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Print culture embodies all forms of printed text and other printed forms of visual communication. One prominent scholar of print culture in Europe is Elizabeth Eisenstein, who contrasted the print culture of Europe in the centuries after the advent of the Western printing-press to European scribal culture. The invention of woodblock printing in China almost a thousand years prior and then the consequent Chinese invention of moveable type in 1040 had very different consequences for the formation of print culture in Asia. The development of printing, like the development of writing itself, had profound effects on human societies and knowledge. "Print culture" refers to the cultural products of the printing transformation.
In terms of image-based communication, a similar transformation came in Europe from the fifteenth century on with the introduction of the old master print and, slightly later, popular prints, both of which were actually much quicker in reaching the mass of the population than printed text.
Print culture is the conglomeration of effects on human society that is created by making printed forms of communication. Print culture encompasses many stages as it has evolved in response to technological advances. Print culture can first be studied from the period of time involving the gradual movement from oration to script as it is the basis for print culture. As the printing became commonplace, script became insufficient and printed documents were mass-produced. The era of physical print has had a lasting effect on human culture, but with the advent of digital text, some scholars believe the printed word may become obsolete.[ citation needed ]
The electronic media, including the World Wide Web, can be seen as an outgrowth of print culture.
Prior to print, knowledge was transmitted through oral traditions, including formulaic story telling supported by mnemonic techniques, [1] [2] as well as architectural and material artifacts. [3] the invention of writing brought with it the emergence of scribal culture or manuscript culture. Scholars disagree over when scribal culture developed. Walter Ong argues that scribal culture cannot exist until an alphabet is created, and a form of writing standardized. On the other hand, D. F. McKenzie argues that even communicative notches on a stick, or structure, represent “text”, and therefore scribal culture.
Ong suggests scribal culture is defined by an alphabet. McKenzie says that the key to scribal culture is non-verbal communication, which can be accomplished in more ways than using an alphabet. These two views give rise to the importance of print culture. In scribal culture, procuring documents was a difficult task, and documentation would then be limited to the rich only. Ideas are difficult to spread amongst large groups of people over large distances of land, not allowing for effective dissemination of knowledge.
Scribal culture also deals with large levels of inconsistency. In the process of copying documents, many times the meaning became changed, and the words different. Reliance on the written text of the time was never exceedingly strong. Over time, a greater need for reliable, quickly reproduced, and a relatively inexpensive means of distributing written text arose. Scribal culture, transforming into print culture, was only replicated in manners of written text.
Jack Goody, however, documents that the introduction of written language was transformative for finances, religion, law, and governance. Written language facilitated higher levels of organization, coherence and consistency of messages, extending reach of control, ownership and belief, creating rule of law, critical comparison of statements, among other effects. [4] Extensive scribal cultures with corresponding social consequences emerged in the ancient Middle East, [5] the Ancient Hebrew world, Classic Greece and Rome, [6] India, [7] China, [8] [9] Mesoamerica, [10] and the Islamic world. [11] The complexity of cultural change in the ancient Middle East is documented in the Oxford Handbook of Cuneiform Culture. [12]
The Chinese invention of paper and woodblock printing, at some point before the first dated book in 594 (the Diamond Sutra ) produced the world's first print culture. [13] Hundreds of thousands of books, on subjects ranging from Confucian Classics to science and mathematics, were printed using woodblock printing. [14] Printing was regulated by the state and largely served the interests of the educated bureaucracy. [8] [15] Only during the Ming and Qing dynasties did the publication of vernacular texts become common.
Paper and woodblock printing were introduced into Europe in the 15th century, and the first printed books began appearing in Europe. Chinese movable type was spread to Korea during the Goryeo dynasty. Around 1230, Koreans invented a metal type movable printing which was described by the French scholar Henri-Jean Martin as "extremely similar to Gutenberg's". [16] East metal movable type was spread to Europe between the late 14th century and early 15th century. [17] [18] [19] [20] The invention of Johannes Gutenberg's printing press (c. 1450) greatly reduced the amount of labor required to produce a book leading to an increase in the number of books produced. Early printers tried to keep their printed copies of a text as faithful as possible to the original manuscript. Even so, the earliest publications were still often different from the original, for a short time, in some ways manuscripts still remaining more accurate than printed books.
Hand-copied illustrations were replaced by first woodcuts, later engravings that could be duplicated precisely, revolutionizing technical literature. [21]
Eisenstein has described how the high costs of copying scribal works often led to their abandonment and eventual destruction. Furthermore, the cost and time of copying led to the slow propagation of ideas. In contrast, the printing press allowed rapid propagation of ideas, resulting in knowledge and cultural movements that were far harder to destroy. Eisenstein points to prior renaissances (rebirths) of classical learning prior to the printing press that failed. In contrast, the Renaissance was a permanent revival of classical learning because the printing of classical works put them into a permanent and widely read form. Similarly, Eisenstein points to a large number of prior attempts in Western Europe to assert doctrines contrary to the ruling Catholic Church. In contrast, the Protestant Reformation spread rapidly and permanently due to the printing of non-conformist works such as the 95 Theses. Eisenstein equally examined the impact of print on the development of science with the rapid and extensive dissemination of observations and data, the exact reproductions of charts and figures that allowed for comparison, and the impulse towards aggregation taxonomy. [22]
Because of the transformative consequences of the printing press, printing houses such as that of Christophe Moretus in Antwerp (now the Plantin-Moretus Museum) became for a time the center of print culture as authors considered themselves as belonging to a Republic of Letters. To build confidence in the knowledge arising from their presses, publishers fostered communities of trust. [23]
Johannes Gutenberg invention of the moveable type printing press provided a less expensive (though still costly) and more rapid way of filling the demand for books. Despite these advantages, printing had many critics, who were afraid that books could spread lies and subversion or corrupt unsuspecting readers [citation needed]. Also, they [who] were afraid that the printed texts would spread heresy and sow religious discord. The Gutenberg Bible was the first book produced with moveable type in Europe. Martin Luther's Bible, which was published in German in 1522, started the Protestant Reformation. Latin's importance as a language started languishing with the rise of texts written in national languages. The shift from scholarly Latin to everyday languages marked an important turning point in print culture. The vernacular Bibles were important to other nations, as well. The King James Authorized Version was published in 1611, for example. Along with the religious tracts, the scientific revolution was largely due to the printing press and the new print culture. Scholarly books were more accessible, and the printing press provided more accurate diagrams and symbols. Along with scientific texts, like the works of Copernicus, Galileo, and Tycho Brahe, atlases and cartography started taking off within the new print culture, mostly due to the exploration of different nations around the world. [24]
With the rise of literacy, books and other texts became more entrenched in the culture of the West. Along with literacy and more printed words also came censorship, especially from governments. In France, Voltaire and Rousseau were both imprisoned for their works. Other authors, like Montesquieu and Diderot, had to publish outside France. Censored books became a valuable commodity within this environment, and an underground network of book smugglers started operating within France. Diderot and Jean d'Alembert created the Encyclopedie , which was published in 1751 in seventeen folio volumes with eleven volumes of engravings. This work embodied the essence of the Age of Enlightenment. [25]
Numerous eras throughout history have been defined through the use of print culture. The American Revolution was a major historical conflict fought after print culture brought the rise of literacy. Furthermore, print culture's ability to shape and guide society was a critical component before, during, and after the Revolution.
Many different printed documents influenced the beginning of the revolution. Magna Carta was originally a scribal document of 1215, recording an oral transaction restricting the power of English kings and defining rights of subjects. It was revitalized by being printed in the 16th century and widely read by the increasingly literate English and colonial population thereafter. Magna Carta was used as a basis for the development of English liberties by Sir Edward Coke and became a basis for writing the Declaration of Independence.
Additionally, during the 18th century, the production of printed newspapers in the colonies greatly increased. In 1775, more copies of newspapers were issued in Worcester, Massachusetts than were printed in all of New England in 1754, showing that the existence of the conflict developed a need for print culture. This onslaught of printed text was brought about by the anonymous writings of men such as Benjamin Franklin, who was noted for his many contributions to the newspapers, including the Pennsylvania Gazette . This increase was primarily due to the easing of the government's tight control of the press, and without the existence of a relatively free press, the American Revolution may have never taken place. The production of so many newspapers can mostly be attributed to the fact that newspapers had a huge demand; printing presses were writing the newspapers to complain about the policies of the British government, and how the British government was taking advantage of the colonists.
In 1775, Thomas Paine wrote the pamphlet Common Sense , a pamphlet that introduced many ideas of freedom to the Colonial citizens. Allegedly, half a million copies were produced during the pre-revolution era. This number of pamphlets produced is significant as there were only a few million freed men in the colonies. Common Sense was not the only manuscript that influenced people and the tide of the revolution. Among the most influential were James Otis' "Rights of the British Colonies" and John Dickinson's 1767-68 Letters from a Farmer in Pennsylvania . Both of these played a key role in persuading the people and igniting the revolution.
Newspapers were printed during the revolution covering battle reports and propaganda. These reports were usually falsified by Washington in order to keep morale up among American citizens and troops. Washington was not the only one to falsify these reports, as other generals (on both sides) used this technique as well. The newspapers also covered some of the battles in great detail, especially the ones that the American forces won, in order to gain support from other countries in hopes that they would join the American forces in the fight against the British.
Before the Revolution, the British placed multiple acts upon the colonies, such as the stamp act. Many newspaper companies worried that the British would punish them for printing papers without a British seal, so they were forced to temporarily discontinue their work or simply change the title of their paper. However, some patriotic publishers, particularly those in Boston, continued their papers without any alteration of their title.
The Declaration of Independence is a very important written document that was drafted by the Committee of Five and other Founding Fathers representing the original Thirteen Colonies, as a form of print culture that would declare their independence from the Kingdom of Great Britain and explained the justifications for doing so. While it was explicitly documented on July 4, 1776, it was not recognized by Great Britain until September 3, 1783, by the Treaty of Paris.
After the signing of the Treaty of Paris, a cluster of free states in need of a government was created. The basis for this government was known as the Articles of Confederation, which were put to effect in 1778 and formed the first governing document of the United States of America. This document, however, was found to be unsuitable to outline the structure of the government, and thus showed an ineffectual use of print culture, and since printed texts were the most respected documents of the time, this called for an alteration in the document used to govern the confederation.
It was the job of the Constitutional Convention to reform the document, but they soon discovered that an entirely new text was needed in its place. The result was the United States Constitution. In the form of written word, the new document was used to grant more power to the central government, by expanding into branches. After it was ratified by all of the states in the union, the Constitution served as a redefinition of the modern government.
Thomas Jefferson was noted as saying, "The basis of our governments being the opinion of the people, the very first object should be to keep that right; and were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter." [26] This serves as an excellent example of how newspapers were highly regarded by the colonial people. In fact, much like other forms of 18th century print culture, newspapers played a very important role in the government following the Revolutionary War. Not only were they one of the few methods in the 18th century to voice the opinion of the people, they also allowed for the ideas to be disseminated to a wide audience, a primary goal of printed text. A famous example of the newspaper being used as a medium to convey ideas were The Federalist Papers . These were first published in New York City newspapers in 1788 and pushed for people to accept the idea of the United States Constitution by enumerating 85 different articles that justified its presence, adding to a series of texts designed to reinforce each other, and ultimately serving as a redefinition of the 18th century.
Today, print has matured to a state where the majority of modern society has come to have certain expectations regarding the printed book:
Copyright laws help to protect these standards. However, a few regions do exist in the world where literary piracy has become a standard commercial practice. In such regions, the preceding expectations are not the norm. [27]
Currently, there are still approximately 2.3 billion books still sold each year worldwide. However, this number is steadily decreasing due to the ever-growing popularity of the Internet and other forms of digital media.
As David J. Gunkel states in his article "What's the Matter with Books?", society is currently in the late age of the text; the moment of transition from print to electronic culture where it is too late for printed books and yet too early for electronic texts. Jay David Bolter, author of Writing Space, also discusses our culture in what he calls "the late age of print." The current debate going on in the literary world is whether or not the computer will replace the printed book as the repository and definition of human knowledge. There is still a very large audience committed to printed texts, who are not interested in moving to a digital representation of the repository for human knowledge. Bolter, in his own scholarship and also along with Richard Grusin in Remediation, explains that despite current fears about the end of print, the format will never be erased but only remediated. New forms of technology (new media) will be created which utilize features of old media, thus preventing old media's (aka print's) erasure. At the same time, there are also concerns over whether obsolescence and deterioration make digital media unsuitable for long-term archival purposes. Much of the early paper used for print is highly acidic, and will ultimately destroy itself.
The way that information is transferred has also changed with this new age of digital text and the shift towards electronic media. Gunkel states that information now takes the form of immaterial bits of digital data that are circulated at the speed of light. Consequently, what the printed book states about the exciting new culture and economy of bits is abraded by the fact that this information has been delivered in the slow and outdated form of physical paper.
In the article, "The First Amendment, Print Culture, and the Electronic Environment", the author notes that expectations will change as information becomes less tied to specific locations, and as machines become networked and linked to other machines. [28] This means that in the future certain goods will not be associated with their origins.
The article "The First Amendment, Print Culture, and the Electronic Environment" also mentions how the new electronic age will make print better. [29] Placing information into electronic form not only liberates the information from its pages but removes the need for specialized spaces to hold particular kinds of information. People have become increasingly accustomed to acquiring information from our homes that used to be only accessible from an office or library. Once computers are all networked, all information should, at least in theory, be accessible from all places. Print itself contained a set of invisible and inherent censors, which electronic media is helping to remove from the creation of text. Points of control that are present in print space are no longer present as distribution channels multiply, as copying becomes faster and cheaper, as more information is produced, as economic incentives for working with information increase, and as barriers and boundaries that inhibited working with information are crossed.
There are more online publications, journals, newspapers, magazines, and businesses than ever before. While this brings society closer, and makes publications more convenient and accessible, ordering a product online reduces contact with others. Many online articles are anonymous, making the 'death of the author' even more apparent. Anyone can post articles and journals online anonymously. In effect, the individual becomes separated from the rest of society.
The advances of technology in print culture can be separated into three shifts:
The written word has made history recordable and accurate. The printing press, some may argue, is not a part of print culture, but had a substantial impact upon the development of print culture through the times. The printing press brought uniform copies and efficiency in print. It allowed a person to make a living from writing. Most importantly, it spread print throughout society.
The advances made by technology in print also impact anyone using cell phones, laptops, and personal digital organizers. From novels being delivered via a cell phone, the ability to text message and send letters via e-mail clients, to having entire libraries stored on PDAs, print is being influenced by devices.
Symbols, logos and printed images are forms of printed media that do not rely on text. They are ubiquitous in modern urban life. Analyzing these cultural products is an important part of the field of cultural studies. Print has given rise to a wider distribution of pictures in society in conjunction with the printed word. Incorporation of printed pictures in magazines, newspapers, and books gave printed material a wider mass appeal through the ease of visual communication.
There is a common miscommunication that occurs when discussing that which is print and that which is text. In the literary world, notable scholars such as Walter Ong and D. F. McKenzie have disagreed on the meaning of text. The point of the discussion at hand is to have a word that encompasses all forms of communication - that which is printed, that which is online media, even abuilding or notches on a stick. According to Ong, text did not come about until the development of the first alphabet, well after humanity existed. According to McKenzie primitive humans did have a form of text they used to communicate with their cave drawings. This is discussed in literary theory. Print, however, is a representation of that which is printed, and does not encompass all forms of communication (e.g. a riot at a football game).
A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.
Johannes Gensfleisch zur Laden zum Gutenberg was a German inventor and craftsman who invented the movable-type printing press. Though movable type was already in use in East Asia, Gutenberg's invention of the printing press enabled a much faster rate of printing. The printing press later spread across the world, and led to an information revolution and the unprecedented mass-spread of literature throughout Europe. It had a profound impact on the development of the Renaissance, Reformation, and humanist movements.
A manuscript was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.
In publishing, printers are both companies providing printing services and individuals who directly operate printing presses.
A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium, thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.
Movable type is the system and technology of printing and typography that uses movable components to reproduce the elements of a document usually on the medium of paper.
Publishing is the activity of making information, literature, music, software, and other content available to the public for sale or free of charge. Traditionally, the term refers to the creation and distribution of printed works, such as books, comic books, newspapers, and magazines. With the advent of digital information systems, the scope has expanded to include digital publishing such as e-books, digital magazines, websites, social media, music, and video game publishing.
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of automatic printing.
The Gutenberg Galaxy: The Making of Typographic Man is a 1962 book by Marshall McLuhan, in which he analyzes the effects of mass media, especially the printing press, on European culture and human consciousness. It popularized the term global village, which refers to the idea that mass communication allows a village-like mindset to apply to the entire world; and Gutenberg Galaxy, which we may regard today to refer to the accumulated body of recorded works of human art and knowledge, especially books.
The history of books starts with the development of writing, and various other inventions such as paper and printing, and continues through to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what would conventionally be called "books" today and begins with tablets, scrolls, and sheets of papyrus. The current format that we consider to be books, with separate sheets fastened together rather than a scroll, is called a codex. Then hand-bound, expensive, and elaborate manuscripts appeared in codex form. These gave way to press-printed volumes and eventually led to the mass-printed volumes prevalent today. Contemporary books may even have no physical presence with the advent of the e-book. The book also became more accessible to the disabled with the advent of Braille and audiobook.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed.
The history of writing traces the development of writing systems and how their use transformed and was transformed by different societies. The use of writing prefigures various social and psychological consequences associated with literacy and literary culture.
Elizabeth Lewisohn Eisenstein was an American historian of the French Revolution and early 19th-century France. She is well known for her work on the history of early printing, writing on the transition in media between the era of 'manuscript culture' and that of 'print culture', as well as the role of the printing press in effecting broad cultural change in Western civilization.
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types.
Printing in East Asia originated in China, evolving from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. A type of printing called mechanical woodblock printing on paper started in China during the 7th century in the Tang dynasty. The use of woodblock printing spread throughout East Asia. As recorded in 1088 by Shen Kuo in his Dream Pool Essays, the Chinese artisan Bi Sheng invented an early form of movable type using clay and wood pieces arranged and organized for written Chinese characters. The earliest printed paper money with movable metal type to print the identifying code of the money was made in 1161 during the Song dynasty. In 1193, a book documented instructions on how to use the copper movable type. The use of metal movable type spread to Korea by the 13th century during the Goryeo period, with the world's oldest surviving printed book using moveable metal type being from 1377 in Korea.
The global spread of the printing press began with the invention of the printing press with movable type by Johannes Gutenberg in Mainz, Germany c. 1439. Western printing technology was adopted in all world regions by the end of the 19th century, displacing the manuscript and block printing.
Renaissance technology was the set of European artifacts and inventions which spread through the Renaissance period, roughly the 14th century through the 16th century. The era is marked by profound technical advancements such as the printing press, linear perspective in drawing, patent law, double shell domes and bastion fortresses. Sketchbooks from artisans of the period give a deep insight into the mechanical technology then known and applied.
A manuscript culture is a culture that depends on hand-written manuscripts to store and disseminate information. It is a stage that most developed cultures went through in between oral culture and print culture. Europe entered the stage in classical antiquity. In early medieval manuscript culture, monks copied manuscripts by hand. They copied not just religious works, but a variety of texts including some on astronomy, herbals, and bestiaries. Medieval manuscript culture deals with the transition of the manuscript from the monasteries to the market in the cities, and the rise of universities. Manuscript culture in the cities created jobs built around the making and trade of manuscripts, and typically was regulated by universities. Late manuscript culture was characterized by a desire for uniformity, well-ordered and convenient access to the text contained in the manuscript, and ease of reading aloud. This culture grew out of the Fourth Lateran Council (1215) and the rise of the Devotio Moderna. It included a change in materials, and was subject to remediation by the printed book, while also influencing it.
The history of printing starts as early as 3000 BCE, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. However, the use of copper movable types was documented in a Song-era book from 1193, and the earliest printed paper money using movable metal type to print the identifying codes were made in 1161. The technology also spread outside China, with the oldest extant printed book using metal movable type being the Jikji, printed in Korea in 1377 during the Goryeo era.