The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost". [1] [2]
A young woman from a wealthy or land-owning family comes to love a young commoner, so her father sends her away. Whilst in exile, the maid wakes one night to find her lover at her window mounted upon a fine horse. They go out riding together until the man complains he has a headache; the maid tends to him and ties her handkerchief around his head. She returns to her father, who gives her the news that her young lover has in fact died of grief, whereupon she goes to his grave and digs up the bones, finding that her handkerchief is tied round the skull. In broadside versions she dies of grief shortly afterwards. [2] [3]
The Lover's Ghost
It's of a farmer in our town,
His election goes the country round;
He had a daughter, a beauty bright,
In every place was her heart's delight.
Many a young man a-courting came,
But none of them would her favour gain,
Till a young man came, of low degree,
Came underhanded and she fancied he.
Soon as her father came this to hear,
He separated her from her dear,
For four score miles this maid was sent,
To her uncle's home for his discontent.
Nine days after this young man died,
And his ghost appeared at her bedside -
"Rise, rise, my love and come with me,
And break these chains and set me free."
This maid arose and got up behind,
And he drove as swift as the very wind,
And not a word did this young man speak,
But - "My dearest dear, how my head does ache!"
She had a handkerchief of the holland kind,
And around his head she did him bind;
She kissed his pale lips, and thus did say -
"My dearest dear, you're as cold as clay."
He drove her up to her father's door,
And saw her father standing on the floor -
"O father dear, did you send for me
By such a kind messenger, kind sir?" said she.
He wrung his hands and tore his hair,
Much like a man in deep despair;
He tore the hair all from his head,
Crying - "Daughter dear, the young man is dead."
Early next morning this maid arose,
And straightaway to the churchyard goes,
She rose the corpse that was nine day's dead,
And found her handkerchief bound round his head.
O parents, parents, a warning take,
Don't chide your children, for heaven's sake!
Don't chide your children, for heaven's sake,
Or you'll repent when it is too late.
Collected from Richard May by Alfred Williams, Fairford, Gloucestershire, early 20th century. [4]
The Suffolk Miracle was first published by broadside printers between 1678 and 1680, and the latest known broadside was published between 1711 and 1769. [5] [6] It was included in the first volume of A Collection of Old Ballads , compiled by Ambrose Philips and published in London in 1723. [1]
The Roud Folk Song Index lists about 39 instances collected from traditional singers – 23 from the United States, 9 from Ireland, 4 from Canada and 3 from England. The earliest dated English version was collected in 1907, and several American versions were collected by Cecil Sharp in 1916. [1]
Some field recordings are available to listen online.
Jim Moray recorded a version of this song on his album Sweet England. Other versions have been recorded by John Goodluck, Ken Hall and Peta Webb, Norma Waterson, Kerfuffle, Benji Kirkpatrick, and Rosie Hood. [11]
Child included this ballad in "The English and Scottish Popular Ballads" because he thought it was derived from a traditional story from Europe:
This piece could not be admitted here on its own merits. At the first look, it would be classed with the vulgar prodigies printed for hawkers to sell and for Mopsa and Dorcas to buy........I have printed this ballad because, in a blurred, enfeebled, and disfigured shape, it is representative in England of one of the most remarkable tales and one of the most impressive and beautiful ballads of the European continent.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"The Black Velvet Band" is a traditional folk song collected from singers in Ireland, Australia, England, Canada and the United States describing how a young man is tricked and then sentenced to transportation to Australia, a common punishment in the British Empire during the 19th century. Versions were also published on broadsides.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to having the original version.
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
"The Broomfield Hill", "The Broomfield Wager" "The Merry Broomfield", "The Green Broomfield", "A Wager, a Wager", or "The West Country Wager" (Child 43, Roud 34) is a traditional English folk ballad.
"The Trees They Grow So High" is a British folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.
"The Sprig of Thyme", "The Seeds of Love", "Maiden’s Lament", "Garners Gay", "Let No Man Steal Your Thyme" or "Rue" is a traditional British and Irish folk ballad that uses botanical and other symbolism to warn young people of the dangers in taking false lovers. The song was first documented in 1689 and the many variants go by a large number of titles.
"The Cuckoo" is a traditional English folk song, also sung in the United States, Canada, Scotland and Ireland. The song is known by many names, including "The Coo-Coo", "The Coo-Coo Bird", "The Cuckoo Bird", "The Cuckoo Is a Pretty Bird", "The Evening Meeting", "The Unconstant Lover", "Bunclody" and "Going to Georgia". Lyrics usually include the line : "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies."
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
Transportation ballads are a genre of broadside ballads that concern the transportation of convicted criminals, originally to the American colonies and later to penal colonies in Australia. They were intended to serve as warnings of the hardships that come with conviction and thereby a deterrent against criminal behavior. Transportation ballads were published as broadsides—song sheets sold cheaply in the streets, at markets and at fairs. Many have passed into the folk tradition.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
The Golden Glove is an English folk song also popular in Scotland, Ireland and North America. It tells the tale of a young woman who falls in love with a farmer and devises a somewhat far-fetched ruse to win his love. This song is also known as Dog and Gun and The Squire of Tamworth
The Banks of Sweet Dundee is a folk song very popular with and frequently collected from traditional singers in Britain and Ireland, fairly common in North America, and also performed by revival singers and groups. A young woman escapes a forced marriage by shooting dead both the squire who is her intended husband and her uncle who attacks her.
"Early, Early in the Spring" is a British folk song that has been collected from traditional singers in England, Scotland, Ireland, Canada and the United States. It tells the story of a sailor gone to sea whose beloved promises to wait for him. When he returns she has married a rich man and he goes back to sea with a broken heart and a bitter attitude. In a few American versions the betrayed lover is a cowboy.