Celebrity (1998 film)

Last updated

Celebrity
Celebrity ver2.jpg
Theatrical release poster
Directed by Woody Allen
Written byWoody Allen
Produced by
Starring
Cinematography Sven Nykvist
Edited by Susan E. Morse
Production
companies
  • Sweetland Films
  • Magnolia Productions
Distributed by Miramax Films
Release date
  • November 20, 1998 (1998-11-20)
Running time
113 minutes
CountryUnited States
LanguageEnglish
Budget$12 million [1]
Box office$5.1 million [2]

Celebrity is a 1998 American comedy-drama film written and directed by Woody Allen, and features an ensemble cast. The screenplay describes the divergent paths a couple takes following their divorce.

Contents

The film received lukewarm reviews from critics and was a commercial disappointment.

Plot

Lee Simon is an unsuccessful novelist turned travel writer who immerses himself in celebrity journalism following a midlife crisis and subsequent divorce from his insecure wife, Robin, a former English teacher, after sixteen years of marriage.

As he stumbles his way through both professional encounters and sexual escapades with performers, models, and other players in the world of entertainment, Lee increasingly questions his purpose in life. He ruins numerous opportunities due to his fame-seeking, insecurities and neuroses.

Meanwhile, Robin trades her many neuroses for a makeover and a job with television producer Tony Gardella that leads to her own celebrity interview program. She takes advantage of numerous opportunities and ends up happy and successful.

Cast

Production

The film was shot in black-and-white on location in New York City by cinematographer Sven Nykvist. Celebrity was the last of four films shot by Nykvist for Allen. It also marks the end of Allen's long collaboration with editor Susan E. Morse, who had edited the previous twenty of Allen's films beginning with Manhattan (1979). [3]

Release

The film premiered at the Venice Film Festival and was shown at the New York Film Festival before going into general release in the US on November 20, 1998. It opened on 493 screens, grossing $1,588,013 and ranking #10 on its opening weekend. It eventually earned $5,078,660 in the US. [2]

Critical reception

Review aggregate website Rotten Tomatoes currently scores Celebrity with a 42% 'Rotten' rating from 43 reviews; consensus adding "Entertaining, but too scattered." [4] The film also holds a 41 on Metacritic. [5]

Janet Maslin of The New York Times observed, "Lee Simon is one of the filmmaker's wearier creations, in ways that deny Celebrity the bracing audacity of recent, better Allen films like Deconstructing Harry and Everyone Says I Love You . And even with Branagh as his younger alter ego, Allen finds no way to revitalize the character's predictable worries about advancing his career and chasing beautiful women ... Though Celebrity is filled with beautiful and famous faces, it has plenty of opportunity to bog down between star turns, and some of the episodes about the Simons are astonishingly flat." [6]

Roger Ebert of the Chicago Sun-Times said the film "plays oddly like the loose ends and unused inspirations of other Woody Allen movies; it's sort of a revue format in which a lot of famous people appear onscreen, perform in the sketch Woody devises for them and disappear. Some of the moments are very funny. More are only smile material, and a few don't work at all. Like all of Allen's films, it's smart and quirky enough that we're not bored, but we're not much delighted, either ... Branagh has all the Allen vocal mannerisms and the body language of comic uncertainty. He does Allen so carefully, indeed, that you wonder why Allen didn't just play the character himself." [7]

Peter Travers of Rolling Stone felt the film "suffers from lulls and lapses and one lulu of a casting gaffe, but this keenly observant spoof of the fame game is hardly the work of a burnout. At sixty-two, the Woodman can still mine caustic laughter from the darkest corners of his psyche. In Celebrity, he cracks his ringmaster's whip on a circus of rude, cathartic fun ... Branagh, whether by his choice or his director's, plays Lee like a Woody impressionist, down to the nervous gestures and the stuttering whine ... Lee should emerge as flawed but real in a world of gorgeous poseurs. Instead, Branagh's party-trick performance keeps audiences at a distance. What saves the day is the steady march of scintillating cameos from actors who bring out the best in Allen's barbed dialogue." [8]

Edward Guthmann of the San Francisco Chronicle stated, "Branagh stammers, bobs his head and runs the gamut of other established Woody tics and mannerisms - delivering nervous shtick where a performance would have sufficed. His novelty act belongs in the same bin with his hammy histrionics in Mary Shelley's Frankenstein ... The irony of Celebrity is that so much of it is admirably acted, written and directed. Despite his one-note obsessions, Allen is a fine director whose stories clip along, whose dialogue sparkles and whose actors look grateful for the luxury of his words." [9]

Todd McCarthy of Variety called the film "a once-over-lightly rehash of mostly stale Allen themes and motifs" and added, "The spectacle of Kenneth Branagh and Judy Davis doing over-the-top Woody Allen impersonations creates a neurotic energy meltdown ... Branagh is simply embarrassing as he flails, stammers and gesticulates in a manner that suggests a direct imitation of Allen himself ... For her part, Davis was brilliant in Husbands and Wives and has appeared effectively in other Allen films, but she not only overdoes the neurotic posturing this time but is essentially miscast ... Annoyingly mannered in performance as well as tiresomely familiar in the way it trots out its angst-ridden urban characters' problems, [the picture] has a hastily conceived, patchwork feel that is occasionally leavened by some lively supporting turns and the presence of so many attractive people onscreen." [10]

Neil Norman of the London Evening Standard noted that "many scenes, and indeed personalities, lack the credence of similar shots in Annie Hall , Manhattan or even Stardust Memories . Judy Davis's doorstepping television interviews in the Jean-Georges restaurant where she encounters several well-heeled New Yorkers, including Donald Trump (who is planning to buy St Patrick's Cathedral and knock it down) are frankly risible; a rehearsal scene in the Ziegfeld Theatre where [Winona Ryder]is being coached in the art of seducing a woman (gasp!) smacks of old-fashioned prurience. Fashion designer Isaac Mizrahi's turn as a lionised New York artist complaining at his opening at the Serge Sorokko Gallery in SoHo that fame will ruin him, is simply banal. Even the opening shot, of a film crew on the streets attempting to catch a reaction shot of Melanie Griffith' walking from a limo, is peopled with a veteran film-maker's notion of what young hip film-makers are like (shavenheaded, natch) rather than an identifiable reality." [11]

The film drew comparisons to Federico Fellini 's film La Dolce Vita . [12] [13] Lisa Schwarzbaum of Entertainment Weekly graded the film B− and called it a "big, muddled, contemporary variation on La Dolce Vita. She added, "[I]n every minute of DiCaprio's participation ... he juices Celebrity with a power surge that subsides as soon as he exits." [13]

Soundtrack

Related Research Articles

<i>Annie Hall</i> 1977 film by Woody Allen

Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by Diane Keaton in a role written specifically for her.

<i>Manhattan</i> (1979 film) 1979 film by Woody Allen

Manhattan is a 1979 American romantic comedy-drama film directed by Woody Allen and produced by Charles H. Joffe from a screenplay written by Allen and Marshall Brickman. Allen co-stars as a twice-divorced 42-year-old comedy writer who dates a 17-year-old girl but falls in love with his best friend's mistress. Meryl Streep and Anne Byrne also star.

<i>Sweet and Lowdown</i> 1999 American film

Sweet and Lowdown is a 1999 American comedy-drama mockumentary written and directed by Woody Allen. Loosely based on Federico Fellini's film La Strada, the film tells the story of jazz guitarist Emmet Ray who falls in love with mute laundress Hattie. Like several of Allen's other films, the film is occasionally interrupted by interviews with critics and biographers like Allen, Nat Hentoff, Daniel Okrent, and Douglas McGrath, who comment on the film's plot as if the characters were real-life people.

<i>Zelig</i> 1983 film by Woody Allen

Zelig is a 1983 American satirical mockumentary comedy film written, directed by and starring Woody Allen as Leonard Zelig, a nondescript enigma, who, apparently out of his desire to fit in and be liked, unwittingly takes on the characteristics of strong personalities around him. The film, presented as a documentary, recounts his period of intense celebrity during the 1920s, including analyses by contemporary intellectuals.

<i>Loves Labours Lost</i> (film) 2000 film directed by Kenneth Branagh

Love's Labour's Lost is a 2000 British musical romantic comedy film written, directed by and starring Kenneth Branagh, based on the comic play of the same name by William Shakespeare. The first feature film to be made of this lesser-known comedy, Branagh's fourth film of a Shakespeare play was a box-office and critical disappointment.

<i>Hollywood Ending</i> 2002 American comedy film

Hollywood Ending is a 2002 American comedy film written and directed by Woody Allen, who also plays the principal character. It tells the story of a once-famous film director who suffers hysterical blindness due to the intense pressure of directing.

<i>Anything Else</i> 2003 film by Woody Allen

Anything Else is a 2003 American romantic comedy film written and directed by Woody Allen, produced by Letty Aronson, and starring Allen, Jason Biggs, Stockard Channing, Danny DeVito, Jimmy Fallon, and Christina Ricci. The film premiered as the opening night selection of the 60th Venice International Film Festival. It was released theatrically in the United States on September 19, 2003, to mixed reviews.

<i>Melinda and Melinda</i> 2004 American film

Melinda and Melinda is a 2004 American comedy film written and directed by Woody Allen. It premiered at the San Sebastian International Film Festival. The film is set in Manhattan and stars Radha Mitchell as the protagonist Melinda, in two storylines; one comic, one tragic. The film began a limited release in the United States on March 18, 2005.

<i>When We Were Kings</i> 1996 American documentary film by Leon Gast

When We Were Kings is a 1996 American documentary film directed by Leon Gast about the "Rumble in the Jungle" heavyweight championship boxing match that was held on October 30, 1974, in Zaire between world heavyweight champion George Foreman and Muhammad Ali. It features archival footage of celebrities, including James Brown, B.B. King, and promoter Don King, in the lead-up to the fight and accompanying Zaire 74 music festival, alongside interview footage of Norman Mailer, George Plimpton, Spike Lee and Thomas Hauser from the 1990s.

<i>Husbands and Wives</i> 1992 comedy-drama film by Woody Allen

Husbands and Wives is a 1992 American comedy-drama film written and directed by Woody Allen. The film stars Allen, Mia Farrow, Sydney Pollack, Judy Davis, Lysette Anthony, Juliette Lewis, Liam Neeson and Blythe Danner. The film debuted shortly after the end of Allen and Farrow's romantic and professional partnership, and was the last of their 13 films together. The movie is filmed by Carlo Di Palma with a handheld camera style and features documentary-like interviews with the characters interspersed with the story.

<i>Bullets Over Broadway</i> 1994 film by Woody Allen

Bullets Over Broadway is a 1994 American black comedy crime film directed by Woody Allen, written by Allen and Douglas McGrath and starring an ensemble cast including John Cusack, Dianne Wiest, Chazz Palminteri, and Jennifer Tilly.

<i>Manhattan Murder Mystery</i> 1993 film by Woody Allen

Manhattan Murder Mystery is a 1993 American black comedy mystery film directed by Woody Allen, which he wrote with Marshall Brickman, and starring Allen, Alan Alda, Anjelica Huston, and Diane Keaton. The film centers on a married couple's investigation of the death of their neighbor's wife.

<i>Crimes and Misdemeanors</i> 1989 film by Woody Allen

Crimes and Misdemeanors is a 1989 American existential comedy-drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston, and Joanna Gleason.

<span class="mw-page-title-main">Sven Nykvist</span> Swedish cinematographer

Sven Vilhem Nykvist was a Swedish cinematographer. His work is generally noted for its naturalism and simplicity. He is considered by many to be one of the greatest cinematographers of all time. He is best known for his collaboration with director Ingmar Bergman. He won the Academy Award for Best Cinematography for Cries and Whispers (1972) and Fanny and Alexander (1982). Nykvist also worked with Bergman on The Virgin Spring (1960), Through a Glass Darkly (1961), Winter Light (1963), Persona (1966), Cries and Whispers (1973), Scenes from a Marriage (1973), Face to Face (1978), and Autumn Sonata (1978).

<i>Deconstructing Harry</i> 1997 film by Woody Allen

Deconstructing Harry is a 1997 American black comedy film written, directed by, and co-starring Woody Allen, alongside an ensemble cast including Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal, and Judy Davis as well as Jennifer Garner in her feature film debut. The film tells the story of a successful writer named Harry Block, played by Allen, who draws inspiration from people he knows in real life, and from events that happen to him, sometimes causing these people to become alienated from him as a result.

<i>Broadway Danny Rose</i> 1984 film by Woody Allen

Broadway Danny Rose is a 1984 American black-and-white comedy film written and directed by Woody Allen. It follows a hapless theatrical agent who, by helping a client, gets dragged into a love triangle involving the mob. The film stars Allen as the titular character, as well as Mia Farrow and Nick Apollo Forte.

<i>Another Woman</i> (1988 film) 1988 American film

Another Woman is a 1988 American drama film written and directed by Woody Allen. It stars Gena Rowlands as a philosophy professor who accidentally overhears the private analysis of a stranger, and finds the woman's regrets and despair awaken something personal in her.

<i>Wild Man Blues</i> 1997 American film

Wild Man Blues is a 1997 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition, sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong, and recorded by each of them. Wild Man Blues is rated PG because the film includes several profanities.

<i>Cassandras Dream</i> 2007 film by Woody Allen

Cassandra's Dream is a 2007 crime thriller drama film written and directed by Woody Allen. Shot in England, the film is a co-production between the United States, France, and the United Kingdom.

"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.

References

  1. "Leonardo DiCaprio's Titanic Follow-up Perfectly Mocked His Own Image". Screen Rant . March 6, 2022. Retrieved May 11, 2023.
  2. 1 2 Celebrity at Box Office Mojo
  3. "Deconstructing Woody". Cinemontage. December 8, 2017. Retrieved May 11, 2023.
  4. Celebrity at Rotten Tomatoes
  5. "Celebrity Reviews". Metacritic. Archived from the original on March 30, 2017. Retrieved February 2, 2017.
  6. Maslin, Janet (September 25, 1998). "'Celebrity': Jostling and Stumbling Toward a Fateful 15 Minutes". The New York Times . Archived from the original on November 4, 2021. Retrieved September 2, 2017.
  7. Ebert, Roger (November 20, 1998). "Celebrity". RogerEbert.com . Archived from the original on September 27, 2012. Retrieved September 2, 2017.
  8. Travers, Peter (November 20, 1998). "Celebrity". Rolling Stone . Archived from the original on July 25, 2009. Retrieved September 2, 2017.
  9. Guthmann, Edward (November 20, 1998). "Different Face, Same Woody / Familiar musings in 'Celebrity'". San Francisco Chronicle . Archived from the original on February 6, 2009. Retrieved September 2, 2017.
  10. McCarthy, Todd (September 11, 1998). "Celebrity". Variety.com . Archived from the original on February 7, 2009. Retrieved November 10, 2008.
  11. Norman, Neil (June 16, 1999). "Woody's Big Apply turns sour". London Evening Standard . Archived from the original on May 5, 2013.
  12. "'Celebrity' Dark, Felliniesque". Hartford Courant . November 20, 1998. Retrieved May 11, 2023.
  13. 1 2 Schwarzbaum, Lisa (November 20, 1998). "Celebrity". EW.com . Archived from the original on May 27, 2013. Retrieved September 2, 2017.
  14. Harvey, Adam (2007). The Soundtracks of Woody Allen. US: McFarland & Company. p. 37. ISBN   9780786429684.