Crimes and Misdemeanors | |
---|---|
Directed by | Woody Allen |
Written by | Woody Allen |
Produced by | Robert Greenhut |
Starring |
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Cinematography | Sven Nykvist |
Edited by | Susan E. Morse |
Music by | Franz Schubert |
Production company | Jack Rollins & Charles H. Joffe Productions |
Distributed by | Orion Pictures |
Release date |
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Running time | 104 minutes [1] |
Country | United States |
Language | English |
Box office | $18.3 million [2] |
Crimes and Misdemeanors is a 1989 American existential comedy drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston, and Joanna Gleason.
The film was met with critical acclaim, receiving three Academy Award nominations: Allen, for Best Director and Best Original Screenplay, and Landau, for Best Actor in a Supporting Role. Several publications have ranked Crimes and Misdemeanors as one of Allen's greatest films.
The story follows two main characters: Judah Rosenthal, a successful and reputable ophthalmologist, and Clifford Stern, a small-time documentary filmmaker.
Judah, an upper-class respected family man, is having an affair with flight attendant Dolores Paley. After it becomes clear to her that Judah will not end his marriage, Dolores threatens to disclose the affair to Judah's wife, Miriam. She is also aware of some questionable financial deals Judah made before becoming a wealthy ophthalmologist, which adds to his stress. He confides in a patient, Ben, a rabbi who is rapidly losing his eyesight. Ben advises openness and honesty between Judah and his wife, but Judah does not wish to imperil his marriage. Desperate, Judah turns to his brother, Jack, a gangster, who hires a hitman to kill Dolores. Before her corpse is discovered, Judah retrieves letters and other items from her apartment in order to cover his tracks. Stricken with guilt, Judah turns to the religious teachings he had rejected, believing for the first time that a just God is watching him and passing judgment.
Cliff, meanwhile, has been hired by his pompous brother-in-law, Lester, a successful television producer, to make a documentary celebrating Lester's life and work. Cliff grows to despise him. While filming and mocking the subject, Cliff falls in love with Lester's associate producer, Halley Reed. Despondent over his failing marriage to Lester's sister Wendy, he woos Halley, showing her footage from his ongoing documentary about Professor Louis Levy, a renowned philosopher. He ensures Halley is aware that he is shooting Lester's documentary merely for the money so he can finish his more meaningful project with Levy.
Cliff learns that Professor Levy, whom he had been profiling for a documentary centered on his philosophical views and the strength of his celebration of life, has committed suicide, leaving a curt note that only says: "I've gone out the window". When Halley visits to comfort him, he makes a pass at her, which she gently rebuffs, telling him she is not ready for another romance. Cliff's dislike for Lester becomes evident during the first screening of the film. Cliff has maliciously edited the film, which juxtaposes footage of Lester with clownish poses of Benito Mussolini addressing a throng of supporters from a balcony. It also shows Lester yelling at his employees and clumsily making a pass at an attractive young actress. Lester fires him.
Adding to Cliff's burdens, Halley leaves for London, where Lester is offering her a producing job; when she returns several months later, Cliff is astounded to discover that she and Lester are engaged. Hearing that Lester sent Halley white roses "round the clock, for days" while they were in London, Cliff is crestfallen as Halley falling for Lester is his “worst fear realized.” [3] His last romantic gesture to Halley had been a love letter which he had mostly plagiarized from James Joyce including references to Dublin.
Judah and Cliff meet by happenstance at the wedding of the daughter of Rabbi Ben, who is Cliff's brother-in-law and Judah's patient. Judah has worked through his guilt and is enjoying life once more; the murder had been blamed on a drifter with a criminal record. He draws Cliff into a supposedly hypothetical discussion that draws upon his moral quandary. Judah says that with time, any crisis will pass; but Cliff morosely claims that “very few guys could live with that on their conscience.” [3] Judah cheerfully leaves the wedding party with his wife, and Cliff is left sitting alone, dejected.
The wedding party continues. Rabbi Ben, who is now blind, shares a dance with his daughter while the voice of Professor Levy is heard, saying that the universe is a dark and indifferent place which human beings fill with love, in the hope that “future generations will understand more.” [3]
After viewing the first cut of the film, Allen decided to throw out the first act, call back actors for reshoots, and focus on what turned out to be the central story. [5] [ clarification needed ]
Allen makes use of classical and jazz music in many of the film's scenes. The soundtrack includes Franz Schubert's String Quartet No. 15 (a recording by the Juilliard String Quartet), which is used in the scenes leading up to Dolores' death, and Judah discovering her body.
The outline of Judah's moral dilemma—whether a person can continue everyday life with the knowledge of having committed murder—evokes [6] the pivotal idea of Russian novelist Fyodor Dostoevsky's Crime and Punishment (1866), despite suggesting a resolution nearly opposite to that of the novel. Allen would revisit the theme in his films Match Point , Cassandra's Dream , and Irrational Man .
The film grossed a domestic total of $18,254,702. [2]
Crimes and Misdemeanors received mostly positive reviews. It holds a 92% rating on review aggregator Rotten Tomatoes, based on 50 critics, with an average rating of 7.9/10. [9] It holds a 77/100 weighted average score on Metacritic, based on 10 critics. [10]
Vincent Canby of The New York Times lauded the film, remarking:
The wonder of Crimes and Misdemeanors is the facility with which Mr. Allen deals with so many interlocking stories of so many differing tones and voices. The film cuts back and forth between parallel incidents and between present and past with the effortlessness of a hip, contemporary Aesop. The movie's secret strength—its structure, really—comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality." [11]
Roger Ebert of the Chicago Sun-Times gave the film four out of four, writing:
The movie generates the best kind of suspense, because it's not about what will happen to people—it's about what decisions they will reach. We have the same information they have. What would we do? How far would we go to protect our happiness and reputation? How selfish would we be? Is our comfort worth more than another person's life? Allen does not evade this question, and his answer seems to be, yes, for some people, it would be. [12]
Though normally a fierce critic of Allen's work, John Simon of National Review declared the film to be "Allen's first successful blending of drama and comedy, plot and subplot", and added:
The chief strength of the movie is its courage in confronting grave and painful questions of the kind the American cinema has been doing its damnedest to avoid. [13]
Variety gave the film a more mixed review, however, writing, "Woody Allen ambitiously mixes his two favoured strains of cinema, melodrama and comedy, with mixed results in Crimes and Misdemeanours." [14]
The film was nominated for three Academy Awards: Allen for Best Director and Best Original Screenplay, and Martin Landau for Best Actor in a Supporting Role.
In Empire magazine's 2008 poll of "The 500 Greatest Movies of All Time", Crimes and Misdemeanors was ranked number 267. [15] In 2010, it was the first film to win the 20/20 Award [16] for Best Picture, Best Original Screenplay (Allen), and Best Supporting Actor (Landau). It also received three additional nominations, for Best Director (Woody Allen), Best Supporting Actor (Jerry Orbach) and Best Supporting Actress (Huston). In a 2016 Time Out contributors' poll, it ranked second only to Annie Hall among Allen's efforts, with Dave Calhoun praising it as "the film in which Woody's comic and serious sides most comfortably align". [17] The film achieved the same rank in a 2016 article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote, "Here [Allen is] thinking deeply about moral choice, the question of whether guilt in your own eyes or the eyes of the world matters more. This bubblingly wise film, rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self-knowledge, [...] is Allen on soaring form, gliding so elegantly through its maze of ideas it's as if the spirit of Fred Astaire gave it lift-off." [18] Crimes and Misdemeanors was also named Allen's second best by Chris Nashawaty of Entertainment Weekly [19] and Barbara VanDenbergh of The Arizona Republic , [20] third by Darian Lusk of CBS News, [21] and fourth by Zachary Wigon of Nerve . [22] In a 2015 BBC critics' poll, it was voted the 57th greatest American film ever made. [23]
In October 2013, the film was voted by The Guardian readers as the third best film directed by Allen. [24]
Year | Award | Category | Nominated work | Result |
---|---|---|---|---|
1989 | Academy Awards | Best Director | Woody Allen | Nominated |
Best Supporting Actor | Martin Landau | Nominated | ||
Best Original Screenplay | Woody Allen | Nominated | ||
1989 | Golden Globe Awards | Best Motion Picture – Drama | Crimes and Misdemeanors | Nominated |
1990 | British Academy Film Awards | Best Film | Robert Greenhut Woody Allen | Nominated |
Best Director | Woody Allen | Nominated | ||
Best Original Screenplay | Nominated | |||
Best Supporting Actor | Alan Alda | Nominated | ||
Best Supporting Actress | Anjelica Huston | Nominated | ||
Best Film Editing | Susan E. Morse | Nominated | ||
1990 | Directors Guild of America Awards | Outstanding Directing - Motion Pictures | Woody Allen | Nominated |
1990 | Writers Guild of America Awards | Outstanding Original Screenplay | Won | |
1989 | National Board of Review | Top 10 Films | Crimes and Misdemeanors | Won |
Best Supporting Actor | Alan Alda | Won | ||
1989 | New York Film Critics Circle | Best Supporting Actor | Won | |
1989 | Los Angeles Film Critics Association | Best Supporting Actor | Martin Landau | Nominated |
Crimes and Misdemeanors was released through MGM Home Entertainment on DVD on June 5, 2001. A limited-edition Blu-ray of 3,000 units was later released by Twilight Time on February 11, 2014. [25]
Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by Diane Keaton in a role written specifically for her.
Hannah and Her Sisters is a 1986 American comedy-drama film written and directed by Woody Allen. It tells the intertwined stories of an extended family over two years that begins and ends with a family Thanksgiving dinner. Allen also stars in the film, along with Mia Farrow as Hannah, Michael Caine as her husband, and Barbara Hershey and Dianne Wiest as her sisters. Alongside them, the film features Carrie Fisher, Lloyd Nolan, Maureen O'Sullivan, Max von Sydow, Daniel Stern, John Turturro, Lewis Black (debut), and Julie Kavner.
Sweet and Lowdown is a 1999 American comedy-drama mockumentary written and directed by Woody Allen. Loosely based on Federico Fellini's film La Strada, the film tells the story of jazz guitarist Emmet Ray who falls in love with mute laundress Hattie. Like several of Allen's other films, the film is occasionally interrupted by interviews with critics and biographers like Allen, Nat Hentoff, Daniel Okrent, and Douglas McGrath, who comment on the film's plot as if the characters were real-life people.
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Martin James Landau was an American actor. His career began in the 1950s, with early film appearances including a supporting role in Alfred Hitchcock's North by Northwest (1959). His career breakthrough came with leading roles in the television series Mission: Impossible (1966–1969) and Space: 1999 (1975–1977).
Hollywood Ending is a 2002 American comedy film written and directed by Woody Allen, who also plays the principal character. It tells the story of a once-famous film director who suffers hysterical blindness due to the intense pressure of directing.
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Jerome Bernard Orbach was an American actor and singer, described at the time of his death as "one of the last bona fide leading men of the Broadway musical and global celebrity on television" and a "versatile stage and film actor". Over his career he received a Tony Award and Screen Actors Guild Award as well as nominations for three Emmy Awards and a Grammy Award.
Joanna Gleason is a Canadian-American actress and singer. She is a Tony Award–winning musical theatre actress and has also had a number of notable film and TV roles. She is known for originating the role of the Baker's Wife in Stephen Sondheim's Into the Woods for which she won the Tony Award for Best Actress in a Musical. She is also known for her film work in Mike Nichols' Heartburn (1986), Woody Allen's Hannah and Her Sisters (1986) and Crimes and Misdemeanors (1989), and Paul Thomas Anderson's Boogie Nights (1997). She has had television roles in shows such as ER, Friends, The West Wing, The Good Wife and The Affair.
Husbands and Wives is a 1992 American comedy-drama film written and directed by Woody Allen. The film stars Allen, Mia Farrow, Sydney Pollack, Judy Davis, Lysette Anthony, Juliette Lewis, Liam Neeson and Blythe Danner. The film debuted shortly after the end of Allen and Farrow's romantic and professional partnership, and was the last of their 13 films together. The movie is filmed by Carlo Di Palma with a handheld camera style and features documentary-like interviews with the characters interspersed with the story.
Celebrity is a 1998 American comedy-drama film written and directed by Woody Allen, and features an ensemble cast. The screenplay describes the divergent paths taken by a couple following their divorce.
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Manhattan Murder Mystery is a 1993 American black comedy mystery film directed by Woody Allen, which he wrote with Marshall Brickman, and starring Allen, Alan Alda, Anjelica Huston, and Diane Keaton. The film centers on a married couple's investigation of the death of their neighbor's wife.
Mighty Aphrodite is a 1995 American comedy film written, directed by, and co-starring Woody Allen, alongside Mira Sorvino, Helena Bonham Carter, Michael Rapaport, and F. Murray Abraham. The screenplay was vaguely inspired by the story of Pygmalion and is about Lenny Weinrib's (Allen) search for his genius adopted son's biological mother, ultimately finding that she is a dim-witted prostitute named Linda Ash (Sorvino).
Small Time Crooks is a 2000 American crime-comedy film written and directed by Woody Allen. It stars Allen, Hugh Grant, Elaine May and Tracey Ullman. The picture's plot has some similarities to that of the 1942 comedy Larceny, Inc.
Match Point is a 2005 psychological thriller film written and directed by Woody Allen, and starring Jonathan Rhys Meyers, Scarlett Johansson, Emily Mortimer, Matthew Goode, Brian Cox, and Penelope Wilton. In the film, Rhys Meyers' character, a former professional tennis player, marries into a wealthy family, but his social position is threatened by his affair with his brother-in-law's girlfriend, played by Scarlett Johansson. The film deals with themes of morality and greed, and explores the roles of lust, money, and luck in life, leading many to compare it to Allen's earlier film Crimes and Misdemeanors (1989). It was produced and filmed in London after Allen had difficulty finding financial support for the film in New York. The agreement obliged him to make it there using a cast and crew mostly from the United Kingdom. Allen quickly re-wrote the script, which was originally set in New York, for an English setting.
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