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"Bonnie Annie" (Child 24, Roud 172) is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter. [1] [2]
The ballad has been collected from traditional singers in Britain, Ireland, and the USA. [2]
A young woman, either a lord's or a merchant's daughter, in some versions called Annie but often nameless, is seduced by a man who is sometimes a sea captain or a squire, or his occupation isn't mentioned. She falls pregnant. He suggests she steals "some of your father's goodwill and some of your mother's money". [3] In other versions she steals gold from her father. They go aboard a ship. On the voyage she needs "women's help", presumably to help deliver her child, but this is not available. In some variants the ship will not sail, and either the lot falls on Annie or she asks to be thrown overboard "both me and my baby", in others her lover volunteers to throw her and the baby overboard for no apparent reason. He watches her swim, in some versions until she reaches the banks of green willow. He orders her to be buried, either in a coffin made of gold, or in a coffin with golden nails.
"Oh make my love a coffin,
Of the gold that shines yellow,
And she shall be buried
By the banks of green willow." [4]
(Collected from Mrs Overd, Langport, Somerset by Cecil Sharp in 1904.)
The motif of the lots and throwing a person from the ship may be derived from the tale of Jonah. Another ballad featuring these motifs is "Brown Robyn's Confession", (Child 57, Roud 3882). [5]
Child published two versions, both from Scottish sources. [5] The song doesn't seem to have been printed by broadside publishers. [2]
The Banks of Green Willow variant was popular with traditional singers across the south of England, where 33 versions were collected in the early twentieth century (14 in Somerset, 8 in Devon). One version was collected in Gloucestershire and another from the Shropshire singer Fred Jordan. 11 versions under various titles were collected in Scotland, one in Ireland and two in the US, both in Maine. [2] Cecil Sharp reported the song as "very generally sung throughout Somerset". [6]
There are two 1909 wax cylinder recordings of a workhouse worker named David Clements in Basingstoke, Hampshire, England in the British Library Sound Archive, one recorded by George Butterworth, the other by Ralph Vaughan Williams, both of which are publicly available. [7] [8] Since one seems to pick up where the other leaves off it seems possible that they were recorded on the same day in 1909.
A farm servant called George Hay (1878-1954) from the village of Portsoy in Aberdeenshire, Scotland was recorded singing a version of the song in 1952, which can be heard on the Tobar an Dualchais website. [9]
Peter Kennedy later recorded a Mrs. Maguire of Belfast singing "The Green Banks of Yarrow" variant. [10]
This song has frequently been recorded by folk singers including A.L. Lloyd, [11] [12] Ewan McColl and Peggy Seeger, [13] Nic Jones, [14] Martin Carthy, [15] Tony Rose, [16] Dick Gaughan, [17] Alison McMorland and Peta Webb as The Green Banks of Yarrow, [18] Steve Turner as Bonnie Annie, [19] Patti Reid as Bonnie Annie. [20]
The tune of a version of The Banks of Green Willows collected by George Butterworth and Ralph Vaughan Williams was used by Butterworth in his orchestral piece "The Banks of Green Willow" composed in 1913.
George Ritchie Kinloch, Child's source for one of his versions, states in his notes to "Bonnie Annie" that
"There is a prevalent belief among sea-faring people, that, if a person who has committed any heinous crime be on ship-board, the vessel, as if conscious of its guilty burden, becomes unmanageable, and will not sail till the offender is removed: to discover whom, they usually resort to the trial of those on board, by casting lots; and the individual upon whom the lot falls is declared the criminal, it being believed that Divine Providence interposes in this manner to point out the guilty person." [21]
Reverend Sabine Baring-Gould adapted the tale as The Undutiful Daughter in Old English Fairy Tales: a vain and haughty princess consults with a "gypsy" or witch character, who prophesizes she will marry a king, be carried in carriage driven by thousand white-maned horses, be attended by servants in blue, sleep in a golden bed beneath "a curtain of living green". It turns out that her destiny was an unfortunate one: the golden bed was her coffin, and the curtain of living green was a weeping willow. [22]
"Barbara Allen" is a traditional folk song that is popular throughout the English speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona.
"The Daemon Lover", also known as "James Harris", "James Herries", or "The House Carpenter", is a popular Scottish ballad dating to around 1685. Roud records the title as A warning for married women and identifies the woman in the song as "Mrs. Jane Reynolds born near Plimouth who having plighted her troth to a Seaman, was afterwards married to a Carpenter, and at last carried away by a Spirit."
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"The Raggle Taggle Gypsy", is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies. Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" and "Seven Yellow Gypsies".
"Lady Isabel and the Elf Knight" is the English common name representative of a very large class of European ballads.
"The Twa Sisters" is a traditional murder ballad, dating at least as far back as the mid seventeenth century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "Two Sisters", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
Lord Thomas and Fair Annet is an English folk ballad.
"The Lass of Roch Royal" is Child ballad number 76, existing in several variants.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.
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"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old, has been documented and recorded numerous times across the English speaking world into the twentieth century.
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Mr. Motherwell gives a version under the title of Babylon; or, the Bonny Banks o' Fordie; and Mr. Kinloch gives another under the title of The Duke of Perth's Three Daughters. Previous editors have attempted to find a local habitation for this tradition, and have associated it with the family of Drummond, of Perth. As a legend exactly similar is current in Denmark. this appears a bootless quest.
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"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.
"The Dowie Dens o Yarrow", also known as "The Braes of Yarrow" or simply "Yarrow", is a Scottish border ballad. It has many variants and it has been printed as a broadside, as well as published in song collections. It is considered to be a folk standard, and many different singers have performed and recorded it.
The Banks of Green Willow is a short orchestral piece of light music by British composer George Butterworth. It was composed in 1913, is written in the key of A major, and is around six minutes long.
The Banks of Sweet Dundee is a folk song very popular with and frequently collected from traditional singers in Britain and Ireland, fairly common in North America, and also performed by revival singers and groups. A young woman escapes a forced marriage by shooting dead both the squire who is her intended husband and her uncle who attacks her.