Related Research Articles
The codex was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages.
A manuscript was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.
In publishing, a colophon is a brief statement containing information about the publication of a book such as an "imprint". A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books, but sometimes the same information appears elsewhere and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or the "copyright-page".
A national library is a library established by a government as a country's preeminent repository of information. Unlike public libraries, these rarely allow citizens to borrow books. Often, they include numerous rare, valuable, or significant works. A national library is that library which has the duty of collecting and preserving the literature of the nation within and outside the country. Thus, national libraries are those libraries whose community is the nation at large. Examples include the British Library in London, and the Bibliothèque nationale de France in Paris.
The history of books became an acknowledged academic discipline in the 1980s. Contributors to the discipline include specialists from the fields of textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words.
Codicology is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features.
In library and information science, cataloging (US) or cataloguing (UK) is the process of creating metadata representing information resources, such as books, sound recordings, moving images, etc. Cataloging provides information such as author's names, titles, and subject terms that describe resources, typically through the creation of bibliographic records. The records serve as surrogates for the stored information resources. Since the 1970s these metadata are in machine-readable form and are indexed by information retrieval tools, such as bibliographic databases or search engines. While typically the cataloging process results in the production of library catalogs, it also produces other types of discovery tools for documents and collections.
A manuscript culture is a culture that depends on hand-written manuscripts to store and disseminate information. It is a stage that most developed cultures went through in between oral culture and print culture. Europe entered the stage in classical antiquity. In early medieval manuscript culture, monks copied manuscripts by hand. They copied not just religious works, but a variety of texts including some on astronomy, herbals, and bestiaries. Medieval manuscript culture deals with the transition of the manuscript from the monasteries to the market in the cities, and the rise of universities. Manuscript culture in the cities created jobs built around the making and trade of manuscripts, and typically was regulated by universities. Late manuscript culture was characterized by a desire for uniformity, well-ordered and convenient access to the text contained in the manuscript, and ease of reading aloud. This culture grew out of the Fourth Lateran Council (1215) and the rise of the Devotio Moderna. It included a change in materials, and was subject to remediation by the printed book, while also influencing it.
Quarto is the format of a book or pamphlet produced from full sheets printed with eight pages of text, four to a side, then folded twice to produce four leaves. The leaves are then trimmed along the folds to produce eight book pages. Each printed page presents as one-fourth size of the full sheet.
Andrew D. M. Pettegree is a British historian and an expert on the European Reformation, the history of the book and media transformations. As of 2022 he holds a professorship at St Andrews University, where he is the director of the Universal Short Title Catalogue Project. He is the founding director of the St Andrews Reformation Studies Institute.
The British Museum Library: A Short History and Survey is a book by Arundell Esdaile published by George Allen & Unwin, London, in 1946. It was reprinted in 1979 by Greenwood Press, Westport, Conn. from the 1948 ed. published by G. Allen & Unwin, London, which was issued as no. 9 of the Library Association series of library manuals. Esdaile's book serves as a historical survey of the British Museum Library when the museum and library departments were housed in the same building. The book traces the entire history of the institution, from 1753 to 1945.
David Pearson is an English librarian who served as the Director of Culture, Heritage and Libraries at the City of London Corporation between 2009 and 2017; his brief covered London Metropolitan Archives, Guildhall Library, City Business Library, Guildhall Art Gallery, and other institutions. He retired in early 2017 to focus on his work in book history and is now a Senior Member of Darwin College, Cambridge ; Honorary Senior Research Associate of the Department of Information Studies, University College London ; and Senior Fellow of the Institute of English Studies, University of London. A member of the Faculty of the Rare Book School at the University of Virginia, he teaches regularly at the London Rare Book School.
Erik Kwakkel is a Dutch scholar who specializes in medieval manuscripts, paleography, and codicology. He is a member of the Comité International de Paléographie Latine and, from 2012 through 2017, was a member of the Young Academy of the Royal Netherlands Academy of Arts and Sciences (KNAW).
The Sandars Readership in Bibliography is an annual lecture series given at Cambridge University. Instituted in 1895 at the behest of Mr Samuel Sandars of Trinity College (1837–1894), who left a £2000 bequest to the University, the series has continued down to the present day. Together with the Panizzi Lectures at the British Library and the Lyell Lectures at Oxford University, it is considered one of the major British bibliographical lecture series.
The Lyell Readership in Bibliography is an endowed annual lecture series given at Oxford University. Instituted in 1952 by a bequest from the solicitor, book collector and bibliographer James Patrick Ronaldson Lyell (1871–1948), the series has continued down to the present day. Together with the Panizzi Lectures at the British Library and the Sandars Lectures at Cambridge University, it is considered one of the major British bibliographical lecture series.
The McKenzie Lectures are a series of annual public lectures delivered by "a distinguished scholar on the history of the book, scholarly editing, or bibliography and the sociology of texts". The lectures are held in Oxford at the Centre for the Study of the Book. The series was inaugurated in 1996, in honour of Donald Francis McKenzie (1931–1999), upon his retirement as Professor of Bibliography and Textual Criticism, University of Oxford.
Johan Peter Gumbert, known in print as J.P. Gumbert, was a Dutch academic who specialised in medieval European manuscripts. From 1979 to 2001 he was Professor, and then Professor Emeritus, of Western Palaeography and Codicology at Leiden University.
Fragmentology is the study of surviving fragments of manuscripts. A manuscript fragment may consist of whole or partial leaves, typically made of parchment, conjugate pairs or sometimes gatherings of a parchment book or codex, or parts of single-leaf documents such as notarial acts. They are commonly found in book bindings, especially printed books from the 15th to the 17th centuries, used in a variety of ways such as wrappers or covers for the book, as endpapers, or cut into pieces and used to reinforce the binding. In other non-Western manuscript cultures, fragments of paper manuscripts and other materials, takes place beside parchment, including board covers that many times reused written paper.
Kathleen L. Scott is a codicologist specialising in 15th-century English manuscripts. An independent scholar, she is associated with the University of Massachusetts.
Antony Vaughan Griffiths, is a British museum curator and art historian, specialising in prints and drawings. From 1991 to 2011, he served as Keeper of the Department of Prints and Drawings, British Museum. He was Slade Professor of Fine Art at the University of Oxford for the 2014/2015 academic year.
References
- ↑ "The British Library Panizzi Lectures 1985–2014" (PDF). British Library.
- ↑ J.H. Bowman (1 Oct 2012). British Librarianship and Information Work 2001–2005. Ashgate. p. 157. ISBN 978-1-4094-8506-3.
- 1 2 The British Library (21 Oct 2021). "The Panizzi Lectures". Projects. Archived from the original on 18 Oct 2022. Retrieved 18 Oct 2022.
- 1 2 3 4 The British Library (2021). "The Panizzi Lectures". Archived from the original on 24 Nov 2021. Retrieved 24 Nov 2021.
- ↑ The British Library (24 Oct 2022). "Panizzi Lecture – Maps of the Mind: Diagrams Medieval and Modern". Archived from the original on 18 Oct 2022. Retrieved 18 Oct 2022.
- ↑ The British Library (2019). "The Panizzi Lectures 2019" . Retrieved 30 Mar 2020.
- ↑ The Bibliographical Society (2018). "Panizzi Lectures 2018" . Retrieved 12 Jan 2019.
- ↑ The British Library (20 Nov 2018). "The Panizzi Lectures 2018 – The Rhetoric of the Page: Reading Blank Space" . Retrieved 18 Oct 2022.
- ↑ The British Library (4 Dec 2017). "The Panizzi Lectures 2017 – Sappho: The Witnesses" . Retrieved 18 Oct 2022.
- ↑ "British Libraries: The Panizzi Lectures 2016". Medieval Manuscripts Blog. The British Library. 24 Sep 2016. Retrieved 18 Oct 2022.
- ↑ "The Panizzi Lectures - The Invention of Rare Books". European Studies Blog. The British Library. 29 Oct 2015. Retrieved 18 Oct 2022.
- ↑ "The 2014 Panizzi Lectures - The Giant Bibles of Twelfth-Century England". Medieval Manuscripts Blog. The British Library. 9 Sep 2014. Retrieved 18 Oct 2022.
- ↑ "The Panizzi Lectures - Censors at Work: Bourbon France, Imperialist India, and Communist Germany". European Studies Blog. The British Library. 3 Jan 2014. Retrieved 18 Oct 2022.
- ↑ "The 2012 Panizzi Lectures" (PDF). The British Library. 2012. Retrieved 18 Oct 2022.
- ↑ "2011 Panizzi Lectures at the British Library". Queen Mary Centre for Eighteenth-Century Studies. 24 Oct 2011. Retrieved 18 Oct 2022.
- ↑ "James Raven's Panizzi Lectures". Centre for Material Texts. 15 Sep 2010. Archived from the original on 18 Oct 2022. Retrieved 18 Oct 2022.
| Production | |
|---|---|
| Consumption | |
| By country | |
| Other |
|
| Related | |
