Todd McCarthy | |
---|---|
Born | Evanston, Illinois, U.S. | February 16, 1950
Education | Stanford University (BA) |
Occupation(s) | Writer, film critic |
Spouse | Sasha Alpert (m. 1993) |
Todd McCarthy (born February 16, 1950) is an American film critic and author. He wrote for Variety for 31 years as its chief film critic until 2010. [1] [2] In October of that year, he joined The Hollywood Reporter , where he subsequently served as chief film critic until 2020. [3] [4] McCarthy subsequently began writing regularly for Deadline Hollywood in 2020. [5]
Todd McCarthy was born in Evanston, Illinois, [6] the son of Daniel and Barbara McCarthy. [7] His mother was a cellist and served as the president of the Evanston Symphony Orchestra. [8] His father was a rancher and real-estate developer. McCarthy graduated from Evanston Township High School (ETHS) in 1968 and Stanford University in 1972. [6] While at ETHS, he made a silent, plotless movie on Super 8 film titled Mimi after the nickname of his featured classmate who later became known as Claudia Jennings. [9] In college, McCarthy was hired as a critic at the newspaper office on campus. His first review was a positive one for the French-Italian film Belle de Jour (1967). He wrote it at the age of 18. [10]
McCarthy edited Kings of Bs: Working Within the Hollywood System with Charles Flynn, a book that discusses the great filmmakers of B movies, which was published in 1975. [1] He moved to Los Angeles and from 1974 to 1975, worked for Paramount Pictures as an assistant to Elaine May. [6] He helped her edit Mikey and Nicky (1976). From 1975 to 1977, McCarthy worked for New World Pictures in Los Angeles as the director of advertising and publicity. [6] He also joined The Hollywood Reporter as a film critic in 1975 but was let go a year later. [11] McCarthy was later the manager of the English-language edition of Le Film français in 1977. The next year, he got a job as a Hollywood editor for Film Comment . [6]
McCarthy joined Daily Variety in 1979 and worked as a reporter and film critic until 1989. [2] [11] In 1990, McCarthy wrote the PBS documentary Preston Sturges: The Rise and Fall of an American Dreamer which won him an Emmy Award. [12] He directed four documentaries about film: Visions of Light (1992), Claudia Jennings (1995), Forever Hollywood (1999), and Man of Cinema: Pierre Rissient (2007). [13] Visions of Light was named the Best Documentary of the Year by the National Society of Film Critics and the New York Film Critics Circle. Forever Hollywood has been played at Grauman's Egyptian Theatre for more than a decade. [12]
In 1991 he joined Variety as film review editor of Variety and Daily Variety. [14] He wrote about the producer/director Howard Hawks in his book, Howard Hawks: The Grey Fox of Hollywood, which was published in 2000. [13] In 2007 he wrote Fast Women: The Legendary Ladies of Racing. [6] McCarthy also wrote Des Ovnis, des Monstres et du Sexe: Le Cinéma Selon Roger Corman (2011). [15]
McCarthy lost his job at Variety in March 2010, [4] having been the longest-serving member of their staff. [1] McCarthy began writing for IndieWire after leaving Variety. He was rehired by The Hollywood Reporter in October 2010 as the chief film critic under Janice Min. [4] [3] He wrote the introduction to the 2013 edition of cinematographer John Alton's book Painting with Light . [16] McCarthy lost his job at The Hollywood Reporter in April 2020. [17] McCarthy subsequently began writing regularly for Deadline Hollywood later in 2020. [5]
At age 43, McCarthy married documentary filmmaker Sasha Alpert on July 4, 1993, at his family's ranch in Pagosa Springs, Colorado. [8]
Howard Winchester Hawks was an American film director, producer, and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." Roger Ebert called Hawks "one of the greatest American directors of pure movies, and a hero of auteur critics because he found his own laconic values in so many different kinds of genre material." He was nominated for the Academy Award for Best Director for Sergeant York (1941) and earned the Honorary Academy Award in 1974.
His Girl Friday is a 1940 American screwball comedy film directed by Howard Hawks, starring Cary Grant and Rosalind Russell and featuring Ralph Bellamy and Gene Lockhart. It was released by Columbia Pictures. The plot centers on a newspaper editor named Walter Burns who is about to lose his ace reporter and ex-wife, Hildy Johnson, newly engaged to another man. Burns suggests they cover one more story together, getting themselves entangled in the case of murderer Earl Williams as Burns desperately tries to win back his wife. The screenplay was adapted from the 1928 play The Front Page by Ben Hecht and Charles MacArthur. This was the second time the play had been adapted for the screen, the first occasion being the 1931 film which kept the original title The Front Page.
The Hollywood Reporter (THR) is an American digital and print magazine which focuses on the Hollywood film, television, and entertainment industries. It was founded in 1930 as a daily trade paper, and in 2010 switched to a weekly large-format print magazine with a revamped website. As of 2020, the day-to-day operations of the company are handled by Penske Media Corporation through a joint venture with Eldridge Industries. The magazine also sponsors and hosts major industry events.
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Thomas Joseph McCarthy is an American filmmaker and actor who has appeared in several films, including Meet the Parents and Good Night, and Good Luck, and television series such as The Wire, Boston Public and Law & Order.
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A Girl in Every Port is a 1928 American silent comedy film based on an original story by Howard Hawks, who directed the film as well. The feature stars Victor McLaglen, Robert Armstrong, and Louise Brooks. It was produced and distributed by the Fox Film Corporation, which later remade it as Goldie in 1931, with Spencer Tracy and Jean Harlow. A print of the 1928 movie exists at the George Eastman House and a DVD-R was released in 2002.
The Air Circus is a 1928 American sound part-talkie drama film directed by Howard Hawks and starring Arthur Lake, Sue Carol, David Rollins, and Louise Dresser. It is the first of Hawks's aviation films. The film is notable as the first aviation oriented film with dialogue.
A list of books and essays about Howard Hawks:
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The Road to Glory is a 1926 American silent drama film directed by Howard Hawks and starring May McAvoy, Leslie Fenton, and Ford Sterling. This was Hawks' first film, based on a 35-page treatment that Hawks wrote. It is one of only two Hawks works that are lost films.
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Chasing Trane: The John Coltrane Documentary is a 2017 American documentary film, written and directed by John Scheinfeld.
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Dick Johnson Is Dead is a 2020 American documentary film directed by Kirsten Johnson and co-written by Johnson and Nels Bangerter. The story focuses on Johnson's father Richard, who suffers from dementia, portraying different ways—some of them violent "accidents"—in which he could ultimately die. In each scenario, the elderly Johnson plays along with his daughter's black humor and imaginative fantasies. The film premiered at the 2020 Sundance Film Festival, where it won the Special Jury Award for Innovation in Non-fiction Storytelling. It was released on Netflix on October 2, 2020.
The Critics' Choice Documentary Award for Best Director is one of the awards presented annually by Critics Choice Association since the awards debuted in 2016.