The film's title was inspired by the line "Bring me my Chariot of fire!" from the William Blake poem adapted into the British hymn and unofficial English anthem "Jerusalem"; the hymn is heard at the end of the film.[5] The original phrase "chariot(s) of fire" is from 2 Kings2:11 and 6:17 in the Bible.
Plot
During a 1978 funeral service in London in honour of the life of Harold Abrahams, headed by his former colleague Lord Andrew Lindsay, there is a flashback to when he was young and in a group of athletes running along a beach.
In 1919, Harold Abrahams enters the University of Cambridge, where he experiences antisemitism from the staff but enjoys participating in the Gilbert and Sullivan club. He becomes the first person to complete the Trinity Great Court Run, running around the college courtyard in the time it takes for the clock to strike 12, and achieves an undefeated string of victories in various national running competitions. Although focused on his running, he falls in love with Sybil Gordon, a leading Gilbert and Sullivan soprano.[a]
Eric Liddell, born in China to Scottish missionary parents, is in Scotland. His devout sister Jennie disapproves of Liddell's plans to pursue competitive running. Still, Liddell sees running as a way of glorifying God before returning to China to work as a missionary. When they first race against each other, Liddell beats Abrahams. Abrahams takes it poorly, but Sam Mussabini, a professional trainer he had approached earlier, offers to take him on to improve his technique. This attracts criticism from the Cambridge college masters, who assert that it isn't gentlemanly for an amateur to "play the tradesman" by employing a professional coach. Abrahams dismisses this concern, interpreting it as cover for antisemitic and class-based prejudice. When Liddell accidentally misses a church prayer meeting because of his running, Jennie upbraids him and accuses him of no longer caring about God. Eric tells her that though he intends to return eventually to the China mission, he feels divinely inspired when running and that not to run would be to dishonour God.
After years training and racing, the two athletes are accepted to represent Great Britain in the 1924 Olympics in Paris. Also accepted are Abrahams's Cambridge friends, Andrew Lindsay, Aubrey Montague, and Henry Stallard. While boarding the boat to France for the Olympics, Liddell discovers the heats for his 100-metre race will be on a Sunday. Despite intense pressure from the Prince of Wales and the British Olympic Committee, he refuses to run the race because his Christian convictions prevent him from running on the Lord's Day. A solution is found thanks to Liddell's teammate Lindsay, who, having already won a silver medal in the 400 metres hurdles, offers to give his place in the 400-metre race on the following Thursday to Liddell, who gratefully accepts. Liddell's religious convictions in the face of national athletic pride make headlines around the world; he delivers a sermon at the Paris Church of Scotland that Sunday, and quotes from Isaiah 40.
Abrahams is badly beaten by the heavily favoured United States runners in the 200-metre race. He knows his last chance for a medal will be the 100 metres. He competes in the race and wins. His coach Mussabini, who was barred from the stadium, is overcome that the years' dedication and training have paid off with an Olympic gold medal. Now Abrahams can get on with his life and reunite with his girlfriend Sybil, whom he has neglected for the sake of running. Before Liddell's race, the American coach remarks dismissively to his runners that Liddell has little chance of doing well in his new, far longer, 400-metre race. But one of the American runners, Jackson Scholz, hands Liddell a note of support that quotes 1 Samuel 2:30. Liddell defeats the American favourites and wins the gold medal. The British team returns home triumphant.
A textual epilogue reveals that Abrahams married Sybil and became the elder statesman of British athletics while Liddell went on to do missionary work and was mourned by all of Scotland following his death in Japanese-occupied China.
Other actors in smaller roles include John Young as Eric and Jennie's father Reverend J.D. Liddell, Yvonne Gilan as their mother Mary, Benny Young as their older brother Rob, Yves Beneyton as French runner Géo André, Philip O'Brien as American coach George Collins, Patrick Doyle as Jimmie,[6] and Ruby Wax as Bunty.[7]Kenneth Branagh, who worked as a set gofer, appears as an extra in the Cambridge Society Day sequence.[8]Stephen Fry has a likewise uncredited role as a Gilbert-and-Sullivan Club singer.[8]
Production
Screenplay
Ian Charleson, who studied the Bible intensively for his role, wrote Eric Liddell's post-race inspirational speech to a working-class crowd.
Producer David Puttnam was looking for a story in the mould of A Man for All Seasons (1966), regarding someone who follows his conscience, and felt that sport provided clear situations in this sense.[9] He discovered Eric Liddell's story by accident in 1977, when he happened upon An Approved History of the Olympic Games, a reference book on the Olympics, while housebound from the flu, in a rented house in Malibu.[10][11][12][13]
Screenwriter Colin Welland, commissioned by Puttnam, did an enormous amount of research for his Academy Award-winning script. Among other things, he took out advertisements in London newspapers seeking memories of the 1924 Olympics, went to the National Film Archives for pictures and footage of the 1924 Olympics, and interviewed everyone involved who was still alive. Welland just missed Abrahams, who died on 14 January 1978, but he did attend Abrahams' February 1978 memorial service, which inspired the present-day framing device of the film.[14]Aubrey Montague's son saw Welland's newspaper ad and sent him copies of the letters his father had sent home – which gave Welland something to use as a narrative bridge in the film. Except for changes in the greetings of the letters from "Darling Mummy" to "Dear Mum" and the change from Oxford to Cambridge, all of the readings from Montague's letters are from the originals.[15]
Welland's original script also featured, in addition to Eric Liddell and Harold Abrahams, a third protagonist, 1924 Olympic gold medallist Douglas Lowe, who was presented as a privileged aristocratic athlete. However, Lowe refused to have anything to do with the film, and his character was written out and replaced by the fictional character of Lord Andrew Lindsay.[16]
Initial financing towards development costs was provided by Goldcrest Films, who then sold the project to Mohamed Al-Fayed's Allied Stars, but kept a percentage of the profits.[17]
Ian Charleson wrote Eric Liddell's speech to the post-race workingmen's crowd at the Scotland v. Ireland races. Charleson, who had studied the Bible intensively in preparation for the role, told director Hugh Hudson that he didn't feel the portentous and sanctimonious scripted speech was either authentic or inspiring. Hudson and Welland allowed him to write words he personally found inspirational instead.[18]
Puttnam chose Hugh Hudson, a multiple award-winning advertising and documentary filmmaker who had never helmed a feature film, to direct Chariots of Fire. Hudson and Puttnam had known each other since the 1960s when Puttnam was an advertising executive and Hudson was making films for ad agencies. In 1977, Hudson had also been second-unit director on the Puttnam-produced film Midnight Express.[19]
Casting
Director Hugh Hudson was determined to cast young, unknown actors in all the major roles of the film, and to back them up by using veterans like John Gielgud, Lindsay Anderson, and Ian Holm as their supporting cast. Hudson and producer David Puttnam did months of fruitless searching for the perfect actor to play Eric Liddell. They then saw Scottish stage actor Ian Charleson performing the role of Pierre in the Royal Shakespeare Company's production of Piaf, and knew immediately they had found their man. Unbeknownst to them, Charleson had heard about the film from his father, and desperately wanted to play the part, feeling it would "fit like a kid glove".[20]
Ben Cross, who plays Harold Abrahams, was discovered while playing Billy Flynn in Chicago. In addition to having a natural pugnaciousness, he had the desired ability to sing and play the piano.[15][21] Cross was thrilled to be cast, and said he was moved to tears by the film's script.[22]
20th Century-Fox, which put up half of the production budget in exchange for distribution rights outside of North America,[23] insisted on having a couple of notable American names in the cast.[13] Thus the small parts of the two American champion runners, Jackson Scholz and Charley Paddock, were cast with recent headliners: Brad Davis had recently starred in Midnight Express (also produced by Puttnam), and Dennis Christopher had recently starred, as a young bicycle racer, in the popular indie film Breaking Away.[22]
All of the actors portraying runners underwent an intensive three-month training regimen with renowned running coach Tom McNab. This training and isolation of the actors also created a strong bond and sense of camaraderie among them.[22]
Filming
The beach running scene was filmed on West Sands, St Andrews, Scotland, adjacent to the Old Course.
The beach scenes showing the athletes running towards the Carlton Hotel at Broadstairs, Kent,[24] were shot in Scotland on West Sands, St Andrews next to the 18th hole of the Old Course at St Andrews Links. A plaque now commemorates the filming.[25][26] The impact of these scenes (as the athletes run in slow motion to Vangelis's music) prompted Broadstairs town council to commemorate them with a seafront plaque.[27]
All of the Cambridge scenes were actually filmed at Hugh Hudson's alma mater Eton College, because Cambridge refused filming rights, fearing depictions of anti-Semitism. The Cambridge administration greatly regretted the decision after the film's enormous success.[15]
The film was slightly altered for the U.S. audience. A brief scene depicting a pre-Olympics cricket game between Abrahams, Liddell, Montague, and the rest of the British track team appears shortly after the beginning of the original film. For the American audience, this brief scene was deleted. In the U.S., to avoid the initial G rating, which had been strongly associated with children's films and might have hindered box office sales, a different scene was used – one depicting Abrahams and Montague arriving at a Cambridge railway station and encountering two First World War veterans who use an obscenity – in order to be given a PG rating.[32] An off-camera retort of, "Win it for Israel" among exhortations of fellow students of Abrahams before he takes on the challenge of The Great Court Run was absent from the final cuts theatrically distributed in the U.S. However, they can be heard in versions broadcast on such cable outlets as TCM.
Although the film is a period piece set in the 1920s, the Academy Award-winning original soundtrack composed by Vangelis (credited as Vangelis Papathanassiou) uses a contemporary 1980s electronic sound, with a strong use of synthesizer and piano among other instruments. This was a departure from earlier period films, which employed sweeping orchestral instrumentals. The title theme of the film has been used in subsequent films and television shows during slow-motion segments.
Vangelis, a Greek-born electronic composer who moved to Paris in the late 1960s, had been living in London since 1974.[33] Director Hugh Hudson had collaborated with him on documentaries and commercials, and was also particularly impressed with his 1979 albums Opera Sauvage and China.[34] David Puttnam also greatly admired Vangelis's body of work, having originally selected his compositions for his previous film Midnight Express.[35] Hudson made the choice for Vangelis and for a modern score: "I knew we needed a piece which was anachronistic to the period to give it a feel of modernity. It was a risky idea but we went with it rather than have a period symphonic score."[19] The soundtrack had a personal significance to Vangelis: after composing the theme he told Puttnam, "My father is a runner, and this is an anthem to him."[14][33]
Hudson originally wanted Vangelis's 1977 tune "L'Enfant",[36] from his Opera Sauvage album, to be the title theme of the film, and the beach running sequence was actually filmed with "L'Enfant" playing on loudspeakers for the runners to pace to. Vangelis finally convinced Hudson he could create a new and better piece for the film's main theme – and when he played the "Chariots of Fire" theme for Hudson, it was agreed the new tune was unquestionably better.[37] The "L'Enfant" melody still made it into the film: when the athletes reach Paris and enter the stadium, a brass band marches through the field, and first plays a modified, acoustic performance of the piece.[38] Vangelis's electronic "L'Enfant" track eventually was used prominently in the 1982 film The Year of Living Dangerously.
Some pieces of Vangelis's music in the film did not end up on the film's soundtrack album. One of them is the background music to the race Eric Liddell runs in the Scottish highlands. This piece is a version of "Hymne", the original version of which appears on Vangelis's 1979 album, Opéra sauvage. Various versions are also included on Vangelis's compilation albums Themes, Portraits, and Odyssey: The Definitive Collection, though none of these include the version used in the film.
The film also incorporates a major traditional work: "Jerusalem", sung by a British choir at the 1978 funeral of Harold Abrahams. The words, written by William Blake in 1804–08, were set to music by Hubert Parry in 1916 as a celebration of England. This hymn has been described as "England's unofficial national anthem",[39] concludes the film and inspired its title.[40] A handful of other traditional anthems and hymns and period-appropriate instrumental ballroom-dance music round out the film's soundtrack.
Release
The film was distributed by 20th Century-Fox and selected for the 1981 Royal Film Performance with its premiere on 30 March 1981 at the Odeon Haymarket before opening to the public the following day. It opened in Edinburgh on 4 April and in Oxford and Cambridge on 5 April[41] with other openings in Manchester and Liverpool before expanding further in May into 20 additional London cinemas and 11 others nationally. It was shown in competition at the 1981 Cannes Film Festival on 20 May.[42]
The film was distributed by The Ladd Company through Warner Bros. in North America and released on 25 September 1981 in Los Angeles, California and in the New York Film Festival, on 26 September 1981 in New York and on 9 April 1982 in the United States.[43]
Reception
Since its release, Chariots of Fire has received generally positive reviews from critics. As of 2024[update], the film holds an 84% rating from the review aggregator website Rotten Tomatoes, based on 117 reviews, with a weighted average of 7.8/10. The site's consensus reads: "Decidedly slower and less limber than the Olympic runners at the center of its story, Chariots of Fire nevertheless manages to make effectively stirring use of its spiritual and patriotic themes."[44] On Metacritic, the film has a score of 78 out of 100 based on 19 critics' reviews.[45]
For its 2012 re-release, Kate Muir of The Times gave the film five stars, writing: "In a time when drug tests and synthetic fibres have replaced gumption and moral fibre, the tale of two runners competing against each other in the 1924 Olympics has a simple, undiminished power. From the opening scene of pale young men racing barefoot along the beach, full of hope and elation, backed by Vangelis's now famous anthem, the film is utterly compelling."[46]
In its first four weeks at the Odeon Haymarket it grossed £106,484.[47] The film was the highest-grossing British film for the year with theatrical rentals of £1,859,480.[48] Its gross of almost $59 million in the United States and Canada made it the highest-grossing film import into the US (i.e. a film without any US input) at the time, surpassing Meatballs' $43 million.[4][49]
The film was included by the Vatican in a list of important films compiled in 1995, under the category of "Values".[50]
Chariots of Fire is a film about achieving victory through self sacrifice and moral courage. While the producers' intent was to make a cinematic work that was historically authentic, the film was not intended to be historically accurate. Numerous liberties were taken with the actual historical chronology, the inclusion and exclusion of notable people, and the creation of fictional scenes for dramatic purpose, plot pacing and exposition.[53][54][55][56][57]
Characters
The film depicts Abrahams as attending Gonville and Caius College, Cambridge, with three other Olympic athletes: Henry Stallard, Aubrey Montague, and Lord Andrew Lindsay. However, whereas Abrahams and Stallard were indeed students there, Montague attended Oxford and not Cambridge.[58] Aubrey Montague sent daily letters to his mother about his time at Oxford and the Olympics; these letters were the basis of Montague's narration in the film.
The character of Lindsay was based partially on David Cecil (Lord Burghley), a significant figure in the history of British athletics. Although Burghley did attend Cambridge, he was not a contemporary of Harold Abrahams, as Abrahams was an undergraduate from 1919 to 1923 and Burghley was at Cambridge from 1923 to 1927. One scene in the film depicts the Burghley-based "Lindsay" as practising hurdles on his estate with full champagne glasses placed on each hurdle – this was something the wealthy Burghley did, although he used matchboxes instead of champagne glasses.[14] Burghley was not willing to be involved in the film and the fictional character of Lindsay was created when Douglas Lowe, who was Britain's third athletics gold medallist in the 1924 Olympics, also declined.[59]
Another scene in the film recreates the Great Court Run, in which the runners attempt to run around the perimeter of the Great Court at Trinity College, Cambridge in the time it takes the clock to strike 12 at midday. The film shows Abrahams performing the feat for the first time in history. In fact, Abrahams never attempted this race, and at the time of filming the only person on record known to have succeeded was Lord Burghley, in 1927. In Chariots of Fire, Lindsay, who is based on Lord Burghley, runs the Great Court Run with Abrahams in order to spur him on, and crosses the finish line just a moment too late. Since the film's release, the Great Court Run has also been successfully run by Trinity undergraduate Sam Dobin, in October 2007.[60]
In the film, Eric Liddell is tripped up by a Frenchman in the 400-metre event of a Scotland–France international athletic meeting. He recovers, makes up a 20-metre deficit, and wins. This was based on fact; the actual race was the 440 yards at a Triangular Contest meet between Scotland, England, and Ireland at Stoke-on-Trent in England in July 1923. His achievement was remarkable as he had already won the 100- and 220-yard events that day.[61] Also unmentioned with regard to Liddell is that it was he who introduced Abrahams to Sam Mussabini.[62] This is alluded to: in the film, Abrahams first encounters Mussabini while he is watching Liddell race.
Abrahams and Liddell did race against each other twice, but not as depicted in the film, which shows Liddell winning the final of the 100 yards against a shattered Abrahams at the 1923 AAA Championship at Stamford Bridge. In fact, they raced only in a heat of the 220 yards, which Liddell won, five yards ahead of Abrahams, who did not progress to the final. In the 100 yards, Abrahams was eliminated in the heats and did not race against Liddell, who won the finals of both races the next day. They also raced against each other in the 200 m final at the 1924 Olympics, and this was also not shown in the film.[63]
Abrahams' fiancée is misidentified as Sybil Gordon, a soprano with the D'Oyly Carte Opera Company. In fact, in 1936, Abrahams married Sybil Evers, who also performed with D'Oyly Carte, but they did not meet until 1934.[64] Also, in the film, Sybil is depicted as singing the role of Yum-Yum in The Mikado, but neither Gordon nor Evers ever sang that role with D'Oyly Carte,[65][66] although Evers was known for her charm in singing Peep-Bo, one of the two other "little maids from school".[64] Harold Abrahams' love of and heavy involvement with Gilbert and Sullivan, as depicted in the film, is factual.[15]
Liddell's sister was several years younger than she was portrayed in the film. Her disapproval of Liddell's track career was creative licence; she actually fully supported his sporting work. Jenny Liddell Somerville cooperated fully with the making of the film and has a brief cameo in the Paris Church of Scotland during Liddell's sermon.[67]
At the memorial service for Harold Abrahams, which opens the film, Lord Lindsay mentions that he and Aubrey Montague are the only members of the 1924 Olympic team still alive. However, Montague died in 1948, 30 years before Abrahams' death.
In the film, the 100m bronze medallist is a character called "Tom Watson"; the real medallist was Arthur Porritt of New Zealand, who refused permission for his name to be used in the film, allegedly out of modesty, and his wish was accepted by the film's producers, even though his permission was not necessary.[68] However, the brief back-story given for Watson, who is called up to the New Zealand team from the University of Oxford, substantially matches Porritt's history. With the exception of Porritt, all the runners in the 100m final are identified correctly when they line up for inspection by the Prince of Wales.
Jackson Scholz is depicted as handing Liddell an inspirational Bible-quotation message before the 400 metres final: "It says in the Old Book, 'He that honors me, I will honor.' Good luck."[69] In reality, the note was from members of the British team, and was handed to Liddell before the race by his attending masseur at the team's Paris hotel.[70] For dramatic purposes, screenwriter Welland asked Scholz if he could be depicted handing the note, and Scholz readily agreed, saying "Yes, great, as long as it makes me look good."[15][71]
The events surrounding Liddell's refusal to race on a Sunday were changed for dramatic purposes. In the film, he does not learn that the 100-metre heat is to be held on the Christian Sabbath until he is boarding the boat to Paris. In fact, the schedule was made public several months in advance; Liddell did, however, face immense pressure to run on that Sunday and to compete in the 100 metres, and was called before a grilling by the British Olympic Committee, the Prince of Wales, and other grandees;[15] his refusal to run made headlines around the world.[72]
The decision to change races was, even so, made well before embarking to Paris, and Liddell spent the intervening months training for the 400 metres, an event in which his times were modest by international standards. Liddell's success in the Olympic 400m was thus largely unexpected.
The film depicts Lindsay, having already won a medal in the 400-metre hurdles, giving up his place in the 400-metre race for Liddell. In fact, Burghley, on whom Lindsay is loosely based, was eliminated in the heats of the 110 hurdles (he went on to win a gold medal in the 400-metre hurdles at the 1928 Olympics), and was not entered for the 400 metres.
The film reverses the order of Abrahams' 100m and 200m races at the Olympics. In reality, after winning the 100 metres race, Abrahams ran the 200 metres but finished last, Jackson Scholz taking the gold medal. In the film, before his triumph in the 100m, Abrahams is shown losing the 200m and being scolded by Mussabini. During the following scene in which Abrahams speaks with his friend Montague while receiving a massage from Mussabini, a French newspaper clipping shows Scholz and Charley Paddock with a headline stating that the 200 metres was a triumph for the United States. In the same conversation, Abrahams laments getting "beaten out of sight" in the 200. The film thus has Abrahams overcoming the disappointment of losing the 200 by going on to win the 100, a reversal of the real order.
Eric Liddell actually also ran in the 200m race, and finished third, behind Paddock and Scholz. This was the only time in reality that Liddell and Abrahams competed in the same finals race. While their meeting in the 1923 AAA Championship in the film was fictitious, Liddell's record win in that race did spur Abrahams to train even harder.[73]
Chariots of Fire became a recurring theme in promotions for the 2012 Summer Olympics in London. The film's theme was featured at the opening of the 2012 London New Year's fireworks celebrating the Olympics.[74] The runners who first tested the new Olympic Park were spurred on by the Chariots of Fire theme,[75] and the music was also used as a fanfare for the carriers of the Olympic flame on parts of its route through the UK.[76][77] The beach-running sequence was also recreated at St. Andrews and filmed as part of the Olympic torch relay.[78]
The film's theme was also performed by the London Symphony Orchestra, conducted by Simon Rattle, during the Opening Ceremony of the games; the performance was accompanied by a comedy skit by Rowan Atkinson (as Mr. Bean) which included the opening beach-running footage from the film.[79] The film's theme was again played during each medal ceremony of the 2012 Olympics.
As an official part of the London 2012 Festival celebrations, a new digitally re-mastered version of the film screened in 150 cinemas throughout the UK. The re-release began 13 July 2012, two weeks before the opening ceremony of the London Olympics.[80]
A Blu-ray of the film was released on 10 July 2012 in North America,[81] and was released 16 July 2012 in the UK.[82] The release includes nearly an hour of special features, a CD sampler, and a 32-page "digibook".[83][84]
A stage adaptation of Chariots of Fire was mounted in honour of the 2012 Olympics. The play, Chariots of Fire, which was adapted by playwright Mike Bartlett and included the Vangelis score, ran from 9 May to 16 June 2012 at London's Hampstead Theatre, and transferred to the Gielgud Theatre in the West End on 23 June, where it ran until 5 January 2013.[85] It starred Jack Lowden as Eric Liddell and James McArdle as Harold Abrahams, and Edward Hall directed. Stage designer Miriam Buether transformed each theatre into an Olympic stadium, and composer Jason Carr wrote additional music.[86][87][88] Vangelis also created several new pieces of music for the production.[89][90]
The stage version for the London Olympic year was the idea of the film's director, Hugh Hudson, who co-produced the play; he stated, "Issues of faith, of refusal to compromise, standing up for one's beliefs, achieving something for the sake of it, with passion, and not just for fame or financial gain, are even more vital today."[91]
Another play, Running for Glory, written by Philip Dart, based on the 1924 Olympics, and focusing on Abrahams and Liddell, toured parts of Britain from 25 February to 1 April 2012. It starred Nicholas Jacobs as Harold Abrahams, and Tom Micklem as Eric Liddell.[92][93]
Harold Maurice Abrahams was an English track and field athlete. He was Olympic champion in 1924 in the 100 metres sprint, a feat depicted in the 1981 film Chariots of Fire.
David Terence Puttnam, Baron Puttnam, CBE, HonFRSA, HonFRPS, MRIA is a British-Irish film producer, educator, environmentalist and former member of the House of Lords. His productions include Chariots of Fire, which won the Academy Award for Best Picture, The Mission, The Killing Fields, Local Hero, Midnight Express and Memphis Belle. In 1982, he received the BAFTA for Outstanding British Contribution to Cinema, and in 2006 he was awarded the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts.
Eric Henry Liddell was a Scottish sprinter, rugby player and Christian missionary. Born in Qing China to Scottish missionary parents, he attended boarding school near London, spending time when possible with his family in Edinburgh, and afterwards attended the University of Edinburgh.
Jackson Volney Scholz was an American sprint runner. In the 1920s, he became the first person to appear in an Olympic sprint final in three different Olympic Games. After his athletic career, he also gained fame as a writer.
Great Court is the main court of Trinity College, Cambridge, and reputed to be the largest enclosed courtyard in Europe.
Opéra Sauvage is a soundtrack album by the Greek electronic composer Vangelis, released in 1979. It is the score for the nature documentary of the same title by French filmmaker Frédéric Rossif. It is considered one of Vangelis' best albums and is his second most successful album in the USA, reaching #42 in the album charts.
David George Brownlow Cecil, 6th Marquess of Exeter, KCMG KStJ, styled Lord Burghley before 1956 and also known as David Burghley, was an English athlete, sports official, peer, and Conservative Party politician. He won the gold medal in the 400 m hurdles at the 1928 Summer Olympics.
Ian Charleson was a Scottish stage and film actor. He is best known internationally for his starring role as Olympic athlete and missionary Eric Liddell in the Oscar-winning 1981 film Chariots of Fire. He is also well known for his portrayal of Rev. Charlie Andrews in the 1982 Oscar-winning film Gandhi.
Colin Welland was an English actor and screenwriter. He won the BAFTA Award for Best Actor in a Supporting Role for his performance as Mr Farthing in Kes (1969) and the Academy Award for Best Original Screenplay for writing Chariots of Fire (1981).
Hugh Hudson was an English film director. He was among a generation of British directors who would begin their career making documentaries and television commercials before going on to have success in films.
"Chariots of Fire" is an instrumental theme written and recorded by Vangelis for the soundtrack of the 1981 film of the same name. It has been covered by numerous performers and used for various television programs and sporting events.
Great Britain, represented by the British Olympic Association (BOA), competed at the 1924 Summer Olympics in Paris, France. This was the first Summer Olympics in which athletes from the newly independent Irish Free State competed separately. Following the Royal and Parliamentary Titles Act 1927, the name changed (officially) to 'United Kingdom of Great Britain and Northern Ireland' but the Olympic team competed as Great Britain from the 1928 games onwards. 267 competitors, 239 men and 28 women, took part in 115 events in 18 sports.
Chariots of Fire is a 1981 musical score by Greek electronic composer Vangelis for the British film Chariots of Fire, which won four Academy Awards including Best Picture and Original Music Score.
Scipio Africanus "Sam" Mussabini was an English athletics coach best known for his work with Harold Abrahams. In total, he led athletes to eleven medals over five Olympic Games. However, in an era where amateurism was prized, he was not officially recognised because he was a professional coach.
The men's 100 metres event was part of the track and field athletics programme at the 1924 Summer Olympics. This race was depicted in the film Chariots of Fire. The first two rounds were held on 6 July, with the semifinals and final on 7 July. Eighty-six sprinters from 34 countries competed. The event was won by Harold Abrahams of Great Britain—Great Britain's first Olympic gold medal in the men's 100 metres and only the second time that the United States failed to win. Jackson Scholz kept the Americans on the podium with a silver. Arthur Porritt won the bronze, New Zealand's first medal in the event.
The men's 400 metres event was part of the track and field athletics programme at the 1924 Summer Olympics. This race was depicted in the film Chariots of Fire. The competition was held on Thursday, July 10, 1924, and on Friday, July 11, 1924.
Sybil Marjorie Evers was an English singer and actress. She performed in operettas, operas and plays in London from the early 1920s through the late 1930s, including on BBC radio and television. She married Olympic champion runner Harold Abrahams.
Sybil Gordon was an English singer and actress. She is best remembered for her performances in Gilbert and Sullivan roles with the D'Oyly Carte Opera Company from 1926 to 1931. Gordon started out as a concert singer. After her career with the D'Oyly Carte company, she moved to Canada, where she broadcast on the radio. In the 1981 film Chariots of Fire, she is misidentified as the fiancée of Olympic runner Harold Abrahams.
Evelyn Aubrey Montague was an English athlete and journalist. He ran in the 1924 Paris Olympics, placing sixth in the steeplechase race. Montague is portrayed in the 1981 film Chariots of Fire, where he is portrayed by Nicholas Farrell. Contrary to the film, he attended Oxford, not Cambridge, and went by the name Evelyn (EEV-lin) rather than Aubrey.
Chariots of Fire is a 2012 stage adaptation of the 1981 Oscar-winning film of the same name. Production of the Olympic-themed play, which opened at London's Hampstead Theatre 9 May 2012 and transferred to the West End on 23 June 2012, was partially inspired by the 2012 London Summer Olympics.
References
Chapman, James (2005). "The British Are Coming: Chariots of Fire (1981)". Past and Present: National Identity and the British Historical Film. London: I.B. Tauris & Co. pp.270–298.
Ryan, Mark (2012). Running with Fire: The True Story of Chariots of Fire Hero Harold Abrahams (paperback). Robson Press. (Original hardback: JR Books Ltd, 2011.)
↑ "Grannie Clark's Wynd". www.graylinescotland.com. 14 June 2010. Archived from the original on 14 June 2010. Grannie Clark's Wynd, a public right-of-way over the 1st and the 18th of the Old Course, which was where the athletes were filmed running for the final titles shot
↑ Murray, Feg. "DID YOU KNOW THAT ...". Los Angeles Times. 24 June 1924. Full headline reads, "Did You Know That Famous Scotch Sprinter Will Not Run in the Olympic 100 Metres Because The Trials Are Run on Sunday".
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