A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
Margaret Hilda Thatcher, Baroness Thatcher, was a British stateswoman and Conservative politician who was Prime Minister of the United Kingdom from 1979 to 1990 and Leader of the Conservative Party from 1975 to 1990. She was the longest-serving British prime minister of the 20th century and the first woman to hold the position. As prime minister, she implemented economic policies known as Thatcherism. A Soviet journalist dubbed her the "Iron Lady", a nickname that became associated with her uncompromising politics and leadership style.
The 1979 United Kingdom general election was held on Thursday 3 May 1979 to elect 635 members to the House of Commons.
Thatcherism is a form of British conservative ideology named after Conservative Party leader Margaret Thatcher that relates to not just her political platform and particular policies but also her personal character and style of management while in office. Proponents of Thatcherism are referred to as Thatcherites. The term has been used to describe the principles of the British government under Thatcher from the 1979 general election to her resignation in 1990, but it also receives use in describing administrative efforts continuing into the Conservative governments under John Major and David Cameron throughout the 1990s and 2010s. In international terms, Thatcherites have been described as a part of the general socio-economic movement known as neoliberalism, with different countries besides the United Kingdom sharing similar policies around expansionary capitalism.
Sense and Sensibility is a 1995 period drama film directed by Ang Lee and based on Jane Austen's 1811 novel of the same name. Emma Thompson wrote the screenplay and stars as Elinor Dashwood, while Kate Winslet plays Elinor's younger sister Marianne. The story follows the Dashwood sisters, members of a wealthy English family of landed gentry, as they must deal with circumstances of sudden destitution. They are forced to seek financial security through marriage. Hugh Grant and Alan Rickman play their respective suitors.
The SDP–Liberal Alliance was a centrist and social liberal political and electoral alliance in the United Kingdom.
Retro style is imitative or consciously derivative of lifestyles, trends, or art forms from history, including in music, modes, fashions, or attitudes. In popular culture, the "nostalgia cycle" is typically for the two decades that begin 20–30 years ago.
"New queer cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
Jean-Pierre Grumbach, known professionally as Jean-Pierre Melville, was a French filmmaker. Considered a spiritual father of the French New Wave, he was one of the first fully-independent French filmmakers to achieve commercial and critical success. His works include the crime dramas Bob le flambeur (1956), Le Doulos (1962), Le Samouraï (1967), and Le Cercle Rouge (1970), and the war films Le Silence de la mer (1949) and Army of Shadows (1969).
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.
Persuasion is a BBC Screen Two 1995 period drama film directed by Roger Michell and based on Jane Austen's 1817 novel of the same name. In her theatrical film debut, Amanda Root stars as protagonist Anne Elliot, while Ciarán Hinds plays her romantic interest, Captain Frederick Wentworth. The film is set in early 19th-century England, eight years after Anne was persuaded by others to reject Wentworth's proposal of marriage. Persuasion follows the two as they become reacquainted with each other while supporting characters threaten to interfere.
Conservatives at Work (CaW), formerly Conservative Trade Unionists (CTU), is an organisation within the British Conservative Party made up of Conservative-supporting trade unionists. It played an important role in expanding the party's membership and influence, particularly in Britain's industrial regions. By building support within trade unions, the party contributed to the reduction of the power and influence of the left. Targeting the working class became a priority for the party. This was motivated by the idea that revulsion towards Labour's egalitarian goals and redistributive policies would emerge from this group.
Sheldon Hall is a film historian based in the Humanities department of Sheffield Hallam University.
National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization. Film provides a unique window to other cultures, particularly where the output of a nation or region is high.
Ginette Vincendeau is a French-born British-based academic who is a professor of film studies at King's College London.
British horror cinema is a sub-category of horror films made by British studios. Horror films began in Britain with silent films in the early 20th century. Some of the most successful British horror films were made by Hammer Film Productions around the 1960s. A distinguishing feature of British horror cinema from its foundations in the 1910s until the end of Hammer's prolific output in the genre in the 1970s was storylines based on, or referring to, the gothic literature of the 19th century.
Portrait of a Young Girl at the End of the 60s in Brussels is a 1994 television film by Belgian feminist and avant-garde filmmaker Chantal Akerman. It is a semi-autobiographical coming-of-age story with feminist and LGBT themes.
The Norwich Women's Film Weekend was a two-day annual event that ran for 10 years, from 1979 to 1989, at Cinema City in Norwich. It was organised to 'promote and encourage women film-makers and present the audience with films dealing with women's issues', as the first programme (1979) put it. It was the first event created, curated, managed and implemented by a group called Cinewomen. The NWFW lasted longer than any other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the arts in Norwich.
