Another Woman | |
---|---|
Directed by | Woody Allen |
Written by | Woody Allen |
Produced by | Robert Greenhut |
Starring | |
Cinematography | Sven Nykvist |
Edited by | Susan E. Morse |
Distributed by | Orion Pictures |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
Box office | $1,562,749 |
Another Woman is a 1988 American drama film written and directed by Woody Allen. It stars Gena Rowlands as a philosophy professor who accidentally overhears the private analysis of a stranger, and finds the woman's regrets and despair awaken something personal in her.
Modern film critics view Another Woman favorably.
Marion Post is a New York philosophy professor over 50 on a leave of absence to write a new book. Due to construction work in her building, she sublets a furnished apartment downtown for peace and quiet.
Her work there is interrupted by voices from a neighboring office in the building where a therapist conducts his analysis. She quickly realizes that she is privy to the despairing sessions of another woman, Hope, who is disturbed by a growing feeling that her life is false and empty. Her words strike a chord in Marion, who begins to question herself in the same way.
Marion comes to realize that, like her father, she has been unfair, unkind and judgmental to the people closest to her: her unsuccessful brother Paul and his wife Lynn, who feel they embarrass her; her best friend from high school Claire, who feels eclipsed by her; her first husband Sam, who eventually committed suicide; and her stepdaughter Laura, who admires her but resents her high-handedness.
She also realizes that her marriage to her second husband, Ken, is unfulfilling and that she missed her one chance at love with his best friend, Larry. She finally manages to meet the woman in therapy as she contemplates a Klimt painting called "Hope". Although she wants to know more about the woman, she ends up talking more about herself, realizing that she made a mistake by having an abortion years ago and that at her age there are many things in life she will not have anymore.
Marion leaves Ken after catching him in an affair. She resolves to change her life for the better, and takes steps to repair her relationship with Paul and Laura. By the end of the film, she reflects that, for the first time in years, she feels hopeful.
Another Woman borrows heavily from the films of Allen's idol Ingmar Bergman, particularly Wild Strawberries , whose main character is an elderly professor who learns from a close relative that his family hates him. Allen also recreates some of Wild Strawberries's dream sequences, and puts Marion into a similar situation as Isak Borg: both characters reexamine their life after friends and family accuse them of being cold and unfeeling. The film has many of Allen's signature features, particularly the New York City setting; only a few scenes are shot outside the city, in the Hamptons. It also uses classical music (Claude Debussy's orchestral arrangement of Erik Satie's Gymnopédie No. 1 , renamed Gymnopédie No. 3), and poetry (Rainer Maria Rilke's "Archaic Torso of Apollo") to serve its narrative, as do earlier and later films such as Hannah and Her Sisters , Crimes and Misdemeanors , and Husbands and Wives . It focuses primarily on upper middle class intellectuals, as nearly all of Allen's 1980s films do.[ citation needed ]
Another Woman received modest praise from critics and holds a 59% positive "Rotten" rating on the review aggregator Rotten Tomatoes from 27 reviews. [1]
Tim Robey of The Daily Telegraph called the film "one of [Allen's] shortest, least funny, and very best films". [2] Roger Ebert of the Chicago Sun-Times similarly praised the film, awarding it a full four stars and writing, "Allen's film is not a remake of Wild Strawberries in any sense, but a meditation on the same theme: the story of a thoughtful person, thoughtfully discovering why she might have benefitted from being a little less thoughtful." [3] Variety praised the film as "brave, in many ways fascinating, and in all respects of a caliber rarely seen." [4]
Vincent Canby of The New York Times was more critical of the film, remarking, "Everyone speaks slightly stilted, epistolary dialogue. The rounded sentences sound as if they'd been written in a French influenced by Flaubert, then translated into English by a lesser student of Constance Garnett." He added, "Mr. Allen is becoming an immensely sophisticated director, but this screenplay is in need of a merciless literary editor. It's full of an earnest teen-age writer's superfluous words, in addition to flashbacks and a dream sequence that contain material better dealt with in the film's contemporary narrative." [5]
Modern reception is often more favorable. It was ranked 13th among Allen's works in a Time Out contributors' poll, with editor Dave Calhoun considering it "further proof that some of Woody’s finest films are those that drop the kvetching men to explore troubled women". [6] It was 19th in Chris Nashawaty's list for Entertainment Weekly . [7] The Daily Telegraph film critics Robbie Collin and Tim Robey named Another Woman the director's fourth-greatest film, praising its "remarkably elegant hold on tone" and lauding Rowlands's performance as one of the finest in any film directed by Allen. [8]
Hannah and Her Sisters is a 1986 American comedy-drama film written and directed by Woody Allen. It tells the intertwined stories of an extended family over two years that begins and ends with a family Thanksgiving dinner. Allen also stars in the film, along with Mia Farrow as Hannah, Michael Caine as her husband, and Barbara Hershey and Dianne Wiest as her sisters. Alongside them, the film features a large ensemble cast.
Sweet and Lowdown is a 1999 American comedy-drama mockumentary written and directed by Woody Allen. Loosely based on Federico Fellini's film La Strada, the film tells the story of jazz guitarist Emmet Ray who falls in love with mute laundress Hattie. Like several of Allen's other films, the film is occasionally interrupted by interviews with critics and biographers like Allen, Nat Hentoff, Daniel Okrent, and Douglas McGrath, who comment on the film's plot as if the characters were real-life people.
Zelig is a 1983 American satirical mockumentary comedy film written, directed by and starring Woody Allen as Leonard Zelig, a nondescript enigma, who, apparently out of his desire to fit in and be liked, unwittingly takes on the characteristics of strong personalities around him. The film, presented as a documentary, recounts his period of intense celebrity during the 1920s, including analyses by contemporary intellectuals.
Virginia Cathryn "Gena" Rowlands was an American actress, whose career in film, stage, and television spanned nearly seven decades. A four-time Emmy and two-time Golden Globe winner, she collaborated with her actor-director husband John Cassavetes in ten films, including A Woman Under the Influence (1974) and Gloria (1980), both of which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). She appeared in Woody Allen's Another Woman (1988), and her son Nick Cassavetes's film, The Notebook (2004). In 2021, Richard Brody of The New Yorker said, "The most important and original movie actor of the past half century-plus is Gena Rowlands." In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.
Interiors is a 1978 American drama film written and directed by Woody Allen. It stars Kristin Griffith, Mary Beth Hurt, Richard Jordan, Diane Keaton, E. G. Marshall, Geraldine Page, Maureen Stapleton, and Sam Waterston.
Alice is a 1990 American fantasy romantic comedy film written and directed by Woody Allen and starring Mia Farrow, Joe Mantegna, and William Hurt. The film is a loose reworking of Federico Fellini's 1965 film Juliet of the Spirits and Lewis Carroll's 1865 novel Alice's Adventures in Wonderland.
Hollywood Ending is a 2002 American comedy film written and directed by Woody Allen, who also plays the principal character. It tells the story of a once-famous film director who suffers hysterical blindness due to the intense pressure of directing.
Anything Else is a 2003 American romantic comedy film written and directed by Woody Allen, produced by Letty Aronson, and starring Allen, Jason Biggs, Stockard Channing, Danny DeVito, Jimmy Fallon, and Christina Ricci. The film premiered as the opening night selection of the 60th Venice International Film Festival. It was released theatrically in the United States on September 19, 2003, to mixed reviews.
Husbands and Wives is a 1992 American comedy-drama film written and directed by Woody Allen. The film stars Allen, Mia Farrow, Sydney Pollack, Judy Davis, Lysette Anthony, Juliette Lewis, Liam Neeson and Blythe Danner. The film debuted shortly after the end of Allen and Farrow's romantic and professional partnership, and was the last of their 13 films together. The movie is filmed by Carlo Di Palma with a handheld camera style and features documentary-like interviews with the characters interspersed with the story.
Crimes and Misdemeanors is a 1989 American existential comedy-drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston, and Joanna Gleason.
Shadows and Fog is a 1991 American black-and-white comedy film directed by Woody Allen and based on his one-act play Death (1975). It stars Allen, Mia Farrow, John Malkovich, Kathy Bates, David Ogden Stiers, Jodie Foster, Donald Pleasence, Lily Tomlin, John Cusack, Madonna, and Kenneth Mars. It was filmed on a 26,000-square-foot (2,400 m2) set at Kaufman Astoria Studios, which was the biggest set ever built in New York. It was also Allen's last film for Orion Pictures.
The Gymnopédies, or Trois Gymnopédies, are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895.
Deconstructing Harry is a 1997 American black comedy film written, directed by, and co-starring Woody Allen, with an ensemble cast, including Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal and Judy Davis, as well as Jennifer Garner in her feature film debut. The film tells the story of a successful writer named Harry Block, played by Allen, who draws inspiration from people who he knows in real life, and from events that happen to him, sometimes causing these people to become alienated from him as a result.
Mischa Maisky is a Soviet-born Israeli cellist.
Janine Jansen is a Dutch violinist and violist.
Don't Drink the Water is a 1994 American made-for-television comedy film written and directed by Woody Allen, based on his 1966 play. This is the second filmed version of the play, after a 1969 theatrical version starring Jackie Gleason left Allen dissatisfied.
Scoop is a 2006 romantic crime comedy film written and directed by Woody Allen and starring Hugh Jackman, Scarlett Johansson, Ian McShane and Allen himself. It was released in the United States by Focus Features on July 28, 2006. The film follows an American journalist and a magician being guided by the spirit of a reporter to investigate a British aristocrat who might be a serial killer. Scoop received mixed reviews from critics regarding its humor, but was a box-office success, grossing $39.2 million against a $4 million budget.
Cassandra's Dream is a 2007 crime thriller drama film written and directed by Woody Allen. Shot in England, the film is a co-production between the United States, France, and the United Kingdom.
Lily Maisky is a classical pianist. She is the daughter of cellist Mischa Maisky.
Magic in the Moonlight is a 2014 romantic comedy film written and directed by Woody Allen. The film stars Eileen Atkins, Colin Firth, Marcia Gay Harden, Hamish Linklater, Emma Stone, Simon McBurney, and Jacki Weaver. Set in the 1920s on the French Riviera, the film was released in the United States on July 25, 2014, by Sony Pictures Classics. Magic in the Moonlight received a mixed reception. Critics praised the performances of Firth and Stone, but found the film's writing formulaic.