Cultural heritage

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Roman ruins with a prophet, by Giovanni Pannini, 1751. The artistic cultural heritage of the Roman Empire served as a foundation for later Western culture, particularly via the Renaissance and Neoclassicism (as exemplified here). Giovanni Paolo Pannini 002.jpg
Roman ruins with a prophet, by Giovanni Pannini, 1751. The artistic cultural heritage of the Roman Empire served as a foundation for later Western culture, particularly via the Renaissance and Neoclassicism (as exemplified here).

Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society. [1]

Contents

Cultural heritage includes tangible culture (such as buildings, monuments, landscapes, archive materials, books, works of art, and artifacts), intangible culture (such as folklore, traditions, language, and knowledge), and natural heritage (including culturally significant landscapes, and biodiversity). [2] The term is often used in connection with issues relating to the protection of Indigenous intellectual property. [3]

The deliberate action of keeping cultural heritage from the present for the future is known as preservation (American English) or conservation (British English), which cultural and historical ethnic museums and cultural centers promote, though these terms may have more specific or technical meanings in the same contexts in the other dialect. Preserved heritage has become an anchor of the global tourism industry, a major contributor of economic value to local communities. [1]

Legal protection of cultural property comprises a number of international agreements and national laws. United Nations, UNESCO and Blue Shield International deal with the protection of cultural heritage. This also applies to the integration of United Nations peacekeeping. [4] [5] [6] [7] [8] [9]

Types of heritage

Cultural property

Cultural property includes the physical, or "tangible" cultural heritage, such as artworks. These are generally split into two groups of movable and immovable heritage. Immovable heritage includes buildings (which themselves may include installed art such as organs, stained glass windows, and frescos), large industrial installations, residential projects or other historic places and monuments. Moveable heritage includes books, documents, moveable artworks, machines, clothing, and other artifacts, that are considered worthy of preservation for the future. These include objects significant to the archaeology, architecture, science or technology of a specified culture. [2]

Aspects and disciplines of the preservation and conservation of tangible culture include:

Intangible culture

The Grandfather tells a story, by Albert Anker, c. 1884. Anker Grossvater erzahlt eine Geschichte 1884.jpg
The Grandfather tells a story, by Albert Anker, c. 1884.

"Intangible cultural heritage" consists of non-physical aspects of a particular culture, more often maintained by social customs during a specific period in history. The concept includes the ways and means of behavior in a society, and the often formal rules for operating in a particular cultural climate. These include social values and traditions, customs and practices, aesthetic and spiritual beliefs, artistic expression, language and other aspects of human activity. The significance of physical artifacts can be interpreted as an act against the backdrop of socioeconomic, political, ethnic, religious and philosophical values of a particular group of people. Naturally, intangible cultural heritage is more difficult to preserve than physical objects.[ citation needed ]

Aspects of the preservation and conservation of cultural intangibles include:

Natural heritage

"Natural heritage" is also an important part of a society's heritage, encompassing the countryside and natural environment, including flora and fauna, scientifically known as biodiversity, as well as geological elements (including mineralogical, geomorphological, paleontological, etc.), scientifically known as geodiversity. These kind of heritage sites often serve as an important component in a country's tourist industry, attracting many visitors from abroad as well as locally. Heritage can also include cultural landscapes (natural features that may have cultural attributes).

Aspects of the preservation and conservation of natural heritage include:

Digital heritage

Digital heritage is made up of computer-based materials such as texts, databases, images, sounds and software being retained for future generations. [10] Digital heritage includes physical objects such as documents which have been digitized for retention and artifacts which are "born digital", i.e. originally created digitally and having no physical form.

Protection of cultural heritage

History

There have been examples of respect for the cultural assets of enemies since ancient times. The roots of today's legal situation for the precise protection of cultural heritage also lie in some of the regulations of Austria's ruler Maria Theresa (1717 - 1780) and the demands of the Congress of Vienna (1814/15) not to remove works of art from their place of origin in the war. [11] The 1863 Lieber code, a military legal code governing the wartime conduct of the Union Army also set rules for the protection of cultural heritage. [12] The process continued at the end of the 19th century when, in 1874 (in Brussels), at least a draft international agreement on the laws and customs of war was agreed. 25 years later, in 1899, an international peace conference was held in the Netherlands on the initiative of Tsar Nicholas II of Russia, with the aim of revising the declaration (which was never ratified) and adopting a convention. The Hague Conventions of 1899 and 1907 also significantly advanced international law and laid down the principle of the immunity of cultural property. Three decades later, in 1935, the preamble to the Treaty on the Protection of Artistic and Scientific Institutions (Roerich Pact) was formulated. On the initiative of UNESCO, the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict was signed in 1954. [13]

Protection of cultural heritage or protection of cultural goods refers to all measures aimed to protect cultural property against damage, destruction, theft, embezzlement or other loss. The term "monument protection" is also used for immovable cultural property. Protection of cultural heritage relates in particular to the prevention of robbery digs at archaeological sites, the looting or destruction of cultural sites and the theft of works of art from churches and museums all over the world and basically measures regarding the conservation and general access to our common cultural heritage. Legal protection of cultural heritage comprises a number of international agreements and national laws. [14] [15] [16] [17] [18]

There is a close partnership between the UN, United Nations peacekeeping, UNESCO, the International Committee of the Red Cross and Blue Shield International. [9] [19]

Karl von Habsburg, on a Blue Shield International fact-finding mission in Libya Blue Shield Fact Finding Mission Libyen.jpg
Karl von Habsburg, on a Blue Shield International fact-finding mission in Libya

The protection of cultural heritage should also preserve the particularly sensitive cultural memory, the growing cultural diversity and the economic basis of a state, a municipality or a region. Whereby there is also a connection between cultural user disruption or cultural heritage and the cause of flight. But only through the fundamental cooperation, including the military units and the planning staff, with the locals can the protection of world heritage sites, archaeological finds, exhibits and archaeological sites from destruction, looting and robbery be implemented sustainably. The founding president of Blue Shield International Karl von Habsburg summed it up with the words: "Without the local community and without the local participants, that would be completely impossible". [9] [20] [21] [22]

The ethics and rationale of cultural preservation

Objects are a part of the study of human history because they provide a concrete basis for ideas, and can validate them. Their preservation demonstrates a recognition of the necessity of the past and of the things that tell its story. [23] In The Past is a Foreign Country, David Lowenthal observes that preserved objects also validate memories. While digital acquisition techniques can provide a technological solution that is able to acquire the shape and the appearance of artifacts with an unprecedented precision [24] in human history, the actuality of the object, as opposed to a reproduction, draws people in and gives them a literal way of touching the past. This poses a danger as places and things are damaged by the hands of tourists, the light required to display them, and other risks of making an object known and available. The reality of this risk reinforces the fact that all artifacts are in a constant state of chemical transformation, so that what is considered to be preserved is actually changing – it is never as it once was. [25] Similarly changing is the value each generation may place on the past and on the artifacts that link it to the past.

The equality or inseparability of cultural preservation and the protection of human life has been argued by several agencies and writers, [26] for example former French president François Hollande stated in 2016

Our responsibility is to save lives and also to save the stones -- there is no choice to be made, because today both are destroyed. [27]

Kautilya Society in Varanasi - When heritage protection becomes a fight for legality and participation Film-Camera.png → "They harass me because I demand civil society participation to public policies and I contrast the misuse of privileges"

Classical civilizations, especially Indian, have attributed supreme importance to the preservation of tradition. Its central idea was that social institutions, scientific knowledge and technological applications need to use a "heritage" as a "resource". [28] Using contemporary language, we could say that ancient Indians considered, as social resources, both economic assets (like natural resources and their exploitation structure) and factors promoting social integration (like institutions for the preservation of knowledge and for the maintenance of civil order). [29] Ethics considered that what had been inherited should not be consumed, but should be handed over, possibly enriched, to successive generations. This was a moral imperative for all, except in the final life stage of sannyasa.

What one generation considers "cultural heritage" may be rejected by the next generation, only to be revived by a subsequent generation.[ according to whom? ]

World heritage movement

Plaque stating the designation of Carthage as a World Heritage Site. Plaque Carthage Unesco.JPG
Plaque stating the designation of Carthage as a World Heritage Site.

Significant was the Convention Concerning the Protection of World Cultural and Natural Heritage that was adopted by the General Conference of UNESCO in 1972. As of 2011, there are 936 World Heritage Sites: 725 cultural, 183 natural, and 28 mixed properties, in 153 countries. Each of these sites is considered important to the international community.

The underwater cultural heritage is protected by the UNESCO Convention on the Protection of the Underwater Cultural Heritage. This convention is a legal instrument helping states parties to improve the protection of their underwater cultural heritage. [30] [31]

In addition, UNESCO has begun designating masterpieces of the Oral and Intangible Heritage of Humanity. The Committee on Economic, Social and Cultural Rights sitting as part of the United Nations Economic and Social Council with article 15 of its Covenant had sought to instill the principles under which cultural heritage is protected as part of a basic human right.

Key international documents and bodies include:

The U.S. Government Accountability Office issued a report describing some of the United States' cultural property protection efforts. [32]

National and regional heritage movements

Wikibooks-logo.svg Rediscovery of the Muisca Indigenous Heritage
Film-Camera.png El redescubrimiento de la tradición indígena
Youth and Heritage in Syria
Film-Camera.png Passing on traditional values

Much of heritage preservation work is done at the national, regional, or local levels of society. Various national and regional regimes include:

Burra Charter
Heritage Overlay in Victoria, Australia
KONS
National Institute of Historic and Artistic Heritage
Heritage conservation in Canada
National Monuments Council (Chile)
State Administration of Cultural Heritage
Supreme Council of Antiquities
Ministry of Culture (Estonia)
National Heritage Board (Estonia) [33]
Ghana's material cultural heritage
Secretary of State for Culture, Arts and Sports
Heritage conservation in Hong Kong
Ministry of Culture (India)
National Archives of India
Archaeological Survey of India
Anthropological Survey of India
Culture of India
Indian National Trust for Art and Cultural Heritage
National Museum Institute of the History of Art, Conservation and Museology
List of World Heritage Sites in India
Indian Heritage Cities Network, Mysore
Heritage structures in Hyderabad
Cultural Heritage, Handcrafts and Tourism Organization
Cultural Properties of Japan
National Museums of Kenya
International Inventories Programme
Institute for Protection of Cultural Monuments
The National Heritage Act
National Heritage Council of Namibia
National Monuments Council
New Zealand Historic Places Trust
Lahore Museum of Art and Cultural History
Lok Virsa Heritage Museum
National Museum of Pakistan
Pakistan Monument and Heritage Museum
National Commission for Culture and the Arts
National Historical Commission of the Philippines
National Ossoliński Institute [34]
Immovable Cultural Heritage of Exceptional Importance
Immovable Cultural Heritage of Great Importance
South African Heritage Resources Agency
Provincial heritage resources authorities
Amafa aKwaZulu-Natali
Heritage Western Cape
Northern Cape Heritage Resources Authority
National Monuments Council
Historical Monuments Commission
Conservation in the United Kingdom
English Heritage
English Heritage Archive
National Trust
Cadw
Northern Ireland Environment Agency
Historic Environment Scotland
National Trust for Scotland
National Park Service
National Register of Historic Places
National Historic Site (United States)
List of national memorials of the United States
National Military Park

National Heritage Conservation Commission

National Museums Board

National Monuments of Zimbabwe

Issues in cultural heritage

Emblem used to clearly identify cultural property under protection of the Hague Convention of 1954, regarding cultural property during armed conflicts. Distinctive emblem for cultural property.svg
Emblem used to clearly identify cultural property under protection of the Hague Convention of 1954, regarding cultural property during armed conflicts.

Broad philosophical, technical, and political issues and dimensions of cultural heritage include:

Management of cultural heritage

Issues in cultural heritage management include:

Cultural heritage digital preservation

Ancient archaeological artefacts and archaeological sites are naturally prone to damage due to their age and environmental conditions. Also, there have been tragic occurrences of unexpected human-made disasters, such as in the cases of a fire that took place in the 200 years old National Museum of Brazil and the UNESCO World Heritage Site of the Notre Dame Cathedral in Paris.

Therefore, there is a growing need to digitize cultural heritage in order to preserve them in the face of potential calamities such as climate change, natural disaster, poor policy or inadequate infrastructure. For example, the Library of Congress has started to digitize its collections in a special program called the National Digital Library Program. [35] The Smithsonian has also been actively digitizing its collection with the release of the "Smithsonian X 3D Explorer," allowing anyone to engage with the digitized versions of the museum's millions of artifacts, of which only two percent are on display. [36] [37]

3D scanning devices have become a practical reality in the field of heritage preservation. 3D scanners can produce a high-precision digital reference model that not only digitizes condition but also provides a 3D virtual model for replication. The high cost and relative complexity of 3D scanning technologies have made it quite impractical for many heritage institutions in the past, but this is changing, as technology advances and its relative costs are decreasing to reach a level where even mobile based scanning applications can be used to create a virtual museum.

There is still a low level of digital archiving of archaeological data obtained via excavation, [38] even in the UK where the lead digital archive for archaeology, the Archaeology Data Service, was established in the 1990s. Across the globe, countries are at different stages of dealing with digital archaeological archives, [39] all dealing with differences in statutory requirements, legal ownership of archives and infrastructure. [40] [41]

See also

Digital methods in preservation

Related Research Articles

<span class="mw-page-title-main">Historic preservation</span> Preservation of items of historical significance

Historic preservation (US), built heritage preservation or built heritage conservation (UK) is an endeavor that seeks to preserve, conserve and protect buildings, objects, landscapes or other artifacts of historical significance. It is a philosophical concept that became popular in the twentieth century, which maintains that cities as products of centuries' development should be obligated to protect their patrimonial legacy. The term refers specifically to the preservation of the built environment, and not to preservation of, for example, primeval forests or wilderness.

<span class="mw-page-title-main">Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict</span> International treaty

The Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict is the first international treaty that focuses exclusively on the protection of cultural property in armed conflict. It was signed at The Hague, Netherlands, on 14 May 1954 and entered into force on 7 August 1956. As of July 2021, it has been ratified by 133 states.

<span class="mw-page-title-main">Cultural heritage management</span> Vocation and practice of managing cultural heritage

Cultural heritage management (CHM) is the vocation and practice of managing cultural heritage. It is a branch of cultural resources management (CRM), although it also draws on the practices of cultural conservation, restoration, museology, archaeology, history and architecture. While the term cultural heritage is generally used in Europe, in the US the term cultural resources is in more general use specifically referring to cultural heritage resources.

The Convention on the Protection of the Underwater Cultural Heritage is a treaty that was adopted on 2 November 2001 by the General Conference of the United Nations Educational, Scientific and Cultural Organization (UNESCO). The convention is intended to protect "all traces of human existence having a cultural, historical or archaeological character" which have been under water for over 100 years. This extends to the protection of shipwrecks, sunken cities, prehistoric art work, treasures that may be looted, sacrificial and burial sites, and old ports that cover the oceans' floors. The preservation of underwater cultural heritage is significant as it allows for the retelling of numerous historical events. As part of its duty to conduct scientific research and provide continuous education on the importance of underwater cultural heritage, UNESCO strives to maintain these sites for the enjoyment of current and future generations. The convention may provide a customary framework to help raise awareness and seek to combat the illegal looting and pirating occurring in waters worldwide. As an international body, member states of the convention agree to work towards the preservation of sunken cultural property within their jurisdiction and the high seas.

The National Cultural Heritage Administration is an administrative agency affiliated with the Ministry of Culture and Tourism of the People's Republic of China. It is responsible for the development and management of museums as well as the protection of cultural relics of national importance.

<span class="mw-page-title-main">Cultural property</span> Physical cultural heritage, e.g. monuments

Cultural property, also known as cultural patrimony, comprises the physical items that are part of the cultural heritage of a group or society, as opposed to less tangible cultural expressions. They include such items as cultural landscapes, historic buildings, works of art, archaeological sites, as well as collections of libraries, archives, and museums.

Cultural heritage of Serbia represents the totality of national cultural heritage in Serbia as defined by Serbia's Law on Cultural Goods. Some of national heritage sites in Serbia are also World Heritage Sites.

<span class="mw-page-title-main">Cultural Property (Japan)</span>

A Cultural Property is administered by the Japanese government's Agency for Cultural Affairs, and includes tangible properties ; intangible properties ; folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people.

Immovable Cultural Heritage of Exceptional Importance are those objects of Immovable cultural heritage that enjoy the highest level of state protection in the Republic of Serbia. Immovable Cultural Heritage is classified as being of Exceptional Importance upon decision by the National Assembly of Serbia. They are inscribed in the Central Register of Immovable cultural property maintained by the Institute for the Protection of Cultural Monuments of Serbia. Objects of Immovable cultural heritage have to fulfill one or more of those criteria defined in the Law on Cultural Heritage of 1994 in order to be categorized as being "of exceptional importance":

  1. exceptional importance for social, historical or cultural development of the people, or for the development of its natural environment;
  2. evidence of important historic events or persons and their work;
  3. unique (rare) example of human creativity of the time or a unique example from the natural history;
  4. great influence on the development of society, culture, technology, or science;
  5. exceptional artistic or aesthetic value.
<span class="mw-page-title-main">National Institute of Cultural Heritage</span> Government organization in Warsaw, Poland

The National Institute of Cultural Heritage of Poland is a Polish governmental institution responsible for documenting cultural property and the intangible cultural heritage, as well as for supporting and coordinating their protection.

<span class="mw-page-title-main">Cultural property protection in Poland</span>

Cultural property protection in Poland

<span class="mw-page-title-main">Cultural heritage of Belarus</span> Overview of the cultural heritage of Belarus

The cultural heritage of Belarus includes both material and immaterial assets (valuables), in accordance with the Law on Protection of Historical and Cultural Heritage of the Republic of Belarus (2006).

The Cultural Heritage Center of the American Bureau of Educational and Cultural Affairs specializes in the protection and preservation of the world's ancient and historic monuments and archeological sites.

<span class="mw-page-title-main">Conservation and restoration of archaeological sites</span> Process in archaeology

The conservation and restoration of archaeological sites is the collaborative effort between archaeologists, conservators, and visitors to preserve an archaeological site, and if deemed appropriate, to restore it to its previous state. Considerations about aesthetic, historic, scientific, religious, symbolic, educational, economic, and ecological values all need to be assessed prior to deciding the methods of conservation or needs for restoration. The process of archaeology is essentially destructive, as excavation permanently changes the nature and context of the site and the associated information. Therefore, archaeologists and conservators have an ethical responsibility to care for and conserve the sites they put at risk.

Digital heritage is the use of digital media in the service of understanding and preserving cultural or natural heritage.

<span class="mw-page-title-main">Commission to Preserve National Monuments of Bosnia and Herzegovina</span> Government agency of national monuments

The Commission to Preserve National Monuments of Bosnia and Herzegovina, abbr. KONS, is Bosnia and Herzegovina commission (agency) which declares and registers national heritage monuments/sites, including natural/urban/architectural assembles, immovable and movable heritage of historical and cultural importance to Bosnia and Herzegovina, as an institution at state level. The sites of exclusively natural heritage are not subject of Annex 8 and the KONS.

Heritage management in the Philippines is guided by laws and agencies that create regulations for potentially destructive behaviors such as excavations and demolition. Legislation pertaining to heritage management consists of Republic Acts and Presidential Decrees. Organizations such as UNESCO, the National Commission for Culture and the Arts, and the Heritage Conservation Society are also referred to in laws.

<span class="mw-page-title-main">Ukrainian culture during the Russian invasion of Ukraine</span> Overview of Ukrainian cultural heritage during the Russian invasion

Russia began an invasion of Ukraine on 24 February 2022, in a major escalation of the Russo-Ukrainian War that began in 2014. It is the largest military attack in Europe since World War II. During the fighting, many pieces of Ukrainian cultural heritage were either destroyed, damaged, or put at risk due to the widespread destruction across the country. This deliberate destruction and looting of over 500 Ukrainian cultural heritage sites is considered a war crime and has been described by Ukraine's Minister of Culture as cultural genocide.

<span class="mw-page-title-main">Cultural heritage of Quebec</span> Canadian cultural heritage

According to the Loi sur le patrimoine culturel du Québec, the cultural heritage of Quebec is made up of deceased historical figures, historic places and events, heritage documents, buildings, objects and sites, heritage cultural landscapes and intangible heritage.

References

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  2. 1 2 Ann Marie Sullivan, Cultural Heritage & New Media: A Future for the Past, 15 J. MARSHALL REV. INTELL. PROP. L. 604 (2016) https://repository.jmls.edu/cgi/viewcontent.cgi?article=1392&context=ripl
  3. ↑ "Indigenous Cultural and Intellectual Property (ICIP) (AITB)". Arts Law Centre of Australia . 18 April 2011. Retrieved 21 July 2021.
  4. ↑ "UNESCO Legal Instruments: Second Protocol to the Hague Convention of 1954 for the Protection of Cultural Property in the Event of Armed Conflict 1999".
  5. ↑ UNESCO convenes Libyan and international experts meeting for the safeguard of Libya's cultural heritage. UNESCO World Heritage Center – News, 21. Oktober 2011.
  6. ↑ Roger O'Keefe, Camille Péron, Tofig Musayev, Gianluca Ferrari "Protection of Cultural Property. Military Manual." UNESCO, 2016, S. 73ff.
  7. ↑ Eric Gibson: The Destruction of Cultural Heritage Should be a War Crime. In: The Wall Street Journal, 2 March 2015.
  8. ↑ UNESCO Director-General calls for stronger cooperation for heritage protection at the Blue Shield International General Assembly. UNESCO, 13 September 2017.
  9. 1 2 3 UNIFIL – Action plan to preserve heritage sites during conflict, 12 Apr 2019.
  10. ↑ Unesco, Concept of digital herigate, accessed 9 May 2023
  11. ↑ Schutz des kulturellen Erbes (German - Protection of cultural heritgage), Austrian Armed Forces
  12. ↑ Titi, Catharine (2023). The Parthenon Marbles and International Law. Springer. p. 248. doi:10.1007/978-3-031-26357-6. ISBN   978-3-031-26356-9.
  13. ↑ Fiankan-Bokonga, Catherine (October–December 2017). "A historic resolution to protect cultural heritage". The UNESCO Courier.
  14. ↑ Corine Wegener, Marjan Otter: Cultural Property at War: Protecting Heritage during Armed Conflict. In: The Getty Conservation Institute, Newsletter 23.1, Spring 2008.
  15. ↑ Roger O’Keefe, Camille Péron, Tofig Musayev, Gianluca Ferrari "Protection of Cultural Property. Military Manual." UNESCO, 2016.
  16. ↑ Eden Stiffman "Cultural Preservation in Disasters, War Zones. Presents Big Challenges" in The Chronicle Of Philanthropy, 11 May 2015.
  17. ↑ "UNESCO Director-General calls for stronger cooperation for heritage protection at the Blue Shield International General Assembly.", UNESCO - 13 September 2017.
  18. ↑ Friedrich Schipper: "Bildersturm: Die globalen Normen zum Schutz von Kulturgut greifen nicht" (German - The global norms for the protection of cultural property do not apply), In: Der Standard, 6 March 2015.
  19. ↑ The ICRC and the Blue Shield signed a Memorandum of Understanding, 26 February 2020.
  20. ↑ "Austrian Armed Forces Mission in Lebanon" (in German). 28 April 2019.
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  22. ↑ Rick Szostak: The Causes of Economic Growth: Interdisciplinary Perspectives. Springer Science & Business Media, 2009, ISBN   9783540922827.
  23. ↑ Tanselle, G. Thomas (1998), Literature and Artifacts, Charlottesville, VA: Bibliographical Society of the University of Virginia, ISBN   1-883631-06-8, OCLC   39223648
  24. ↑ Paolo Cignoni; Roberto Scopigno (June 2008), "Sampled 3D models for CH applications: A viable and enabling new medium or just a technological exercise?" (PDF), ACM Journal on Computing and Cultural Heritage, 1 (1): 1, doi:10.1145/1367080.1367082, S2CID   16510261.
  25. ↑ Lowenthal, David (1985), The Past is a Foreign Country , New York: Cambridge University Press, ISBN   0-521-22415-2, OCLC   12052097
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