave the Grass Grew Green, 1988) and her daughter Sheila Stewart [8] (on The Muckle Sangs, 1975). The unrelated Scottish singer Lucy Stewart sang a similar version which was recorded by Peter Kennedy in 1955 and later included on The Voice of the People (along with Belle Stewart's recording) and Good People take Warning (2012). Jeannie Robertson's recording is available on the Tobar an Dualchais website. [9]
The majority of traditional recordings were made in the United States. Alan Lomax's recordings of Clay Walters (1937), [10] Texas Gladden (1941) [11] and her brother Hobart Smith (1942) [12] are among several Appalachian recordings. Texas Gladden and Hobart Smith's recordings were eventually released on Texas Gladden, Ballad Legacy (2001) and Hobart Smith, Blue Ridge Legacy (2001) respectively. Many Ozark recordings were also made, such one performed by Evelyn Skaggs of Wayton, Arkansas (1954) and another by George Lay of Fayetteville, Arkansas [13] which can be heard online courtesy of the Max Hunter Folk Collection. [14] Helen Hartness Flanders also recorded several versions along the east coast. [15] [16] [17]
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"Mary Hamilton", or "The Fower Maries", is a common name for a well-known sixteenth-century ballad from Scotland based on an apparently fictional incident about a lady-in-waiting to a Queen of Scotland. It is Child Ballad 173 and Roud 79.
"The Raggle Taggle Gypsy" (Roud 1, Child 200), is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies (or one gypsy). Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" (or "Davy") and "Seven Yellow Gypsies".
John Strachan (1875–1958) was a Scottish farmer and Traditional singer of Bothy Ballads including several old and influential versions of the famous Child Ballads. He had a huge repertoire of traditional songs, and was recorded by the likes of James Madison Carpenter, Alan Lomax and Hamish Henderson.
"The Twa Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "Two Sisters", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index ., Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Lord Thomas and Fair Annet", also known as "Lord Thomas and Fair Eleanor", is an English folk ballad.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old, has been documented and recorded numerous times across the English speaking world into the twentieth century.
"Babylon" or "The Bonnie Banks o Fordie" is Child ballad 14, Roud 27.
Mr. Motherwell gives a version under the title of Babylon; or, the Bonny Banks o' Fordie; and Mr. Kinloch gives another under the title of The Duke of Perth's Three Daughters. Previous editors have attempted to find a local habitation for this tradition, and have associated it with the family of Drummond, of Perth. As a legend exactly similar is current in Denmark. this appears a bootless quest.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
"The Trees They Grow So High" is a British folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.
"The Derby Ram" or "As I was Going to Derby" is a traditional tall tale English folk song that tells the story of a ram of gargantuan proportions and the difficulties involved in butchering, tanning, and otherwise processing its carcass.
"When The Boat Comes In" is a traditional English folk song, listed as 2439 in the Roud Folk Song Index. The popular version originates in Northumbria. An early source for the lyrics, Joseph Robson's "Songs of the bards of the Tyne", published 1849, can be found on the FARNE archive. In FARNE's notes to the song, it is stated that the lyrics were written by William Watson in about 1826.
