Resistance through culture

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Resistance through culture (also called cultural resistance, resistance through the aesthetic, [1] or intellectual resistance) [2] is a form of nonconformism. It is not open dissent, but a discreet stance. [3]

A revolt "so well hidden that it seems nonexistent", [4] it is a quest "to extend the boundaries of official tolerance, either by adopting a line considered by authorities to be ideologically suspect, or by highlighting certain contemporary social problems, or both." [3] Criticized for being "utopian, and thus inadequate to the realities of that age", [5] during the time of the Communist regimes in Europe, it was also a surviving formula, a modality for writers and artists to cheat Communist censorship without going the whole way into open political opposition. [6] [7]

Romania

One of the most sharply criticized phrases in post-revolutionary Romania, [8] considered to be not much more than "blowing in the wind" by Romanian-born German Nobel literature prize winner Herta Müller, [9] and "not only resignation [...] but complicity with the terrorist communism" by Romanian exiled writer Paul Goma, [10] so-called "resistance through culture" has often been linked to Constantin Noica's so-called "Păltiniș School". [11]

In the fine arts, Corneliu Baba, among others, is sometimes considered to be an example of a painter who was nonconformist in this way. [12]

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References

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  2. Corbea, Andrei (30 May 2000). "Exilul, inainte si dupa exil" (in Romanian). Observator cultural. Retrieved 10 Aug 2015.
  3. 1 2 McDermott, Kevin; Stibe, Matthew (eds.). Revolution and Resistance in Eastern Europe: Challenges to Communist Rule. Oxford, New York: Berg. pp. 90, 91. ISBN   978-1-84520-258-3.
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  11. GRIGORE, VASILICA; MITRACHE, GEORGETA; PREDOIU, RADU (2016-08-30). "Analogical transfer capacity and the discrimination reaction time in elite female tennis players". Psiworld 2015 Proceedings. Romanian Society of Experimental Applied Psychology. doi:10.15303/rjeap.2016.si1.a11.
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