British Library Sound Archive

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British Library Sound Archive
BL Sound Archive tapes-2.jpg
The Archive became part of the British Library in 1983.
British Library Sound Archive
Location96, Euston Road, London, England, NW1 2DB, United Kingdom
Collection
Size6,500,000 recordings
Other information
Website sounds.bl.uk

The British Library Sound Archive, formerly the British Institute of Recorded Sound; also known as the National Sound Archive (NSA), [1] in London, England is among the largest collections of recorded sound in the world, including music, spoken word and ambient recordings. It holds more than six million recordings, [2] including over a million discs and 200,000 tapes. These include commercial record releases (chiefly from the UK), radio broadcasts (many from the BBC Sound Archive), and privately made recordings.

Contents

History

Peter Copeland began digitising the collection in the 1990s. PCopeland.jpg
Peter Copeland began digitising the collection in the 1990s.

The history of the Sound Archive can be traced back to 1905, when it was first suggested that the British Museum should have a collection of audio recordings of poets and statesmen. The Gramophone Company started donating metal masters of audio recordings in 1906 (on the basis that records would wear out), with a number of donations being made up until 1933. These recordings included some by Nellie Melba, Adelina Patti, Caruso and Francesco Tamagno, and others of Lev Tolstoy, Ernest Shackleton, Herbert Beerbohm Tree and Lewis Waller. A number of shellac pressings were also donated in the period 1920–50. [3]

Conflicting accounts exist regarding the founding of the British Institute of Recorded Sound (BIRS).

Sound archivist Patrick Saul founded the British Institute of Recorded Sound (BIRS) in 1955, after realizing that material was in danger of being lost as the British Museum did not maintain a comprehensive archive. [3] The institute was located in a property owned by the British Museum in Russell Square (with rent and rates guaranteed by Robert Mayer), and supported by a donation from the Quaker trust in Birmingham. [3] A public appeal resulted in the donation of thousands of shellac discs, which started off the collection. [3]

The claim made in the 1995 obituary of British Museum music librarian and BIRS director Alexander Hyatt King in The Independent that he founded the BIRS seven years earlier in 1948, is misleading. [4] In 1973 Saul recalled that Hyatt King was chairman of the embryonic Institute in 1953 (the second chairman, following Frank Howes), and was responsible for finding accommodation for the collection within the British Museum. [5]

The British Institute of Recorded Sound became part of the British Library, which had been split off from the British Museum, in April 1983. [3] It was later renamed the British Library Sound Archive. The metal masters originally collected by the British Museum were transferred to the Archive in 1992. [6]

Save Our Sounds

In 2015 the library launched the 'Save Our Sounds' programme to address the urgent need to digitise unique recordings in the UK's sound archives. These recordings are at risk of being lost due to deterioration of physical recording formats and decreasing availability of playback devices. [7] The aims of the programme are: [8]

Unlocking Our Sound Heritage

As part of Save Our Sounds, between 2017 and 2022 'Unlocking Our Sound Heritage', a network of ten regional centres across the UK, was set up to digitise a wide range of recordings held in local archives, including music, radio broadcasts, drama, oral history and wildlife recordings. [9]

Collections

The specialist collections are: [10]

Printed materials

The Sound Archive holds an extensive reference collection of printed materials relating to recordings. The collection includes books and periodicals from around the world, a wide-ranging collection of discographies, and one of the largest collections of commercial record catalogues dating back to the early 1900s.

Historic playback equipment

A reference collection of playback and recording devices, including historic gramophones and record players, that chart the history of sound reproduction equipment. Photographs of some of these may be viewed online. [13] In addition, the Sound Archive's engineering department maintains a wide selection of working playback tape and disc players for the purposes of digitising its sound collections.

Services

The Sound Archive provides a range of services. The Sound Archive's online catalogue of over 1.5 million recordings can be viewed online, and it is updated daily. Recordings may be listened to free of charge in the British Library Reading Rooms. Copies of recordings can be purchased subject to copyright clearance and spectrograms of wildlife sounds can be made to order. The British Library Sounds service provides free online access for UK higher and further education institutions to over 90,000 rare recordings of music, spoken word, and human and natural environments. 65% of these recordings are also freely accessible for public listening online.

Educational services

The British Library offers training workshops and events in oral history and wildlife sound recording, as well as audiovisual archiving internships.

Publications

Playback, the bulletin of the British Library Sound Archive, was published free of charge from 1992 to 2010. All 44 issues are available online. A range of British Library CDs are available covering nature sounds, world music, historical speeches and recordings of famous poets, playwrights and authors.

See also

Related Research Articles

<span class="mw-page-title-main">Phonograph</span> Device for analogue recording of sound

A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

<span class="mw-page-title-main">Phonograph record</span> Disc-shaped analog sound storage medium

A phonograph record, a vinyl record, or simply a record or vinyl is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph.

<span class="mw-page-title-main">Berliner Gramophone</span> First disc record label

Berliner Gramophone – its discs identified with an etched-in "E. Berliner's Gramophone" as the logo – was the first disc record label in the world. Its records were played on Emile Berliner's invention, the Gramophone, which competed with the wax cylinder–playing phonographs that were more common in the 1890s and could record.

<span class="mw-page-title-main">Columbia Graphophone Company</span> Record company in the United Kingdom

Columbia Graphophone Co. Ltd. was one of the earliest gramophone companies in the United Kingdom.

<span class="mw-page-title-main">Odeon Records</span> German multi-national record label

Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris.

<span class="mw-page-title-main">Sound recording and reproduction</span> Recording of sound and playing it back

Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.

British Library Sounds is a British Library service providing free online access to a diverse range of spoken word, music and environmental sounds from the British Library Sound Archive. Anyone with web access can use the service to search, browse and listen to 50,000 digitised recordings. Playback and download of an additional 22,000 recordings is available to Athens or Shibboleth users in UK higher and further education. The service was originally launched with funding by the Jisc.

Aleksander Kolkowski is a British musician and composer whose work combines instruments and machines from the pioneering era of sound recording and reproduction to make live mechanical-acoustic music. He lives and works in London, England.

Anthony Patrick Hodgins Saul OBE was an English sound archivist.

<span class="mw-page-title-main">Peter Copeland</span> British archivist

Peter Michael Copeland was an English sound archivist.

<span class="mw-page-title-main">BBC Archives</span> British archive of the BBC

BBC Archives are collections documenting the BBC's broadcasting history, including copies of television and radio broadcasts, internal documents, photographs, online content, sheet music, commercially available music, BBC products, press cuttings, artifacts and historic equipment. The original contents of the collections are permanently retained but are in the process of being digitised. Some collections are being uploaded to the BBC Archives section of the BBC Online website for visitors to view. The archive is one of the largest broadcast archives in the world, with over 15 million items.

The JISC Digitisation Programme was a series of projects to digitise the cultural heritage and scholarly materials in universities, libraries, museums, archives, and other cultural memory organizations in the United Kingdom, from 2004 to 2010 The program was managed by the UK's Joint Information Systems Committee, the body that supports United Kingdom post-16 and higher education and research in support of learning, teaching, research and administration in the context of ICT.

<span class="mw-page-title-main">Margaret Lawrie</span>

Margaret Elizabeth Lawrie née Hayes (1917–2003) was famous for capturing and retelling many of the myths and Legends of the Torres Strait Islander people. The Margaret Lawrie Collection is included in UNESCO's Australian Memory of the World Register.

<span class="mw-page-title-main">Electrical transcription</span> Phonograph recordings made for radio broadcasting

Electrical transcriptions are special phonograph recordings made exclusively for radio broadcasting, which were widely used during the "Golden Age of Radio". They provided material—from station-identification jingles and commercials to full-length programs—for use by local stations, which were affiliates of one of the radio networks.

<span class="mw-page-title-main">Österreichische Mediathek</span> Austrian archive for sound recordings and videos

The Österreichische Mediathek is the Austrian archive for sound recordings and videos on cultural and contemporary history. It was founded in 1960 as Österreichische Phonothek by the Ministry of Education and has been a branch of the Technisches Museum Wien since 2001. As video and sound archive, the Österreichische Mediathek is responsible for the preservation of the Austrian audio-visual cultural heritage.

<span class="mw-page-title-main">Joseph Taylor (folk singer)</span> Musical artist

Joseph Taylor, was a folk singer from Saxby-All-Saints, Lincolnshire, England, who became the first English folk singer to be commercially recorded after coming to the attention of the composer and musicologist Percy Grainger.

VisualAudio is a project that retrieves sound from a picture of a phonograph record. It originated from a partnership between the Swiss National Sound Archives and the School of Engineering and Architecture of Fribourg.

'Unlocking Our Sound Heritage' (UOSH) is a UK-wide project that aims to preserve, digitise and provide public access to a large part of the nation's sound heritage. The UOSH project forms part of the core programme 'Save Our Sounds' led by the British Library and involving a consortium of ten regional and national archival institutions. Between 2017 and 2022 the aim is to digitise and make available up to 500,000 rare and unique sounds recordings, not only from the British Library's collection but from across the UK, dating from the birth of recorded sound in the 1880s to the present time. The recordings include sounds such as local dialects and accents, oral histories, previously inaccessible musical performances and plays, and rare wildlife sounds. The consortium will also deliver various public engagement programmes, and a website where up to 100,000 recordings will be freely available to everyone for research, enjoyment and inspiration.

Alexander Hyatt King, also known as Alec Hyatt King, was an English musicologist and bibliographer, who was a music librarian of the British Museum and leading scholar on Wolfgang Amadeus Mozart. Educated at Dulwich College and King's College, Cambridge, he began his career at the British Museum as a cataloguer in February 1934; a post he remained in until December 1944 when he succeeded William Charles Smith as Superintendent of the Music Room. He remained in that position until 1973 when he was named Music Librarian of the Reference Division at the British Library. He also concurrently served as the British Museum's Deputy Keeper of the Department of Printed Books from 1959 until his retirement in 1976. He was involved in the early days of the British Institute of Recorded Sound: as Chairman in 1952 he helped find accommodation for the collection within the British Museum.

<span class="mw-page-title-main">Musée des ondes Emile Berliner</span> Museum located in Montreal, Canada

The Musée des ondes Emile Berliner is a technical history museum featuring displays related to the development of music recording and broadcasting and subsequent industries, located in the historic factory of the Berliner Gram-o-phone Company in Montreal, Quebec, Canada. To celebrate the Centennial of Broadcasting in Canada, the museum received a Governor General History Award in 2020.

References

  1. Sadie, Stanley; Tyrrell, John, eds. (2001). "National Sound Archive". The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN   978-1-56159-239-5.[ full citation needed ]
  2. "Save our Sounds". British Library. Retrieved 6 April 2015.
  3. 1 2 3 4 5 Day, T. (2001). The National Sound Archive: the first fifty years. pp 41-64 in Aural History: Essays on Recorded Sound (A. Linehan, Ed.). The British Library. ISBN   0-7123-4741-0
  4. Hugh Cobbe (23 October 2011). "Obituary: Alexander Hyatt King". The Independent .
  5. Saul, Paul. 'A Note on the Institute's pre-history', reprint of 1973 article, in IASA Journal 13, July 1999, p. 51-60
  6. "British Museum Gramophone recordings". British Library.[ permanent dead link ]
  7. Handling and storage of audio and video carriers : Technical Committee standards, recommended practices, and strategies. Dietrich Schüller, Albrecht Häfner, George Boston, International Association of Sound and Audiovisual Archives. Technical Committee (1st ed.). London. 2014. ISBN   978-0-9930690-0-0. OCLC   895787511.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  8. "Save our Sounds | Projects". The British Library. Retrieved 22 February 2022.
  9. Spice, Anton (12 April 2017). "British Library launches sound archive to rescue half a million recordings". The Vinyl Factory. Retrieved 22 February 2022.
  10. 1 2 3 "About the British Library Sound Archive". British Library. Archived from the original on 12 February 2010. Retrieved 14 January 2011.
  11. "Radio recordings: jazz and popular music". British Library. Retrieved 29 July 2013.
  12. "Sound". British Library. Retrieved 29 July 2013.
  13. "Playback & recording equipment". British Library. Retrieved 6 April 2015.

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